#chadkassem — Public Fediverse posts

Stan Getz & Charlie Byrd, Jazz Samba, 1962 on Verve

Early work in the bossa nova trend in the US, recorded at Pierce Hall, All Souls Unitarian Church in DC and released two years before Getz/Gilberto. Includes “Desafinado” (which was also on Getz/Gilberto) and “Samba de Uma Nota” composed by Antonio Carlos Jobim.

My copy—via a private sale—is the 2023 Acoustic Sounds Series reissue on Verve by UMG / UMe, which is a fantastic pressing.

Stan Getz & Charlie Byrd, Jazz Samba, 1962 on Verve

Early work in the bossa nova trend in the US, recorded at Pierce Hall, All Souls Unitarian Church in DC and released two years before Getz/Gilberto. Includes “Desafinado” (which was also on Getz/Gilberto) and “Samba de Uma Nota” composed by Antonio Carlos Jobim.

My copy—via a private sale—is the 2023 Acoustic Sounds Series reissue on Verve by UMG / UMe, which is a fantastic pressing.

Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve

Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums.

The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966.

My copy—via private sale—is the 2022 Acoustic Sounds Series reissue supervised by Chad Kassem from Analogue Productions.

Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve

Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums.

The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966.

My copy—via private sale—is the 2022 Acoustic Sounds Series reissue supervised by Chad Kassem from Analogue Productions.

Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve

Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums.

The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966.

My copy—via private sale—is the 2022 Acoustic Sounds Series reissue supervised by Chad Kassem from Analogue Productions.

Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve

Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums.

The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966.

My copy—via private sale—is the 2022 Acoustic Sounds Series reissue supervised by Chad Kassem from Analogue Productions.

Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve

Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums.

The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966.

My copy—via private sale—is the 2022 Acoustic Sounds Series reissue supervised by Chad Kassem from Analogue Productions.

Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.

My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.

Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.

My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.

Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.

My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.

Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.

My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.

Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album.

My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect, a flawless pressing.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy

Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano.

It was originally recorded December 18th, 1954, and released in 1955. What a masterful set of recordings.

My copy—via private sale—is the Acoustic Sounds Series reissue from 2021, on 180 gram vinyl, with a gatefold cover and an inner liner about the series and the role of Quality Record Pressing and Chad Kassem.

Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve

Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.

There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.

My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.

#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot