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#dizzygillespie — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #dizzygillespie, aggregated by home.social.

  1. Carter, Gillespie Inc.

    Seems unlikely they incorporated for this release. :-)

    Part of the very enjoyable Pablo re-release series from Analogue Productions, this has two greats from different eras—Benny Carter (alto) and Dizzy Gillespie (trumpet)—playing with Tommy Flanagan (piano), Joe Pass (guitar), Al McKibbon (bass), and Micky Roker (drums).

    A mix of styles and tempos from this sextet, and a nice listen.

    #nowplaying #vinyl #jazz #swing #bop #DizzyGillespie #BennyCarter #TommyFlanagan

  2. ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Sarah Vaughan - Interlude 🛍️ 🌑 🔔 LP Vinyl Analogue version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Sarah Vaughan & Her All-Stars

    Interlude

    Night In Tunisia

    Continental Label Records 1944

    • Night in Tunisia is a musical composition written by Dizzy Gillespie in 1942 while he was playing with the Earl Hines Band

    Night in Tunisia is a Jazz standard

    It is also known as "Interlude", under which title it was recorded (with lyrics) by Sarah Vaughan and Anita O'Day.
    Gillespie himself called the tune Night in Tunisia

    Although the song is sometimes titled "A Night in Tunisia", the proper title is Night in Tunisia

    • The complex bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes gives the song a unique, mysterious feeling
    • Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

    • Sarah Vaughan and Her All-Stars

    • Dizzy Gillespie (trumpet)

    • Aaron Sachs (clarinet)

    • Georgie Auld (tenor Sax)

    • Jack Lesberg (Double Bass)

    • Chuck Wayne (guitar)

    • Piano/Producer: Leonard Feather (piano)

    • Morey Feld (drums)

    • Recorded in New York City December 31 1944 (Continental Label Records)

    Interlude

    Lyrics

    I lived in a dream for a moment
    We'd loved in a midnight solitude
    But I never knew at the moment
    Love was just an interlude

    I thrill as your arms would enfold me
    A kiss of surrender says the mood
    Then heaven fell down when you told me
    Love's a passing interlude

    The magic was unsurpassed
    Too good to last
    The magic my heart once knew
    Is dressed in blue

    The shadow of night all around me
    I walk in a moonlight solitude
    When I thought romance really found me
    Love was just an interlude

    The shadow of night all around me
    I walk in a moonlight solitude
    When I thought romance really found me
    Love was just an interlude

    Z

    Sources

    • My LP

    en.wikipedia.org/wiki/Sarah_Va

    en.wikipedia.org/wiki/A_Night_

    youtube.com/watch?v=xxAvj2cidBs

    #NowPlaying #SarahVaughan 🎶 #DizzyGillespie 🎶 #Jazz #year1942 #Saxophone #Tenor #Bass #Double 💫 #Standard #Music #Retro

  3. #Video - Why a Grammy Winner Says You Can’t Understand Jazz Without Cuba
    peertube.world/w/3sepoddXTodz5

    [from the #news collective #bellyofthebeast]

    Arturo O’Farrill is a #Grammy-winning pianist, composer and one of the most influential voices in #AfroCubanJazz. But for him, #Cuba is more than just an inspiration — it’s home, history and identity.

    In #Havana, during the 41st International #Jazz Plaza Festival, Arturo told us why #jazz cannot be understood without Cuba, why #AfroCuban roots remain central to the music’s evolution, and why #cultural exchange persists despite the #US’s decades-long economic war on Cuba.

    Arturo has been returning to Cuba year after year for over two decades, honoring his heritage, and using #music as a bridge between Cuban and US citizens - despite the personal cost of taking political positions.

    “This is Cuba,” he says. “I come here to learn how to live.”

