#vinylfinds — Public Fediverse posts

Leonard Cohen, Live Songs, 1973 on CBS

https://goatless.org/2026/09/08/leonard-cohen-live-songs-1973-on-cbs

Leonard Cohen, Live Songs, 1973 on CBS

https://goatless.org/2026/09/08/leonard-cohen-live-songs-1973-on-cbs

John Prine; For Better, Or Worse; 2016 on Oh Boy

https://goatless.org/2026/09/07/john-prine-for-better-or-worse-2016-on-oh-boy

John Prine; For Better, Or Worse; 2016 on Oh Boy

https://goatless.org/2026/09/07/john-prine-for-better-or-worse-2016-on-oh-boy

Neil Young & Crazy Horse, Reactor, 1981 on Reprise

https://goatless.org/2026/08/27/neil-young-crazy-horse-reactor-1981-on-reprise

Various Artists, Miami Vice (Music From The Television Series), 1985 on MCA

https://goatless.org/2026/08/24/various-artists-miami-vice-music-from-the-television-series-1985-on-mca

Mose Allison, Mose Allison Sings, 1963 on Prestige

https://goatless.org/2026/06/05/mose-allison-mose-allison-sings-1963-on-prestige

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Art Pepper, Gettin’ Together, 1960 on Contemporary Records

https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia

Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers.

My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye label. The artist is credited as “The Art Blakey Percussion Ensemble” on both labels but the cover credits the B side to the Jazz Messengers.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.

Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.

My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.

Bill Evans, At The Montreux Jazz Festival, 1968 on Verve

Second 1968 Bill Evans performance I’ve posted this week, this one has the trio (again with Eddie Gomez and Jack DeJohnette) at Casino de Montreux in Switzerland, and was recorded by the technical department of Radio Suisse Romande.

My copy (via a private sale) is the 2020 Analogue Productions reissue on two 45rpm 200g records, cut by Matthew Lutthans at The Mastering Lab. Sounds fantastic, though I can’t say I like having to change the platter twice as often.

Bill Evans, Live at Ronnie Scott’s, 2020 on Resonance

Recorded back in July of 1968, this is Evans with Eddie Gomez and Jack DeJohnette at London’s landmark Ronnie Scott’s club. Resonance Records itself is part of the non-profit Rising Jazz Stars Foundation.

The trio in this form had a month long residency in 1968 at the club. The recording here was made by DeJohnette himself, so the sound quality varies a bit from the normal professional recordings of the era, but it is worth it for the playing here. Essentially like a quality “audience” bootleg pressed professionally to vinyl.

My copy – via a private sale – is the 2xLP Record Store Day 2020 edition, in mono, cut by Bernie Grundman and pressed at RTI. It includes an 11 page booklet with tributes and interviews (including DeJohnette and Gomez, as well as Chevy Chase).

Thelonious Monk, The London Collection Volume 3, 1989 on Black Lion

Recorded at Chappell Studios in London Nov 15th, 1971 but not released until the late 80s on Black Lion, these recordings are from near the end of his recording and performing career. Monk’s joined by Al McKibbon on bass and Art Blakey on drums.

There are at least 3 volumes in the London Collection as well as a three CD Complete London Collection put out by Black Lion.

My copy—via a private sale—is the 2016 reissue by Org Music on Black Lion labels, pressed at Pallas.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Neil Young and the Shocking Pinks, Everybody’s Rockin’, 1983 on Geffen

Credited (as you can see on the cover and the labels) to Neil Young but also to Neil and the Shocking Pinks, this was Neil’s rockabilly album, with a band assembled just for this purpose.

I realize I’m something of a Neil Young completist, but I really enjoy this album, short as it is.

My copy—via Worcester Record Riot—is a 1983 Carrollton pressing from the Columbia House Record Club (noted on the rear jacket).

#1980s #1983 #carrolltonGa #columbiaHouseRecordClub #geffen #neilYoung #neilYoungAndTheShockingPinks #rockabilly #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot

Neil Young and Crazy Horse, Zuma, 1975 on Reprise

Seventh studio album from Neil Young, and the first credited with Crazy Horse after Danny Whitten died in 1972.

