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#reissue — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #reissue, aggregated by home.social.

  1. Mose Allison, Back Country Suite, 1957 on Prestige

    Mose Allison's debut album, recorded at Van Gelder's studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just "Blues" was later recorded on Live at Leeds by the Who as "Young Man Blues": Well a young man ain't got nothing in the world these days My copy—via Beverly Coin & Jewelry—is the 1983 reissue in the Original Jazz Classics series. The OJC series is a great way to find these Prestige records in good […]

    goatless.org/2026/05/18/mose-a

  2. Mose Allison, Back Country Suite, 1957 on Prestige

    Mose Allison's debut album, recorded at Van Gelder's studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just "Blues" was later recorded on Live at Leeds by the Who as "Young Man Blues": Well a young man ain't got nothing in the world these days My copy—via Beverly Coin & Jewelry—is the 1983 reissue in the Original Jazz Classics series. The OJC series is a great way to find these Prestige records in good […]

    goatless.org/2026/05/18/mose-a

  3. Grant Green, Green is Beautiful, 1970 on Blue Note

    Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.

    goatless.org/2026/05/16/grant-

  4. Grant Green, Green is Beautiful, 1970 on Blue Note

    Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.

    goatless.org/2026/05/16/grant-

  5. Grant Green, Green is Beautiful, 1970 on Blue Note

    Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.

    goatless.org/2026/05/16/grant-

  6. Grant Green, Green is Beautiful, 1970 on Blue Note

    Green joined here by Blue Mitchell (trumpet), Claude Bartee (tenor sax), Emmanuel Riggens (organ), Jimmy Lewis (bass), and Idris Muhammad (drums) plus Richard Lendrum (bongos) and Candido Camero (congas). Recorded in 1970 by Rudy Van Gelder in Englewood Cliffs, NJ. My copy—via Salem Flea Marketplace—is the 2023 Blue Note Classic Vinyl Series reissue, mastered by Kevin Gray at Cohearent Audio and pressed at Optimal, which sounds (and looks) great.

    goatless.org/2026/05/16/grant-

  7. Tracy Chapman, Tracy Chapman, 1988 on Elektra

    Its popularity has recently resurged, due in no small part to Luke Combs' cover version and their duet at the Grammy's but this record never went out of rotation for me. https://www.youtube.com/watch?v=pLfH9HSUyf4 Technically I know it's not true, but I like to imagine Tracy Chapman's voice was still echoing around Boston from her busking days when I arrived for college in the fall of 1988. Reality is she was already out promoting her debut album. My copy—which replaced the aging CD I […]

    goatless.org/2026/05/04/tracy-

  8. Tracy Chapman, Tracy Chapman, 1988 on Elektra

    Its popularity has recently resurged, due in no small part to Luke Combs' cover version and their duet at the Grammy's but this record never went out of rotation for me. https://www.youtube.com/watch?v=pLfH9HSUyf4 Technically I know it's not true, but I like to imagine Tracy Chapman's voice was still echoing around Boston from her busking days when I arrived for college in the fall of 1988. Reality is she was already out promoting her debut album. My copy—which replaced the aging CD I […]

    goatless.org/2026/05/04/tracy-

  9. Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records

    Classic west coast jazz from Contemporary Records - sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band - Wikipedia says "a small big band." Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny Rollins among others. A must have for people (like me) who are fans of the west coast "cool jazz" and the late big band era. My copy—via private sale—is the […]

    goatless.org/2026/05/03/art-pe

  10. Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records

    Classic west coast jazz from Contemporary Records - sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band - Wikipedia says "a small big band." Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny Rollins among others. A must have for people (like me) who are fans of the west coast "cool jazz" and the late big band era. My copy—via private sale—is the […]

    goatless.org/2026/05/03/art-pe

  11. Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records

    Classic west coast jazz from Contemporary Records - sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band - Wikipedia says "a small big band." Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny Rollins among others. A must have for people (like me) who are fans of the west coast "cool jazz" and the late big band era. My copy—via private sale—is the […]

    goatless.org/2026/05/03/art-pe

  12. Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records

    Classic west coast jazz from Contemporary Records - sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band - Wikipedia says "a small big band." Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny Rollins among others. A must have for people (like me) who are fans of the west coast "cool jazz" and the late big band era. My copy—via private sale—is the […]

    goatless.org/2026/05/03/art-pe

  13. Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records

    Classic west coast jazz from Contemporary Records - sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band - Wikipedia says "a small big band." Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny Rollins among others. A must have for people (like me) who are fans of the west coast "cool jazz" and the late big band era. My copy—via private sale—is the […]

    goatless.org/2026/05/03/art-pe

  14. Sonny Rollins, Way Out West, 1957 on Contemporary

    This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.

    goatless.org/2026/05/01/sonny-

  15. Sonny Rollins, Way Out West, 1957 on Contemporary

    This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.

    goatless.org/2026/05/01/sonny-

  16. Sonny Rollins, Way Out West, 1957 on Contemporary

    This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.

