#elvinjones — Public Fediverse posts

john coltrane, live in france, july 27/28 1965: “the complete concerts” (2009) [full album]

Gambit Records ‎– 69317
https://www.discogs.com/release/6585152

1-1 Announcements 00:00
1-2 Naima 00:49
1-3 Ascension (Quartet Version, aka Blue Valse) 07:53
1-4 My Favorite Things 22:46
1-5 Impressions 40:45
2-1 Ascension (Quartet Version, aka Blue Valse) 1:01:57
2-2 Afro Blue 1:24:18
2-3 Impressions 1:35:12

Bass – Jimmy Garrison
Drums – Elvin Jones
Liner Notes – Lawrence Steel
Photography By – Ricardo Schwamenthal
Piano – McCoy Tyner
Tenor Saxophone – John Coltrane

Tracks 1-1 to 1-5 recorded at Juan les Pins, Antibes, July 27, 1965.
Tracks 2-1 to 2-3 recorded at Salle Pleyel, Paris, July 28, 1965.
These concerts released partially in:
Immortal Concerts: Juan les Pins Jazz Festival, Antibes, July 26-27, 1965 (includes “A Love Supreme” version recorded in July 26 of 1965)
A Love Supreme [Live Antibes 1965] (includes “A Love Supreme” version recorded in July 26 of 1965)

john coltrane, live in france, july 27/28 1965: “the complete concerts” (2009) [full album]

Gambit Records ‎– 69317
https://www.discogs.com/release/6585152

1-1 Announcements 00:00
1-2 Naima 00:49
1-3 Ascension (Quartet Version, aka Blue Valse) 07:53
1-4 My Favorite Things 22:46
1-5 Impressions 40:45
2-1 Ascension (Quartet Version, aka Blue Valse) 1:01:57
2-2 Afro Blue 1:24:18
2-3 Impressions 1:35:12

Bass – Jimmy Garrison
Drums – Elvin Jones
Liner Notes – Lawrence Steel
Photography By – Ricardo Schwamenthal
Piano – McCoy Tyner
Tenor Saxophone – John Coltrane

Tracks 1-1 to 1-5 recorded at Juan les Pins, Antibes, July 27, 1965.
Tracks 2-1 to 2-3 recorded at Salle Pleyel, Paris, July 28, 1965.
These concerts released partially in:
Immortal Concerts: Juan les Pins Jazz Festival, Antibes, July 26-27, 1965 (includes “A Love Supreme” version recorded in July 26 of 1965)
A Love Supreme [Live Antibes 1965] (includes “A Love Supreme” version recorded in July 26 of 1965)

john coltrane, live in france, july 27/28 1965: “the complete concerts” (2009) [full album]

Gambit Records ‎– 69317
https://www.discogs.com/release/6585152

1-1 Announcements 00:00
1-2 Naima 00:49
1-3 Ascension (Quartet Version, aka Blue Valse) 07:53
1-4 My Favorite Things 22:46
1-5 Impressions 40:45
2-1 Ascension (Quartet Version, aka Blue Valse) 1:01:57
2-2 Afro Blue 1:24:18
2-3 Impressions 1:35:12

Bass – Jimmy Garrison
Drums – Elvin Jones
Liner Notes – Lawrence Steel
Photography By – Ricardo Schwamenthal
Piano – McCoy Tyner
Tenor Saxophone – John Coltrane

Tracks 1-1 to 1-5 recorded at Juan les Pins, Antibes, July 27, 1965.
Tracks 2-1 to 2-3 recorded at Salle Pleyel, Paris, July 28, 1965.
These concerts released partially in:
Immortal Concerts: Juan les Pins Jazz Festival, Antibes, July 26-27, 1965 (includes “A Love Supreme” version recorded in July 26 of 1965)
A Love Supreme [Live Antibes 1965] (includes “A Love Supreme” version recorded in July 26 of 1965)

john coltrane, live in france, july 27/28 1965: “the complete concerts” (2009) [full album]

Gambit Records ‎– 69317
https://www.discogs.com/release/6585152

1-1 Announcements 00:00
1-2 Naima 00:49
1-3 Ascension (Quartet Version, aka Blue Valse) 07:53
1-4 My Favorite Things 22:46
1-5 Impressions 40:45
2-1 Ascension (Quartet Version, aka Blue Valse) 1:01:57
2-2 Afro Blue 1:24:18
2-3 Impressions 1:35:12

