#vinylfinds — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #vinylfinds, aggregated by home.social.
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Pet Shop Boys, Actually, 1987 on Gong / Parlophone
Secodn studio LP from Chris Lowe and Neil Tennant aka Pet Shop Boys, released in 1987 on Parlophone in the UK and EMI America in the US. Wonderful collection of songs, including "Shopping" and "What Have I Done To Deserve This" as well as "It's a Sin" which was a hit single. Production duties split between Julian Mendelsohn, Steven Hague, David Jacob, Shep Pettibone, and Pet Shop Boys across different tracks. My copy—via Wave Music in Budapest Hungary—is a Hungarian pressing on orange […]https://goatless.org/2026/09/11/pet-shop-boys-actually-1987-on-gong-parlophone
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Pet Shop Boys, Actually, 1987 on Gong / Parlophone
Secodn studio LP from Chris Lowe and Neil Tennant aka Pet Shop Boys, released in 1987 on Parlophone in the UK and EMI America in the US. Wonderful collection of songs, including "Shopping" and "What Have I Done To Deserve This" as well as "It's a Sin" which was a hit single. Production duties split between Julian Mendelsohn, Steven Hague, David Jacob, Shep Pettibone, and Pet Shop Boys across different tracks. My copy—via Wave Music in Budapest Hungary—is a Hungarian pressing on orange […]https://goatless.org/2026/09/11/pet-shop-boys-actually-1987-on-gong-parlophone
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Old & In The Way, Old & In the Way, 1975 on Round Records
Old & In The Way were a bluegrass band that included Jerry Garcia and David Grisman along with Peter Rowan, Vassar Clements, and John Kahn. This was their debut album, put out in 1975 - which would become one of the best selling bluegrass albums of all time. (The soundtrack to O Brother, Where Art Thou? eventually displaced it). It was recorded live at The Boarding House in San Francisco October 8, 1873. This is not just for Garcia fans but really shows his depth and breadth, working with […]https://goatless.org/2026/09/10/old-in-the-way-old-in-the-way-1975-on-round-records
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Old & In The Way, Old & In the Way, 1975 on Round Records
Old & In The Way were a bluegrass band that included Jerry Garcia and David Grisman along with Peter Rowan, Vassar Clements, and John Kahn. This was their debut album, put out in 1975 - which would become one of the best selling bluegrass albums of all time. (The soundtrack to O Brother, Where Art Thou? eventually displaced it). It was recorded live at The Boarding House in San Francisco October 8, 1873. This is not just for Garcia fans but really shows his depth and breadth, working with […]https://goatless.org/2026/09/10/old-in-the-way-old-in-the-way-1975-on-round-records
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The Dream Academy, Remembrance Days, 1987 on Reprise
Sophomore album from Nick Laird-Clowes, Kate St. John, and Gilbert Gabriel aka "The Dream Academy." Most well known for "Life in a Northern Town" from their debut album. This second release got less attention, but I love it - "Indian Summer" and "Everybody's Gotta Learn Sometime" in particular. Guests here in Lindsey Buckingham, who played on and produced two songs plus Nicky Holland (who played with Fun Boy Three and Tears for Fears). My copy—via Music Heals in Palm Springs CA—is an […]https://goatless.org/2026/09/06/the-dream-academy-remembrance-days-1987-on-reprise
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The Dream Academy, Remembrance Days, 1987 on Reprise
Sophomore album from Nick Laird-Clowes, Kate St. John, and Gilbert Gabriel aka "The Dream Academy." Most well known for "Life in a Northern Town" from their debut album. This second release got less attention, but I love it - "Indian Summer" and "Everybody's Gotta Learn Sometime" in particular. Guests here in Lindsey Buckingham, who played on and produced two songs plus Nicky Holland (who played with Fun Boy Three and Tears for Fears). My copy—via Music Heals in Palm Springs CA—is an […]https://goatless.org/2026/09/06/the-dream-academy-remembrance-days-1987-on-reprise
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Neil Young & Crazy Horse, Reactor, 1981 on Reprise
This was the last album for Young & Crazy Horse on Reprise before the five album run on Geffin. Some would consider this a kind of punk or even post-punk (is 1981 too early for post-punk?) version of Neil Young & Crazy Horse. It sometimes gets listed as one of their least successful records—the lyrics to T-Bone, for example—but I think it's got a certain rough charm. "Surfer Joe and Moe the Sleaze" is widely reputed to be about the Reprise records team, specifically Mo Ostin and Joe […]https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise
