#vinylfinds — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #vinylfinds, aggregated by home.social.
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Elvis Costello and The Attractions, Armed Forces, 1979 on Columbia
Costello's third LP and second with The Attractions (but the first to credit them on the cover). My favorites here are "Oliver's Army" and of course "(What's So Funny 'Bout) Peace, Love and Understanding" (forgiving the lack of an Oxford comma). Produced by Nick Lowe, who famously wrote the latter. My copy—via Vinyl Vault in Littleton MA—is a Pitman pressing from 1979 with (as expected) the US cover. In the UK, the initial release (on Radar Records) has the painting of the elephants on […]https://goatless.org/2026/05/14/elvis-costello-and-the-attractions-armed-forces-1979-on-columbia
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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Margo Price, That’s How Rumors Get Started, 2020 on Loma Vista
Price's third studio album, produced by Sturgill Simpson (with Price and David Ferguson) and released in July of 2010 during the pandemic. I've been a fan since her debut - smart songwriting in a traditional storytelling country way but with a modern take. Now going back and learning the back-catalog via Buffalo Clover. My copy—via Salem Flea Marketplace—is the Barnes & Noble Exclusive pressing, including the "Margozine" booklet with twelve pages of photos from the sessions and some […]https://goatless.org/2026/05/12/margo-price-thats-how-rumors-get-started-2020-on-loma-vista
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Margo Price, That’s How Rumors Get Started, 2020 on Loma Vista
Price's third studio album, produced by Sturgill Simpson (with Price and David Ferguson) and released in July of 2010 during the pandemic. I've been a fan since her debut - smart songwriting in a traditional storytelling country way but with a modern take. Now going back and learning the back-catalog via Buffalo Clover. My copy—via Salem Flea Marketplace—is the Barnes & Noble Exclusive pressing, including the "Margozine" booklet with twelve pages of photos from the sessions and some […]https://goatless.org/2026/05/12/margo-price-thats-how-rumors-get-started-2020-on-loma-vista
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Leo Kottke, 6-and 12-String Guitar, 1969 on Takoma
Kottke's second album, following 12-String Blues, and what would become reportedly the best-selling LP on John Fahey's Takoma Records. Writing his own liner notes, Kottke writes "All that is left to be said is that Kottke's voice does not appear on this album. His guitar does." My copy—via Salem Flea Marketplace—has the gold and tan "two dragons" Takoma labels, and is likely a repress circa 1972.https://goatless.org/2026/05/11/leo-kottke-6-and-12-string-guitar-1969-on-takoma
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Leo Kottke, 6-and 12-String Guitar, 1969 on Takoma
Kottke's second album, following 12-String Blues, and what would become reportedly the best-selling LP on John Fahey's Takoma Records. Writing his own liner notes, Kottke writes "All that is left to be said is that Kottke's voice does not appear on this album. His guitar does." My copy—via Salem Flea Marketplace—has the gold and tan "two dragons" Takoma labels, and is likely a repress circa 1972.https://goatless.org/2026/05/11/leo-kottke-6-and-12-string-guitar-1969-on-takoma
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U2, The Joshua Tree Singles: Remastered & Live, 2017 on Island Records
Another fan club release, for subscribers to U2.com, this was pressed in 2017, and features four of the singles from The Joshua Tree, each with one remastered studio trac and one live track recorded on tour in 2017: With or Without You (Gillette Stadium, Foxborough MA, June 25th) I Still Haven't Found What I'm Looking For (Fedex Field, Washington DC, June 20th) Where The Streets Have No Name (Papa John's Cardinal Stadium, Louisville KY, June 16th) In God's Country (The Hard Rock Stadium, […]https://goatless.org/2026/05/10/u2-the-joshua-tree-singles-remastered-live-2017-on-island-records
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U2, The Joshua Tree Singles: Remastered & Live, 2017 on Island Records
Another fan club release, for subscribers to U2.com, this was pressed in 2017, and features four of the singles from The Joshua Tree, each with one remastered studio trac and one live track recorded on tour in 2017: With or Without You (Gillette Stadium, Foxborough MA, June 25th) I Still Haven't Found What I'm Looking For (Fedex Field, Washington DC, June 20th) Where The Streets Have No Name (Papa John's Cardinal Stadium, Louisville KY, June 16th) In God's Country (The Hard Rock Stadium, […]https://goatless.org/2026/05/10/u2-the-joshua-tree-singles-remastered-live-2017-on-island-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Intensity, 1963 on Contemporary Records
Recorded in 1960 but released in 1963, this has Pepper joined by Dolo Coker (piano), Jimmy Bond (bass), and Frank Butler (drums). A critical part of any west coast jazz library. That cover photo makes me think of the moment in Lost in Translation where the translator turns a series of long directions in Japanese from the director to Bill Murray as an actor into just this: "more intensity." Part of a series of recent pickups from Pepper on reissues, my copy—direct from Craft […]https://goatless.org/2026/05/07/art-pepper-intensity-1963-on-contemporary-records