    goatless.org/2026/05/01/sonny-

  17. Sonny Rollins, Way Out West, 1957 on Contemporary

    This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.

    goatless.org/2026/05/01/sonny-

  18. Sonny Rollins, Way Out West, 1957 on Contemporary

    This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.

    goatless.org/2026/05/01/sonny-

  19. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  20. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  21. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  22. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  23. Cliff Jordan, Cliff Jordan, 1957 on Blue Note

    Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is the 2024 Blue Note Tone Poet Series reissue, with lacquer by Kevin Gray and pressing at RTI. Although they used the "mono" labels here and the spine also says mono, the LP is […]

    goatless.org/2026/04/28/cliff-

  24. Bill Evans, Evans in England, 2019 on Resonance

    Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott's. (Live at Ronnie Scott's, released in 2020, came from recordings made in July of 1968). Great production and packaging. https://www.youtube.com/watch?v=kvX6ZG0jAYA My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.

    goatless.org/2026/04/26/bill-e

  25. Bill Evans, Evans in England, 2019 on Resonance

    Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott's. (Live at Ronnie Scott's, released in 2020, came from recordings made in July of 1968). Great production and packaging. https://www.youtube.com/watch?v=kvX6ZG0jAYA My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.

    goatless.org/2026/04/26/bill-e

  26. Bill Evans, Evans in England, 2019 on Resonance

    Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott's. (Live at Ronnie Scott's, released in 2020, came from recordings made in July of 1968). Great production and packaging. https://www.youtube.com/watch?v=kvX6ZG0jAYA My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.

    goatless.org/2026/04/26/bill-e

  27. Bill Evans, Evans in England, 2019 on Resonance

    Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott's. (Live at Ronnie Scott's, released in 2020, came from recordings made in July of 1968). Great production and packaging. https://www.youtube.com/watch?v=kvX6ZG0jAYA My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.

    goatless.org/2026/04/26/bill-e

  28. Bill Evans, Evans in England, 2019 on Resonance

    Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott's. (Live at Ronnie Scott's, released in 2020, came from recordings made in July of 1968). Great production and packaging. https://www.youtube.com/watch?v=kvX6ZG0jAYA My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.

    goatless.org/2026/04/26/bill-e

  29. Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

    The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.

    goatless.org/2026/04/25/horace

  30. Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

    The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.

    goatless.org/2026/04/25/horace

  31. Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

    The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.

    goatless.org/2026/04/25/horace

  32. Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

    The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.

    goatless.org/2026/04/25/horace

  33. Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

    The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other reissue series - but so many of these are so good they are hard to resist.

    goatless.org/2026/04/25/horace

  34. Freddie Roach, Good Move!, 1964 on Blue Note

    Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

    Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

    My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

    #1960s #1964 #2024 #BlueMitchell #BlueNote #ClarenceJohnston #EddieWright #EnglewoodCliffsNJ #FreddieRoach #HankMobley #jazz #KevinGray #Reissue #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  35. Freddie Roach, Good Move!, 1964 on Blue Note

    Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

    Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

    My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

    #1960s #1964 #2024 #BlueMitchell #BlueNote #ClarenceJohnston #EddieWright #EnglewoodCliffsNJ #FreddieRoach #HankMobley #jazz #KevinGray #Reissue #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  36. Freddie Roach, Good Move!, 1964 on Blue Note

    Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

    Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

    My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

    #1960s #1964 #2024 #BlueMitchell #BlueNote #ClarenceJohnston #EddieWright #EnglewoodCliffsNJ #FreddieRoach #HankMobley #jazz #KevinGray #Reissue #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  37. Freddie Roach, Good Move!, 1964 on Blue Note

    Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

    Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

    My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

    #1960s #1964 #2024 #BlueMitchell #BlueNote #ClarenceJohnston #EddieWright #EnglewoodCliffsNJ #FreddieRoach #HankMobley #jazz #KevinGray #Reissue #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  38. Freddie Roach, Good Move!, 1964 on Blue Note

    Freddie Roach's third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums). Tunes include "It Ain't Necessarily So" (Gerswhin) and Pastel (Garner) as well as "T'Ain't What You Do (It's The Way That You Do It)." Great soul-jazz organ here. My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can […]

    goatless.org/2026/04/23/freddi

  39. Big John Patton, Let ‘Em Roll, 1966 on Blue Note

    Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

    My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

    #1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  40. Big John Patton, Let ‘Em Roll, 1966 on Blue Note

    Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

    My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

    #1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  41. Big John Patton, Let ‘Em Roll, 1966 on Blue Note

    Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

    My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

    #1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  42. Big John Patton, Let ‘Em Roll, 1966 on Blue Note

    Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

    My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

    #1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds
  43. Big John Patton, Let ‘Em Roll, 1966 on Blue Note

    Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

    My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

    #1960s #1966 #2023 #amazon #BlueNote #BobbyHutcherson #EnglewoodCliffsNJ #GrantGreen #jazz #JoeHarley #JohnPatton #KevinGray #OtisFinch #Reissue #RTI #RudyVanGelder #TonePoet #vinyl #vinylcollection #vinylfinds