The individual song credits have two songs not attributed to Crazy Horse: “Pardon My Heart” (credited just to Neil Young) and “Through My Sails” (credited “with Crosby, Stills & Nash”).

“Cortez the Killer” is a 7 and a half minute epic, and “Danger Bird” is also nearly 7 minutes – but this is Neil and Crazy Horse in full form and they sound great.

My copy—via the Worcester Record Riot—is an original Santa Maria pressing on orange Reprise labels.

#1970s #1975 #crazyHorse #crosbyStillsAndNash #neilYoung #neilYoungCrazyHorse #reprise #santaMaria #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot

Public Enemy, Yo! Bum Rush the Show, 1987 on Def Jam

Debut studio album from Public Enemy, recorded at Spectrum City Studios and produced by Bill Stephney (of The Bomb Squad, with co-producers Carl Ryder and Hank Shocklee) with Rick Rubin credited as Executive Producer.

Still looking for a good vinyl copy of It Takes a Nation of Millions. Def Jam was distributed by CBS/Columbia (thus the Columbia on the labels).

My copy, via the Worcester Record Riot, is a 1987 Carrollton GA pressing with the BFC catalog number on the spine.

#1980s #billStephney #carlRyder #carrolltonGa #columbia #defJam #hankShocklee #hipHop #hipHop2 #publicEnemy #theBombSquad #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot

Echo And The Bunnymen, Heaven Up Here, 1981 on Sire/Korova

Second album from Echo & the Bunnymen, produced by Hugh Jones (and the band) and recorded in Wales. It was put out by Korova in the UK and Sire in the US.

While Crocodiles didn’t chart in the US this one did. The photo on the cover – taken on the shore in Wales – is such an iconic image for the era.

My copy—via a record fair at Mill No. 5—is a US Jacksonville pressing from Allied metalwork.

#1980s #1981 #Allied #EchoAndTheBunnymen #Jacksonville #Korova #LowellMA #MillNo5 #Sire #vinyl #vinylcollection #vinylfinds

Joy Division, Substance, 1988 on Factory

Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

#1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

Modern English, Mesh & Lace, 1981 on 4AD

Debut album from Modern English on the 4AD label. This wasn’t released in the US formally until the 2012 CD reissue and then 2016 on vinyl.

The debut is a bit darker and more derivative of Joy Division than some of the later work but still a really strong collection of songs.

I always loved the lyric from “I Melt With You”: “never realizing it was always mesh & lace” but didn’t recognize at the time it was something of a reference to their debut.

My copy—via a record fair at Mill No. 5—is a UK pressing by WEA in West Drayton, with the original inner sleeve.

#1980s #1981 #4AD #LowellMA #MillNo5 #ModernEnglish #UK #vinyl #vinylcollection #vinylfinds #WEAWestDrayton

Bauhaus, 4AD, 1983 on 4AD

Yes, I did save this one for halloween. This was a compilation EP of the singles versions of “Dark Entries,” “Telegram Sam,” and “Terror Couple Kill Colonel.” Love that back cover photo.

I was today years old when I realized that John Cale wrote “Rosegarden Funeral of Sores,” the opening triplet of which is burned into my adolescent brain so much it still comes up whenever I am tired of dealing with people:

Virgin Mary was tired so tired / Tired of listening to gossip / Gossip and complaints

My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK pressing with a white b-side label, pressed by Damont. I don’t believe this was ever issued in the US.

#1980s #1983 #4AD #Bauhaus #DanielAsh #DavidJay #Goth #JohnCale #KevinHaskins #LowellMA #MillNo5 #PeterMurphy #UK #vinyl #vinylcollection #vinylfinds

Bob Dylan, Street-Legal, 1978 on Columbia

This was Dylan’s 18th studio LP, made with a band that included Jerry Scheff, Ian Wallace, Alan Pasqua, Billy Cross, Steven Soles, Steve Douglas, and David Mansfield – many of whom were in the Rolling Thunder Revue. (David Mansfield also went on to be part of The Range).

