#budpowell — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #budpowell, aggregated by home.social.
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https://www.europesays.com/news/33039/ Saxophonist Sonny Rollins, known for his bold tone, dies #BudPowell #CelebrityDeaths #CharlieParker #Chicago #Entertainment #GabrielleDeGroat #GeneralNews #GrammyAwards #Headlines #JohnColtrane #Kentucky #MichaelCaine #MickJagger #MilesDavis #Music #NewYork #News #NotableDeaths #SonnyRollins #TheodoreWalterRollins #TopStories #USNews
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Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.
My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
#1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds -
Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.
My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
#1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds -
Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.
My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
#1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds -
Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.
My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
#1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds -
Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.
My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
#1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds -
#DemandezLeProgramme :
1956 - Birdland Stars of ‘56 - Civic Opera House - Chicago : #SarahVaughan, #CountBasie and his Orchestra featuring #JoeWilliams, #AlHibbler, #JohnnySmith, #LesterYoung, #BudPowell, #AlCohn, #ConteCondoli, #RoyHaynes, #JoeBenjamin, #JimmyJones, #KennyDorham, #PhilWoods
#jazz -
#DemandezLeProgramme :
1956 - Birdland Stars of ‘56 - Civic Opera House - Chicago : #SarahVaughan, #CountBasie and his Orchestra featuring #JoeWilliams, #AlHibbler, #JohnnySmith, #LesterYoung, #BudPowell, #AlCohn, #ConteCondoli, #RoyHaynes, #JoeBenjamin, #JimmyJones, #KennyDorham, #PhilWoods
#jazz -
#DemandezLeProgramme :
1956 - Birdland Stars of ‘56 - Civic Opera House - Chicago : #SarahVaughan, #CountBasie and his Orchestra featuring #JoeWilliams, #AlHibbler, #JohnnySmith, #LesterYoung, #BudPowell, #AlCohn, #ConteCondoli, #RoyHaynes, #JoeBenjamin, #JimmyJones, #KennyDorham, #PhilWoods
#jazz -
#DemandezLeProgramme :
1956 - Birdland Stars of ‘56 - Civic Opera House - Chicago : #SarahVaughan, #CountBasie and his Orchestra featuring #JoeWilliams, #AlHibbler, #JohnnySmith, #LesterYoung, #BudPowell, #AlCohn, #ConteCondoli, #RoyHaynes, #JoeBenjamin, #JimmyJones, #KennyDorham, #PhilWoods
#jazz -
#DemandezLeProgramme :
1956 - Birdland Stars of ‘56 - Civic Opera House - Chicago : #SarahVaughan, #CountBasie and his Orchestra featuring #JoeWilliams, #AlHibbler, #JohnnySmith, #LesterYoung, #BudPowell, #AlCohn, #ConteCondoli, #RoyHaynes, #JoeBenjamin, #JimmyJones, #KennyDorham, #PhilWoods
#jazz -
Bud Powell - Danceland
#JazzDeVille #Jazz #NowPlaying #BudPowell -
Il titolo "Tempus Fugit" riprende un aforisma del poeta romano Virgilio, ma allude anche alla notevole velocità del brano. La frenetica melodia simboleggia quindi l'inesorabile scorrere del tempo. Ecco l'analisi di questo brano di Bud Powell.
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
#BudPowell #bebop #jazz
https://go.leoravera.it/4eCM2Op -
Il titolo "Tempus Fugit" riprende un aforisma del poeta romano Virgilio, ma allude anche alla notevole velocità del brano. La frenetica melodia simboleggia quindi l'inesorabile scorrere del tempo. Ecco l'analisi di questo brano di Bud Powell.
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
#BudPowell #bebop #jazz
https://go.leoravera.it/4eCM2Op -
Il titolo "Tempus Fugit" riprende un aforisma del poeta romano Virgilio, ma allude anche alla notevole velocità del brano. La frenetica melodia simboleggia quindi l'inesorabile scorrere del tempo. Ecco l'analisi di questo brano di Bud Powell.
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
#BudPowell #bebop #jazz
https://go.leoravera.it/4eCM2Op -
Il titolo "Tempus Fugit" riprende un aforisma del poeta romano Virgilio, ma allude anche alla notevole velocità del brano. La frenetica melodia simboleggia quindi l'inesorabile scorrere del tempo. Ecco l'analisi di questo brano di Bud Powell.