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Neil Young & Crazy Horse, Reactor, 1981 on Reprise
This was the last album for Young & Crazy Horse on Reprise before the five album run on Geffin. Some would consider this a kind of punk or even post-punk (is 1981 too early for post-punk?) version of Neil Young & Crazy Horse. It sometimes gets listed as one of their least successful records—the lyrics to T-Bone, for example—but I think it's got a certain rough charm. "Surfer Joe and Moe the Sleaze" is widely reputed to be about the Reprise records team, specifically Mo Ostin and Joe […]https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise
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Neil Young & Crazy Horse, Reactor, 1981 on Reprise
This was the last album for Young & Crazy Horse on Reprise before the five album run on Geffin. Some would consider this a kind of punk or even post-punk (is 1981 too early for post-punk?) version of Neil Young & Crazy Horse. It sometimes gets listed as one of their least successful records—the lyrics to T-Bone, for example—but I think it's got a certain rough charm. "Surfer Joe and Moe the Sleaze" is widely reputed to be about the Reprise records team, specifically Mo Ostin and Joe […]https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise
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Neil Young & Crazy Horse, Reactor, 1981 on Reprise
This was the last album for Young & Crazy Horse on Reprise before the five album run on Geffin. Some would consider this a kind of punk or even post-punk (is 1981 too early for post-punk?) version of Neil Young & Crazy Horse. It sometimes gets listed as one of their least successful records—the lyrics to T-Bone, for example—but I think it's got a certain rough charm. "Surfer Joe and Moe the Sleaze" is widely reputed to be about the Reprise records team, specifically Mo Ostin and Joe […]https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise
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Neil Young & Crazy Horse, Reactor, 1981 on Reprise
This was the last album for Young & Crazy Horse on Reprise before the five album run on Geffin. Some would consider this a kind of punk or even post-punk (is 1981 too early for post-punk?) version of Neil Young & Crazy Horse. It sometimes gets listed as one of their least successful records—the lyrics to T-Bone, for example—but I think it's got a certain rough charm. "Surfer Joe and Moe the Sleaze" is widely reputed to be about the Reprise records team, specifically Mo Ostin and Joe […]https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise
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Golden Smog, On Golden Smog, 1992 on Crackpot Records
Golden Smog were a "supergroup" of sorts (see the hype sticker) with members of The Jayhawks, Soul Asylum, The Replacements, and Run Westy Run. When this EP was released in 1993 it was not pressed on vinyl. The band members all used pseudonyms in the credits, and the songs are all covers, by: Michaelangelo, Har, Bad Company, Rolling Stones, and Thin Lizzy. My copy—via Record Exchange in Salem MA—is the 2022 Record Store Day edition which was the first official vinyl: a single-sided […]https://goatless.org/2026/08/23/golden-smog-on-golden-smog-1992-on-crackpot-records
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Golden Smog, On Golden Smog, 1992 on Crackpot Records
Golden Smog were a "supergroup" of sorts (see the hype sticker) with members of The Jayhawks, Soul Asylum, The Replacements, and Run Westy Run. When this EP was released in 1993 it was not pressed on vinyl. The band members all used pseudonyms in the credits, and the songs are all covers, by: Michaelangelo, Har, Bad Company, Rolling Stones, and Thin Lizzy. My copy—via Record Exchange in Salem MA—is the 2022 Record Store Day edition which was the first official vinyl: a single-sided […]https://goatless.org/2026/08/23/golden-smog-on-golden-smog-1992-on-crackpot-records
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Bonnie Raitt, Nick of Time, 1989 on Capitol
Although this was Bonnie Raitt's big commercial breakthrough—and maybe where I first heard her?—it was actually her tenth studio album. (Later I'd find her back catalogue which has much to recommend in it). It was also her first on Capitol, having been dropped by Warner Bros. It was produced by Don Was (future Blue Note president), with whom she'd collaborated on Stay Awake. Includes John Hiatt's "Thing Called Love" as well as the title track Raitt wrote. "Cry On My Shoulder" has David […]https://goatless.org/2026/08/09/bonnie-raitt-nick-of-time-1989-on-capitol
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JAWBREAKER
Etc.
2022 U.S. Ltd. Edition reissueIf the R.E.M. collection Dead Letter Office that I posted is my favorite b-sides & rarities album ever, THIS would be a very close second.
On this Masto, I’m on record many times in saying that #jawbreaker is one of the three or so most beloved bands of my lifetime. They have enriched my life in so many ways that it’s hard to imagine.
THIS collection gathers all the split 7” songs they did with other bands, stray B’s, cover songs, and alternate recordings throughout their existence.
Perfect way to start off a Monday morning and head into a new week.
A quick note: I’ve always preferred the Dear You-era recording of “Boxcar” that appears here (as well as on the expanded edition of Dear You). It’s got way more muscle, and just sounds waaay better.
Have always loved the Psych Furs cover as well.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #vinylfinds #rare #art #punk #1990s
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CORBEAU
Illégal
1982 Canada pressingSome hard-edged melodic #80s rock from Quebec.
I don’t understand what these songs are about, as 90% of this album is sung in French. Musically however, I really dig it.
This was the last record that singer Marjolene Morin would be on before taking her powerful rock vocals with her into a pretty successful solo career.Apparently, this band was VERY popular at the time in and around Quebec and Canada. They got a lot of airplay, and Illégal is considered the peak of that success.
It’s the only record of theirs I’ve ever seen or heard, but based on how much i like this, I’d jump at the chance to buy others.
Really fun band.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #corbeau #quebec #french #1980s #80s #80sMusic #canada
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Sometimes, you just need to buy a Mr. Miyagi action figure.
Wax on, wax off.
He sure does.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #media #toys #vintagetoys #thekaratekid #mrmiyagi #1980s #80s #80sToys -
John Lennon, Rock ‘n’ Roll, 1981 on MFP/Parlophone
Originally released in the US and UK on Apple Records in 1975, these recordings were made at A&M studios (LA) in late 1973 and the Power Plant in New York in late 1974, during Lennon's so called "lost weekend" where he was separated from Yoko Ono and doing a fair amount of drinking and drugs. These are all covers from the 50s and 60s, including Chuck Berry's "You Can't Catch Me" which Lennon copped from for "Come Together." Phil Spector produced the LA sessions but not the New York ones. […]https://goatless.org/2026/06/11/john-lennon-rock-n-roll-1981-on-mfp-parlophone
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Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia
Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.
My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.
#1950s #1957 #ArtBlakey #ArtBlakeyAndTheJazzMessengers #BillHardman #Candido #CharlesWright #Columbia #JackieMcLean #jazz #OscarPettiford #RayBryant #Sabu #SamDockery #SpankyDeBrest #TheJazzMessengers #vinyl #vinylcollection #vinylfinds -
Booker Ervin, The Freedom Book, 1964 on Prestige
Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).
My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.
#1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds -
Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic
Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.
Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.
My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.
#1960s #1961 #2017 #Atlantic #ConnieKay #HankJones #jazz #JohnColtrane #MiltJackson #NesuhiErtegun #PaulChambers #Reissue #Rhino #TomDowd #vinyl #vinylcollection #vinylfinds -
Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.
My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
#1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds -
De La Soul, Clear Lake Auditorium, 1994 on Tommy Boy
I love De La Soul, especially the first three albums – 3 Feet High and Rising, De La Soul is Dead, and Buhloone Mindstate. This EP was a promotional only release in 1994, which was widely bootlegged over the years, and includes 4 tracks from Buloone Mindstate plus two non-album tracks, one of which features A Tribe Called Quest.
My copy is the 2025 limited edition reissue & repress on translucent green vinyl, which was issued in a “gel” sleeve that actually contains liquid. I immediately re-sleeved, but of course kept the gel sleeve too.
#1990s #1994 #2025 #Chrysalis #DeLaSoul #HipHop #Reissue #TommyBoy #TribeCalledQuest #vinyl #vinylcollection #vinylfinds -
Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve
Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.
There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.
My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.
#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot
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Public Enemy, Yo! Bum Rush the Show, 1987 on Def Jam
Debut studio album from Public Enemy, recorded at Spectrum City Studios and produced by Bill Stephney (of The Bomb Squad, with co-producers Carl Ryder and Hank Shocklee) with Rick Rubin credited as Executive Producer.
