#plagiarism — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #plagiarism, aggregated by home.social.
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Stella Lefty's meteoric rise to fame has come at a cost. She is currently facing allegations of plagiarism in five of her songs.
https://www.plagiarismtoday.com/2026/09/08/stella-lefty-faces-five-plagiarism-allegations/
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Stella Lefty's meteoric rise to fame has come at a cost. She is currently facing allegations of plagiarism in five of her songs.
https://www.plagiarismtoday.com/2026/09/08/stella-lefty-faces-five-plagiarism-allegations/
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RE: https://dair-community.social/@timnitGebru/117230769537879596
so when i called #AI #plagiarism-as-a-service, i wasn't wrong
UPDATE: credit where credit is due:
❝ from @bgrinter instead of #AI, call it PLAGIARISM-AS-A-SERVICE ❞
https://mastodon.social/@blogdiva/110752848095153995 -
RE: https://dair-community.social/@timnitGebru/117230769537879596
so when i called #AI #plagiarism-as-a-service, i wasn't wrong
UPDATE: credit where credit is due:
❝ from @bgrinter instead of #AI, call it PLAGIARISM-AS-A-SERVICE ❞
https://mastodon.social/@blogdiva/110752848095153995 -
RE: https://dair-community.social/@timnitGebru/117230769537879596
so when i called #AI #plagiarism-as-a-service, i wasn't wrong
UPDATE: credit where credit is due:
❝ from @bgrinter instead of #AI, call it PLAGIARISM-AS-A-SERVICE ❞
https://mastodon.social/@blogdiva/110752848095153995 -
RE: https://dair-community.social/@timnitGebru/117230769537879596
so when i called #AI #plagiarism-as-a-service, i wasn't wrong
UPDATE: credit where credit is due:
❝ from @bgrinter instead of #AI, call it PLAGIARISM-AS-A-SERVICE ❞
https://mastodon.social/@blogdiva/110752848095153995 -
RE: https://dair-community.social/@timnitGebru/117230769537879596
so when i called #AI #plagiarism-as-a-service, i wasn't wrong
UPDATE: credit where credit is due:
❝ from @bgrinter instead of #AI, call it PLAGIARISM-AS-A-SERVICE ❞
https://mastodon.social/@blogdiva/110752848095153995 -
I liked most of the first season of #Obituary but lost all interest early in season 2.
#Sweetpea seemed to have potential, but it became clear in episode 1 that both shows are so similar I have to accuse Obituary of blatant theft from Sweetpea's source material, a series of books first published years before Obituary was released.
Character type, exact same work environment, and general tone are identical.
I won't bother with either.
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❗Update on Plagiarism and Falsification in Scientific Publications
Today, I officially submitted requests for the retraction of articles to the editorial boards of the journals "Land Reclamation and Water Management" and "Bulletin of NUWM".
❗Key facts of misconduct:
🔹 Plagiarism: Unauthorized use of my original relief map (2015) without citation.
🔹 Falsification: Intentional removal (retouching) of the author’s stamp with coordinates and date-time on site photographs.
🔹 Duplication: Publication of identical material in 2021 and 2024.Next steps:
In the event of attempts to covertly remove the articles without an official retraction notice, relevant complaints will be forwarded directly to @crossref and the international members of the editorial boards.#OpenScience #ResearchMisconduct #AcademicMastodon #ScientificIntegrity #Hydrology #Geoscience #GIS #FediScience #Plagiarism #SvystunovaGully #COPE #Crossref #DataIntegrity #ImageManipulation #AcademicChatter #ResearchEthics #EarthScience #HigherEducation
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A quotation from Samuel Johnson
But when thoughts and words are collected and adjusted, and the whole composition at last concluded, it seldom gratifies the author, when he comes coolly and deliberately to review it, with the hopes which had been excited in the fury of the performance: novelty always captivates the mind; as our thoughts rise fresh upon us, we readily believe them just and original, which, when the pleasure of production is over, we find to be mean and common, or borrowed from the works of others, and supplied by memory rather than invention.