    #OilForCuba!
    #EndTheBlockadeEmbargo
    #DizzyGillespie #LatinJazz #culture #LatinAmerica #USpol

  4. #DizzyGillespie was an early champion of #LatinMusic, often to the disdain of some of his fellow musicians. Fair to say Dizzy was on to something, eh? #Music #Jazz #AfroCuban #History youtube.com/watch?v=A5tRGMHfKrE

  5. On 6 January 1993: #DizzyGillespie, American jazz trumpeter, a creator of bebop & modern jazz (A Night In Tunisia), died of cancer at 75.
    #RIP 🥀

  6. i'm going through my records looking for ones to trade in or give away, found a mancini soundtrack that does not spark joy ("the great race"), sonny rollins' freedom suite doesn't do it to me, was eyeballing this dizzy gillespie savoy reissue but milt jackson and stuff smith make up for everything else on this record so it stays

    #nowplaying #oldvinyl #vinyl #vinylrecords #jazz #dizzygillespie #dizzy #miltjackson #stuffsmith

  7. 1966 - Dizzy Gillespie et le JATP bientôt à Paris (soon in Paris)
    #jazz #DizzyGillespie #JATP

  8. "A Night in Tunisia" is a #musicalComposition written by American trumpeter #DizzyGillespie in 1942. He wrote it while he was playing with the #BennyCarter band. It has become a #jazzStandard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by #SarahVaughan in 1944.
    youtube.com/watch?v=mqihuIeMF1Q

  9. Oscar Peterson & Dizzy Gillespie, 1975 on Pablo

    Pablo records, with a logo and name inspired by Picasso, was started by Norman Granz (who also produced this record) in the early seventies. There’s a ton of great Pablo jazz records—I generally pick them up whenever I see them.

    Recorded in 1974 in London, this release brings together two greats but it is not a “legacy” album – their playing is still super vibrant here. (Gillespie won a Best Jazz Performance Grammy for this recording).

    My copy via Antone’s Records in Austin TX

    #1970s #1975 #AntoneSRecords #AustinTX #DizzyGillespie #NormanGranz #OscarPeterson #PabloRecords #vinyl #vinylcollection #vinylfinds

  10. Dokumentarfilmperle – „Soundtrack für einen Staatsstreich“ (2024)

    Es beginnt mit einer Jazznummer. Kein Vorspann, kein erklärender Off-Kommentar. Stattdessen: Trommeln, Bläser, flackernde Schwarzweißbilder – und plötzlich sind wir mittendrin im Jahr 1960. In Kongo. Afrika im Kalten Krieg. In einem Netz aus kolonialer Gier, geopolitischer Intrige und kultureller Täuschung. Ein fantastisch gemachter und unbedingt sehenswerter Dokumentarfilm! (ARTE)

  11. "I Got Rhythm" is a piece composed by #GeorgeGershwin with lyrics by #IraGershwin and published in 1930, which became a #jazzStandard. Its #chordProgression, known as the "#rhythmChanges", is the foundation for many other popular jazz tunes such as #CharlieParker's and #DizzyGillespie's #bebop standard "Anthropology (Thrivin' on a Riff)".
    youtube.com/watch?v=v4hI-xhGZug

  12. Charlie Parker, The Mercury & Clef 10-inch LP Collection

    This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s:

    • Charlie Parker With Strings (1950)
    • Charlie Parker With Strings #2 (1954)
    • Bird and Diz (1952)
    • Charlie Parker Plays South of the Border (1952)
    • Charlie Parker (1954)

    I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has the #2 on it which can get confusing – the one with the two birds on it is the second. Most of these reproduce their Mercury labels except for the one just titled Charlie Parker which was only on Clef.

    Artwork on all these covers by David Stone Martin. Players with Charlie Parker include Bernie Leighton, Buddy Rich, Ray Brown, Mitch Miller, Max Roach, Al Haig, Percy Heath, Thelonius Monk, Curly Russell, and Dizzy Gillespie (among others). Norman Granz wrote most (all?) the sleeve notes and supervised the recordings.

    Still available in the Verve Store (and elsewhere I’m sure) it is well worth picking up.

    #10_ #1950s #2 #2021 #AlHaig #BernieLeighton #boxSet #BuddyRich #CharlieParker #Clef #CurlyRussell #DavidStoneMartin #DizzyGillespie #jazz #MaxRoach #Mercury #MitchMiller #NormanGranz #PercyHeath #RayBrown #Reissue #TheloniousMonk #vinyl #vinylcollection #vinylfinds

  13. Charlie Parker, The Mercury & Clef 10-inch LP Collection

    This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s:

    • Charlie Parker With Strings (1950)
    • Charlie Parker With Strings #2 (1954)
    • Bird and Diz (1952)
    • Charlie Parker Plays South of the Border (1952)
    • Charlie Parker (1954)

    I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has the #2 on it which can get confusing – the one with the two birds on it is the second. Most of these reproduce their Mercury labels except for the one just titled Charlie Parker which was only on Clef.

