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#vinylfinds — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #vinylfinds, aggregated by home.social.

  1. The Dream Academy, Remembrance Days, 1987 on Reprise

    Sophomore album from Nick Laird-Clowes, Kate St. John, and Gilbert Gabriel aka "The Dream Academy." Most well known for "Life in a Northern Town" from their debut album. This second release got less attention, but I love it - "Indian Summer" and "Everybody's Gotta Learn Sometime" in particular. Guests here in Lindsey Buckingham, who played on and produced two songs plus Nicky Holland (who played with Fun Boy Three and Tears for Fears). My copy—via Music Heals in Palm Springs CA—is an […]

    goatless.org/2026/09/06/the-dr

  2. The Dream Academy, Remembrance Days, 1987 on Reprise

    Sophomore album from Nick Laird-Clowes, Kate St. John, and Gilbert Gabriel aka "The Dream Academy." Most well known for "Life in a Northern Town" from their debut album. This second release got less attention, but I love it - "Indian Summer" and "Everybody's Gotta Learn Sometime" in particular. Guests here in Lindsey Buckingham, who played on and produced two songs plus Nicky Holland (who played with Fun Boy Three and Tears for Fears). My copy—via Music Heals in Palm Springs CA—is an […]

    goatless.org/2026/09/06/the-dr

  3. Natalie Cole, Inseparable, 1975 on Capitol

    Debut album from Natalie Cole, with "This Will Be (An Everlasting Love" and "Inseparable," her two big breakout hits. Songs written mostly by Chuck jackson and Marvin Yancy who also produced. (Cole married Yancy in 1976). She was the first African American woman (and first R&B act) to win a Grammy for Best New Artist, in 1976. Unfortunately Natalie Cole passed in 2015. My copy—via private sale—is a Winchester pressing on red Capitol labels. I love finding these R&B / Soul gems from […]

    goatless.org/2026/09/05/natali

  4. Natalie Cole, Inseparable, 1975 on Capitol

    Debut album from Natalie Cole, with "This Will Be (An Everlasting Love" and "Inseparable," her two big breakout hits. Songs written mostly by Chuck jackson and Marvin Yancy who also produced. (Cole married Yancy in 1976). She was the first African American woman (and first R&B act) to win a Grammy for Best New Artist, in 1976. Unfortunately Natalie Cole passed in 2015. My copy—via private sale—is a Winchester pressing on red Capitol labels. I love finding these R&B / Soul gems from […]

    goatless.org/2026/09/05/natali

  5. Neil Young & Crazy Horse, Reactor, 1981 on Reprise

    This was the last album for Young & Crazy Horse on Reprise before the five album run on Geffin. Some would consider this a kind of punk or even post-punk (is 1981 too early for post-punk?) version of Neil Young & Crazy Horse. It sometimes gets listed as one of their least successful records—the lyrics to T-Bone, for example—but I think it's got a certain rough charm. "Surfer Joe and Moe the Sleaze" is widely reputed to be about the Reprise records team, specifically Mo Ostin and Joe […]

    goatless.org/2026/08/27/neil-y

  6. Bonnie Raitt, Nick of Time, 1989 on Capitol

    Although this was Bonnie Raitt's big commercial breakthrough—and maybe where I first heard her?—it was actually her tenth studio album. (Later I'd find her back catalogue which has much to recommend in it). It was also her first on Capitol, having been dropped by Warner Bros. It was produced by Don Was (future Blue Note president), with whom she'd collaborated on Stay Awake. Includes John Hiatt's "Thing Called Love" as well as the title track Raitt wrote. "Cry On My Shoulder" has David […]

    goatless.org/2026/08/09/bonnie

  7. ULTRAVOX
    Vienna
    1980 Canada pressing

    A stone cold classic before I head out and start my Monday.

    One of my favorite #80s records that I will never tire of.

    I know diehards prefer the earlier #70s Ultravox records, but Vienna is the one for me.

