#creedtaylor — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #creedtaylor, aggregated by home.social.
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Bill Evans and Jim Hall, Intermodulation, 1966 on Verve
This was a follow-up to 1962's Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It's just Evans on piano and Hall on guitar, starting with two standards ("I've Got You Under My Skin" and "My Man's Gone Now") and then a number of more contemporary tunes, including originals by Evans and Hall as well as Joe Zawinul. My copy—via Mystery Train in Gloucester MA—is a 60s pressing with Van Gelder […]https://goatless.org/2026/05/31/bill-evans-and-jim-hall-intermodulation-1966-on-verve
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Bill Evans and Jim Hall, Intermodulation, 1966 on Verve
This was a follow-up to 1962's Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It's just Evans on piano and Hall on guitar, starting with two standards ("I've Got You Under My Skin" and "My Man's Gone Now") and then a number of more contemporary tunes, including originals by Evans and Hall as well as Joe Zawinul. My copy—via Mystery Train in Gloucester MA—is a 60s pressing with Van Gelder […]https://goatless.org/2026/05/31/bill-evans-and-jim-hall-intermodulation-1966-on-verve
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Bill Evans and Jim Hall, Intermodulation, 1966 on Verve
This was a follow-up to 1962's Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It's just Evans on piano and Hall on guitar, starting with two standards ("I've Got You Under My Skin" and "My Man's Gone Now") and then a number of more contemporary tunes, including originals by Evans and Hall as well as Joe Zawinul. My copy—via Mystery Train in Gloucester MA—is a 60s pressing with Van Gelder […]https://goatless.org/2026/05/31/bill-evans-and-jim-hall-intermodulation-1966-on-verve
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Bill Evans and Jim Hall, Intermodulation, 1966 on Verve
This was a follow-up to 1962's Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It's just Evans on piano and Hall on guitar, starting with two standards ("I've Got You Under My Skin" and "My Man's Gone Now") and then a number of more contemporary tunes, including originals by Evans and Hall as well as Joe Zawinul. My copy—via Mystery Train in Gloucester MA—is a 60s pressing with Van Gelder […]https://goatless.org/2026/05/31/bill-evans-and-jim-hall-intermodulation-1966-on-verve
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Bill Evans and Jim Hall, Intermodulation, 1966 on Verve
This was a follow-up to 1962's Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It's just Evans on piano and Hall on guitar, starting with two standards ("I've Got You Under My Skin" and "My Man's Gone Now") and then a number of more contemporary tunes, including originals by Evans and Hall as well as Joe Zawinul. My copy—via Mystery Train in Gloucester MA—is a 60s pressing with Van Gelder […]https://goatless.org/2026/05/31/bill-evans-and-jim-hall-intermodulation-1966-on-verve
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Listening to the album while reading Doug Payne's review, published yesterday - The forgotten Larry Coryell album?
I'll have a related new post tomorrow about the new #tedrosenthal album
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Listening to the album while reading Doug Payne's review, published yesterday - The forgotten Larry Coryell album?
I'll have a related new post tomorrow about the new #tedrosenthal album
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Stan Getz & Charlie Byrd, Jazz Samba, 1962 on Verve
Early work in the bossa nova trend in the US, recorded at Pierce Hall, All Souls Unitarian Church in DC and released two years before Getz/Gilberto. Includes “Desafinado” (which was also on Getz/Gilberto) and “Samba de Uma Nota” composed by Antonio Carlos Jobim.
My copy—via a private sale—is the 2023 Acoustic Sounds Series reissue on Verve by UMG / UMe, which is a fantastic pressing.
#AcousticSounds #ChadKassem #CharlieByrd #CreedTaylor #QualityRecordPressing #RyanSmith #StanGetz #UMe #Verve #vinyl #vinylcollection #vinylfinds -
Stan Getz & Charlie Byrd, Jazz Samba, 1962 on Verve
Early work in the bossa nova trend in the US, recorded at Pierce Hall, All Souls Unitarian Church in DC and released two years before Getz/Gilberto. Includes “Desafinado” (which was also on Getz/Gilberto) and “Samba de Uma Nota” composed by Antonio Carlos Jobim.
