#vinylfinds — Public Fediverse posts

Leonard Cohen, Live Songs, 1973 on CBS

https://goatless.org/2026/09/08/leonard-cohen-live-songs-1973-on-cbs

Leonard Cohen, Live Songs, 1973 on CBS

https://goatless.org/2026/09/08/leonard-cohen-live-songs-1973-on-cbs

John Prine; For Better, Or Worse; 2016 on Oh Boy

https://goatless.org/2026/09/07/john-prine-for-better-or-worse-2016-on-oh-boy

John Prine; For Better, Or Worse; 2016 on Oh Boy

https://goatless.org/2026/09/07/john-prine-for-better-or-worse-2016-on-oh-boy

Various Artists, Miami Vice (Music From The Television Series), 1985 on MCA

https://goatless.org/2026/08/24/various-artists-miami-vice-music-from-the-television-series-1985-on-mca

Various Artists, The Harder They Come, 1972 on Mango

https://goatless.org/2026/08/10/various-artists-the-harder-they-come-1972-on-mango

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Various Artists, The Vinyl Series Volume One, 2021 on Island

https://goatless.org/2026/05/26/various-artists-the-vinyl-series-volume-one-2021-on-island

Art Pepper, Gettin’ Together, 1960 on Contemporary Records

https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records

Art Pepper, Intensity, 1963 on Contemporary Records

https://goatless.org/2026/05/07/art-pepper-intensity-1963-on-contemporary-records

Sonny Rollins, Way Out West, 1957 on Contemporary

https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia

Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.

My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.

Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia

Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.

My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.

Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia

Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.

My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.

Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia

Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.

My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.

Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia

Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.

My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Bauhaus, Mask, 1981 on Beggars Banquet

Second studio album from Bauhaus and their first on Beggars Banquet (In The Flat Field was on 4AD), with a cover drawn by Daniel Ash, across a gatefold and on the labels.

The first five Bauhaus records are are perfect – as is the singles collection 1979-1983 and most of the bands that followed in the Bauhaus diaspora (Dali’s Car, Love and Rockets, and Tones on Tail).

My copy—via A1 Records in NYC—is the 2023 reissue pressed at GZ Media.

#1980s #1981 #A1Records #Bauhaus #BeggarsBanquet #DanielAsh #DavidJay #GZMedia #KevinHaskins #NYC #PeterMurphy #Reissue #vinyl #vinylcollection #vinylfinds

U2, R.O.K., 1981 on Island Records

Punny title (you too, are ok or U2 are ok) aside, great early EP for the European market from U2. The live tracks on the b-side are from their appearance at the Paradise in Boston in March 1981 – about 8 years later my freshman dorm room would be a block away.

This was the first single (“Fire”) from the debut full-length album Boy, though there had been the EP Three and ~5 other singles before this

My copy—via A1 Records in NYC—is from the first pressing for the German marked, pressed by Sonopress in Gütersloh.

#A1Records #BostonMA #Germany #IslandRecords #NYC #Paradise #Sonopress #SonopressGmbH #U2 #vinyl #vinylcollection #vinylfinds

XTC, English Settlement, 1982 on Virgin/Epic

This was the fifth XTC studio album, out on Virgin Records in the UK and Epic in the US. The band stopped touring after this LP and became more of a studio only group. Interesting midpoint between “Making Plans For Nigel” (1979) and “Dear God” (1986). Includes “Senses Working Overtime.”

Still looking for a 2xLP version, maybe a UK pressing.

My copy—via A1 Records in NYC—is an original US single LP release, which has few tracks than the original UK release. Later US releases followed the 2xLP format.

#1980s #1982 #A1Records #Epic #NYC #vinyl #vinylcollection #vinylfinds #Virgin #XTC

John Mayall, The Latest Edition, 1974 on Polydor

I collect lots of John Mayall – this followed the era of Mayall moving to the US in the late 60s, and the band here includes Larry Taylor, Red Holloway, Soko Richardson, Hightide Harris and Randy Resnick. Lots of jazz/fusion influence here with saxophone. Mayall is wearing a cast on the cover.

Mayall passed unfortunately in 2024, but there are so many great LPs live and from the studio that I keep finding new (to me) music from his career.

My copy—via A1 Records in NYC—is a 1974 All Disc pressing in a gatefold sleeve.

#1970s #1974 #A1Records #AllDiscRecords #Blues #HightideHarris #LarryTaylor #NYC #Polydor #RandyResnick #RedHolloway #SokoRichardson #vinyl #vinylcollection #vinylfinds

Billy Joel, An Innocent Man, 1983 on Columbia / Family Productions

Billy Joel’s ninth studio LP, with the title track, “Uptown Girl,” and “The Longest Time” as big hits. Toots Thielemans joins on harmonica on “Leave a Tender Moment Alone.”