Bass – Jimmy Garrison
Drums – Elvin Jones
Liner Notes – Lawrence Steel
Photography By – Ricardo Schwamenthal
Piano – McCoy Tyner
Tenor Saxophone – John Coltrane

Tracks 1-1 to 1-5 recorded at Juan les Pins, Antibes, July 27, 1965.
Tracks 2-1 to 2-3 recorded at Salle Pleyel, Paris, July 28, 1965.
These concerts released partially in:
Immortal Concerts: Juan les Pins Jazz Festival, Antibes, July 26-27, 1965 (includes “A Love Supreme” version recorded in July 26 of 1965)
A Love Supreme [Live Antibes 1965] (includes “A Love Supreme” version recorded in July 26 of 1965)

john coltrane, live in france, july 27/28 1965: “the complete concerts” (2009) [full album]

Gambit Records ‎– 69317
https://www.discogs.com/release/6585152

1-1 Announcements 00:00
1-2 Naima 00:49
1-3 Ascension (Quartet Version, aka Blue Valse) 07:53
1-4 My Favorite Things 22:46
1-5 Impressions 40:45
2-1 Ascension (Quartet Version, aka Blue Valse) 1:01:57
2-2 Afro Blue 1:24:18
2-3 Impressions 1:35:12

Bass – Jimmy Garrison
Drums – Elvin Jones
Liner Notes – Lawrence Steel
Photography By – Ricardo Schwamenthal
Piano – McCoy Tyner
Tenor Saxophone – John Coltrane

Tracks 1-1 to 1-5 recorded at Juan les Pins, Antibes, July 27, 1965.
Tracks 2-1 to 2-3 recorded at Salle Pleyel, Paris, July 28, 1965.
These concerts released partially in:
Immortal Concerts: Juan les Pins Jazz Festival, Antibes, July 26-27, 1965 (includes “A Love Supreme” version recorded in July 26 of 1965)
A Love Supreme [Live Antibes 1965] (includes “A Love Supreme” version recorded in July 26 of 1965)

I am tediously crafting a #BitwigStudio port of my old #Reason Drum Kits so I can have a particular 'sound'. The exercise is valid in that it is pushing me to concentrate on the mappings of samples, reading the NN-XT sampler settings in Reason and converting these to meaningful information for Bitwig.

There are 9.8k sample files. There are recordings for Room, Close, under the Snare, and Overhead.

I'm building a nifty spreadsheet on #kDrive as a first exercise of working outside of #Google.

And I am listening to #BernardPurdie and #ElvinJones while teasing out the various details.

I am very eager to start programming and making some sounds. #ElectronicMusicProduction

I am tediously crafting a #BitwigStudio port of my old #Reason Drum Kits so I can have a particular 'sound'. The exercise is valid in that it is pushing me to concentrate on the mappings of samples, reading the NN-XT sampler settings in Reason and converting these to meaningful information for Bitwig.

There are 9.8k sample files. There are recordings for Room, Close, under the Snare, and Overhead.

I'm building a nifty spreadsheet on #kDrive as a first exercise of working outside of #Google.

And I am listening to #BernardPurdie and #ElvinJones while teasing out the various details.

I am very eager to start programming and making some sounds. #ElectronicMusicProduction

I am tediously crafting a #BitwigStudio port of my old #Reason Drum Kits so I can have a particular 'sound'. The exercise is valid in that it is pushing me to concentrate on the mappings of samples, reading the NN-XT sampler settings in Reason and converting these to meaningful information for Bitwig.

There are 9.8k sample files. There are recordings for Room, Close, under the Snare, and Overhead.

I'm building a nifty spreadsheet on #kDrive as a first exercise of working outside of #Google.

And I am listening to #BernardPurdie and #ElvinJones while teasing out the various details.

I am very eager to start programming and making some sounds. #ElectronicMusicProduction

I am tediously crafting a #BitwigStudio port of my old #Reason Drum Kits so I can have a particular 'sound'. The exercise is valid in that it is pushing me to concentrate on the mappings of samples, reading the NN-XT sampler settings in Reason and converting these to meaningful information for Bitwig.

There are 9.8k sample files. There are recordings for Room, Close, under the Snare, and Overhead.

I'm building a nifty spreadsheet on #kDrive as a first exercise of working outside of #Google.

And I am listening to #BernardPurdie and #ElvinJones while teasing out the various details.

I am very eager to start programming and making some sounds. #ElectronicMusicProduction

I am tediously crafting a #BitwigStudio port of my old #Reason Drum Kits so I can have a particular 'sound'. The exercise is valid in that it is pushing me to concentrate on the mappings of samples, reading the NN-XT sampler settings in Reason and converting these to meaningful information for Bitwig.