Not as many absolutely central Dylan songs here, but I do love “Is Your Love In Vain?” and “Señor (Tales of Yankee Power).”

My copy—via a record fair at Mill No 5 in Lowell MA—is a 1978 pressing from Columbia’s Santa Maria plant. It’s written as “Street Legal” (no hyphen) on the labels but “Street-Legal” on the cover and spine.

#1970s #1978 #AlanPasqua #BillyCross #BobDylan #Columbia #DavidMansfield #IanWallace #JerryScheff #LowellMA #MillNo5 #SantaMaria #SteveDouglas #StevenSoles #vinyl #vinylcollection #vinylfinds

The Smiths, The World Won’t Listen, 1987 on Rough Trade

This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

#1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

Bauhaus, Mask, 1981 on Beggars Banquet

Second studio album from Bauhaus and their first on Beggars Banquet (In The Flat Field was on 4AD), with a cover drawn by Daniel Ash, across a gatefold and on the labels.

The first five Bauhaus records are are perfect – as is the singles collection 1979-1983 and most of the bands that followed in the Bauhaus diaspora (Dali’s Car, Love and Rockets, and Tones on Tail).

My copy—via A1 Records in NYC—is the 2023 reissue pressed at GZ Media.

#1980s #1981 #A1Records #Bauhaus #BeggarsBanquet #DanielAsh #DavidJay #GZMedia #KevinHaskins #NYC #PeterMurphy #Reissue #vinyl #vinylcollection #vinylfinds

ZZ Top, Fandango!, 1975 on London Records

Fourth release from Texas blues band ZZ Top, Fandango! included an A side with live songs (from The Warehouse, in New Orleans) and a B side of new studio recordings.

A Fandango is a dance originating in Spain and Portugal – which wikipedia tells me “is used as a synonym for ‘a quarrel’, ‘a big fuss’ or ‘a foolish or pretentious act'” – not sure which one ZZ Top were after here.

I think their first eight albums (yes, I include Eliminator) are fantastic though I’d argue after that it is downhill – but the live releases that have continued to come out from earlier days are great.

My copy—via a record fair at Mill No. 5 in Lowell, MA—is a later 1979 Winchester Pressing on Warner Bros. labels.

#1970s #1975 #LondonRecords #LowellMA #MillNo5 #NewOrleans #TheWarehouse #vinyl #vinylcollection #vinylfinds #ZZTop

Cyndi Lauper, She’s So Unusual, 1983 on Portrait

Lauper’s debut solo album, She’s So Unusual had four top-five singles: “Girls Just Want To Have Fun,” “Time After Time,” “She Bop,” and “All Through The Night.”

A number of the songs were covers – “Money Changes Everything” by The Brains, “When You Were Mine” by Prince, “All Through The Night” by Jules Shear, and even “Girls Just Want To Have Fun” which was written by Robert Hazard who had performed it with multiple bands and made a demo recording.

Truly a must-have album for an 80s music fan.

My copy—via a record fair at Mill No. 5 in Lowell MA—is a 1984 pressing with the original inner liner and Portrait label.

#1980s #1983 #CyndiLauper #JulesShear #LowellMA #MillNo5 #Portrait #prince #RobertHazard #TheBrains #vinyl #vinylcollection #vinylfinds

U2, R.O.K., 1981 on Island Records

Punny title (you too, are ok or U2 are ok) aside, great early EP for the European market from U2. The live tracks on the b-side are from their appearance at the Paradise in Boston in March 1981 – about 8 years later my freshman dorm room would be a block away.

This was the first single (“Fire”) from the debut full-length album Boy, though there had been the EP Three and ~5 other singles before this

My copy—via A1 Records in NYC—is from the first pressing for the German marked, pressed by Sonopress in Gütersloh.

#A1Records #BostonMA #Germany #IslandRecords #NYC #Paradise #Sonopress #SonopressGmbH #U2 #vinyl #vinylcollection #vinylfinds

Randy Newman, Little Criminals, 1977 on Warner Bros

Randy Newman’s fifth studio LP and his highest charting, in part due to “Short People,” which was also a hit single. Produced by Lenny Waronker and Russ Titelman, with supporting players including Waddy Wachtel, Joe Walsh, Glen Frey, J.D. Souther, Tim Schmit, Klaus Voorman, Jim Keltner, Willie Weeks, and even Ry Cooder on mandola on “Kathleen.”