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
#BudPowell #bebop #jazz
https://go.leoravera.it/4eCM2Op -
Dexter Gordon - "Our Man In Paris" (1963)
#NowPlaying #DexterGordon #BudPowell #KennyClarke #PierreMichelot #BlueNote #vinyl #VinylRecords @vinylrecords
https://youtube.com/playlist?list=PLyVALLXezqcdxpToZpOggdDHMo14uw17z&si=NF5ZwiMbvmdJX-Ix
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Dexter Gordon - "Our Man In Paris" (1963)
#NowPlaying #DexterGordon #BudPowell #KennyClarke #PierreMichelot #BlueNote #vinyl #VinylRecords @vinylrecords
https://youtube.com/playlist?list=PLyVALLXezqcdxpToZpOggdDHMo14uw17z&si=NF5ZwiMbvmdJX-Ix
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Dexter Gordon - "Our Man In Paris" (1963)
#NowPlaying #DexterGordon #BudPowell #KennyClarke #PierreMichelot #BlueNote #vinyl #VinylRecords @vinylrecords
https://youtube.com/playlist?list=PLyVALLXezqcdxpToZpOggdDHMo14uw17z&si=NF5ZwiMbvmdJX-Ix
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Dexter Gordon - "Our Man In Paris" (1963)
#NowPlaying #DexterGordon #BudPowell #KennyClarke #PierreMichelot #BlueNote #vinyl #VinylRecords @vinylrecords
https://youtube.com/playlist?list=PLyVALLXezqcdxpToZpOggdDHMo14uw17z&si=NF5ZwiMbvmdJX-Ix
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Dexter Gordon - "Our Man In Paris" (1963)
#NowPlaying #DexterGordon #BudPowell #KennyClarke #PierreMichelot #BlueNote #vinyl #VinylRecords @vinylrecords
https://youtube.com/playlist?list=PLyVALLXezqcdxpToZpOggdDHMo14uw17z&si=NF5ZwiMbvmdJX-Ix
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Questa frase di tre quarti si ripete per sei volte, collocata in modo obliquo sul tempo di 4/4 del brano, creando un effetto di poliritmia che ci fa perdere ogni riferimento ritmico. Ecco l'analisi di "Tempus Fugit".
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
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Questa frase di tre quarti si ripete per sei volte, collocata in modo obliquo sul tempo di 4/4 del brano, creando un effetto di poliritmia che ci fa perdere ogni riferimento ritmico. Ecco l'analisi di "Tempus Fugit".
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
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Questa frase di tre quarti si ripete per sei volte, collocata in modo obliquo sul tempo di 4/4 del brano, creando un effetto di poliritmia che ci fa perdere ogni riferimento ritmico. Ecco l'analisi di "Tempus Fugit".
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
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Questa frase di tre quarti si ripete per sei volte, collocata in modo obliquo sul tempo di 4/4 del brano, creando un effetto di poliritmia che ci fa perdere ogni riferimento ritmico. Ecco l'analisi di "Tempus Fugit".
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
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Questa frase di tre quarti si ripete per sei volte, collocata in modo obliquo sul tempo di 4/4 del brano, creando un effetto di poliritmia che ci fa perdere ogni riferimento ritmico. Ecco l'analisi di "Tempus Fugit".
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
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1970s - Bud Powell promo poster - Blue Note / Toshiba EMI
#jazz #BudPowell -
1970s - Bud Powell promo poster - Blue Note / Toshiba EMI
#jazz #BudPowell -
1970s - Bud Powell promo poster - Blue Note / Toshiba EMI
#jazz #BudPowell -
1970s - Bud Powell promo poster - Blue Note / Toshiba EMI
#jazz #BudPowell -
1970s - Bud Powell promo poster - Blue Note / Toshiba EMI
#jazz #BudPowell -
Jazz Magazine N°2 (France) - Bud Powell - Janvier 1955
#jazz #BudPowell -
Jazz Magazine N°2 (France) - Bud Powell - Janvier 1955
#jazz #BudPowell -
Jazz Magazine N°2 (France) - Bud Powell - Janvier 1955
#jazz #BudPowell -
Jazz Magazine N°2 (France) - Bud Powell - Janvier 1955
#jazz #BudPowell -
Jazz Magazine N°2 (France) - Bud Powell - Janvier 1955
#jazz #BudPowell -
R.I.P. Roy Haynes (1925-2024)
I was very sad to hear of the death yesterday (12th November) at the age of 99 of legendary jazz drummer Roy Haynes, one of the last survivors of the bebop era of the 1940s. Roy Haynes had a career that was not only exceptionally long but also exceptionally prolific: just look at the discography on his Wikipedia page! If I can add a personal note, he features on the first ever Charlie Parker LP I bought when I was about 15 and which I still have. I bought it on impulse, not really knowing who Charlie Parker was, was this record that turned me onto his music and I’ve never turned off.