There are 9.8k sample files. There are recordings for Room, Close, under the Snare, and Overhead.

I'm building a nifty spreadsheet on #kDrive as a first exercise of working outside of #Google.

And I am listening to #BernardPurdie and #ElvinJones while teasing out the various details.

I am very eager to start programming and making some sounds. #ElectronicMusicProduction

Thanks to the Internet I now know more about #ElvinJones and a whole new universe has revealed itself for discovery.

#Drumming #Jazz #JohnColtrane #Music

Thanks to the Internet I now know more about #ElvinJones and a whole new universe has revealed itself for discovery.

#Drumming #Jazz #JohnColtrane #Music

Thanks to the Internet I now know more about #ElvinJones and a whole new universe has revealed itself for discovery.

#Drumming #Jazz #JohnColtrane #Music

Thanks to the Internet I now know more about #ElvinJones and a whole new universe has revealed itself for discovery.

#Drumming #Jazz #JohnColtrane #Music

Thanks to the Internet I now know more about #ElvinJones and a whole new universe has revealed itself for discovery.

#Drumming #Jazz #JohnColtrane #Music

Amusingly, after playing A Love Supreme (which had only been recorded with Rudy Van Gelder seven months before), the promoters requested that they play "more familiar material" the following nights.

If only they knew.

A bit more space here to say that Charly was able to reconstruct the full A Love Supreme, which takes up 3 sides of the 4LP set.

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

Amusingly, after playing A Love Supreme (which had only been recorded with Rudy Van Gelder seven months before), the promoters requested that they play "more familiar material" the following nights.

If only they knew.

A bit more space here to say that Charly was able to reconstruct the full A Love Supreme, which takes up 3 sides of the 4LP set.

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

Amusingly, after playing A Love Supreme (which had only been recorded with Rudy Van Gelder seven months before), the promoters requested that they play "more familiar material" the following nights.

If only they knew.

A bit more space here to say that Charly was able to reconstruct the full A Love Supreme, which takes up 3 sides of the 4LP set.

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

Amusingly, after playing A Love Supreme (which had only been recorded with Rudy Van Gelder seven months before), the promoters requested that they play "more familiar material" the following nights.

If only they knew.

A bit more space here to say that Charly was able to reconstruct the full A Love Supreme, which takes up 3 sides of the 4LP set.

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

Amusingly, after playing A Love Supreme (which had only been recorded with Rudy Van Gelder seven months before), the promoters requested that they play "more familiar material" the following nights.

If only they knew.

A bit more space here to say that Charly was able to reconstruct the full A Love Supreme, which takes up 3 sides of the 4LP set.

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

John Coltrane Quartet - France 1965: The Complete Concerts

This is going to be a Coltrane-heavy year, given his centenary, and RSD26 has a few releases to mark the occasion.

This 4LP set documents the two concerts the Quartet did in France during their week-lone stint in Europe.

This is well known for being the quartet's *only* live, full recording of A Love Supreme (reconstructed by Charly).

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

John Coltrane Quartet - France 1965: The Complete Concerts

This is going to be a Coltrane-heavy year, given his centenary, and RSD26 has a few releases to mark the occasion.

This 4LP set documents the two concerts the Quartet did in France during their week-lone stint in Europe.

This is well known for being the quartet's *only* live, full recording of A Love Supreme (reconstructed by Charly).

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

John Coltrane Quartet - France 1965: The Complete Concerts

This is going to be a Coltrane-heavy year, given his centenary, and RSD26 has a few releases to mark the occasion.

This 4LP set documents the two concerts the Quartet did in France during their week-lone stint in Europe.

This is well known for being the quartet's *only* live, full recording of A Love Supreme (reconstructed by Charly).

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

John Coltrane Quartet - France 1965: The Complete Concerts

This is going to be a Coltrane-heavy year, given his centenary, and RSD26 has a few releases to mark the occasion.

This 4LP set documents the two concerts the Quartet did in France during their week-lone stint in Europe.

This is well known for being the quartet's *only* live, full recording of A Love Supreme (reconstructed by Charly).

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

John Coltrane Quartet - France 1965: The Complete Concerts

This is going to be a Coltrane-heavy year, given his centenary, and RSD26 has a few releases to mark the occasion.

This 4LP set documents the two concerts the Quartet did in France during their week-lone stint in Europe.

This is well known for being the quartet's *only* live, full recording of A Love Supreme (reconstructed by Charly).