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Tracy Chapman, Tracy Chapman, 1988 on Elektra
Its popularity has recently resurged, due in no small part to Luke Combs' cover version and their duet at the Grammy's but this record never went out of rotation for me. https://www.youtube.com/watch?v=pLfH9HSUyf4 Technically I know it's not true, but I like to imagine Tracy Chapman's voice was still echoing around Boston from her busking days when I arrived for college in the fall of 1988. Reality is she was already out promoting her debut album. My copy—which replaced the aging CD I […]https://goatless.org/2026/05/04/tracy-chapman-tracy-chapman-1988-on-elektra
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Tracy Chapman, Tracy Chapman, 1988 on Elektra
Its popularity has recently resurged, due in no small part to Luke Combs' cover version and their duet at the Grammy's but this record never went out of rotation for me. https://www.youtube.com/watch?v=pLfH9HSUyf4 Technically I know it's not true, but I like to imagine Tracy Chapman's voice was still echoing around Boston from her busking days when I arrived for college in the fall of 1988. Reality is she was already out promoting her debut album. My copy—which replaced the aging CD I […]https://goatless.org/2026/05/04/tracy-chapman-tracy-chapman-1988-on-elektra
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Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records
Classic west coast jazz from Contemporary Records - sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band - Wikipedia says "a small big band." Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny Rollins among others. A must have for people (like me) who are fans of the west coast "cool jazz" and the late big band era. My copy—via private sale—is the […]https://goatless.org/2026/05/03/art-pepper-eleven-modern-jazz-classics-1960-on-contemporary-records
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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The Blues Box, 1966 on Verve Folkways.
3xLP box set featuring Lightnin' Hopkins, Sonny Terry & Brownie McGhee, and Jimmy Witherspoon. On a couple of sides Hopkins plays with Terry & McGhee. The recordings were all made in Los Angeles - the first two LPs are taken from the Ash Grove on July 6th and 7th, 1960, and the third LP says it was recorded in LA in September 1959. My copy via Flip Over Records in Acton MA. I love finding old box sets for a reasonable price.https://goatless.org/2026/04/30/the-blues-box-1966-on-verve-folkways
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The Blues Box, 1966 on Verve Folkways.
3xLP box set featuring Lightnin' Hopkins, Sonny Terry & Brownie McGhee, and Jimmy Witherspoon. On a couple of sides Hopkins plays with Terry & McGhee. The recordings were all made in Los Angeles - the first two LPs are taken from the Ash Grove on July 6th and 7th, 1960, and the third LP says it was recorded in LA in September 1959. My copy via Flip Over Records in Acton MA. I love finding old box sets for a reasonable price.https://goatless.org/2026/04/30/the-blues-box-1966-on-verve-folkways
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Cliff Jordan, Cliff Jordan, 1957 on Blue Note
Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note
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Bill Evans, Evans in England, 2019 on Resonance
Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott's. (Live at Ronnie Scott's, released in 2020, came from recordings made in July of 1968). Great production and packaging. https://www.youtube.com/watch?v=kvX6ZG0jAYA My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.https://goatless.org/2026/04/26/bill-evans-evans-in-england-2019-on-resonance
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Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note
The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note
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Suzanne Vega, Flying With Angels, 2025 on Cooking Vinyl
Vega's tenth studio album and her first of new material since 2014. Bob Dylan gets cowriting credit on "Chambermaid" as a kind of alternate version of "I Want You." "Speaker's Corner" is a great song as well: I have a newfound sympathy For the madman in the square Who rants and raves his rhetoric Into the midday air My version—direct from the artist at a live show at the Cabot Theater in Beverly MA—is a signed copy on grey smoke vinyl.https://goatless.org/2026/04/24/suzanne-vega-flying-with-angels-2025-on-cooking-vinyl
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Suzanne Vega, Flying With Angels, 2025 on Cooking Vinyl
Vega's tenth studio album and her first of new material since 2014. Bob Dylan gets cowriting credit on "Chambermaid" as a kind of alternate version of "I Want You." "Speaker's Corner" is a great song as well: I have a newfound sympathy For the madman in the square Who rants and raves his rhetoric Into the midday air My version—direct from the artist at a live show at the Cabot Theater in Beverly MA—is a signed copy on grey smoke vinyl.https://goatless.org/2026/04/24/suzanne-vega-flying-with-angels-2025-on-cooking-vinyl
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Freddie Roach, Good Move!, 1964 on Blue Note
Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).
Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.
My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.
#1960s #1964 #2024 #BlueMitchell #BlueNote #ClarenceJohnston #EddieWright #EnglewoodCliffsNJ #FreddieRoach #HankMobley #jazz #KevinGray #Reissue #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds -
M. Ward , A Wasteland Companion, 2012 on Merge.
M. Ward’s 7th studio album, including a cover of Daniel Johnston’s “Sweetheart.” He’s joined by Mike Coykendall, Mike Mogis, Jordan Hudson, Adam Selzer and others, including vocals from Zooey Deschanel. M. Ward produced.
I just love M. Ward’s voice and his approach to songwriting and production – across his solo work and She & Him. (No, the “Me and My Shadow” is not the Irving Berlin/Al Jolson tune but a new song).
My copy—via Magnolia Record Club—is a signed 2024 reissue on metallic swirl vinyl with lacquer cut at Chicago Mastering Service by Jason Ward.
#2010s #2012 #AdamSelzer #ChicagoMasteringService #Indie #JasonWard #JordanHudson #MWard #MagnoliaRecordClub #MergeRecords #MikeCoykendall #MikeMogis #vinyl #vinylcollection #vinylfinds #ZooeyDeschanel -
Big John Patton, Let ‘Em Roll, 1966 on Blue Note
Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.
My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.
#1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds -
Bill Evans, Behind the Dikes: The 1969 Netherlands Recordings, 2021 on Elemental Music
Zev Feldman of Resonance Records teamed up (as Producer, Liner Notes, and Researcher) with Elemental Music for yet another Bill Evans live set from the 1960s. These were often bootlegged but get official high quality treatment here.
The recordings were made at KRO Studio I in Hilversum March 26th, 1969 and RAI Congrescentrum Amsterdam November 26th, 1969. Evans is joined by Eddie Gomez and Marty Morell. The release was mastered by Bernie Grundman and pressed by Standard Vinyl, with an insert booklet with photos, essays, and interviews. It’s a great package.
My copy—via private sale—is the 3xLP 2021 deluxe edition, numbered, on 180 gram vinyl, which was issued for Record Store Day 2021.
#Amsterdam #BernieGrundman #BillEvans #BillEvansTrio #EddieGomez #ElementalMusic #Hilversum #MartyMorell #ResonanceRecords #StandardVinyl #TheNetherlands #vinyl #vinylcollection #vinylfinds #ZevFeldman -
Lou Donaldson, Midnight Creeper, 1968 on Blue Note
Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.
Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.
My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.
#1960s #1968 #2024 #BlueMitchell #BlueNote #EnglewoodCliffsNJ #FrancisWolff #GeorgeBenson #jazz #KevinGray #LeoMorris #LonnieSmith #LouDonaldson #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds -
The Grateful Dead, Aoxomoxoa, 1969 on Warner Bros
This was the third studio LP from The Grateful Dead, and was one of the first albums recorded in 16 tracks on an Ampex MM-1000. It was remixed by Garcia and Lesh in 1971. “China Cat Sunflower” and “St. Stephen” remain among my favorite Dead tunes, though I find it hard to get through “What’s Become Of the Baby.”
My copy—via Salem Flea Marketplace—is a 1971 Terre Haute pressing, with the 1971 remix, on green labels but with the W7 logo on the jacket. I’m still on the hunt for a 1969 issue. (It was included in the Warner Bros. Studio Albums box set, and was put on CD in 2019 by Rhino but not vinyl).
#1960s #1969 #1971 #BillKreutzmann #BobWeir #GratefulDead #JerryGarcia #MickeyHart #PhilLesh #PigPen #Remix #SalemFlea #salemMA #SevenArts #vinyl #vinylcollection #vinylfinds #WarnerBros -
Stan Getz & Charlie Byrd, Jazz Samba, 1962 on Verve
Early work in the bossa nova trend in the US, recorded at Pierce Hall, All Souls Unitarian Church in DC and released two years before Getz/Gilberto. Includes “Desafinado” (which was also on Getz/Gilberto) and “Samba de Uma Nota” composed by Antonio Carlos Jobim.
