#vinylfinds — Public Fediverse posts

The Dream Academy, Remembrance Days, 1987 on Reprise

https://goatless.org/2026/09/06/the-dream-academy-remembrance-days-1987-on-reprise

The Dream Academy, Remembrance Days, 1987 on Reprise

https://goatless.org/2026/09/06/the-dream-academy-remembrance-days-1987-on-reprise

Natalie Cole, Inseparable, 1975 on Capitol

https://goatless.org/2026/09/05/natalie-cole-inseparable-1975-on-capitol

Natalie Cole, Inseparable, 1975 on Capitol

https://goatless.org/2026/09/05/natalie-cole-inseparable-1975-on-capitol

Neil Young & Crazy Horse, Reactor, 1981 on Reprise

https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise

Various Artists, Miami Vice (Music From The Television Series), 1985 on MCA

https://goatless.org/2026/08/24/various-artists-miami-vice-music-from-the-television-series-1985-on-mca

Lake Street Dive, Obviously, 2021 on Nonesuch

https://goatless.org/2026/08/15/lake-street-dive-obviously-2021-on-nonesuch

Lake Street Dive, Obviously, 2021 on Nonesuch

https://goatless.org/2026/08/15/lake-street-dive-obviously-2021-on-nonesuch

Various Artists, The Harder They Come, 1972 on Mango

https://goatless.org/2026/08/10/various-artists-the-harder-they-come-1972-on-mango

Bonnie Raitt, Nick of Time, 1989 on Capitol

https://goatless.org/2026/08/09/bonnie-raitt-nick-of-time-1989-on-capitol

VARIOUS ARTISTS
All Ears (10 New And Original Hits With A CB Theme)
1977 U.S. pressing

Quite the ridiculous record that I just couldn’t pass up, because it looked JUST like my kinda stupid.

Made for Radio Shack in the mid #70s , this is a collection of songs that all have a CB theme to them.

Rock, jazz, R&B, gospel, soul… this thing is ALL over the place, but all the songs drive down the Citizens Band 2-Way radio highway.

In all honesty, there’s some pretty good tunes on here. “Honey Bee (Please Answer Me)” by Randy Goodrum is a particular standout for me, as is “Everybody's Somebody (In Our C.B. World)” by Ed Bernet.

For only $1.00, I couldn’t go wrong.
Pretty entertaining shit, straight down to the “Index Of Terms Used By CB’ers” on the back cover.

10-4, good buddy.
Over and out.
🫡

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #cb #citizensband #1970s #70smusic #novelty

CHEER-ACCIDENT
Sever Roots Tree Dies
1988 U.S. pressing

A super-cool find at the end of a loooong-ass day.

I had no idea what this was. Just bought it on a whim after about 2 seconds of research.

What a wonderfully weird #80s album. I’ll try my best to explain this…

An #experimental trio that mixes #prog rock, #postpunk , #avantgarde improvisation, occasional #artpop , and CRAZY ass dynamics that duck and weave in and out of soft/quiet & roundhouses to the head.

Think latter-day King Crimson having a baby with the punkest, weirdest girl from your graduating class.

This is an exciting record, and I can tell I’m going to have to listen to it several times to have it reveal itself to me in full.

Just a killer record, and a very pleasant surprise.
Now I have something to obsess over these next few weeks.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #punk #artrock #1980s #80sMusic

THOM YORKE
The Eraser
2006 UK pressing

For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

That includes Thom’s records.
Some I really like, some not at all.

My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

The Eraser is a record I can throw on and just let play through without issue.
Definitely Thom’s most satisfying solo effort.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

Iggy Pop, The Idiot, 1977 on RCA Victor

https://goatless.org/2026/06/20/iggy-pop-the-idiot-1977-on-rca-victor

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Various Artists, The Vinyl Series Volume One, 2021 on Island

https://goatless.org/2026/05/26/various-artists-the-vinyl-series-volume-one-2021-on-island

Tavares, The Best of Tavares, 1977 on Capitol

https://goatless.org/2026/05/24/tavares-the-best-of-tavares-1977-on-capitol

Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

The Cars, Panorama, 1980 on Elektra

https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Bill Evans, Evans in England, 2019 on Resonance

https://goatless.org/2026/04/26/bill-evans-evans-in-england-2019-on-resonance

Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note

Bill Evans, Behind the Dikes: The 1969 Netherlands Recordings, 2021 on Elemental Music

Zev Feldman of Resonance Records teamed up (as Producer, Liner Notes, and Researcher) with Elemental Music for yet another Bill Evans live set from the 1960s. These were often bootlegged but get official high quality treatment here.