My copy—via a private sale—is the 2023 Acoustic Sounds Series reissue on Verve by UMG / UMe, which is a fantastic pressing.
#AcousticSounds #ChadKassem #CharlieByrd #CreedTaylor #QualityRecordPressing #RyanSmith #StanGetz #UMe #Verve #vinyl #vinylcollection #vinylfinds -
Stuck in the middle of an important boxset reissue project; really need a copy of audio engineer Irv Greenbaum's biography and have been shopping, calling and searching online for weeks. The only reason I know it exists is there is a reference copy at the Rutgers Jazz reference library.
If you have it and are even just willing to loan it, please get in touch. I'll pay return postage and find something useful for you in exchange!
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Stuck in the middle of an important boxset reissue project; really need a copy of audio engineer Irv Greenbaum's biography and have been shopping, calling and searching online for weeks. The only reason I know it exists is there is a reference copy at the Rutgers Jazz reference library.
If you have it and are even just willing to loan it, please get in touch. I'll pay return postage and find something useful for you in exchange!
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Nina Simone, Baltimore, 1978 on CTI
The inimitable Nina Simone recorded in Brussels in January 1978 - her first and only record with CTI (Creed Taylor Inc). Apparently she and Creed Taylor did not find good creative collaboration and she disclaimed any choice of material or creative control. "Baltimore" is the Randy Newman song from Little Criminals. Quincy Jones' version of "Everything Must Change" was on Body Heat. The most surprising perhaps is "Rich Girl" - as in the Hall & Oates track from Bigger Than Both Of Us. […]https://goatless.org/2026/03/18/nina-simone-baltimore-1978-on-cti
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Paul Desmond, Pure Desmond, 1975 on CTI Records
Desmond (who composed Take Five and was a critical part of the Dave Brubeck Quartet) playing here with Ron Carter, Ed Bickert, and Connie Kay – recorded at Rudy Van Gelder’s studio in 1974 and produced by Creed Taylor.
One of five albums Desmond put out on CTI in the late 60s and 70s. including Summertime and Skylark (with Gabor Szabo). It’s very fusion, and features Ed Bickert on guitar as much as (or more so than) Desmond.
My copy, via Crossroads Records in Portland OR, is a 1975 issue with Van Gelder in the runouts.
#1970s #1975 #ConnieKay #CreedTaylor #CrossroadsRecords #CTI #EdBickert #PaulDesmond #PortlandOR #RonCarter #RudyVanGelder #vinyl #vinylcollection #vinylfinds -
OTD: The Record Men: Creed Taylor
The January 1965 issue of Jazz magazine highlights Creed Taylor's influential role as a jazz A&R producer. Known for his commercial success and artistic sensitivity, Taylor shaped numerous significant jazz recordings. The article discusses his innovative techniques, including unique project concepts and collaboration with artists, emphasizing his
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OTD: The Record Men: Creed Taylor
The January 1965 issue of Jazz magazine highlights Creed Taylor's influential role as a jazz A&R producer. Known for his commercial success and artistic sensitivity, Taylor shaped numerous significant jazz recordings. The article discusses his innovative techniques, including unique project concepts and collaboration with artists, emphasizing his
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Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve
Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.
There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.
My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.
#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot
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Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve
Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.
There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.
My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.
#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot
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Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve
Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.
There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.
My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.
#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot
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Stan Getz & Bill Evans, Previously Unreleased Recordings, 1974 on Verve
Sometimes just referred to as Stan Getz & Bill Evans, this was recorded in 1964 but not released until 1974. Ron Carter (A side) and Richard Davis (B side) on bass, with Elvin Jones on drums. Recorded at Rudy Van Gelder’s studio in Englewood Cliffs NJ and produced by Creed Taylor.