My copy—via a record fair at Mill No. 5 in Lowell MA—is a Bestway pressing, with some price sticker damage on the front from a previous owner.

#1970s #1977 #GlenFrey #JDSouther #JimKeltner #JoeWalsh #KlausVoorman #LarryWaronker #LowellMA #MillNo5 #RandyNewman #RussTitelman #RyCooder #TimSchmit #vinyl #vinylcollection #vinylfinds #WaddyWachtel #WarnerBrothers

XTC, English Settlement, 1982 on Virgin/Epic

This was the fifth XTC studio album, out on Virgin Records in the UK and Epic in the US. The band stopped touring after this LP and became more of a studio only group. Interesting midpoint between “Making Plans For Nigel” (1979) and “Dear God” (1986). Includes “Senses Working Overtime.”

Still looking for a 2xLP version, maybe a UK pressing.

My copy—via A1 Records in NYC—is an original US single LP release, which has few tracks than the original UK release. Later US releases followed the 2xLP format.

#1980s #1982 #A1Records #Epic #NYC #vinyl #vinylcollection #vinylfinds #Virgin #XTC

John Mayall, The Latest Edition, 1974 on Polydor

I collect lots of John Mayall – this followed the era of Mayall moving to the US in the late 60s, and the band here includes Larry Taylor, Red Holloway, Soko Richardson, Hightide Harris and Randy Resnick. Lots of jazz/fusion influence here with saxophone. Mayall is wearing a cast on the cover.

Mayall passed unfortunately in 2024, but there are so many great LPs live and from the studio that I keep finding new (to me) music from his career.

My copy—via A1 Records in NYC—is a 1974 All Disc pressing in a gatefold sleeve.

#1970s #1974 #A1Records #AllDiscRecords #Blues #HightideHarris #LarryTaylor #NYC #Polydor #RandyResnick #RedHolloway #SokoRichardson #vinyl #vinylcollection #vinylfinds

Billy Joel, An Innocent Man, 1983 on Columbia / Family Productions

Billy Joel’s ninth studio LP, with the title track, “Uptown Girl,” and “The Longest Time” as big hits. Toots Thielemans joins on harmonica on “Leave a Tender Moment Alone.”

Some people might put Billy Joel in the “guilty pleasures” column – I probably did in 1983 – but I’ve really come to appreciate him. Guess I’m getting old.

My copy—via A1 Records in NYC—is a 1983 Carrollton US pressing with the original printed inner sleeve.

#1980s #1983 #A1Records #BillyJoel #CarrolltonGA #Columbia #FamilyProductions #NYC #vinyl #vinylcollection #vinylfinds

Cowboy Junkies, Misguided Angel, 1989 on RCA

Margo, Peter, and MIchael Timmons with Alan Anton were Cowboy Junkies. This EP came out alongside the Trinity Session album, with the lead single “Misguided Angel” from that session at the Church of the Holy Trinity in Toronto, plus four live tracks recorded at the ROXY in Hollywood.

Both “Sweet Jane” and “Walking After Midnight” were also on Trinity Session. The choice of songs: covering Lou Reed, Robert Johnson, and Patsy Cline, is a pretty good implication as to the sound of Cowboy Junkies.

My copy—via A1 Records in NYC—is a US promotional copy.

#1980s #1989 #A1Records #AlanAnton #CowboyJunkies #LosAngeles #LouReed #MargoTimmins #MichaelTimmons #NYC #PatsyCline #PeterTimmons #Promo #RobertJohnson #vinyl #vinylcollection #vinylfinds

Cactus World News, Special Forces Radio Concert, 1986 on Entertainment Radio / MCA

Another promo only release, this was a radio concert – originally sponsored by SPIN (the magazine), which is still featured on the cover, but with an insert noting SPIN has terminated their sponsorship.