No information is provided on Youtube, but the sleeve note reveals that the track was recorded from a radio broadcast live from Birdland in New York City on March 31st 1951 using a primitive disc recording machine by an amateur recording buff called Boris Rose. The sound quality isn’t great, but he deserves much greater recognition for capturing this and so many other classic performances and preserving them for posterity.
The personnels consist of Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Bud Powell (piano), Tommy Potter (bass) and Roy Haynes (drums).
Here’s what the sleevenote (written by Gary Giddens) says about this track:
“Anthropology is an “I Got Rhythm” variation which originally appeared, in a slightly different form, as “Thriving on a Riff” on Parker’s first session as leader. The tempo is insanely fast; the performance is stunning. Bird has plenty of ideas in his first chorus, but he builds the second and third around a succession of quotations: “Tenderly”, “High Society”, “Temptation.” Gillespie’s second chorus is especially fine – only Fats Navarro had comparable control among the trumpeters who worked with Bird. His blazing high notes tend to set his lyrical phrases in bold relief. Bud, the ultimate bop pianist (and much more), jumps in for two note-gobbling choruses: no quotes, though, it’s all Powell. The four bar exchanges that follow demonstrate Haynes’s precision.
It’s a very exciting track not least because of the contributions of Roy Haynes, not only in the chase sequence mentioned in that quote but throughout the track where he demonstrates tremendous energy and imagination as well as control at such a high tempo.
Rest in peace, Roy Haynes (1925-2024), one of the greatest of all jazz drummers.
#Anthropology #bebop #BorisRose #BudPowell #CharlieParker #DizzyGillespie #IGotRhythm #RhythmChanges #RoyHaynes #TommyPotter
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R.I.P. Roy Haynes (1925-2024)
I was very sad to hear of the death yesterday (12th November) at the age of 99 of legendary jazz drummer Roy Haynes, one of the last survivors of the bebop era of the 1940s. Roy Haynes had a career that was not only exceptionally long but also exceptionally prolific: just look at the discography on his Wikipedia page! If I can add a personal note, he features on the first ever Charlie Parker LP I bought when I was about 15 and which I still have. I bought it on impulse, not really knowing who Charlie Parker was, was this record that turned me onto his music and I’ve never turned off.
No information is provided on Youtube, but the sleeve note reveals that the track was recorded from a radio broadcast live from Birdland in New York City on March 31st 1951 using a primitive disc recording machine by an amateur recording buff called Boris Rose. The sound quality isn’t great, but he deserves much greater recognition for capturing this and so many other classic performances and preserving them for posterity.
The personnel consists of Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Bud Powell (piano), Tommy Potter (bass) and Roy Haynes (drums).
Here’s what the sleevenote (written by Gary Giddens) says about this track:
“Anthropology is an “I Got Rhythm” variation which originally appeared, in a slightly different form, as “Thriving on a Riff” on Parker’s first session as leader. The tempo is insanely fast; the performance is stunning. Bird has plenty of ideas in his first chorus, but he builds the second and third around a succession of quotations: “Tenderly”, “High Society”, “Temptation.” Gillespie’s second chorus is especially fine – only Fats Navarro had comparable control among the trumpeters who worked with Bird. His blazing high notes tend to set his lyrical phrases in bold relief. Bud, the ultimate bop pianist (and much more), jumps in for two note-gobbling choruses: no quotes, though, it’s all Powell. The four bar exchanges that follow demonstrate Haynes’s precision.
It’s a very exciting track not least because of the contributions of Roy Haynes, not only in the chase sequence mentioned in that quote but throughout the track where he demonstrates tremendous energy and imagination as well as control at such a high tempo.
Rest in peace, Roy Haynes (1925-2024), one of the greatest of all jazz drummers.
#Anthropology #bebop #BorisRose #BudPowell #CharlieParker #DizzyGillespie #IGotRhythm #RhythmChanges #RoyHaynes #TommyPotter
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R.I.P. Roy Haynes (1925-2024)
I was very sad to hear of the death yesterday (12th November) at the age of 99 of legendary jazz drummer Roy Haynes, one of the last survivors of the bebop era of the 1940s. Roy Haynes had a career that was not only exceptionally long but also exceptionally prolific: just look at the discography on his Wikipedia page! If I can add a personal note, he features on the first ever Charlie Parker LP I bought when I was about 15 and which I still have. I bought it on impulse, not really knowing who Charlie Parker was, was this record that turned me onto his music and I’ve never turned off.