There’s a whole series of “Previously Unreleased Recordings” advertised on the rear jacket. Beautiful sounding LP well packaged.
My copy—via Worcester Record Riot—is of the 2024 UMG/UMe reissue, overseen by Chad Kassem from Acoustic Sounds.
#1960s #1974 #BillEvans #ChadKassem #CreedTaylor #ElvinJones #EnglewoodCliffsNJ #Reissue #RichardDavis #RonCarter #RudyVanGelder #StanGetz #UMe #UMG #vinyl #vinylcollection #vinylfinds #WorcesterRecordRiot
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Peak Creed Taylor, 1974?
Today, May 13th, marks what would have been Creed Taylor's 96th birthday. While I continue to organize and catalog my archive, I frequently come across articles I think are worth sharing. I've used and quoted Mary Campbell before. She is known as a music reporter for the Associated Press. Campbell had transferred to the AP headquarters in New York in 1960. It was from there she would cover
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Peak Creed Taylor, 1974?
Today, May 13th, marks what would have been Creed Taylor's 96th birthday. While I continue to organize and catalog my archive, I frequently come across articles I think are worth sharing. I've used and quoted Mary Campbell before. She is known as a music reporter for the Associated Press. Campbell had transferred to the AP headquarters in New York in 1960. It was from there she would cover
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Remembering Esther Phillips on the day she would have been 89-years old.
I've written a lot about Esther, I have a soft spot for her singing and am fascinated by her life story.
I have at least one more piece to write based on some history from #johnnyotis - It explains a great deal about why Esther made some of the choices she did.
For today though, I want to remember a ballsy woman who once walked into Creed Taylors office with a baseball bat under her fur coat to demand her royalty check.
Posts via the jazzjump or link in bio
#estherphillips #ctirecords #creedtaylor #ctproduced @davidmatthewsjazz
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Remembering Esther Phillips on the day she would have been 89-years old.
I've written a lot about Esther, I have a soft spot for her singing and am fascinated by her life story.
I have at least one more piece to write based on some history from #johnnyotis - It explains a great deal about why Esther made some of the choices she did.
For today though, I want to remember a ballsy woman who once walked into Creed Taylors office with a baseball bat under her fur coat to demand her royalty check.
Posts via the jazzjump or link in bio
#estherphillips #ctirecords #creedtaylor #ctproduced @davidmatthewsjazz
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Remembering Esther Phillips on the day she would have been 89-years old.
I've written a lot about Esther, I have a soft spot for her singing and am fascinated by her life story.
I have at least one more piece to write based on some history from #johnnyotis - It explains a great deal about why Esther made some of the choices she did.
For today though, I want to remember a ballsy woman who once walked into Creed Taylors office with a baseball bat under her fur coat to demand her royalty check.
Posts via the jazzjump or link in bio
#estherphillips #ctirecords #creedtaylor #ctproduced @davidmatthewsjazz
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Hey, citizens of the fediverse - I just wanted to remember the great Grover Washington, Jr. who left us this day, 25-years ago. Far too soon. Such a talent, such a nice, kind man.
Just 5-days after celebrating his 56th birthday, Grover had a heart attack in the green room, after performing and recording four songs for “The Saturday Early Show”, at CBS Studios in New York City. He was pronounced dead at 7:30pm that day, December 17th, 1999, St. Luke’s-Roosevelt Hospital in New York City.
He was still working in a department store when his first
#Kudu
album came out, he got to put it in the racks. You can find all this plus at least 2x live sets; a ctproduced mix and so much more. https://www.ctproduced.com/jazzjump/ -
Hey, citizens of the fediverse - I just wanted to remember the great Grover Washington, Jr. who left us this day, 25-years ago. Far too soon. Such a talent, such a nice, kind man.