The recordings were made at KRO Studio I in Hilversum March 26th, 1969 and RAI Congrescentrum Amsterdam November 26th, 1969. Evans is joined by Eddie Gomez and Marty Morell. The release was mastered by Bernie Grundman and pressed by Standard Vinyl, with an insert booklet with photos, essays, and interviews. It’s a great package.

My copy—via private sale—is the 3xLP 2021 deluxe edition, numbered, on 180 gram vinyl, which was issued for Record Store Day 2021.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Oscar Peterson, “Motions and Emotions,” 1970 on MPS

Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it.

My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing the original master tape box along with liner notes by Till Brönner, the ambassador to MPS in this case.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Love, Forever Changes, 1967 on Elektra

Iconic later sixties album from Arthur Lee and co. This would be their third and final album in the original lineup. The track “Alone Again Or” (with the refrain “And I will be alone again tonight my dear”) has been used in a number of films and was covered by The Damned on 1986’s Anything.

If you only know the single, well worth checking out the whole album – it’s current revalued reputation is well deserved.

My copy—via Academy Records in NYC—is a 2012 reissue by Rhino pressed at Optimal GmbH, which sounds fantastic.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Michelle Shocked, Captain Swing, 1989 on Mercury

This was Shocked’s third LP and the follow up to the massively successful Short Sharp Shocked which came out in 1988. It’s (deliberately) all over the place in genre but wonderful.

The “hidden” track is also present on the vinyl – “Russian Roulette” is not listed on the labels but plays after “Must Be Luff.”

My copy—via the Worcester Record Riot—is a Specialty Records pressing on Mercury labels.

#1980s #1989 #mercury #michelleShocked #specialtyRecordPressing #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot

Echo And The Bunnymen, Heaven Up Here, 1981 on Sire/Korova

Second album from Echo & the Bunnymen, produced by Hugh Jones (and the band) and recorded in Wales. It was put out by Korova in the UK and Sire in the US.

While Crocodiles didn’t chart in the US this one did. The photo on the cover – taken on the shore in Wales – is such an iconic image for the era.

My copy—via a record fair at Mill No. 5—is a US Jacksonville pressing from Allied metalwork.

#1980s #1981 #Allied #EchoAndTheBunnymen #Jacksonville #Korova #LowellMA #MillNo5 #Sire #vinyl #vinylcollection #vinylfinds

Joy Division, Substance, 1988 on Factory

Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

#1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

Modern English, Mesh & Lace, 1981 on 4AD

Debut album from Modern English on the 4AD label. This wasn’t released in the US formally until the 2012 CD reissue and then 2016 on vinyl.

The debut is a bit darker and more derivative of Joy Division than some of the later work but still a really strong collection of songs.

I always loved the lyric from “I Melt With You”: “never realizing it was always mesh & lace” but didn’t recognize at the time it was something of a reference to their debut.

My copy—via a record fair at Mill No. 5—is a UK pressing by WEA in West Drayton, with the original inner sleeve.

#1980s #1981 #4AD #LowellMA #MillNo5 #ModernEnglish #UK #vinyl #vinylcollection #vinylfinds #WEAWestDrayton

Bauhaus, 4AD, 1983 on 4AD

Yes, I did save this one for halloween. This was a compilation EP of the singles versions of “Dark Entries,” “Telegram Sam,” and “Terror Couple Kill Colonel.” Love that back cover photo.

I was today years old when I realized that John Cale wrote “Rosegarden Funeral of Sores,” the opening triplet of which is burned into my adolescent brain so much it still comes up whenever I am tired of dealing with people:

Virgin Mary was tired so tired / Tired of listening to gossip / Gossip and complaints

My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK pressing with a white b-side label, pressed by Damont. I don’t believe this was ever issued in the US.

#1980s #1983 #4AD #Bauhaus #DanielAsh #DavidJay #Goth #JohnCale #KevinHaskins #LowellMA #MillNo5 #PeterMurphy #UK #vinyl #vinylcollection #vinylfinds

Bob Dylan, Street-Legal, 1978 on Columbia

This was Dylan’s 18th studio LP, made with a band that included Jerry Scheff, Ian Wallace, Alan Pasqua, Billy Cross, Steven Soles, Steve Douglas, and David Mansfield – many of whom were in the Rolling Thunder Revue. (David Mansfield also went on to be part of The Range).