My copy—via a private sale—is the 2023 Acoustic Sounds Series reissue on Verve by UMG / UMe, which is a fantastic pressing.
#AcousticSounds #ChadKassem #CharlieByrd #CreedTaylor #QualityRecordPressing #RyanSmith #StanGetz #UMe #Verve #vinyl #vinylcollection #vinylfinds -
Stan Getz & Charlie Byrd, Jazz Samba, 1962 on Verve
Early work in the bossa nova trend in the US, recorded at Pierce Hall, All Souls Unitarian Church in DC and released two years before Getz/Gilberto. Includes “Desafinado” (which was also on Getz/Gilberto) and “Samba de Uma Nota” composed by Antonio Carlos Jobim.
My copy—via a private sale—is the 2023 Acoustic Sounds Series reissue on Verve by UMG / UMe, which is a fantastic pressing.
#AcousticSounds #ChadKassem #CharlieByrd #CreedTaylor #QualityRecordPressing #RyanSmith #StanGetz #UMe #Verve #vinyl #vinylcollection #vinylfinds -
Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve
Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums.
The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966.
My copy—via private sale—is the 2022 Acoustic Sounds Series reissue supervised by Chad Kassem from Analogue Productions.
#1960s #1966 #1967 #2022 #AcousticSounds #ArnoldWise #BillEvans #BillEvansTrio #ChadKassem #ChuckIsraels #jazz #Reissue #Verve #vinyl #vinylcollection #vinylfinds -
Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy
Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.
My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.
#1950s #1955 #2021 #AcousticSounds #ChadKassem #CliffordBrown #Emarcy #GeorgeMorrow #HaroldLand #jazz #MaxRoach #QualityRecordPressing #Reissue #RichiePowell #RyanSmith #vinyl #vinylcollection #vinylfinds -
Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy
Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.
My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.
#1950s #1955 #2021 #AcousticSounds #ChadKassem #CliffordBrown #Emarcy #GeorgeMorrow #HaroldLand #jazz #MaxRoach #QualityRecordPressing #Reissue #RichiePowell #RyanSmith #vinyl #vinylcollection #vinylfinds -
Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy
Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.
My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.
#1950s #1955 #2021 #AcousticSounds #ChadKassem #CliffordBrown #Emarcy #GeorgeMorrow #HaroldLand #jazz #MaxRoach #QualityRecordPressing #Reissue #RichiePowell #RyanSmith #vinyl #vinylcollection #vinylfinds -
Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy
Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.
My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.
#1950s #1955 #2021 #AcousticSounds #ChadKassem #CliffordBrown #Emarcy #GeorgeMorrow #HaroldLand #jazz #MaxRoach #QualityRecordPressing #Reissue #RichiePowell #RyanSmith #vinyl #vinylcollection #vinylfinds -
Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia
Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.
My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.
#1950s #1957 #ArtBlakey #ArtBlakeyAndTheJazzMessengers #BillHardman #Candido #CharlesWright #Columbia #JackieMcLean #jazz #OscarPettiford #RayBryant #Sabu #SamDockery #SpankyDeBrest #TheJazzMessengers #vinyl #vinylcollection #vinylfinds -
Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia
Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.
My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.
#1950s #1957 #ArtBlakey #ArtBlakeyAndTheJazzMessengers #BillHardman #Candido #CharlesWright #Columbia #JackieMcLean #jazz #OscarPettiford #RayBryant #Sabu #SamDockery #SpankyDeBrest #TheJazzMessengers #vinyl #vinylcollection #vinylfinds -
Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia
Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.
My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.
#1950s #1957 #ArtBlakey #ArtBlakeyAndTheJazzMessengers #BillHardman #Candido #CharlesWright #Columbia #JackieMcLean #jazz #OscarPettiford #RayBryant #Sabu #SamDockery #SpankyDeBrest #TheJazzMessengers #vinyl #vinylcollection #vinylfinds -
Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia
Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.
My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.
#1950s #1957 #ArtBlakey #ArtBlakeyAndTheJazzMessengers #BillHardman #Candido #CharlesWright #Columbia #JackieMcLean #jazz #OscarPettiford #RayBryant #Sabu #SamDockery #SpankyDeBrest #TheJazzMessengers #vinyl #vinylcollection #vinylfinds