#bluenote — Public Fediverse posts

“A brilliant version (and overall session, that for some reason #BlueNote shelved for around 15 years before finally releasing it), with Green’s perfect tone propelling the #song into the stratosphere.” #GrantGreen open.substack.com/pub/mrlee718... #music #MusicSky #guitar #GuitarSky #jazz #JazzSky

We Have Art In Order Not To Di...

Nascido há 100 anos, Moacir Santos fundiu ancestralidade e erudição

https://web.brid.gy/r/https://www.brasildefato.com.br/2026/07/26/nascido-ha-100-anos-moacir-santos-fundiu-ancestralidade-e-erudicao/

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Miles Dewey Davis III
May 26, 1926 – September 28, 1991

#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Cliff Jordan, Cliff Jordan, 1957 on Blue Note

https://goatless.org/2026/04/28/cliff-jordan-cliff-jordan-1957-on-blue-note

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, which was reissued in 2024.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

The glass of Bordeaux that I’ve been slowly sipping on is almost empty, and I’m not far from flipping this record to side 2. Relaxing in a comfy chair listening to great music is one of life’s greatest pleasures. Added this to an order from a Discogs seller because it was 5 bucks…it’s in pristine condition, and sounds amazing - even though it’s one of those thin floppy records! (Eat your heart out heavyweight vinyl people!) And the streak of “I have never been disappointed by a #BlueNote” continues. After side B I expect a glorious slumber.

#Vinyl #RecordCollecting #Jazz #DexterGordon

Dexter Gordon - "Our Man In Paris" (1963)

#NowPlaying #DexterGordon #BudPowell #KennyClarke #PierreMichelot #BlueNote #vinyl #VinylRecords @vinylrecords

https://youtube.com/playlist?list=PLyVALLXezqcdxpToZpOggdDHMo14uw17z&si=NF5ZwiMbvmdJX-Ix

Alligator Bogaloo is an album by #jazz #saxophonist #LouDonaldson recorded for the #BlueNote label in 1967 and featuring Donaldson with #MelvinLastie, #LonnieSmith, #GeorgeBenson, and #LeoMorris (later to be better known as Idris Muhammad). The success of the title track surprised Donaldson: "[W]e made the date and we were three minutes short. I said we don't have no more material. And the guy said just play anything for three minutes so we can fill out the time. So I just made the riff.

Alligator Bogaloo is an album by #jazz #saxophonist #LouDonaldson recorded for the #BlueNote label in 1967 and featuring Donaldson with #MelvinLastie, #LonnieSmith, #GeorgeBenson, and #LeoMorris (later to be better known as Idris Muhammad). The success of the title track surprised Donaldson: "[W]e made the date and we were three minutes short. I said we don't have no more material. And the guy said just play anything for three minutes so we can fill out the time. So I just made the riff.

Alligator Bogaloo is an album by #jazz #saxophonist #LouDonaldson recorded for the #BlueNote label in 1967 and featuring Donaldson with #MelvinLastie, #LonnieSmith, #GeorgeBenson, and #LeoMorris (later to be better known as Idris Muhammad). The success of the title track surprised Donaldson: "[W]e made the date and we were three minutes short. I said we don't have no more material. And the guy said just play anything for three minutes so we can fill out the time. So I just made the riff.

Alligator Bogaloo is an album by #jazz #saxophonist #LouDonaldson recorded for the #BlueNote label in 1967 and featuring Donaldson with #MelvinLastie, #LonnieSmith, #GeorgeBenson, and #LeoMorris (later to be better known as Idris Muhammad). The success of the title track surprised Donaldson: "[W]e made the date and we were three minutes short. I said we don't have no more material. And the guy said just play anything for three minutes so we can fill out the time. So I just made the riff.

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

Bill Charlap Trio - Street of Dreams

To think I thought I’d never heard of Charlap, who has been around for a long time…and even plays on Steely Dan’s “Everything Must Go”. And given he’s played with lots of people I’ve heard…

Anyway, this is a well played, great sounding record, with nuanced accompaniment, highlighting Charlap’s touch and swing.

#nowplaying #jazz #pianojazz #billcharlaptrio #billcharlap #bluenote #vinyl

Wayne Shorter - "Schizophrenia" (1969)

#WayneShorter #NowPlaying #BlueNote #HerbieHancock #RonCarter #JoeChambers #CurtisFuller #JamesSpaulding #vinylrecords @vinylrecords

https://youtube.com/playlist?list=OLAK5uy_ljzWVjkKEWrh_41GZ89W1Yxka0IxTAQXA&si=qcvLQC8ZAz2yT3QA

Wayne Shorter - "Schizophrenia" (1969)

#WayneShorter #NowPlaying #BlueNote #HerbieHancock #RonCarter #JoeChambers #CurtisFuller #JamesSpaulding #vinylrecords @vinylrecords

https://youtube.com/playlist?list=OLAK5uy_ljzWVjkKEWrh_41GZ89W1Yxka0IxTAQXA&si=qcvLQC8ZAz2yT3QA

Wayne Shorter - "Schizophrenia" (1969)

#WayneShorter #NowPlaying #BlueNote #HerbieHancock #RonCarter #JoeChambers #CurtisFuller #JamesSpaulding #vinylrecords @vinylrecords

https://youtube.com/playlist?list=OLAK5uy_ljzWVjkKEWrh_41GZ89W1Yxka0IxTAQXA&si=qcvLQC8ZAz2yT3QA

Wayne Shorter - "Schizophrenia" (1969)

#WayneShorter #NowPlaying #BlueNote #HerbieHancock #RonCarter #JoeChambers #CurtisFuller #JamesSpaulding #vinylrecords @vinylrecords

https://youtube.com/playlist?list=OLAK5uy_ljzWVjkKEWrh_41GZ89W1Yxka0IxTAQXA&si=qcvLQC8ZAz2yT3QA

Another Sunday & I’m #NowSpinning #Indestructible by #ArtBlakey & the Jazz Messengers.

This adds #CurtisFuller bringing Mingus-eque vibes on the trombone, but, imo, #WayneShorter is the star unleashing some killer sax. Plus it has the irrepressible #LeeMorgan who is worth the price of entry alone.

This #record is cut by #KevinGray as part of the #BlueNote Classics series which, in a world of spiraling #vinyl costs, still represents great value.

#NowPlaying #NowListening #VinylRecords #Jazz

Another Sunday & I’m #NowSpinning #Indestructible by #ArtBlakey & the Jazz Messengers.

This adds #CurtisFuller bringing Mingus-eque vibes on the trombone, but, imo, #WayneShorter is the star unleashing some killer sax. Plus it has the irrepressible #LeeMorgan who is worth the price of entry alone.

This #record is cut by #KevinGray as part of the #BlueNote Classics series which, in a world of spiraling #vinyl costs, still represents great value.

#NowPlaying #NowListening #VinylRecords #Jazz

Another Sunday & I’m #NowSpinning #Indestructible by #ArtBlakey & the Jazz Messengers.

This adds #CurtisFuller bringing Mingus-eque vibes on the trombone, but, imo, #WayneShorter is the star unleashing some killer sax. Plus it has the irrepressible #LeeMorgan who is worth the price of entry alone.

This #record is cut by #KevinGray as part of the #BlueNote Classics series which, in a world of spiraling #vinyl costs, still represents great value.

#NowPlaying #NowListening #VinylRecords #Jazz