Not as many absolutely central Dylan songs here, but I do love “Is Your Love In Vain?” and “Señor (Tales of Yankee Power).”

My copy—via a record fair at Mill No 5 in Lowell MA—is a 1978 pressing from Columbia’s Santa Maria plant. It’s written as “Street Legal” (no hyphen) on the labels but “Street-Legal” on the cover and spine.

#1970s #1978 #AlanPasqua #BillyCross #BobDylan #Columbia #DavidMansfield #IanWallace #JerryScheff #LowellMA #MillNo5 #SantaMaria #SteveDouglas #StevenSoles #vinyl #vinylcollection #vinylfinds

The Smiths, The World Won’t Listen, 1987 on Rough Trade

This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

#1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

ZZ Top, Fandango!, 1975 on London Records

Fourth release from Texas blues band ZZ Top, Fandango! included an A side with live songs (from The Warehouse, in New Orleans) and a B side of new studio recordings.

A Fandango is a dance originating in Spain and Portugal – which wikipedia tells me “is used as a synonym for ‘a quarrel’, ‘a big fuss’ or ‘a foolish or pretentious act'” – not sure which one ZZ Top were after here.

I think their first eight albums (yes, I include Eliminator) are fantastic though I’d argue after that it is downhill – but the live releases that have continued to come out from earlier days are great.

My copy—via a record fair at Mill No. 5 in Lowell, MA—is a later 1979 Winchester Pressing on Warner Bros. labels.

#1970s #1975 #LondonRecords #LowellMA #MillNo5 #NewOrleans #TheWarehouse #vinyl #vinylcollection #vinylfinds #ZZTop

Cyndi Lauper, She’s So Unusual, 1983 on Portrait

Lauper’s debut solo album, She’s So Unusual had four top-five singles: “Girls Just Want To Have Fun,” “Time After Time,” “She Bop,” and “All Through The Night.”

A number of the songs were covers – “Money Changes Everything” by The Brains, “When You Were Mine” by Prince, “All Through The Night” by Jules Shear, and even “Girls Just Want To Have Fun” which was written by Robert Hazard who had performed it with multiple bands and made a demo recording.

Truly a must-have album for an 80s music fan.

My copy—via a record fair at Mill No. 5 in Lowell MA—is a 1984 pressing with the original inner liner and Portrait label.

#1980s #1983 #CyndiLauper #JulesShear #LowellMA #MillNo5 #Portrait #prince #RobertHazard #TheBrains #vinyl #vinylcollection #vinylfinds

Randy Newman, Little Criminals, 1977 on Warner Bros

Randy Newman’s fifth studio LP and his highest charting, in part due to “Short People,” which was also a hit single. Produced by Lenny Waronker and Russ Titelman, with supporting players including Waddy Wachtel, Joe Walsh, Glen Frey, J.D. Souther, Tim Schmit, Klaus Voorman, Jim Keltner, Willie Weeks, and even Ry Cooder on mandola on “Kathleen.”

My copy—via a record fair at Mill No. 5 in Lowell MA—is a Bestway pressing, with some price sticker damage on the front from a previous owner.

#1970s #1977 #GlenFrey #JDSouther #JimKeltner #JoeWalsh #KlausVoorman #LarryWaronker #LowellMA #MillNo5 #RandyNewman #RussTitelman #RyCooder #TimSchmit #vinyl #vinylcollection #vinylfinds #WaddyWachtel #WarnerBrothers

The Smiths, Strangeways Here We Come, 1987 on Rough Trade.

Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience.

Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover of The Queen is Dead.

My copy—via A1 Records in NYC—is the 2009 Rhino reissue which sounds great (though I don’t have an 80s pressing to compare it to).

#1980s #1987 #2009 #A1Records #JohnnyMarr #morrissey #NYC #Reissue #Rhino #RoughTrade #Salford #StephenStreet #TheSmiths #vinyl #vinylcollection #vinylfinds

Safety Last, Struck By Love, 1983 on Twin/Tone

This was the first and only full length by Twin/Tone’s Safety Last, following their self-titled EP. On this LP they include Rusty Jones, Gary Louris, Lianne Smith, and Jim Tollefsrud (as “Jimmy T”). Founding members Tim Mauseth and Sprague Hollander left for other projects.

Produced by Paul Stark and the band; recorded by Paul Stark with overdubs by Steve Fjelstad. My copy via Cheapo Records in Minneapolis.