Still looking for a good vinyl copy of It Takes a Nation of Millions. Def Jam was distributed by CBS/Columbia (thus the Columbia on the labels).
My copy, via the Worcester Record Riot, is a 1987 Carrollton GA pressing with the BFC catalog number on the spine.
#1980s #billStephney #carlRyder #carrolltonGa #columbia #defJam #hankShocklee #hipHop #hipHop2 #publicEnemy #theBombSquad #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot
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John Mayall, The Latest Edition, 1974 on Polydor
I collect lots of John Mayall – this followed the era of Mayall moving to the US in the late 60s, and the band here includes Larry Taylor, Red Holloway, Soko Richardson, Hightide Harris and Randy Resnick. Lots of jazz/fusion influence here with saxophone. Mayall is wearing a cast on the cover.
Mayall passed unfortunately in 2024, but there are so many great LPs live and from the studio that I keep finding new (to me) music from his career.
My copy—via A1 Records in NYC—is a 1974 All Disc pressing in a gatefold sleeve.
#1970s #1974 #A1Records #AllDiscRecords #Blues #HightideHarris #LarryTaylor #NYC #Polydor #RandyResnick #RedHolloway #SokoRichardson #vinyl #vinylcollection #vinylfinds
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Timbuk 3, Greetings From Timbuk 3, 1986 on I.R.S. Records
Debut album from Pat MacDonald and Barbara Koyman MacDonald, the husband and wife duo better known as Timbuk 3 (sometimes written Timbuk3), featuring their most well known single “The Future’s So Bright I Gotta Wear Shades.”
Such great songwriting on this and all their albums – people sometimes think of them as a one-hit wonder but really there are a ton of great songs on all their albums – well worth picking up if you come across them.
My copy—again via Vinyl Destination in Lowell MA—is an early pressing from MCA Gloversville, with the lyrics sheet but without the custom I.R.S. Records inner sleeve.
#1980s #1986 #Alternative #BarbaraMacDonald #IRSRecords #LowellMA #PatMacDonald #Timbuk3 #vinyl #VinylDestination #vinylcollection #vinylfinds
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The Modern Lovers, The Modern Lovers, 1976 on Beserkley
Jonathan Richman and the Modern Lovers are part of the indie rock canon, especially here in greater Boston. They formed in Natick MA in 1970, and were active from 1970 to 1974, but most of their records came out later – this one in 1976.
Jerry Harrison (of Talking Heads) gets credit for piano, organ, and backing vocals, with Ernie Brooks playing bass, and David Robinson drums. John Cale produced six of the songs. That’s a gig poster for Gloucester High School auditorium on the rear cover.
Some legendary songs here – “Roadrunner” (which you may know via the Sex Pistol’s cover and after which a local venue is now named) and “Pablo Picasso” which has been covered by many people including David Bowie and Jack White.
My copy—via A1 records in NYC—is a later reissue (2009) by 4 Men With Beards on 180g vinyl.
#1970s #1976 #4MenWithBears #A1Records #Beserkley #DavidRobinson #ErnieBrooks #JerryHarrison #JohnCale #JonathanRichman #ModernLovers #NYC #Reissue #Roadrunner #vinyl #vinylcollection #vinylfinds
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Lucinda Williams, Ramblin’ On My Mind, 1979 on Folkways
Attributed to “Lucinda” mono-nymically, this was Williams’ debut solo album, released in 1979 on Folkways (which became Smithsonian Folkways in 1987).
She’s accompanied by John Grimaudo on 6-string guitar (she plays 12-string and sings), and the album was produced by Tom Royals, an attorney for whom this is the only producing credit – he was a friend of her father. It was recorded at Malaco Studios in Jackson, Mississippi.
It’s a collection of blues, folk, and country covers, some traditional and some by named artists: Robert Johnson, A.P. Carter, Memphis Minnie, Sleepy John Estes, Hammie Nixon, Hank Williams, Roy Acuff, Joe Hayes and Jack Rhodes.
My copy is a 2021 reissue, but I’m not sure where I got it from.
#1970s #1979 #APCarter #Blues #Country #covers #Folk #Folkways #HankWilliams #JohnGrumaudo #LucindaWilliams #MalacoStudios #RobertJohnson #SmithsonianFolkways #TomRoyals #vinyl #vinylcollection #vinylfinds
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Lucinda Williams, Ramblin’ On My Mind, 1979 on Folkways
Attributed to “Lucinda” mono-nymically, this was Williams’ debut solo album, released in 1979 on Folkways (which became Smithsonian Folkways in 1987).