Just 5-days after celebrating his 56th birthday, Grover had a heart attack in the green room, after performing and recording four songs for “The Saturday Early Show”, at CBS Studios in New York City. He was pronounced dead at 7:30pm that day, December 17th, 1999, St. Luke’s-Roosevelt Hospital in New York City.
He was still working in a department store when his first
#Kudu
album came out, he got to put it in the racks. You can find all this plus at least 2x live sets; a ctproduced mix and so much more. https://www.ctproduced.com/jazzjump/ -
Hey, citizens of the fediverse - I just wanted to remember the great Grover Washington, Jr. who left us this day, 25-years ago. Far too soon. Such a talent, such a nice, kind man.
Just 5-days after celebrating his 56th birthday, Grover had a heart attack in the green room, after performing and recording four songs for “The Saturday Early Show”, at CBS Studios in New York City. He was pronounced dead at 7:30pm that day, December 17th, 1999, St. Luke’s-Roosevelt Hospital in New York City.
He was still working in a department store when his first
#Kudu
album came out, he got to put it in the racks. You can find all this plus at least 2x live sets; a ctproduced mix and so much more. https://www.ctproduced.com/jazzjump/ -
Remembering #chrisconnor on her born day, this day in 1927. #creedtaylor recordings with Chris in August 1954 essentially saved #guswildi 's fledgling #bethlemrecords - Their recordings sound so "grown-up" both Creed and Chris were in their mid-20's.
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Remembering #chrisconnor on her born day, this day in 1927. #creedtaylor recordings with Chris in August 1954 essentially saved #guswildi 's fledgling #bethlemrecords - Their recordings sound so "grown-up" both Creed and Chris were in their mid-20's.
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Remembering #chrisconnor on her born day, this day in 1927. #creedtaylor recordings with Chris in August 1954 essentially saved #guswildi 's fledgling #bethlemrecords - Their recordings sound so "grown-up" both Creed and Chris were in their mid-20's.
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It's really quite interesting what an oversize role agents and managers played and continue to play in the music business. You can't really talk about #CreedTaylor without talking about #ClarenceAvant - you can't talk about Clarence without talking about #JoeGlaser and Joe without talking about the mafia and #louisarmstrong
Meanwhile, 25-years they say?
**Deadmau5 has signed with CAA for global representation**, moving over from his previous agency, UTA. He continues to be managed by Seven20 and is represented in PR by Falcon Publicity. Known for his groundbreaking live shows and innovative music, Deadmau5 recently celebrated his 25-year career with his Retro5pective shows, performing at iconic venues like the Hollywood Bowl and Red Rocks. His distinctive Cube V3 stage setup returned for these events, enhancing the experience with immersive visuals and classic hits like Ghosts 'n' Stuff and The Veldt.
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It's really quite interesting what an oversize role agents and managers played and continue to play in the music business. You can't really talk about #CreedTaylor without talking about #ClarenceAvant - you can't talk about Clarence without talking about #JoeGlaser and Joe without talking about the mafia and #louisarmstrong
Meanwhile, 25-years they say?
**Deadmau5 has signed with CAA for global representation**, moving over from his previous agency, UTA. He continues to be managed by Seven20 and is represented in PR by Falcon Publicity. Known for his groundbreaking live shows and innovative music, Deadmau5 recently celebrated his 25-year career with his Retro5pective shows, performing at iconic venues like the Hollywood Bowl and Red Rocks. His distinctive Cube V3 stage setup returned for these events, enhancing the experience with immersive visuals and classic hits like Ghosts 'n' Stuff and The Veldt.
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It's really quite interesting what an oversize role agents and managers played and continue to play in the music business. You can't really talk about #CreedTaylor without talking about #ClarenceAvant - you can't talk about Clarence without talking about #JoeGlaser and Joe without talking about the mafia and #louisarmstrong
Meanwhile, 25-years they say?