Some people might put Billy Joel in the “guilty pleasures” column – I probably did in 1983 – but I’ve really come to appreciate him. Guess I’m getting old.

My copy—via A1 Records in NYC—is a 1983 Carrollton US pressing with the original printed inner sleeve.

#1980s #1983 #A1Records #BillyJoel #CarrolltonGA #Columbia #FamilyProductions #NYC #vinyl #vinylcollection #vinylfinds

Cowboy Junkies, Misguided Angel, 1989 on RCA

Margo, Peter, and MIchael Timmons with Alan Anton were Cowboy Junkies. This EP came out alongside the Trinity Session album, with the lead single “Misguided Angel” from that session at the Church of the Holy Trinity in Toronto, plus four live tracks recorded at the ROXY in Hollywood.

Both “Sweet Jane” and “Walking After Midnight” were also on Trinity Session. The choice of songs: covering Lou Reed, Robert Johnson, and Patsy Cline, is a pretty good implication as to the sound of Cowboy Junkies.

My copy—via A1 Records in NYC—is a US promotional copy.

#1980s #1989 #A1Records #AlanAnton #CowboyJunkies #LosAngeles #LouReed #MargoTimmins #MichaelTimmons #NYC #PatsyCline #PeterTimmons #Promo #RobertJohnson #vinyl #vinylcollection #vinylfinds

Cactus World News, Special Forces Radio Concert, 1986 on Entertainment Radio / MCA

Another promo only release, this was a radio concert – originally sponsored by SPIN (the magazine), which is still featured on the cover, but with an insert noting SPIN has terminated their sponsorship.

Includes the cue sheet for radio programming and the original advertisements. This show was recorded at the Whiskey A Go-Go in Los Angeles.

My copy—via A1 Records in NYC—is marked with WDFH, a public radio station in Westchester. Not sure if the ???!!! is expressing the question of whether to file this under Cactus World News, or just reacting to the name of the band.

#1986 #A1Records #CactusWorldNews #EntertainmentRadioInc #Live #MCA #NYC #Promo #Transcription #vinyl #vinylcollection #vinylfinds #WDFH #WhiskeyAGoGo

The Power Station, Some Like It Hot And The Heat is On (12″), 1985 on Capitol

The Power Station were a kind of supergroup, pairing Andy & John Taylor (Duran Duran) with Tony Thompson (Chic) and Robert Palmer (who was later replaced by Michael Des Barres). Production by Bernie Edwards (also of Chic).

Love the extended version on the A-side – the “The Heat Is On” on the B-side isn’t fully instrumental but is labeled as such.

My copy—via A1 Records in NYC—is a Jacksonville pressing.

#1980s #1985 #A1Records #AndyTaylor #BernieEdwards #DuranDuran #Jacksonville #NYC #RobertPalmer #ThePowerStation #vinyl #vinylcollection #vinylfinds

Thomas Dolby, Blinded By Science, 1983 on Harvest.

An EP or “Mini LP” by Dolby with the 12″ single versions of songs from The Golden Age of Wireless. The version of “Airwaves” here (5:20) is the full length version as opposed to the 3:35 version that appeared on the US version of album.

My copy—via A1 Records in NYC—is a US pressing on Harvest / Venice in Peril records with manufactured by Capitol in the rim text and EMI Ltd phonographic copyright.

#1983 #A1Records #EMI #Harvest #NYC #ThomasDolby #vinyl #vinylcollection #vinylfinds

Fine Young Cannibals, The Raw & The Cooked, 1988 on IRS Records / MCA

This was the second Fine Young Cannibals album following their self-titled debut. Roland Gift on vocals with the rhythm section of Andy Cox and David Steele (formerly of The Beat aka The English Beat).

Many of the songs on the LP had already appeared on film soundtracks including three from the Barry Levinson film Tin Men. Most well known would be “She Drives Me Crazy” which was a number 1 hit in the US.

My copy—via A1 Records in NYC—is a Columbia House Record Club pressing from Carrollton GA. (Note the CRC in the bottom right corner of the back sleeve).