    Artwork on all these covers by David Stone Martin. Players with Charlie Parker include Bernie Leighton, Buddy Rich, Ray Brown, Mitch Miller, Max Roach, Al Haig, Percy Heath, Thelonius Monk, Curly Russell, and Dizzy Gillespie (among others). Norman Granz wrote most (all?) the sleeve notes and supervised the recordings.

    Still available in the Verve Store (and elsewhere I’m sure) it is well worth picking up.

    #10_ #1950s #2 #2021 #AlHaig #BernieLeighton #boxSet #BuddyRich #CharlieParker #Clef #CurlyRussell #DavidStoneMartin #DizzyGillespie #jazz #MaxRoach #Mercury #MitchMiller #NormanGranz #PercyHeath #RayBrown #Reissue #TheloniousMonk #vinyl #vinylcollection #vinylfinds

  14. Charlie Parker, The Mercury & Clef 10-inch LP Collection

    This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s:

    • Charlie Parker With Strings (1950)
    • Charlie Parker With Strings #2 (1954)
    • Bird and Diz (1952)
    • Charlie Parker Plays South of the Border (1952)
    • Charlie Parker (1954)

    I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has the #2 on it which can get confusing – the one with the two birds on it is the second. Most of these reproduce their Mercury labels except for the one just titled Charlie Parker which was only on Clef.

    Artwork on all these covers by David Stone Martin. Players with Charlie Parker include Bernie Leighton, Buddy Rich, Ray Brown, Mitch Miller, Max Roach, Al Haig, Percy Heath, Thelonius Monk, Curly Russell, and Dizzy Gillespie (among others). Norman Granz wrote most (all?) the sleeve notes and supervised the recordings.

    Still available in the Verve Store (and elsewhere I’m sure) it is well worth picking up.

    #10_ #1950s #2 #2021 #AlHaig #BernieLeighton #boxSet #BuddyRich #CharlieParker #Clef #CurlyRussell #DavidStoneMartin #DizzyGillespie #jazz #MaxRoach #Mercury #MitchMiller #NormanGranz #PercyHeath #RayBrown #Reissue #TheloniousMonk #vinyl #vinylcollection #vinylfinds

  15. Charlie Parker, The Mercury & Clef 10-inch LP Collection

    This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s:

    • Charlie Parker With Strings (1950)
    • Charlie Parker With Strings #2 (1954)
    • Bird and Diz (1952)
    • Charlie Parker Plays South of the Border (1952)
    • Charlie Parker (1954)

    I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has the #2 on it which can get confusing – the one with the two birds on it is the second. Most of these reproduce their Mercury labels except for the one just titled Charlie Parker which was only on Clef.

    Artwork on all these covers by David Stone Martin. Players with Charlie Parker include Bernie Leighton, Buddy Rich, Ray Brown, Mitch Miller, Max Roach, Al Haig, Percy Heath, Thelonius Monk, Curly Russell, and Dizzy Gillespie (among others). Norman Granz wrote most (all?) the sleeve notes and supervised the recordings.

    Still available in the Verve Store (and elsewhere I’m sure) it is well worth picking up.

    #10_ #1950s #2 #2021 #AlHaig #BernieLeighton #boxSet #BuddyRich #CharlieParker #Clef #CurlyRussell #DavidStoneMartin #DizzyGillespie #jazz #MaxRoach #Mercury #MitchMiller #NormanGranz #PercyHeath #RayBrown #Reissue #TheloniousMonk #vinyl #vinylcollection #vinylfinds

  16. “I was twenty when I joined Benny Goodman‘s band. Benny was forty-two at the time. But after we played about four bars, we were the same age, you know? That’s what jazz does to you. It has nothing to do with race, creed, or age; when two people play together, that’s all that counts.” - Terry Gibbs

    Read the first of our two part interview with Terry Gibbs. This conversation was captured four days after Mr. Gibbs’ 100th birthday. In part one, we cover the Dream Band, learning from Fred Albright, working with Benny Goodman and Charlie Parker, providing music for Regis Philbin and Steve Allen, and more. Dream Band’s ‘Vol. 7: The Lost Tapes, 1959’ is out now on Whaling City Sound