**Deadmau5 has signed with CAA for global representation**, moving over from his previous agency, UTA. He continues to be managed by Seven20 and is represented in PR by Falcon Publicity. Known for his groundbreaking live shows and innovative music, Deadmau5 recently celebrated his 25-year career with his Retro5pective shows, performing at iconic venues like the Hollywood Bowl and Red Rocks. His distinctive Cube V3 stage setup returned for these events, enhancing the experience with immersive visuals and classic hits like Ghosts 'n' Stuff and The Veldt.
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Creed Taylor Month 2024
Creed Taylor Month, established by A&M CTI in 1968, celebrates the influential music producer Creed Taylor. This year features a 1994 audio interview with Taylor by Michael Jarrett, detailing his craftsmanship in album production. Jarrett, a retired music scholar, contributed to various music publications, highlighting Taylor’s significant role in jazz.
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Creed Taylor Month 2024
Creed Taylor Month, established by A&M CTI in 1968, celebrates the influential music producer Creed Taylor. This year features a 1994 audio interview with Taylor by Michael Jarrett, detailing his craftsmanship in album production. Jarrett, a retired music scholar, contributed to various music publications, highlighting Taylor’s significant role in jazz.
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Creed Taylor Month 2024
Creed Taylor Month, established by A&M CTI in 1968, celebrates the influential music producer Creed Taylor. This year features a 1994 audio interview with Taylor by Michael Jarrett, detailing his craftsmanship in album production. Jarrett, a retired music scholar, contributed to various music publications, highlighting Taylor’s significant role in jazz.
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My Tamiko Jones post is finally live. This was a massive 3-month project, and includes a mix of her music with previously unheard tracks from the Tonight Show that are not available in any other format.
Jones was one of the few people to speak out at longtime Recording Academy President Michael Greene, who abruptly resigned in 2002.
https://www.ctproduced.com/tamiko-jones-more-than-a-woman/#TamikoJones #CTIrecords #CreedTaylor #HerbieMann #NowSpinning #NowStreaming
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My Tamiko Jones post is finally live. This was a massive 3-month project, and includes a mix of her music with previously unheard tracks from the Tonight Show that are not available in any other format.
Jones was one of the few people to speak out at longtime Recording Academy President Michael Greene, who abruptly resigned in 2002.
https://www.ctproduced.com/tamiko-jones-more-than-a-woman/#TamikoJones #CTIrecords #CreedTaylor #HerbieMann #NowSpinning #NowStreaming
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My Tamiko Jones post is finally live. This was a massive 3-month project, and includes a mix of her music with previously unheard tracks from the Tonight Show that are not available in any other format.
Jones was one of the few people to speak out at longtime Recording Academy President Michael Greene, who abruptly resigned in 2002.
