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#bluenote — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #bluenote, aggregated by home.social.

  1. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  2. Grant Green, Green is Beautiful, 1970 on Blue Note

    Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.

    goatless.org/2026/05/16/grant-

  3. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  4. Freddie Roach, Good Move!, 1964 on Blue Note

    Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

    Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

    My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

    #1960s #1964 #2024 #BlueMitchell #BlueNote #ClarenceJohnston #EddieWright #EnglewoodCliffsNJ #FreddieRoach #HankMobley #jazz #KevinGray #Reissue #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  5. Big John Patton, Let ‘Em Roll, 1966 on Blue Note

    Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

    My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

    #1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  6. Lou Donaldson, Midnight Creeper, 1968 on Blue Note

    Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

    Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

    My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

    #1960s #1968 #2024 #BlueMitchell #BlueNote #EnglewoodCliffsNJ #FrancisWolff #GeorgeBenson #jazz #KevinGray #LeoMorris #LonnieSmith #LouDonaldson #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  7. Blue Mitchell, Down With It, 1966 on Blue Note

    Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

    My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

    #1960s #1966 #AloysiusFoster #BlueMitchell #BlueNote #ChickCorea #CohearentAudio #EnglewoodCliffsNJ #GeneTaylor #jazz #JuniorCook #KevinGray #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  8. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  9. Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

    Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

    My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

    #1960s #1964 #2019 #BlueNote #BlueNote80VinylReissueSeries #ChihuhuaMartinez #herbieHancock #jazz #KevinGray #Modal #OptimalGmbH #PaulChambers #PostBop #Reissue #RudyVanGelder #vinyl #vinylcollection #vinylfinds #WillieBobo
  10. Hank Mobley - Third Season

    Yet another one of those “recorded in 1967 but released years later” Blue Note albums, this strong set by Mobley, Lee Morgan (trumpet), Cedar Walton (piano), Billy Higgins (drums), Walter Booker (bass), Sonny Greenwich (guitar), and James Spaulding (alto) is well worth seeking out.

    I’m not sure the last track works, but the rest is a very enjoyable, swinging hard bop set.

    #nowplaying #vinyl #jazz #HankMobley #BlueNote #LeeMorgan #CedarWalton #BillyHiggins

  11. “[Little Big] feels like … a project that I’m going to keep turning to throughout the years. All of us in the band have a feeling of fellowship that we’ve started to build that is very special. The band also feels like an outlet for something I’m after creatively. I feel there’s something here with this particular intersection of different styles of music in the music we’re making. There’s still a lot more to find.” - Aaron Parks

    Check out our conversation with Aaron Parks. ‘Little Big III’ out now on Blue Note Records.

    #aaronparks #littlebig #littlebigiii #music #art #postgenre #postgenremusic #postgenremedia #jazz #bluenote #bluenoterecords #interview #jazz #piano

    postgenre.org/aaron-parks-litt

  12. Joe Henderson, Mode for Joe, 1966 on Blue Note

    This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz.

    My copy is a 2024 reissue in the Blue Note Classic Vinyl Series – all-analog 180g vinyl pressings mastered […]

    #1960s #1966 #BlueNote #BlueNoteClassicVinylSeries #BobbyHutcherson #CedarWalton #ChrisFuller #jazz #JoeChambers #JoeHenderson #KevinGray #LeeMorgan #OptimalGmBH #RonCarter #RudyVanGelder #vinyl #vinylcollection #vinylfinds

    wp.me/p4tTZ-6Fw

  13. Another Sunday & I’m #NowSpinning #Indestructible by #ArtBlakey & the Jazz Messengers.

    This adds #CurtisFuller bringing Mingus-eque vibes on the trombone, but, imo, #WayneShorter is the star unleashing some killer sax. Plus it has the irrepressible #LeeMorgan who is worth the price of entry alone.

    This #record is cut by #KevinGray as part of the #BlueNote Classics series which, in a world of spiraling #vinyl costs, still represents great value.

    #NowPlaying #NowListening #VinylRecords #Jazz

  14. Long day & in need of a pick me up & so I’m #NowSpinning #TheBigBeat by #ArtBlakey and the Jazz Messengers.

    #Moanin’ is my favourite Blakey album with this a very close second. The lineup here is peerless, #LeeMorgan, #BobbyTimmons, #WayneShorter, & Blakey just smokes.

    Every track is a winner & It’s Only A Paper Moon is one hell of a way to sign off.

    This is another #KevinGray cut from the consistently great #BlueNote Classics series.

    #NowPlaying #NowListening #Vinyl #VinylRecords #Jazz