Samuel Johnson (1709-1784) English writer, lexicographer, critic
Essay (1754-03-02), The Adventurer, No. 138More about this quote: wist.info/johnson-samuel/81911…
#quote #quotes #quotation #qotd #samueljohnson #author #creativity #disappointment #editing #novelty #originality #plagiarism #repetition #review #selfconsciousness #selfcriticism #selfdefeat #selfdeprecation #selfdoubt #selfjudgment #selfopinion #selfreflection #selfsabotage #writing
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SMILE issue 4 vol. 1, December 1986; published in Florence/Italy & Baltimore/USA by John Berndt.
Scanned and put online for the first time:
https://archive.org/details/smile-issue-4-vol-1"Endlessly, we put glasses, cups and bottles down on publications, inscribing them with an infinity of sweating circles. This action, although slight, counts as an invasion of what ts usually an ideological space (the magazine) with an element of personal, nominal reality. Like any action, the aesthetic, symbolic and revolutionary potential of this interaction expands greatly when it is placed in hospitable context. Hence this issue of SMILE, which, like the previous issues, concerns itself with experimental philosophy, and its close companion, fanatical self-derangement. [...]The ideology of this magazine is the ideology of minimalism, that is, the aesthetic of the nominal, and by interacting with it, you reduce yourself to a minimum. [...] This is a user generated magazine of abstract artwork, the manifestation of creativity as the rejection of inertia.
SMILE is an international magazine of multiple origins. The name is fixed, the kind of magazines using it aren't."
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SMILE issue 4 vol. 1, December 1986; published in Florence/Italy & Baltimore/USA by John Berndt.
Scanned and put online for the first time:
https://archive.org/details/smile-issue-4-vol-1"Endlessly, we put glasses, cups and bottles down on publications, inscribing them with an infinity of sweating circles. This action, although slight, counts as an invasion of what ts usually an ideological space (the magazine) with an element of personal, nominal reality. Like any action, the aesthetic, symbolic and revolutionary potential of this interaction expands greatly when it is placed in hospitable context. Hence this issue of SMILE, which, like the previous issues, concerns itself with experimental philosophy, and its close companion, fanatical self-derangement. [...]The ideology of this magazine is the ideology of minimalism, that is, the aesthetic of the nominal, and by interacting with it, you reduce yourself to a minimum. [...] This is a user generated magazine of abstract artwork, the manifestation of creativity as the rejection of inertia.
SMILE is an international magazine of multiple origins. The name is fixed, the kind of magazines using it aren't."
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SMILE issue 4 vol. 1, December 1986; published in Florence/Italy & Baltimore/USA by John Berndt.
Scanned and put online for the first time:
https://archive.org/details/smile-issue-4-vol-1"Endlessly, we put glasses, cups and bottles down on publications, inscribing them with an infinity of sweating circles. This action, although slight, counts as an invasion of what ts usually an ideological space (the magazine) with an element of personal, nominal reality. Like any action, the aesthetic, symbolic and revolutionary potential of this interaction expands greatly when it is placed in hospitable context. Hence this issue of SMILE, which, like the previous issues, concerns itself with experimental philosophy, and its close companion, fanatical self-derangement. [...]The ideology of this magazine is the ideology of minimalism, that is, the aesthetic of the nominal, and by interacting with it, you reduce yourself to a minimum. [...] This is a user generated magazine of abstract artwork, the manifestation of creativity as the rejection of inertia.
SMILE is an international magazine of multiple origins. The name is fixed, the kind of magazines using it aren't."
-
SMILE issue 4 vol. 1, December 1986; published in Florence/Italy & Baltimore/USA by John Berndt.
Scanned and put online for the first time:
https://archive.org/details/smile-issue-4-vol-1"Endlessly, we put glasses, cups and bottles down on publications, inscribing them with an infinity of sweating circles. This action, although slight, counts as an invasion of what ts usually an ideological space (the magazine) with an element of personal, nominal reality. Like any action, the aesthetic, symbolic and revolutionary potential of this interaction expands greatly when it is placed in hospitable context. Hence this issue of SMILE, which, like the previous issues, concerns itself with experimental philosophy, and its close companion, fanatical self-derangement. [...]The ideology of this magazine is the ideology of minimalism, that is, the aesthetic of the nominal, and by interacting with it, you reduce yourself to a minimum. [...] This is a user generated magazine of abstract artwork, the manifestation of creativity as the rejection of inertia.