https://www.ctproduced.com/tamiko-jones-more-than-a-woman/#TamikoJones #CTIrecords #CreedTaylor #HerbieMann #NowSpinning #NowStreaming
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Sounds: Supermarket Jazz
It's fairly well know that Creed's production techniques were not universally liked. Creed himself knew that and was often quite dismissive of critics in general. I've often quoted Creed himself on this, as early as 1963 he said:
These men[musicians], no longer concern themselves with critical limitations, imposed by journalists within the jazz frat
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Sounds: Supermarket Jazz
It's fairly well know that Creed's production techniques were not universally liked. Creed himself knew that and was often quite dismissive of critics in general. I've often quoted Creed himself on this, as early as 1963 he said:
These men[musicians], no longer concern themselves with critical limitations, imposed by journalists within the jazz frat
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Sounds: Supermarket Jazz
It's fairly well know that Creed's production techniques were not universally liked. Creed himself knew that and was often quite dismissive of critics in general. I've often quoted Creed himself on this, as early as 1963 he said:
These men[musicians], no longer concern themselves with critical limitations, imposed by journalists within the jazz frat
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Creed Taylor in 1979
Today marks what would have been the 95th birthday of Creed Taylor, a producer celebrated for his subtle yet impactful influence in the jazz music industry. Despite facing significant challenges, including CTI’s bankruptcy in 1978, Taylor's dedication to crossover music has left a lasting legacy, exemplified by
https://www.ctproduced.com/creed-taylor-in-1979/
#AMCTI #ABCParamount #Bethlhem #CTI #CTIV3 #GreeneStreet #Impulse #KUDU #Salvation #Verve #CreedTaylor
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Creed Taylor in 1979
Today marks what would have been the 95th birthday of Creed Taylor, a producer celebrated for his subtle yet impactful influence in the jazz music industry. Despite facing significant challenges, including CTI’s bankruptcy in 1978, Taylor's dedication to crossover music has left a lasting legacy, exemplified by
https://www.ctproduced.com/creed-taylor-in-1979/
#AMCTI #ABCParamount #Bethlhem #CTI #CTIV3 #GreeneStreet #Impulse #KUDU #Salvation #Verve #CreedTaylor
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Creed Taylor in 1979
Today marks what would have been the 95th birthday of Creed Taylor, a producer celebrated for his subtle yet impactful influence in the jazz music industry. Despite facing significant challenges, including CTI’s bankruptcy in 1978, Taylor's dedication to crossover music has left a lasting legacy, exemplified by
https://www.ctproduced.com/creed-taylor-in-1979/
#AMCTI #ABCParamount #Bethlhem #CTI #CTIV3 #GreeneStreet #Impulse #KUDU #Salvation #Verve #CreedTaylor
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To all the young bands and producers out there, if your first album doesn't work out, rethink and change direction.
I listen to a lot of really odd and offbeat albums that #CreedTaylor produced. (see my recent review of Mondo Cane #2). It's taken me a while to get a copy of #DonnaSummer and #giorgiomoroder first album, it's truly bland and mediocre. 18-months later they would rule the world.
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To all the young bands and producers out there, if your first album doesn't work out, rethink and change direction.
I listen to a lot of really odd and offbeat albums that #CreedTaylor produced. (see my recent review of Mondo Cane #2). It's taken me a while to get a copy of #DonnaSummer and #giorgiomoroder first album, it's truly bland and mediocre. 18-months later they would rule the world.
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Mondo Cane #2 – The Worst Jazz Album Creed Produced?
Pop goes the ondioline - A really quite unusual production by Creed Taylor, but was it jazz? Kai Winding's "Mondo Cane #2" despite consisting of 12 short tracks diverges into space-era pop with Hawaiian themes, not pure jazz. Winding plays the ondioline on several tracks, attempting to capitalize on earlier success. A lo
https://www.ctproduced.com/mondo-cane-2-the-worst-jazz-album-creed-produced/
#Verve #ArtieButler #KaiWinding #ctproduced #CreedTaylor #MondoCane
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Mondo Cane #2 – The Worst Jazz Album Creed Produced?
Pop goes the ondioline - A really quite unusual production by Creed Taylor, but was it jazz? Kai Winding's "Mondo Cane #2" despite consisting of 12 short tracks diverges into space-era pop with Hawaiian themes, not pure jazz. Winding plays the ondioline on several tracks, attempting to capitalize on earlier success. A lo
https://www.ctproduced.com/mondo-cane-2-the-worst-jazz-album-creed-produced/
#Verve #ArtieButler #KaiWinding #ctproduced #CreedTaylor #MondoCane
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Mondo Cane #2 – The Worst Jazz Album Creed Produced?
Pop goes the ondioline - A really quite unusual production by Creed Taylor, but was it jazz? Kai Winding's "Mondo Cane #2" despite consisting of 12 short tracks diverges into space-era pop with Hawaiian themes, not pure jazz. Winding plays the ondioline on several tracks, attempting to capitalize on earlier success. A lo
https://www.ctproduced.com/mondo-cane-2-the-worst-jazz-album-creed-produced/
#Verve #ArtieButler #KaiWinding #ctproduced #CreedTaylor #MondoCane
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Mondo Cane #2 – The Worst Jazz Album Creed Produced?