    The first one with Midge Ure on it, replacing the departed (he left, he didn’t die) John Foxx.

    Full of really great tunes, and one of the defining albums of the early eighties #synthpop genre.

    One of my all-time favorite fun and ridiculous facts:
    The title track, unquestionably the band’s biggest song, reached #2 on the UK singles chart.

    The song that kept it from being #1?

    Joe Dolce’s “Shaddap You Face”.
    😂

    Apparently, good taste was on vacation in 1980.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #1980s #80sMusic #synth #newwave #ultravox #music

  8. GETO BOYS
    We Can't Be Stopped
    2026 U.S. 2xLP reissue

    Thirteen year old me is very pleased!

    I had no idea that they had reissued this. I was at the mall with my son and saw it inside of a “record store” there (it’s actually a toy and t-shirt store more than anything else), and had to get it.

    This was one of the first two rap tapes that I bought with my own money as a kid (the other being Public Enemy’s Apocalypse ‘91), and I have a great sentimental value attached to it, AND Geto Boys in general.

    “Mind Playing Tricks On Me” is an all-time jam. That funky little guitar lick in it brings back such vivid memories.
    “The Other Level” is just as great.

    This needed to be part of my vinyl library. You can’t tell the story of my life’s musical journey without it.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #rap #HipHop #GetoBoys #1990s #90s #90smusic

  9. THOM YORKE
    The Eraser
    2006 UK pressing

    For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

    That includes Thom’s records.
    Some I really like, some not at all.

    My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

    Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

    The Eraser is a record I can throw on and just let play through without issue.
    Definitely Thom’s most satisfying solo effort.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

  10. COLD WAR KIDS
    Dear Miss Lonelyhearts
    2013 U.S. pressing

    Continuing through the Boston haul.

    I’m a big fan of this record, though not of much else by this band.

    Over the last 5 years, I’ve made 6 or 7 visits to That’s Entertainment in Worcester, Ma..

    Each and every time, this record was sitting there, and every time, I opted for something else.

    I thought it was time that I give this record a good home. I wasn’t gonna leave without it this time. It looked so lonely. 😂

    This IS a great record, filled with awesome songs.
    “Miracle Mile” is a fantastic upbeat album opener, “Bottled Affection” is a fantastically structured pop song, and “Lost That Easy” has great swagger to it.

    I’m not sure why, but none of their other records have ever done much for me. But fuck, do I love this one.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #media #ColdWarKids #indie #alternative

  11. David Bowie, Hunky Dory, 1971 on RCA Victor

    Bowie's fourth full-length studio LP and one of my all-time favorites. This followed The Man Who Sold the World but all these early Bowie albums are so great they sound to me like they have just always existed. It can be hard to find decent early pressings of these but there have been many great reissues, including this one from a digital remastering done in 2015. Bowie is joined here by Mick Ronson, Woody Woodmansey, Trevor Bolder, and Rick Wakeman on piano. Purportedly Wakeman was asked […]

    goatless.org/2026/06/17/david-

  12. David Bowie, Hunky Dory, 1971 on RCA Victor

    Bowie's fourth full-length studio LP and one of my all-time favorites. This followed The Man Who Sold the World but all these early Bowie albums are so great they sound to me like they have just always existed. It can be hard to find decent early pressings of these but there have been many great reissues, including this one from a digital remastering done in 2015. Bowie is joined here by Mick Ronson, Woody Woodmansey, Trevor Bolder, and Rick Wakeman on piano. Purportedly Wakeman was asked […]

    goatless.org/2026/06/17/david-

  13. Mose Allison, Mose Allison Sings, 1963 on Prestige

    Compilation of tracks from Allison's first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the liner notes. My copy—via Mystery Train Records in Gloucester MA—is a mid-sixties (c1965) reissue on dark blue Prestige labels. You can see how the laminated cover has started to […]

    goatless.org/2026/06/05/mose-a

  14. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  15. Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

    Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.

    goatless.org/2026/05/22/mose-a

  16. Grant Green, Green is Beautiful, 1970 on Blue Note

    Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.

    goatless.org/2026/05/16/grant-

  17. The Cars, Panorama, 1980 on Elektra

    This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]

    goatless.org/2026/05/13/the-ca

  18. Art Pepper, Gettin’ Together, 1960 on Contemporary Records

    Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.

    goatless.org/2026/05/09/art-pe

  19. Art Pepper, Intensity, 1963 on Contemporary Records

    Recorded in 1960 but released in 1963, this has Pepper joined by Dolo Coker (piano), Jimmy Bond (bass), and Frank Butler (drums). A critical part of any west coast jazz library. That cover photo makes me think of the moment in Lost in Translation where the translator turns a series of long directions in Japanese from the director to Bill Murray as an actor into just this: "more intensity." Part of a series of recent pickups from Pepper on reissues, my copy—direct from Craft […]

    goatless.org/2026/05/07/art-pe

  20. Sonny Rollins, Way Out West, 1957 on Contemporary

    This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.

    goatless.org/2026/05/01/sonny-

  21. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  22. Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

    The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.

    goatless.org/2026/04/25/horace

  23. Booker Ervin, The Freedom Book, 1964 on Prestige

    Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

    My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

    #1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds
  24. Booker Ervin, The Freedom Book, 1964 on Prestige

    Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

    My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

    #1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds
  25. Booker Ervin, The Freedom Book, 1964 on Prestige

    Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

    My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

    #1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds
  26. Booker Ervin, The Freedom Book, 1964 on Prestige

    Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

    My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

    #1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds
  27. Blue Mitchell, Down With It, 1966 on Blue Note

    Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

    My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

    #1960s #1966 #AloysiusFoster #BlueMitchell #BlueNote #ChickCorea #CohearentAudio #EnglewoodCliffsNJ #GeneTaylor #jazz #JuniorCook #KevinGray #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  28. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  29. Love, Forever Changes, 1967 on Elektra

    Iconic later sixties album from Arthur Lee and co. This would be their third and final album in the original lineup. The track “Alone Again Or” (with the refrain “And I will be alone again tonight my dear”) has been used in a number of films and was covered by The Damned on 1986’s Anything.

    If you only know the single, well worth checking out the whole album – it’s current revalued reputation is well deserved.

    My copy—via Academy Records in NYC—is a 2012 reissue by Rhino pressed at Optimal GmbH, which sounds fantastic.

    #1967 #2012 #AcademyRecords #Elektra #Love #NYC #Psychadelic #Reissue #Rhino #vinyl #vinylcollection #vinylfinds
  30. Amanda Shires, Take It Like a Man, 2022 on ATO Records

    Eighth solo LP from Amanda Shires, recorded at RCA Studio B in Nashville. I’m cautious not to read any songwriter too literally or autobiographically, but it is hard not to (now) read this as foreshadowing her divorce from Jason Isbell, making it part of a group of records about the dissolution of their marriage.

    Guests include fellow Highwomen Natalie Hemby and Maren Morris, Isbell, producer Lawrence Rothman, Jimbo Hart (of the 400 Unit), and Fred Eltringham.

    My copy—from a Barnes & Noble—is the “B&N Exclusive” on seaglass vinyl, with a fold-out lyrics sheet/poster.

    #2020s #AmandaShires #ATORecords #barnesNoble #JasonIsbell #LawrenceRothman #MarenMorris #NatalieHemby #vinyl #vinylcollection #vinylfinds
  31. Black Pumas, Chronicles of a Diamond, 2023 on ATO

    Sophomore album from Black Pumas – following up the giant success of their self-titled debut in 2019 with “Colors” which was a bit inescapable (and brilliant).