#1980s #1988 #A1Records #AndyCox #CarrolltonGA #ColumbiaHouseRecordClub #DavidSteele #FineYoungCannibals #IRSRecords #MCA #NYC #RolandGift #TheBeat #TheEnglishBeat #vinyl #vinylcollection #vinylfinds

Indigo Girls, Indigo Girls, 1989 on Epic

Sophomore album from Amy Ray and Emily Sallers, with their massive breakout hit “Closer To Fine.” Michael Stipe guests on “Kid Fears” and Hothouse Flowers guest on multiple tracks including “Closer to Fine” (which recently had a revival as it appeared in the movie Barbie).

My copy—via A1 Records in NYC—is a promo copy labelled with WDFH-FM, which is a public radio affiliate in Westchester County. It probably had a hype sticker or inventory sticker on the front cover as well which a previous owner removed. I know some people hate a cover that is “marred” but I think it just adds some provenance and color. :shrug:

#1980s #1989 #A1Records #AmyRay #EmilySallers #Epic #IndigoGirls #NYC #vinyl #vinylcollection #vinylfinds #Westchester #WHDHFM

The Smiths, Strangeways Here We Come, 1987 on Rough Trade.

Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience.

Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover of The Queen is Dead.

My copy—via A1 Records in NYC—is the 2009 Rhino reissue which sounds great (though I don’t have an 80s pressing to compare it to).

#1980s #1987 #2009 #A1Records #JohnnyMarr #morrissey #NYC #Reissue #Rhino #RoughTrade #Salford #StephenStreet #TheSmiths #vinyl #vinylcollection #vinylfinds

Sting, Bring On The Night, 1986 on A&M

Sting’s first solo live album, a 2xLP set recorded over multiple nights of a tour in 1985. Sting was touring here with Branford Marsalis, Darryl Jones, Kenny Kirkland, Omar Hakim and others – basically a killer jazz band.

The band is incredibly tight and the energy of the shows is wonderful – even on songs like “We Work The Black Seam.” I love the “Driven To Tears” here and the “Moon Over Bourbon Street.” This is a must-have if you appreciate Sting’s jazz period (as I do). Artwork by Su Huntley and Donna Muir.

My copy—via A1 Records in NYC—is a 1986 PRS UK pressing. Per discogs this doesn’t seem to have ever been issued on vinyl in the US.

#1980s #1986 #AM #A1Records #BranfordMarsalis #DarrylJones #NYC #OmarHakim #Sting #ThePolice #UK #vinyl #vinylcollection #vinylfinds

Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder

Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.

My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.

#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds

Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder

Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.

My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.

#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds

Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder

Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.

My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.

#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds

Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder

Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.

My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.

#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds

John Mayall, Down The Line, 1973 on London Records

Compilation of songs previously released: First LP includes songs from Blues Breakers, A Hard Road, Crusade, The Blues Alone, Bare Wires, Blues From Laurel Canyon, and Looking Back, and the second LP is John Mayall Plays John Mayall (1965) which was never released on vinyl in the US (and had not been issued in the US when this came out).

I’m a massive John Mayall fan – I don’t normally try to pick up compilations of things I already have, but this is a good way to get the live tracks on LP2 as I’ve never seen a John Mayall Plays John Mayall in the wild.

My copy is a Bestway Pressing via A1 records in New York City.

#1970s #1973 #A1Records #Blues #compilation #JohnMayall #LondonRecords #NYC #vinyl #vinylcollection #vinylfinds

The Modern Lovers, The Modern Lovers, 1976 on Beserkley

Jonathan Richman and the Modern Lovers are part of the indie rock canon, especially here in greater Boston. They formed in Natick MA in 1970, and were active from 1970 to 1974, but most of their records came out later – this one in 1976.

Jerry Harrison (of Talking Heads) gets credit for piano, organ, and backing vocals, with Ernie Brooks playing bass, and David Robinson drums. John Cale produced six of the songs. That’s a gig poster for Gloucester High School auditorium on the rear cover.

Some legendary songs here – “Roadrunner” (which you may know via the Sex Pistol’s cover and after which a local venue is now named) and “Pablo Picasso” which has been covered by many people including David Bowie and Jack White.

My copy—via A1 records in NYC—is a later reissue (2009) by 4 Men With Beards on 180g vinyl.

#1970s #1976 #4MenWithBears #A1Records #Beserkley #DavidRobinson #ErnieBrooks #JerryHarrison #JohnCale #JonathanRichman #ModernLovers #NYC #Reissue #Roadrunner #vinyl #vinylcollection #vinylfinds

The Damned, Machine Gun Etiquette, 1979 on Chiswick

This was the third studio album from Dave Vanian, Captain Sensible, Rat Scabies, and (new bassist) Algy Ward, collectively known as The Damned.