SMILE is an international magazine of multiple origins. The name is fixed, the kind of magazines using it aren't."
-
SMILE issue 4 vol. 1, December 1986; published in Florence/Italy & Baltimore/USA by John Berndt.
Scanned and put online for the first time:
https://archive.org/details/smile-issue-4-vol-1"Endlessly, we put glasses, cups and bottles down on publications, inscribing them with an infinity of sweating circles. This action, although slight, counts as an invasion of what ts usually an ideological space (the magazine) with an element of personal, nominal reality. Like any action, the aesthetic, symbolic and revolutionary potential of this interaction expands greatly when it is placed in hospitable context. Hence this issue of SMILE, which, like the previous issues, concerns itself with experimental philosophy, and its close companion, fanatical self-derangement. [...]The ideology of this magazine is the ideology of minimalism, that is, the aesthetic of the nominal, and by interacting with it, you reduce yourself to a minimum. [...] This is a user generated magazine of abstract artwork, the manifestation of creativity as the rejection of inertia.
SMILE is an international magazine of multiple origins. The name is fixed, the kind of magazines using it aren't."
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SMILE issue 8: SMILE BACK AT THE RULING CLASS
published by Karen Eliot/Stewart Home, London, 1985, scanned and put online for the first time:
https://archive.org/details/smile-8-smile-back-at-the-ruling-class/
In this issue, Stewart Home announces his departure from Neoism, introduces Karen Eliot as a multiple nom-de-plume, and calls for the Art Strike 1990-1993. The texts were the first drafts of material that would later appear in Stewart's books.
Money quote: "To leave Neoism is to realise it".
Third-party endorsement: "The eighth issue of SMILE (available from KAREN ELIOT) contained a devastating critique of the NEOIST CULTURAL CONSPIRACY, a critique so persuasive that it invalidated the last remnants of the once important NEOIST movement." (John Berndt in SMILE issue 7 vol 1, 1986)
#smilemagazine #neoism #plagiarism #praxis #artstrike #kareneliot
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SMILE issue 8: SMILE BACK AT THE RULING CLASS
published by Karen Eliot/Stewart Home, London, 1985, scanned and put online for the first time:
https://archive.org/details/smile-8-smile-back-at-the-ruling-class/
In this issue, Stewart Home announces his departure from Neoism, introduces Karen Eliot as a multiple nom-de-plume, and calls for the Art Strike 1990-1993. The texts were the first drafts of material that would later appear in Stewart's books.
Money quote: "To leave Neoism is to realise it".
Third-party endorsement: "The eighth issue of SMILE (available from KAREN ELIOT) contained a devastating critique of the NEOIST CULTURAL CONSPIRACY, a critique so persuasive that it invalidated the last remnants of the once important NEOIST movement." (John Berndt in SMILE issue 7 vol 1, 1986)
#smilemagazine #neoism #plagiarism #praxis #artstrike #kareneliot
-
SMILE issue 8: SMILE BACK AT THE RULING CLASS
published by Karen Eliot/Stewart Home, London, 1985, scanned and put online for the first time:
https://archive.org/details/smile-8-smile-back-at-the-ruling-class/
In this issue, Stewart Home announces his departure from Neoism, introduces Karen Eliot as a multiple nom-de-plume, and calls for the Art Strike 1990-1993. The texts were the first drafts of material that would later appear in Stewart's books.
Money quote: "To leave Neoism is to realise it".
Third-party endorsement: "The eighth issue of SMILE (available from KAREN ELIOT) contained a devastating critique of the NEOIST CULTURAL CONSPIRACY, a critique so persuasive that it invalidated the last remnants of the once important NEOIST movement." (John Berndt in SMILE issue 7 vol 1, 1986)
#smilemagazine #neoism #plagiarism #praxis #artstrike #kareneliot
-
SMILE issue 8: SMILE BACK AT THE RULING CLASS
published by Karen Eliot/Stewart Home, London, 1985, scanned and put online for the first time:
https://archive.org/details/smile-8-smile-back-at-the-ruling-class/
In this issue, Stewart Home announces his departure from Neoism, introduces Karen Eliot as a multiple nom-de-plume, and calls for the Art Strike 1990-1993. The texts were the first drafts of material that would later appear in Stewart's books.