    Doesn’t get as much attention as the debut – the dreaded sophomore slump – but I think it is every bit as good an album.

    My copy, via Barnes & Noble, is a limited edition pressing on red & gold split vinyl, with an included postcard. (It can be surprising what you can find in Barnes & Noble, which I don’t normally think of as a record store but gets some good pressings).

    #2020s #2023 #ATORecords #barnesNoble #BlackPumas #vinyl #vinylcollection #vinylfinds
  32. Neil Young and Crazy Horse, Zuma, 1975 on Reprise

    Seventh studio album from Neil Young, and the first credited with Crazy Horse after Danny Whitten died in 1972.

    The individual song credits have two songs not attributed to Crazy Horse: “Pardon My Heart” (credited just to Neil Young) and “Through My Sails” (credited “with Crosby, Stills & Nash”).

    “Cortez the Killer” is a 7 and a half minute epic, and “Danger Bird” is also nearly 7 minutes – but this is Neil and Crazy Horse in full form and they sound great.

    My copy—via the Worcester Record Riot—is an original Santa Maria pressing on orange Reprise labels.

    #1970s #1975 #crazyHorse #crosbyStillsAndNash #neilYoung #neilYoungCrazyHorse #reprise #santaMaria #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot

  33. Michelle Shocked, Captain Swing, 1989 on Mercury

    This was Shocked’s third LP and the follow up to the massively successful Short Sharp Shocked which came out in 1988. It’s (deliberately) all over the place in genre but wonderful.

    The “hidden” track is also present on the vinyl – “Russian Roulette” is not listed on the labels but plays after “Must Be Luff.”

    My copy—via the Worcester Record Riot—is a Specialty Records pressing on Mercury labels.

    #1980s #1989 #mercury #michelleShocked #specialtyRecordPressing #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot

  34. The Power Station, Some Like It Hot And The Heat is On (12″), 1985 on Capitol

    The Power Station were a kind of supergroup, pairing Andy & John Taylor (Duran Duran) with Tony Thompson (Chic) and Robert Palmer (who was later replaced by Michael Des Barres). Production by Bernie Edwards (also of Chic).

    Love the extended version on the A-side – the “The Heat Is On” on the B-side isn’t fully instrumental but is labeled as such.

    My copy—via A1 Records in NYC—is a Jacksonville pressing.

    #1980s #1985 #A1Records #AndyTaylor #BernieEdwards #DuranDuran #Jacksonville #NYC #RobertPalmer #ThePowerStation #vinyl #vinylcollection #vinylfinds

  35. Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder

    Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.

    My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.

    #1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds

  36. The Alarm, Change, 1989 on I.R.S. Records

    We recently lost Mike Peters of The Alarm, after a 30 year battle with cancer. He also had a lengthy solo career following the band’s breakup in the early 90s, and founded the Love Hope Strength Foundation.

    This album was their penultimate with the original lineup, and has NID YN CYMRU AR WERTH carved into the runout (“Wales is not for sale”). They also released simultaneously a version in Welsh called Newid.

    My copy—via Vinyl Destination in Lowell MA—is a US pressing from 1989. The cover is die cut (ALARM on the front, CHANGE on the back) such that the inner lyrics sheet (which wraps around the printer inner) shows through.

    #1980s #IRSRecords #LoveHopeStrengthFoundation #LowellMA #MikePeters #Newid #TheAlarm #vinyl #VinylDestination #vinylcollection #vinylfinds

  37. The Modern Lovers, The Modern Lovers, 1976 on Beserkley

    Jonathan Richman and the Modern Lovers are part of the indie rock canon, especially here in greater Boston. They formed in Natick MA in 1970, and were active from 1970 to 1974, but most of their records came out later – this one in 1976.

    Jerry Harrison (of Talking Heads) gets credit for piano, organ, and backing vocals, with Ernie Brooks playing bass, and David Robinson drums. John Cale produced six of the songs. That’s a gig poster for Gloucester High School auditorium on the rear cover.