#nowplaying #vinyl #JohnColtraneQuartet #RSD26 #JohnColtrane #McCoyTyner #JimmyGarrison #ElvinJones

#DemandezLeProgramme :
1962 - John Coltrane & his Group - Düsseldorf

#JohnColtrane (ss, ts), #McCoyTyner (p), #JimmyGarrison (b), #ElvinJones (dr)

#jazz

#DemandezLeProgramme :
1962 - John Coltrane & his Group - Düsseldorf

#JohnColtrane (ss, ts), #McCoyTyner (p), #JimmyGarrison (b), #ElvinJones (dr)

#jazz

#DemandezLeProgramme :
1962 - John Coltrane & his Group - Düsseldorf

#JohnColtrane (ss, ts), #McCoyTyner (p), #JimmyGarrison (b), #ElvinJones (dr)

#jazz

#DemandezLeProgramme :
1962 - John Coltrane & his Group - Düsseldorf

#JohnColtrane (ss, ts), #McCoyTyner (p), #JimmyGarrison (b), #ElvinJones (dr)

#jazz

#DemandezLeProgramme :
1962 - John Coltrane & his Group - Düsseldorf

#JohnColtrane (ss, ts), #McCoyTyner (p), #JimmyGarrison (b), #ElvinJones (dr)

#jazz

♬〜 McCoy Tyner - When Sunny Gets Blue 💿Today and Tomorrow
#Jazz #Bebop #HardBop #ElvinJones #ThadJones #NowPlaying

♬〜 McCoy Tyner - When Sunny Gets Blue 💿Today and Tomorrow
#Jazz #Bebop #HardBop #ElvinJones #ThadJones #NowPlaying

OK, how about some more of the John Coltrane Quartet, augmented with a brass section arranged by Eric Dolphy and McCoy Tyner, representing wildlife? Dense, layered, modal, gorgeous. Listen to "Africa" (1961):

#JohnColtrane (tenor)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

and more!, if you check Wikipedia.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

https://youtu.be/x5HdhiQN3U4?list=RDx5HdhiQN3U4

OK, how about some more of the John Coltrane Quartet, augmented with a brass section arranged by Eric Dolphy and McCoy Tyner, representing wildlife? Dense, layered, modal, gorgeous. Listen to "Africa" (1961):

#JohnColtrane (tenor)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

and more!, if you check Wikipedia.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

https://youtu.be/x5HdhiQN3U4?list=RDx5HdhiQN3U4

OK, how about some more of the John Coltrane Quartet, augmented with a brass section arranged by Eric Dolphy and McCoy Tyner, representing wildlife? Dense, layered, modal, gorgeous. Listen to "Africa" (1961):

#JohnColtrane (tenor)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

and more!, if you check Wikipedia.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

https://youtu.be/x5HdhiQN3U4?list=RDx5HdhiQN3U4

OK, how about some more of the John Coltrane Quartet, augmented with a brass section arranged by Eric Dolphy and McCoy Tyner, representing wildlife? Dense, layered, modal, gorgeous. Listen to "Africa" (1961):

#JohnColtrane (tenor)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

and more!, if you check Wikipedia.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

https://youtu.be/x5HdhiQN3U4?list=RDx5HdhiQN3U4

OK, how about some more of the John Coltrane Quartet, augmented with a brass section arranged by Eric Dolphy and McCoy Tyner, representing wildlife? Dense, layered, modal, gorgeous. Listen to "Africa" (1961):

#JohnColtrane (tenor)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

and more!, if you check Wikipedia.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

https://youtu.be/x5HdhiQN3U4?list=RDx5HdhiQN3U4

So what would happen if you put Wayne Shorter in front of John Coltrane's rhythm section? Blue Note records asked this question! Listen to "Twelve More Bars to Go," from "Juju" (1965):

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#WayneShorter (tenor saxophone)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

https://youtu.be/R_6tDGxuTI4?list=RDR_6tDGxuTI4

So what would happen if you put Wayne Shorter in front of John Coltrane's rhythm section? Blue Note records asked this question! Listen to "Twelve More Bars to Go," from "Juju" (1965):

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#WayneShorter (tenor saxophone)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

https://youtu.be/R_6tDGxuTI4?list=RDR_6tDGxuTI4

So what would happen if you put Wayne Shorter in front of John Coltrane's rhythm section? Blue Note records asked this question! Listen to "Twelve More Bars to Go," from "Juju" (1965):