Includes the cue sheet for radio programming and the original advertisements. This show was recorded at the Whiskey A Go-Go in Los Angeles.

My copy—via A1 Records in NYC—is marked with WDFH, a public radio station in Westchester. Not sure if the ???!!! is expressing the question of whether to file this under Cactus World News, or just reacting to the name of the band.

#1986 #A1Records #CactusWorldNews #EntertainmentRadioInc #Live #MCA #NYC #Promo #Transcription #vinyl #vinylcollection #vinylfinds #WDFH #WhiskeyAGoGo

The Power Station, Some Like It Hot And The Heat is On (12″), 1985 on Capitol

The Power Station were a kind of supergroup, pairing Andy & John Taylor (Duran Duran) with Tony Thompson (Chic) and Robert Palmer (who was later replaced by Michael Des Barres). Production by Bernie Edwards (also of Chic).

Love the extended version on the A-side – the “The Heat Is On” on the B-side isn’t fully instrumental but is labeled as such.

My copy—via A1 Records in NYC—is a Jacksonville pressing.

#1980s #1985 #A1Records #AndyTaylor #BernieEdwards #DuranDuran #Jacksonville #NYC #RobertPalmer #ThePowerStation #vinyl #vinylcollection #vinylfinds

Thomas Dolby, Blinded By Science, 1983 on Harvest.

An EP or “Mini LP” by Dolby with the 12″ single versions of songs from The Golden Age of Wireless. The version of “Airwaves” here (5:20) is the full length version as opposed to the 3:35 version that appeared on the US version of album.

My copy—via A1 Records in NYC—is a US pressing on Harvest / Venice in Peril records with manufactured by Capitol in the rim text and EMI Ltd phonographic copyright.

#1983 #A1Records #EMI #Harvest #NYC #ThomasDolby #vinyl #vinylcollection #vinylfinds

Fine Young Cannibals, The Raw & The Cooked, 1988 on IRS Records / MCA

This was the second Fine Young Cannibals album following their self-titled debut. Roland Gift on vocals with the rhythm section of Andy Cox and David Steele (formerly of The Beat aka The English Beat).

Many of the songs on the LP had already appeared on film soundtracks including three from the Barry Levinson film Tin Men. Most well known would be “She Drives Me Crazy” which was a number 1 hit in the US.

My copy—via A1 Records in NYC—is a Columbia House Record Club pressing from Carrollton GA. (Note the CRC in the bottom right corner of the back sleeve).

#1980s #1988 #A1Records #AndyCox #CarrolltonGA #ColumbiaHouseRecordClub #DavidSteele #FineYoungCannibals #IRSRecords #MCA #NYC #RolandGift #TheBeat #TheEnglishBeat #vinyl #vinylcollection #vinylfinds

Indigo Girls, Indigo Girls, 1989 on Epic

Sophomore album from Amy Ray and Emily Sallers, with their massive breakout hit “Closer To Fine.” Michael Stipe guests on “Kid Fears” and Hothouse Flowers guest on multiple tracks including “Closer to Fine” (which recently had a revival as it appeared in the movie Barbie).

My copy—via A1 Records in NYC—is a promo copy labelled with WDFH-FM, which is a public radio affiliate in Westchester County. It probably had a hype sticker or inventory sticker on the front cover as well which a previous owner removed. I know some people hate a cover that is “marred” but I think it just adds some provenance and color. :shrug:

#1980s #1989 #A1Records #AmyRay #EmilySallers #Epic #IndigoGirls #NYC #vinyl #vinylcollection #vinylfinds #Westchester #WHDHFM

The Smiths, Strangeways Here We Come, 1987 on Rough Trade.

Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience.

Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover of The Queen is Dead.

My copy—via A1 Records in NYC—is the 2009 Rhino reissue which sounds great (though I don’t have an 80s pressing to compare it to).

#1980s #1987 #2009 #A1Records #JohnnyMarr #morrissey #NYC #Reissue #Rhino #RoughTrade #Salford #StephenStreet #TheSmiths #vinyl #vinylcollection #vinylfinds

Bob Dylan, Oh Mercy, 1989 on Columbia

Dylan’s 26th studio album, produced by Daniel Lanois and recorded in New Orleans. “Political World,” “Where Teardrops Fall,” and “Everything is Broken” make a great opening trio on side 1 – but really a great album overall.