    Some legendary songs here – “Roadrunner” (which you may know via the Sex Pistol’s cover and after which a local venue is now named) and “Pablo Picasso” which has been covered by many people including David Bowie and Jack White.

    My copy—via A1 records in NYC—is a later reissue (2009) by 4 Men With Beards on 180g vinyl.

    #1970s #1976 #4MenWithBears #A1Records #Beserkley #DavidRobinson #ErnieBrooks #JerryHarrison #JohnCale #JonathanRichman #ModernLovers #NYC #Reissue #Roadrunner #vinyl #vinylcollection #vinylfinds

  38. Junior Walker and the All-Stars, Anthology, 1974 on Motown

    While many folks only know Walker and the All-Stars via their first and biggest hit, “Shotgun,” this 2xLP release collects recordings from 1965-1973 – good way to get to know more of their catalog.

    Motown issued a whole series of Anthology releases in the mid-seventies – mostly 2xLP releases of collections from their best selling artists – and I’ll grab them whenever i find them in good shape at a reasonable price. (Record store owners and collectors sometimes have a preference for all the original records rather than these collections – but I enjoy them).

    My copy via Vinyl Destination (formerly) in Lowell MA

    #1970s #1974 #anthology #JuniorWalker #JuniorWalkerAndTheAllStars #LowellMA #motown #Soul #vinyl #VinylDestination #vinylcollection #vinylfinds

  39. Old Crow Medicine Show, Paint This Town, 2022 on ATO

    Seventh full length studio album from Old Crow Medicine Show, recorded in their own studio (Hartland) in East Nashville, TN. Molly Tuttle guests on banjo on “Bombs Away.”

    My copy via Waterloo Records in Austin TX, is one with blue sky and yellow flowers – different versions exist with purple, blue, and red variations of sky and grass.

    #2020s #2022 #ATORecords #AustinTX #Hartland #MollyTuttle #NashvilleTN #OldCrowMedicineShow #vinyl #vinylcollection #vinylfinds #WaterlooRecords

  40. Old Crow Medicine Show, Paint This Town, 2022 on ATO

    Seventh full length studio album from Old Crow Medicine Show, recorded in their own studio (Hartland) in East Nashville, TN. Molly Tuttle guests on banjo on “Bombs Away.”

    My copy via Waterloo Records in Austin TX, is one with blue sky and yellow flowers – different versions exist with purple, blue, and red variations of sky and grass.

    #2020s #2022 #ATORecords #AustinTX #Hartland #MollyTuttle #NashvilleTN #OldCrowMedicineShow #vinyl #vinylcollection #vinylfinds #WaterlooRecords

  41. Old Crow Medicine Show, Paint This Town, 2022 on ATO

    Seventh full length studio album from Old Crow Medicine Show, recorded in their own studio (Hartland) in East Nashville, TN. Molly Tuttle guests on banjo on “Bombs Away.”

    My copy via Waterloo Records in Austin TX, is one with blue sky and yellow flowers – different versions exist with purple, blue, and red variations of sky and grass.

    #2020s #2022 #ATORecords #AustinTX #Hartland #MollyTuttle #NashvilleTN #OldCrowMedicineShow #vinyl #vinylcollection #vinylfinds #WaterlooRecords

  42. Rufus & Chaka, Masterjam, 1979 on MCA

    This was the eighth album by Rufus and their fifth with Chaka Khan. (They were Rufus, Rufus Featuring Chaka Khan, and Rufus & Chaka Khan in various releases). Produced by Quincy Jones, it’s great late seventies funk/soul and went platinum, led by the single “Do You Love What You Feel.”

    Rufus released their seventh album (Numbers) without Chaka Khan, and she released her first solo album Chaka in 1978, but they reunited for a live album in 1983. They still sound great together on this record.

    My copy is a 1979 pressing via Vinyl Destination (RIP) in Lowell MA.