Pop goes the ondioline - A really quite unusual production by Creed Taylor, but was it jazz? Kai Winding's "Mondo Cane #2" despite consisting of 12 short tracks diverges into space-era pop with Hawaiian themes, not pure jazz. Winding plays the ondioline on several tracks, attempting to capitalize on earlier success. A lo
https://www.ctproduced.com/mondo-cane-2-the-worst-jazz-album-creed-produced/
#Verve #ArtieButler #KaiWinding #ctproduced #CreedTaylor #MondoCane
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Mondo Cane #2 – The Worst Jazz Album Creed Produced?
Pop goes the ondioline - A really quite unusual production by Creed Taylor, but was it jazz? Kai Winding's "Mondo Cane #2" despite consisting of 12 short tracks diverges into space-era pop with Hawaiian themes, not pure jazz. Winding plays the ondioline on several tracks, attempting to capitalize on earlier success. A lo
https://www.ctproduced.com/mondo-cane-2-the-worst-jazz-album-creed-produced/
#Verve #ArtieButler #KaiWinding #ctproduced #CreedTaylor #MondoCane
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I must admit I've never seen CD's that were not packaged in plastic cases or cheap paper sleeves. These Japanese King Records releases are gorgeous. Very tactile just more like shrunk gatefold albums.
#wesmontgomery #antoncarlosjobim #creedtaylor #ctirecords #jazz -
I must admit I've never seen CD's that were not packaged in plastic cases or cheap paper sleeves. These Japanese King Records releases are gorgeous. Very tactile just more like shrunk gatefold albums.
#wesmontgomery #antoncarlosjobim #creedtaylor #ctirecords #jazz -
I must admit I've never seen CD's that were not packaged in plastic cases or cheap paper sleeves. These Japanese King Records releases are gorgeous. Very tactile just more like shrunk gatefold albums.
#wesmontgomery #antoncarlosjobim #creedtaylor #ctirecords #jazz -
I must admit I've never seen CD's that were not packaged in plastic cases or cheap paper sleeves. These Japanese King Records releases are gorgeous. Very tactile just more like shrunk gatefold albums.
#wesmontgomery #antoncarlosjobim #creedtaylor #ctirecords #jazz -
Working on post to mark the day in 1962 when Creed Taylor and Rudy Van Gelder recorded Jack Teagarden.
Converting a bunch of old videos from laserdisc. Don't do this much these days, always forget which cables have to be plugged where... But off and running.
Anyone any idea who the drummer is in the second picture? #creedtaylor #rudyvangelder #Verve #jackteagarden
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Working on post to mark the day in 1962 when Creed Taylor and Rudy Van Gelder recorded Jack Teagarden.
Converting a bunch of old videos from laserdisc. Don't do this much these days, always forget which cables have to be plugged where... But off and running.
Anyone any idea who the drummer is in the second picture? #creedtaylor #rudyvangelder #Verve #jackteagarden
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Working on post to mark the day in 1962 when Creed Taylor and Rudy Van Gelder recorded Jack Teagarden.
Converting a bunch of old videos from laserdisc. Don't do this much these days, always forget which cables have to be plugged where... But off and running.
Anyone any idea who the drummer is in the second picture? #creedtaylor #rudyvangelder #Verve #jackteagarden
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Working on post to mark the day in 1962 when Creed Taylor and Rudy Van Gelder recorded Jack Teagarden.
Converting a bunch of old videos from laserdisc. Don't do this much these days, always forget which cables have to be plugged where... But off and running.
Anyone any idea who the drummer is in the second picture? #creedtaylor #rudyvangelder #Verve #jackteagarden