Money quote: "To leave Neoism is to realise it".
Third-party endorsement: "The eighth issue of SMILE (available from KAREN ELIOT) contained a devastating critique of the NEOIST CULTURAL CONSPIRACY, a critique so persuasive that it invalidated the last remnants of the once important NEOIST movement." (John Berndt in SMILE issue 7 vol 1, 1986)
#smilemagazine #neoism #plagiarism #praxis #artstrike #kareneliot
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SMILE NEOISM PLAGIARISM:
an early issue of the 'international magazine of multiple origins', ca. 1984, likely co-edited by Stewart Home & Mark Pawson, with contributions by Monty Cantsin, Ben Allen and Pete Horobin."IN NEOISM WHAT WE ARE DOING IS NOT AS IMPORTANT AS THE FACT THAT WE ARE DOING IT. WHAT COUNTS IS THAT WE ARE MAKING A COLLECTIVE STAND AND THIS IS MORE IMPORTANT THAN WHAT WE ARE TAKING THE STAND ON. MOVEMENTS IN ART FORM A COUNTER BALANCE TO THE EXCESSIVE INDIVIDUALITY THAT HAS CHARACTERISED WESTERN ART FOR THE PAST THREE HUNDRED YEARS."
Scanned & put online for the first time:
https://archive.org/details/smile-plagiarism-neoism/ -
SMILE NEOISM PLAGIARISM:
an early issue of the 'international magazine of multiple origins', ca. 1984, likely co-edited by Stewart Home & Mark Pawson, with contributions by Monty Cantsin, Ben Allen and Pete Horobin."IN NEOISM WHAT WE ARE DOING IS NOT AS IMPORTANT AS THE FACT THAT WE ARE DOING IT. WHAT COUNTS IS THAT WE ARE MAKING A COLLECTIVE STAND AND THIS IS MORE IMPORTANT THAN WHAT WE ARE TAKING THE STAND ON. MOVEMENTS IN ART FORM A COUNTER BALANCE TO THE EXCESSIVE INDIVIDUALITY THAT HAS CHARACTERISED WESTERN ART FOR THE PAST THREE HUNDRED YEARS."
Scanned & put online for the first time:
https://archive.org/details/smile-plagiarism-neoism/ -
SMILE NEOISM PLAGIARISM:
an early issue of the 'international magazine of multiple origins', ca. 1984, likely co-edited by Stewart Home & Mark Pawson, with contributions by Monty Cantsin, Ben Allen and Pete Horobin."IN NEOISM WHAT WE ARE DOING IS NOT AS IMPORTANT AS THE FACT THAT WE ARE DOING IT. WHAT COUNTS IS THAT WE ARE MAKING A COLLECTIVE STAND AND THIS IS MORE IMPORTANT THAN WHAT WE ARE TAKING THE STAND ON. MOVEMENTS IN ART FORM A COUNTER BALANCE TO THE EXCESSIVE INDIVIDUALITY THAT HAS CHARACTERISED WESTERN ART FOR THE PAST THREE HUNDRED YEARS."
Scanned & put online for the first time:
https://archive.org/details/smile-plagiarism-neoism/ -
SMILE NEOISM PLAGIARISM:
an early issue of the 'international magazine of multiple origins', ca. 1984, likely co-edited by Stewart Home & Mark Pawson, with contributions by Monty Cantsin, Ben Allen and Pete Horobin."IN NEOISM WHAT WE ARE DOING IS NOT AS IMPORTANT AS THE FACT THAT WE ARE DOING IT. WHAT COUNTS IS THAT WE ARE MAKING A COLLECTIVE STAND AND THIS IS MORE IMPORTANT THAN WHAT WE ARE TAKING THE STAND ON. MOVEMENTS IN ART FORM A COUNTER BALANCE TO THE EXCESSIVE INDIVIDUALITY THAT HAS CHARACTERISED WESTERN ART FOR THE PAST THREE HUNDRED YEARS."