    #terrygibbs #terrygibbsdreamband #jazz #music #art #swingmusic #bebop #charlieparker #dizzygillespie #buddydefranco #steveallen #vibes #vibraphone #whalingcity #whalingcitysound

    postgenre.org/jazz-master-terr

  17. R.I.P. Roy Haynes (1925-2024)

    I was very sad to hear of the death yesterday (12th November) at the age of 99 of legendary jazz drummer Roy Haynes, one of the last survivors of the bebop era of the 1940s. Roy Haynes had a career that was not only exceptionally long but also exceptionally prolific: just look at the discography on his Wikipedia page! If I can add a personal note, he features on the first ever Charlie Parker LP I bought when I was about 15 and which I still have. I bought it on impulse, not really knowing who Charlie Parker was, was this record that turned me onto his music and I’ve never turned off.

    No information is provided on Youtube, but the sleeve note reveals that the track was recorded from a radio broadcast live from Birdland in New York City on March 31st 1951 using a primitive disc recording machine by an amateur recording buff called Boris Rose. The sound quality isn’t great, but he deserves much greater recognition for capturing this and so many other classic performances and preserving them for posterity.

    The personnels consist of Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Bud Powell (piano), Tommy Potter (bass) and Roy Haynes (drums).

    Here’s what the sleevenote (written by Gary Giddens) says about this track:

    “Anthropology is an “I Got Rhythm” variation which originally appeared, in a slightly different form, as “Thriving on a Riff” on Parker’s first session as leader. The tempo is insanely fast; the performance is stunning. Bird has plenty of ideas in his first chorus, but he builds the second and third around a succession of quotations: “Tenderly”, “High Society”, “Temptation.” Gillespie’s second chorus is especially fine – only Fats Navarro had comparable control among the trumpeters who worked with Bird. His blazing high notes tend to set his lyrical phrases in bold relief. Bud, the ultimate bop pianist (and much more), jumps in for two note-gobbling choruses: no quotes, though, it’s all Powell. The four bar exchanges that follow demonstrate Haynes’s precision.

    It’s a very exciting track not least because of the contributions of Roy Haynes, not only in the chase sequence mentioned in that quote but throughout the track where he demonstrates tremendous energy and imagination as well as control at such a high tempo.

    Rest in peace, Roy Haynes (1925-2024), one of the greatest of all jazz drummers.

    #Anthropology #bebop #BorisRose #BudPowell #CharlieParker #DizzyGillespie #IGotRhythm #RhythmChanges #RoyHaynes #TommyPotter

  18. The Dizzy Gillespie Jazz Ensemble :
    Dizzy Gillespie, (tp), Don Byas (ts), Arnold Ross (p), Joe Benjamin (b), Bill Clark (dr), Umberto Canto (perc)
    Studio Jouvenet, Paris, France, March 27, 1952
    youtube.com/watch?v=1tydJ4mFm4

    #jazz #botd
    #DizzyGillespie (October 21, 1917 - January 06, 1993)
    #DonByas (October 21, 1913 – August 24, 1972)

  19. This morning's #workout #music is some #AfroCubanJazz from Shabaka & The Ancestors. These guys are well-known #UK #jazz stars and their #AfroCaribbean influences remind me of #DizzyGillespie despite the lack of trumpet. I have heard them here and there, but this is the first deep dive I have taken. Lots of interesting things going on musically and I can see why they are popular, but I must say the emotional tone in this particular set is pretty neutral. Doesn't have the punch of similar projects (e.g., Matana Roberts' Coin Coin, or Art Ensemble of Chicago's We Are On The Edge) to my ear.

    youtu.be/IU4vpE2eGho

  20. #DemandezLeProgramme :
    1965 - JATP - Carnegie Hall - New York

    #EllaFitzgerald, #OscarPeterson, #DizzyGillespie, Buddy Rich, Flip Phillips, Roy Eldridge, Buddy DeFranco, Bill Harris, Ben Webster, Louie Bellson, Ray Brown, Don Abney, Herb Ellis

    #jazz #jatp

  21. Dizzy Gillespie’s Big 4

    Here’s a gem from the Acoustic Sound Pablo series - a late-period (1973) LP from Dizzy that’s beautifully played by everyone, and sounds great to boot.

    Some serious, fast work from Gillespie and Pass on Be Bop (Dizzy’s Fingers), too. I’d say more “Dizzy & Joe’s Fingers”.

    #Nowplaying #vinyl #jazz #trumpet #dizzygillespie #joepass