    #1970s #1979 #ChakaKhan #Funk #LowellMA #QuincyJones #Rufus #RufusChaka #Soul #vinyl #VinylDestination #vinylcollection #vinylfinds

  43. St. Paul and the Broken Bones, The Alien Coast, 2022 on ATO Records

    I’m a big fan of St. Paul and the Broken Bones since their debut album, Half the City, came out in 2014. On this record the 8-piece band is founders Paul Janeway and Jessie Phillips plus Al Gamble, Allen Bransetter, Amari Ansari, Browan Lollar, Chad Fisher, and Kevin Leon. This is their 4th studio full-length and first on ATO Records.

    Recorded at Communicating Vessels in Birmingham Alabama and mixed at Sam Phillips by Matt Ross-Spang who also produced.

    Love seeing this band continue to evolve.

    My copy, via Waterloo Records in Austin TX, is the limited edition on “gold nugget” vinyl.

    #2020s #2022 #AlGamble #AllenBransetter #AmariAnsari #ATORecords #AustinTX #BirminghamAL #BrowanLollar #JessePhillips #KevinLeon #PaulJaneway #StPaulTheBrokenBones #vinyl #vinylcollection #vinylfinds #WaterlooRecords

  44. St. Paul and the Broken Bones, The Alien Coast, 2022 on ATO Records

    I’m a big fan of St. Paul and the Broken Bones since their debut album, Half the City, came out in 2014. On this record the 8-piece band is founders Paul Janeway and Jessie Phillips plus Al Gamble, Allen Bransetter, Amari Ansari, Browan Lollar, Chad Fisher, and Kevin Leon. This is their 4th studio full-length and first on ATO Records.

    Recorded at Communicating Vessels in Birmingham Alabama and mixed at Sam Phillips by Matt Ross-Spang who also produced.

    Love seeing this band continue to evolve.

    My copy, via Waterloo Records in Austin TX, is the limited edition on “gold nugget” vinyl.

    #2020s #2022 #AlGamble #AllenBransetter #AmariAnsari #ATORecords #AustinTX #BirminghamAL #BrowanLollar #JessePhillips #KevinLeon #PaulJaneway #StPaulTheBrokenBones #vinyl #vinylcollection #vinylfinds #WaterlooRecords

  45. St. Paul and the Broken Bones, The Alien Coast, 2022 on ATO Records

    I’m a big fan of St. Paul and the Broken Bones since their debut album, Half the City, came out in 2014. On this record the 8-piece band is founders Paul Janeway and Jessie Phillips plus Al Gamble, Allen Bransetter, Amari Ansari, Browan Lollar, Chad Fisher, and Kevin Leon. This is their 4th studio full-length and first on ATO Records.

    Recorded at Communicating Vessels in Birmingham Alabama and mixed at Sam Phillips by Matt Ross-Spang who also produced.

    Love seeing this band continue to evolve.

    My copy, via Waterloo Records in Austin TX, is the limited edition on “gold nugget” vinyl.

    #2020s #2022 #AlGamble #AllenBransetter #AmariAnsari #ATORecords #AustinTX #BirminghamAL #BrowanLollar #JessePhillips #KevinLeon #PaulJaneway #StPaulTheBrokenBones #vinyl #vinylcollection #vinylfinds #WaterlooRecords

  46. Chet Baker, Chet, 1959 on Riverside

    The labels carry a subtitle of “Ballads by Chet Baker,” and the rear cover suggests “The lyrical trumpet of Chet Baker” but most people just call it Chet. Riverside RLP 12-299 (mono) and RLP 1135 (stereo).

    He’s joined here by Pepper Adams, Paul Chambers, Herbie Mann, Bill Evans, and Philly Joe Jones / Connie Kay splitting drums duty, plus Kenny Burrell on two tracks. The liner notes (by Orrin Keepnews) say “Pianist Bill Evans . . . is just beginning to attract real public attention, but has for some time been the object of extreme praise from fellow musicians.”