Includes a cover of “Looking at You” by the MC5, as well as “Love Song” and “I Just Can’t Be Happy Today.” I believe this was only available as an import in the US until issued on CD in 1991 by Emergo.

My copy is a later UK repressing (1986) on ACE Records, pressed at Sonopress in Germany – via A1 Records in NYC.

#1970s #1979 #A1Records #Ace #AlgyWard #CaptainSensible #Chiswick #DaveVanian #NYC #punk #RatScabies #Sonopress #TheDamned #vinyl #vinylcollection #vinylfinds

Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside

Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover.

My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the Riverside catalog in 1972. These are wonderful reissues across Riverside, Prestige, Contemporary and other labels – and well worth picking up whenever you see them in good condition.

#1950s #1956 #ArtBlakey #BillGrauer #Fantasy #jazz #OriginalJazzClassics #OrrinKeepnews #OscarPettiford #Reissue #Riverside #RudyVanGelder #TheloniousMonk #vinyl #vinylcollection #vinylfinds

Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside

Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover.

My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the Riverside catalog in 1972. These are wonderful reissues across Riverside, Prestige, Contemporary and other labels – and well worth picking up whenever you see them in good condition.

#1950s #1956 #ArtBlakey #BillGrauer #Fantasy #jazz #OriginalJazzClassics #OrrinKeepnews #OscarPettiford #Reissue #Riverside #RudyVanGelder #TheloniousMonk #vinyl #vinylcollection #vinylfinds

Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside

Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover.

My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the Riverside catalog in 1972. These are wonderful reissues across Riverside, Prestige, Contemporary and other labels – and well worth picking up whenever you see them in good condition.

#1950s #1956 #ArtBlakey #BillGrauer #Fantasy #jazz #OriginalJazzClassics #OrrinKeepnews #OscarPettiford #Reissue #Riverside #RudyVanGelder #TheloniousMonk #vinyl #vinylcollection #vinylfinds

Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside

Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover.

My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the Riverside catalog in 1972. These are wonderful reissues across Riverside, Prestige, Contemporary and other labels – and well worth picking up whenever you see them in good condition.

#1950s #1956 #ArtBlakey #BillGrauer #Fantasy #jazz #OriginalJazzClassics #OrrinKeepnews #OscarPettiford #Reissue #Riverside #RudyVanGelder #TheloniousMonk #vinyl #vinylcollection #vinylfinds

Gerry Mulligan, California Concerts, 1955 on Pacific Jazz

Collection of live recordings featuring the Gerry Mulligan Quartet on the A-Side and the Gerry Mulligan Sextet on the B-Side. The quartet here is with Jon Eardley, Red Mitchell, and Chico Hamilton; the sextet with Bob Brookmeyer, Zoot Sims, and Larry Bunker with Eardly and Mitchell.

The A-side was recorded at Stockton High School in November 1954, the B-Side at Hoover High School in San Diego.

My copy is an original mono pressing on Pacific Jazz from 1955, via Crossroads Records in Portland OR. The sleeve is pretty worn, but the vinyl sounds great.

#1950s #1955 #BobBrookmeyer #ChicoHamilton #CrossroadsRecords #GerryMulligan #GerryMulliganQuartet #GerryMulliganSextet #jazz #JonEardley #LarryBunker #PacificJazzRecords #PortlandOR #RedMitchell #sanDiego #Stockton #vinyl #vinylcollection #vinylfinds #ZootSims

Gerry Mulligan Quartet featuring Chet Baker, Gerry Mulligan Quartet, 1955 on Pacific Jazz

This was a compilation of tracks previously issued on three different 10″ records issued by Pacific Jazz in 1952 and 1953: PJ LP-1, PJ LP-2, and PJ LP-5.

Besides Mulligan and Baker, the musicians include Larry Bunker or Chico Hamilton (drums) and Carson Smith or Bob Whitlock (bass).

The cover painting is by Keith Finch, part of a series in which Pacific Jazz worked with West Coast artists. The back cover notes “Reproductions of the cover painting suitable for framing are available to you at 50c per copy postpaid.” Wonder if they’d honor that nearly 70 years later.

My copy looks to be a 1957 pressing (see “REmastered REissue” on the labels) from RCA’s Hollywood plant. The cover has seen better days, but the vinyl is in great shape.

Via Crossroads Records in Portland OR.

#1950s #1955 #BobWhitlock #CarsonSmith #ChetBaker #ChicoHamilton #CrossroadsRecords #GerryMulligan #GerryMulliganQuartet #jazz #KeithFinch #LarryBunker #PacificJazzRecords #PortlandOR #vinyl #vinylcollection #vinylfinds #WestCoast