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#WayneShorter (tenor saxophone)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

https://youtu.be/R_6tDGxuTI4?list=RDR_6tDGxuTI4

So what would happen if you put Wayne Shorter in front of John Coltrane's rhythm section? Blue Note records asked this question! Listen to "Twelve More Bars to Go," from "Juju" (1965):

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#WayneShorter (tenor saxophone)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

https://youtu.be/R_6tDGxuTI4?list=RDR_6tDGxuTI4

So what would happen if you put Wayne Shorter in front of John Coltrane's rhythm section? Blue Note records asked this question! Listen to "Twelve More Bars to Go," from "Juju" (1965):

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#WayneShorter (tenor saxophone)
#McCoyTyner (piano)
#ReggieWorkman (bass)
#ElvinJones (drumming)

https://youtu.be/R_6tDGxuTI4?list=RDR_6tDGxuTI4

Next, from "Live at Birdland" (1963), with the classic quartet:

#JohnColtrane
#McCoyTyner (piano)
#JimmyGarrison (bass)
#ElvinJones (drums)

https://youtu.be/qdRE447wHwM?list=RDqdRE447wHwM

How his sound evolved!

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

Next, from "Live at Birdland" (1963), with the classic quartet:

#JohnColtrane
#McCoyTyner (piano)
#JimmyGarrison (bass)
#ElvinJones (drums)

https://youtu.be/qdRE447wHwM?list=RDqdRE447wHwM

How his sound evolved!

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic

Listen to "Dear Lord" (1965) by the John Coltrane Quartet. I first heard this on the LP "Transition." It forms the most gentle interlude between two hugely powerful compositions. I hope you can feel the restrained power and energy of this band.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#JohnColtrane
#McCoyTyner
#JimmyGarrison
#ElvinJones

https://youtu.be/8ypai7B9BOE?list=RD8ypai7B9BOE

Listen to "Dear Lord" (1965) by the John Coltrane Quartet. I first heard this on the LP "Transition." It forms the most gentle interlude between two hugely powerful compositions. I hope you can feel the restrained power and energy of this band.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#JohnColtrane
#McCoyTyner
#JimmyGarrison
#ElvinJones

https://youtu.be/8ypai7B9BOE?list=RD8ypai7B9BOE

Listen to "Dear Lord" (1965) by the John Coltrane Quartet. I first heard this on the LP "Transition." It forms the most gentle interlude between two hugely powerful compositions. I hope you can feel the restrained power and energy of this band.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#JohnColtrane
#McCoyTyner
#JimmyGarrison
#ElvinJones

https://youtu.be/8ypai7B9BOE?list=RD8ypai7B9BOE

Listen to "Dear Lord" (1965) by the John Coltrane Quartet. I first heard this on the LP "Transition." It forms the most gentle interlude between two hugely powerful compositions. I hope you can feel the restrained power and energy of this band.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#JohnColtrane
#McCoyTyner
#JimmyGarrison
#ElvinJones

https://youtu.be/8ypai7B9BOE?list=RD8ypai7B9BOE

Listen to "Dear Lord" (1965) by the John Coltrane Quartet. I first heard this on the LP "Transition." It forms the most gentle interlude between two hugely powerful compositions. I hope you can feel the restrained power and energy of this band.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#JohnColtrane
#McCoyTyner
#JimmyGarrison
#ElvinJones

https://youtu.be/8ypai7B9BOE?list=RD8ypai7B9BOE

💃 Diese Jazz-Leuz: null Respekt für geographisch-ethnische Grenzen und Schubladen.
#JimmyGarrison grad erst über #Flea-Gespräch entdeckt.
Bonus: Goiles Drumm-Solo von #ElvinJones!

https://youtu.be/B6fsn1iM7AU

#GutMukke

Sonny Sharrock – Ask The Ages (Axiom – 422-848 957-2 Released: 1991) The first jazz LP I ever really loved. Still amazing. #nowplaying #vinylrecords #nowspinning #vinylcommunity #vinylcollectors #vinylcollection #vinyl #musicsky #jazz #sonnysharrock #elvinjones #pharoahsanders

Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve

Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.

There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.

My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.

#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot

Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve

Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.

There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.

My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.

#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot

1971 - Elvin Jones Quintet - Roy Haynes Hip Ensemble - Top of the Gate (New York City)
#jazz #ElvinJones #RoyHaynes

1971 - Elvin Jones Quintet - Roy Haynes Hip Ensemble - Top of the Gate (New York City)
#jazz #ElvinJones #RoyHaynes