She’s accompanied by John Grimaudo on 6-string guitar (she plays 12-string and sings), and the album was produced by Tom Royals, an attorney for whom this is the only producing credit – he was a friend of her father. It was recorded at Malaco Studios in Jackson, Mississippi.
It’s a collection of blues, folk, and country covers, some traditional and some by named artists: Robert Johnson, A.P. Carter, Memphis Minnie, Sleepy John Estes, Hammie Nixon, Hank Williams, Roy Acuff, Joe Hayes and Jack Rhodes.
My copy is a 2021 reissue, but I’m not sure where I got it from.
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#1970s #1979 #APCarter #Blues #Country #covers #Folk #Folkways #HankWilliams #JohnGrumaudo #LucindaWilliams #MalacoStudios #RobertJohnson #SmithsonianFolkways #TomRoyals #vinyl #vinylcollection #vinylfinds
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Lucinda Williams, Ramblin’ On My Mind, 1979 on Folkways
Attributed to “Lucinda” mono-nymically, this was Williams’ debut solo album, released in 1979 on Folkways (which became Smithsonian Folkways in 1987).
She’s accompanied by John Grimaudo on 6-string guitar (she plays 12-string and sings), and the album was produced by Tom Royals, an attorney for whom this is the only producing credit – he was a friend of her father. It was recorded at Malaco Studios in Jackson, Mississippi.
It’s a collection of blues, folk, and country covers, some traditional and some by named artists: Robert Johnson, A.P. Carter, Memphis Minnie, Sleepy John Estes, Hammie Nixon, Hank Williams, Roy Acuff, Joe Hayes and Jack Rhodes.
My copy is a 2021 reissue, but I’m not sure where I got it from.
#1970s #1979 #APCarter #Blues #Country #covers #Folk #Folkways #HankWilliams #JohnGrumaudo #LucindaWilliams #MalacoStudios #RobertJohnson #SmithsonianFolkways #TomRoyals #vinyl #vinylcollection #vinylfinds
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Lucinda Williams, Ramblin’ On My Mind, 1979 on Folkways
Attributed to “Lucinda” mono-nymically, this was Williams’ debut solo album, released in 1979 on Folkways (which became Smithsonian Folkways in 1987).
She’s accompanied by John Grimaudo on 6-string guitar (she plays 12-string and sings), and the album was produced by Tom Royals, an attorney for whom this is the only producing credit – he was a friend of her father. It was recorded at Malaco Studios in Jackson, Mississippi.
It’s a collection of blues, folk, and country covers, some traditional and some by named artists: Robert Johnson, A.P. Carter, Memphis Minnie, Sleepy John Estes, Hammie Nixon, Hank Williams, Roy Acuff, Joe Hayes and Jack Rhodes.
My copy is a 2021 reissue, but I’m not sure where I got it from.
#1970s #1979 #APCarter #Blues #Country #covers #Folk #Folkways #HankWilliams #JohnGrumaudo #LucindaWilliams #MalacoStudios #RobertJohnson #SmithsonianFolkways #TomRoyals #vinyl #vinylcollection #vinylfinds
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Chet Baker, Chet, 1959 on Riverside
The labels carry a subtitle of “Ballads by Chet Baker,” and the rear cover suggests “The lyrical trumpet of Chet Baker” but most people just call it Chet. Riverside RLP 12-299 (mono) and RLP 1135 (stereo).
He’s joined here by Pepper Adams, Paul Chambers, Herbie Mann, Bill Evans, and Philly Joe Jones / Connie Kay splitting drums duty, plus Kenny Burrell on two tracks. The liner notes (by Orrin Keepnews) say “Pianist Bill Evans . . . is just beginning to attract real public attention, but has for some time been the object of extreme praise from fellow musicians.”
My copy is a 2021 reissue by Craft Recordings (CR 00359) pressed at RTI with lacquers cut by Kevin Grey – via Beatnick Records in Montreal QC – which sounds fantastic.