    My copy is a 2021 reissue by Craft Recordings (CR 00359) pressed at RTI with lacquers cut by Kevin Grey – via Beatnick Records in Montreal QC – which sounds fantastic.

    #1950s #1959 #BeatnickRecords #BillEvans #ChetBaker #ConnieKay #craftRecordings #HerbieMann #jazz #KennyBurrell #MontrealQC #PaulChambers #PepperAdams #PhillyJoeJones #Riverside #vinyl #vinylcollection #vinylfinds

  47. The Allman Brothers Band, Eat a Peach, 1972 on Capricorn

    Third studio album from the Allman Brothers Band, with a mixture of live and studio recordings, including some from the Fillmore East performances in 1971. Released after Duane Allman died in a motorcycle crash in Macon Georgia. The extended “Mountain Jam” is spread across two sides, B and D.

    The song “One Way Out” is actually by Elmore James and Sonny Boy Williamson – I didn’t even know that was its actual title (“‘Cause there’s a man down there, might be your man I don’t know.”).

    Famous cover by W. David Powell and J.F. Holmes from Wonder Graphics out of Georgia – with no album title appearing on the cover (apparently it was still being decided upon when the graphics were finalized).

    My copy via Vinyl Destination (RIP) in Lowell, MA.

    #1970s #1972 #AllmanBrothers #Capricorn #DuaneAllman #LowellMA #vinyl #VinylDestination #vinylcollection #vinylfinds #WonderGraphics

  48. Annie Lennox, Nostalgia, 2014 on Blue Note

    Annie Lennox is of course best well known as one half of the dynamic duo that recorded and performed as Eurythmics, but she’s also made a number of wonderful solo albums, going back to 1992’s Diva.

    This record, issued in the Blue Note Records 75th Anniversary series, has Lennox covering blues / jazz / soul standards, including “Mood Indigo,” “Summertime,” “Strange Fruit,” and “God Bless the Child.”

    I know some people don’t go for the “rock stars doing standards” thing, but I’m a sucker for these, as I know and love the originals too, but appreciate the new spin.

    My copy via Electric Fetus in Minneapolis MN

    #75thAnniversary #AnnieLennox #BlueNote #Blues #ElectricFetus #JazzAtThePhilharmonic #MinneapolisMN #Soul #Standards #vinyl #vinylcollection #vinylfinds

  49. Joe Jackson, Look Sharp!, 1979 on A&M

    Joe Jackson’s debut full length, with “Is She Really Going Out With Him?,” “Fools In Love,” and “Sunday Papers.” Love this iconic cover photo by Brian Griffin.

    Recorded at Eden Studios in London, with the band including Graham Maby, Dave Houghton, and Gary Sanford – produced by David Kershenbaum.

    My copy is a promotional pressing via Vinyl Destination in Lowell, MA

    #1970s #1979 #AM #DaveHoughton #EdenStudios #GarySanford #GrahamMaby #JoeJackson #LowellMA #Promo #vinyl #VinylDestination #vinylcollection #vinylfinds

  50. Paul McCartney and Wings, Band on the Run, 1973 on Apple Records

    The third Wings album, this time credited to Paul McCartney & Wings. Includes the title track, plus “Jet” and “Let Me Roll It.” This lineup includes Denny Laine, and Linda McCartney (as you see on the labels) but also Ginger Baker and Remi Kabaka on percussion, and Howie Casey on Saxophone.

    My copy is a 1973 pressing (the US version, with “Helen Wheels” which was not on the UK pressings), via Vinyl Destination in Lowell MA.

    #1970s #1973 #AppleRecords #LindaMcCartney #LowellMA #PaulMcCartney #PaulMcCartneyWings #vinyl #VinylDestination #vinylcollection #vinylfinds #Wings