Scanned & put online for the first time:
https://archive.org/details/smile-plagiarism-neoism/ -
Scanned and uploaded:
Western Cell Division, 'Opening Gaps and Filling Them Up... WESTERN CELL DIVISION and You', Baltimore: Dialectical Immaterialism Press, 1987
Experimental reflections of multiple-use name identity politics, plagiarism/anti-copyright and Art Strike 1990-1993, grown out of Neoism.
"The provided texts explore themes of cultural reproduction, individual perception, and societal critique within late capitalism. 'Western Cell Division and You' conceptualizes the proliferation of a dominant 'Western Culture' and the potential for 'deviant cultures' to emerge through its divisions, while other sections discuss how plagiarism and censorship can serve as revolutionary acts against established notions of originality and controlled information. The collection further investigates 'Optically Disassociated Reality' (O.D.R.), proposing methods to alter visual perception and challenge the continuity cues ingrained by visual media like television. Ultimately, the sources advocate for a radical re-evaluation of art, identity, and social relations, calling for an Art Strike to dismantle the capitalist commodification of creativity and empower individual 'anti-skills' against pervasive societal structures."
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Scanned and uploaded:
Western Cell Division, 'Opening Gaps and Filling Them Up... WESTERN CELL DIVISION and You', Baltimore: Dialectical Immaterialism Press, 1987
Experimental reflections of multiple-use name identity politics, plagiarism/anti-copyright and Art Strike 1990-1993, grown out of Neoism.
"The provided texts explore themes of cultural reproduction, individual perception, and societal critique within late capitalism. 'Western Cell Division and You' conceptualizes the proliferation of a dominant 'Western Culture' and the potential for 'deviant cultures' to emerge through its divisions, while other sections discuss how plagiarism and censorship can serve as revolutionary acts against established notions of originality and controlled information. The collection further investigates 'Optically Disassociated Reality' (O.D.R.), proposing methods to alter visual perception and challenge the continuity cues ingrained by visual media like television. Ultimately, the sources advocate for a radical re-evaluation of art, identity, and social relations, calling for an Art Strike to dismantle the capitalist commodification of creativity and empower individual 'anti-skills' against pervasive societal structures."
-
Scanned and uploaded:
Western Cell Division, 'Opening Gaps and Filling Them Up... WESTERN CELL DIVISION and You', Baltimore: Dialectical Immaterialism Press, 1987
Experimental reflections of multiple-use name identity politics, plagiarism/anti-copyright and Art Strike 1990-1993, grown out of Neoism.
"The provided texts explore themes of cultural reproduction, individual perception, and societal critique within late capitalism. 'Western Cell Division and You' conceptualizes the proliferation of a dominant 'Western Culture' and the potential for 'deviant cultures' to emerge through its divisions, while other sections discuss how plagiarism and censorship can serve as revolutionary acts against established notions of originality and controlled information. The collection further investigates 'Optically Disassociated Reality' (O.D.R.), proposing methods to alter visual perception and challenge the continuity cues ingrained by visual media like television. Ultimately, the sources advocate for a radical re-evaluation of art, identity, and social relations, calling for an Art Strike to dismantle the capitalist commodification of creativity and empower individual 'anti-skills' against pervasive societal structures."
-
Scanned and uploaded:
Western Cell Division, 'Opening Gaps and Filling Them Up... WESTERN CELL DIVISION and You', Baltimore: Dialectical Immaterialism Press, 1987
Experimental reflections of multiple-use name identity politics, plagiarism/anti-copyright and Art Strike 1990-1993, grown out of Neoism.
"The provided texts explore themes of cultural reproduction, individual perception, and societal critique within late capitalism. 'Western Cell Division and You' conceptualizes the proliferation of a dominant 'Western Culture' and the potential for 'deviant cultures' to emerge through its divisions, while other sections discuss how plagiarism and censorship can serve as revolutionary acts against established notions of originality and controlled information. The collection further investigates 'Optically Disassociated Reality' (O.D.R.), proposing methods to alter visual perception and challenge the continuity cues ingrained by visual media like television. Ultimately, the sources advocate for a radical re-evaluation of art, identity, and social relations, calling for an Art Strike to dismantle the capitalist commodification of creativity and empower individual 'anti-skills' against pervasive societal structures."