My copy—via Waterloo Records in Austin TX—is a Carrollton GA pressing with original inner sleeve from 1989.

#1980s #1989 #AustinTX #BobDylan #CarrolltonGA #Columbia #DanielLanois #vinyl #vinylcollection #vinylfinds #WaterlooRecords

Sting, Bring On The Night, 1986 on A&M

Sting’s first solo live album, a 2xLP set recorded over multiple nights of a tour in 1985. Sting was touring here with Branford Marsalis, Darryl Jones, Kenny Kirkland, Omar Hakim and others – basically a killer jazz band.

The band is incredibly tight and the energy of the shows is wonderful – even on songs like “We Work The Black Seam.” I love the “Driven To Tears” here and the “Moon Over Bourbon Street.” This is a must-have if you appreciate Sting’s jazz period (as I do). Artwork by Su Huntley and Donna Muir.

My copy—via A1 Records in NYC—is a 1986 PRS UK pressing. Per discogs this doesn’t seem to have ever been issued on vinyl in the US.

#1980s #1986 #AM #A1Records #BranfordMarsalis #DarrylJones #NYC #OmarHakim #Sting #ThePolice #UK #vinyl #vinylcollection #vinylfinds

Pat MacDonald and The Essentials, Essentialist Propaganda, 1983 on Counter-Pop

Pat MacDonald would go on to be one half of Timbuk 3 with his wife Barbara Kooyman, listed here as Barbara K. MacDonald. “Too Much Sex (Not Enough Affection” from this EP also was later on Eden Alley in 1988.

Pat MacDonald and The Essentials put out one full length album and this EP, which was recorded in Chicago. (The MacDonalds formed Timbuk 3 in Madison Wisconsin before relocating to Austin).

I was super excited to find my copy at Antone’s Records in Austin TX – so far as I know (or discogs knows) there’s only been one pressing.

#1980s #1983 #AntoneSRecords #AustinTX #CounterPop #CounterPopProductions #MadisonWI #PatMacDonald #PatMacDonaldAndTheEssentials #TheEssentials #Timbuk3 #vinyl #vinylcollection #vinylfinds

U2, Give Me One Last Chance, 2023 on Dear Boss.

Bootleg of U2 live in Glen Helen Regional Park, San Bernadino CA, on May 30th 1983.

Dear Boss. (apparently the period is part of the label name) is a new label reissuing things that were broadcast, which means under EU law are out of copyright at this point. Not sure if this was technically an FM broadcast or not (it was released multiple times on video), but it is the set U2 played (on “Rock Day”) at the US Festival in 1983.

There’s a great video of it on YouTube (but can’t be embedded here): U2 War Tour US Festival 1983 remastered Devore, CA.

My copy via Mill No. 5 in Lowell MA

#1980s #1983 #Bootleg #DearBoss_ #LowellMA #MillNo5 #U2 #USFestival #vinyl #vinylcollection #vinylfinds

Bauhaus, In The Flat Field, 1980 on 4AD

Debut album from Peter Murphy, Daniel Ash, David Jay, and Kevin Haskins aka Bauhaus. Bauhaus and its many spinoffs (Tones on Tail, Love and Rockets, Dali’s Car) are among my favorite musical lineages.

They’d released “Bela Lugosi’s Dead” as a single in 1979 on Small Wonder records, but this debut came out on 4AD which itself was new in 1980 under the Beggars Banquet umbrella.

The cover is a photograph called Homage to Purvis de Chavannes by American photographer Duane Michals – hopefully it doesn’t get my account flagged as naughty.

My copy – as so many in the last few weeks via Slipped Disc at a Mill No 5 record fair – is a 2013 reissue.

#1980 #1980s #4AD #Bauhaus #DanielAsh #DavidJay #Goth #KevinHaskins #LowellMA #MillNo5 #PeterMurphy #SlippedDisc #vinyl #vinylcollection #vinylfinds