#1980s #1983 #CheapoRecords #JimTollefsrud #LianneSmith #MinneapolisMN #PaulStark #RustyJones #SafetyLast #SteveFjelstad #TwinTone #vinyl #vinylcollection #vinylfinds

U2, Give Me One Last Chance, 2023 on Dear Boss.

Bootleg of U2 live in Glen Helen Regional Park, San Bernadino CA, on May 30th 1983.

Dear Boss. (apparently the period is part of the label name) is a new label reissuing things that were broadcast, which means under EU law are out of copyright at this point. Not sure if this was technically an FM broadcast or not (it was released multiple times on video), but it is the set U2 played (on “Rock Day”) at the US Festival in 1983.

There’s a great video of it on YouTube (but can’t be embedded here): U2 War Tour US Festival 1983 remastered Devore, CA.

My copy via Mill No. 5 in Lowell MA

#1980s #1983 #Bootleg #DearBoss_ #LowellMA #MillNo5 #U2 #USFestival #vinyl #vinylcollection #vinylfinds

Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder

Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.

My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.

#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds

Bauhaus, In The Flat Field, 1980 on 4AD

Debut album from Peter Murphy, Daniel Ash, David Jay, and Kevin Haskins aka Bauhaus. Bauhaus and its many spinoffs (Tones on Tail, Love and Rockets, Dali’s Car) are among my favorite musical lineages.

They’d released “Bela Lugosi’s Dead” as a single in 1979 on Small Wonder records, but this debut came out on 4AD which itself was new in 1980 under the Beggars Banquet umbrella.

The cover is a photograph called Homage to Purvis de Chavannes by American photographer Duane Michals – hopefully it doesn’t get my account flagged as naughty.

My copy – as so many in the last few weeks via Slipped Disc at a Mill No 5 record fair – is a 2013 reissue.

#1980 #1980s #4AD #Bauhaus #DanielAsh #DavidJay #Goth #KevinHaskins #LowellMA #MillNo5 #PeterMurphy #SlippedDisc #vinyl #vinylcollection #vinylfinds

X, Los Angeles, 1980 on Slash

Debut LP from John Doe, Exene Cervenka, DJ Bonebrake and Billy Zoom. Produced (as were the next three X albums) by The Door’s keyboardist Ray Manzarek.

I was just mentioning Slash! records earlier this week – “Los Angeles” was a cut on the Slash! sampler Early Sessions and that was my intro to the band. Great LA punk band rooted in a kind of punk folk / Americana.

My copy—via Slipped Disc at a record fair at Mill No 5 in Lowell MA—is a 1983 speciality pressing with the Slash blood labels.

#1980 #1980s #BillyZoom #DJBonebrake #ExeneCervenka #JohnDoe #SlashRecords #vinyl #vinylcollection #vinylfinds #X

X, Los Angeles, 1980 on Slash

Debut LP from John Doe, Exene Cervenka, DJ Bonebrake and Billy Zoom. Produced (as were the next three X albums) by The Door’s keyboardist Ray Manzarek.

I was just mentioning Slash! records earlier this week – “Los Angeles” was a cut on the Slash! sampler Early Sessions and that was my intro to the band. Great LA punk band rooted in a kind of punk folk / Americana.

My copy—via Slipped Disc at a record fair at Mill No 5 in Lowell MA—is a 1983 speciality pressing with the Slash blood labels.

#1980 #1980s #BillyZoom #DJBonebrake #ExeneCervenka #JohnDoe #SlashRecords #vinyl #vinylcollection #vinylfinds #X

The Police, Zenyatta Mondatta, 1980 on A&M

Third album in the brilliant opening set of LPs from Sting, Stewart Copeland, and Andy Summers. Side one opens with “Don’t Stand So Close To Me,” “Driven To Tears,” and “When The World is Running Down, You Make The Best of What’s Still Around” – what a sequence!

There’s such a tight and interesting rhythm to these early Police albums – obviously a trio of brilliant musicians taking basic rock structures and expanding on them in interesting and challenging ways.

Before I starting bringing discogs (on my phone) when record shopping, I bought 2 or 3 copies of each of the first 5 Police LPs – now I know better and only pick one up if it is an upgrade of quality.

My copy—via Slipped Disc at a vinyl fair at Mill No. 5 in Lowell MA—looks to be a 1981 pressing from Pittman, perhaps with stampers from Terre Haute.

#1980 #1980s #AM #AnySummers #LowellMA #MillNo5 #SlippedDisc #StewartCopeland #ThePolice #vinyl #vinylcollection #vinylfinds