#1950s #1959 #BeatnickRecords #BillEvans #ChetBaker #ConnieKay #craftRecordings #HerbieMann #jazz #KennyBurrell #MontrealQC #PaulChambers #PepperAdams #PhillyJoeJones #Riverside #vinyl #vinylcollection #vinylfinds
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Ella Fitzgerald and Duke Ellington, Ella at Duke’s Place, 1966 on Verve
The album is divided between “The Pretty, The Lovely, The Tender, The Hold-Me-Close Side” and “The Finger-Snapping, Head-Shaking, Toe-Tapping, Go-For-Yourself Side.” Recorded by Val Valentin and produced by Norman Granz (those are his black & white photos), this is Verve at its mid-60s best.
In addition to Ellington and Fitzgerald, personnel included Louis Bellson on drums; John Lamb on […]
#1960s #1966 #BusterCooper #CatAnderson #ChuckConners #CootieWilliams #DukeEllington #EllaFitzgerald #HarryCarney #HerbJones #jazz #JimmyHamilton #JimmyJones #JohnnyHodges #LawrenceBrown #LeonardFeather #LouisBellson #MercerEllington #NormanGranz #PaulGonsalves #RusselProcope #ValValentin #Verve #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot
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Django Reinhardt, Nuages, 2017 on Jazz Images
Nuages was first issued under that name in 2002, as a reissue of The Great Artistry of Django Reinhardt, a 1953 10″ record on Norman Granz’s Clef label, plus 4 bonus tracks that had been issued as singles by Decca (also in 1953).
This vinyl issue was produced in 2017 by Jazz Images, presumably a digital-to-vinyl transfer. I know some analogue purists find such reissues distasteful, but I […]
#1953 #Clef #Decca #DjangoReinhardt #FatsSadi #jazz #JazzImages #JeanLouisViale #MartialSolal #MauriceVander #NormanGranz #PierreLemarchand #PierreMichelot #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot
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Various Artists, Tommy Boy’s Baddest Beats, 2022 on Tommy Boy
I don’t normally chase special releases put out for Record Store Day, but this was an “RSD First” release in 2022, limited to 3500 copies. Great collection of songs from Tommy Boy:
Naughty By Nature – Hip Hop Hooray
Stetsasonic – Talkin’ All That Jazz
Queen Latifah – Wrath of My Madness
Coolio […]
#2020s #2022 #Apache #Coolio #DigitalUnderground #ElectricFetus #HipHop #HouseOfPain #K7 #MinneapolisMN #NaughtyByNature #QueenLatifah #RecordStoreDay #RecordStoreDay2022 #Stetsasonic #TommyBoy #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6se
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Timbuk 3, Eden Alley, 1988 on I.R.S. Records
Timbuk 3 was the stage name for the duo of Pat MacDonald and Barbara K. MacDonald (nee Barbara Kooyman, aka Barbara K), as it evolved out of Pat MacDonald & The Essentials. They formed in Madison Wisconsin (later relocating to Austin Texas) and put out six albums, of which this was their second.
I love their songwriting: clever, punny, […]
#1980s #1988 #BarbaraMacDonald #BeverlyCoinJewel #BeverlyMA #MadisonWI #PatMacDonald #Timbuk3 #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6s4
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Timbuk 3, Eden Alley, 1988 on I.R.S. Records
Timbuk 3 was the stage name for the duo of Pat MacDonald and Barbara K. MacDonald (nee Barbara Kooyman, aka Barbara K), as it evolved out of Pat MacDonald & The Essentials. They formed in Madison Wisconsin (later relocating to Austin Texas) and put out six albums, of which this was their second.
I love their songwriting: clever, punny, […]
#1980s #1988 #BarbaraMacDonald #BeverlyCoinJewel #BeverlyMA #MadisonWI #PatMacDonald #Timbuk3 #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6s4
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Timbuk 3, Eden Alley, 1988 on I.R.S. Records
Timbuk 3 was the stage name for the duo of Pat MacDonald and Barbara K. MacDonald (nee Barbara Kooyman, aka Barbara K), as it evolved out of Pat MacDonald & The Essentials. They formed in Madison Wisconsin (later relocating to Austin Texas) and put out six albums, of which this was their second.
I love their songwriting: clever, punny, […]
#1980s #1988 #BarbaraMacDonald #BeverlyCoinJewel #BeverlyMA #MadisonWI #PatMacDonald #Timbuk3 #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6s4