No information is provided on Youtube, but the sleeve note reveals that the track was recorded from a radio broadcast live from Birdland in New York City on March 31st 1951 using a primitive disc recording machine by an amateur recording buff called Boris Rose. The sound quality isn’t great, but he deserves much greater recognition for capturing this and so many other classic performances and preserving them for posterity.
The personnels consist of Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Bud Powell (piano), Tommy Potter (bass) and Roy Haynes (drums).
Here’s what the sleevenote (written by Gary Giddens) says about this track:
“Anthropology is an “I Got Rhythm” variation which originally appeared, in a slightly different form, as “Thriving on a Riff” on Parker’s first session as leader. The tempo is insanely fast; the performance is stunning. Bird has plenty of ideas in his first chorus, but he builds the second and third around a succession of quotations: “Tenderly”, “High Society”, “Temptation.” Gillespie’s second chorus is especially fine – only Fats Navarro had comparable control among the trumpeters who worked with Bird. His blazing high notes tend to set his lyrical phrases in bold relief. Bud, the ultimate bop pianist (and much more), jumps in for two note-gobbling choruses: no quotes, though, it’s all Powell. The four bar exchanges that follow demonstrate Haynes’s precision.
It’s a very exciting track not least because of the contributions of Roy Haynes, not only in the chase sequence mentioned in that quote but throughout the track where he demonstrates tremendous energy and imagination as well as control at such a high tempo.
Rest in peace, Roy Haynes (1925-2024), one of the greatest of all jazz drummers.
#Anthropology #bebop #BorisRose #BudPowell #CharlieParker #DizzyGillespie #IGotRhythm #RhythmChanges #RoyHaynes #TommyPotter
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R.I.P. Roy Haynes (1925-2024)
I was very sad to hear of the death yesterday (12th November) at the age of 99 of legendary jazz drummer Roy Haynes, one of the last survivors of the bebop era of the 1940s. Roy Haynes had a career that was not only exceptionally long but also exceptionally prolific: just look at the discography on his Wikipedia page! If I can add a personal note, he features on the first ever Charlie Parker LP I bought when I was about 15 and which I still have. I bought it on impulse, not really knowing who Charlie Parker was, was this record that turned me onto his music and I’ve never turned off.
No information is provided on Youtube, but the sleeve note reveals that the track was recorded from a radio broadcast live from Birdland in New York City on March 31st 1951 using a primitive disc recording machine by an amateur recording buff called Boris Rose. The sound quality isn’t great, but he deserves much greater recognition for capturing this and so many other classic performances and preserving them for posterity.
The personnel consists of Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Bud Powell (piano), Tommy Potter (bass) and Roy Haynes (drums).
Here’s what the sleevenote (written by Gary Giddens) says about this track:
“Anthropology is an “I Got Rhythm” variation which originally appeared, in a slightly different form, as “Thriving on a Riff” on Parker’s first session as leader. The tempo is insanely fast; the performance is stunning. Bird has plenty of ideas in his first chorus, but he builds the second and third around a succession of quotations: “Tenderly”, “High Society”, “Temptation.” Gillespie’s second chorus is especially fine – only Fats Navarro had comparable control among the trumpeters who worked with Bird. His blazing high notes tend to set his lyrical phrases in bold relief. Bud, the ultimate bop pianist (and much more), jumps in for two note-gobbling choruses: no quotes, though, it’s all Powell. The four bar exchanges that follow demonstrate Haynes’s precision.
It’s a very exciting track not least because of the contributions of Roy Haynes, not only in the chase sequence mentioned in that quote but throughout the track where he demonstrates tremendous energy and imagination as well as control at such a high tempo.
Rest in peace, Roy Haynes (1925-2024), one of the greatest of all jazz drummers.
#Anthropology #bebop #BorisRose #BudPowell #CharlieParker #DizzyGillespie #IGotRhythm #RhythmChanges #RoyHaynes #TommyPotter
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R.I.P. Roy Haynes (1925-2024)
I was very sad to hear of the death yesterday (12th November) at the age of 99 of legendary jazz drummer Roy Haynes, one of the last survivors of the bebop era of the 1940s. Roy Haynes had a career that was not only exceptionally long but also exceptionally prolific: just look at the discography on his Wikipedia page! If I can add a personal note, he features on the first ever Charlie Parker LP I bought when I was about 15 and which I still have. I bought it on impulse, not really knowing who Charlie Parker was, was this record that turned me onto his music and I’ve never turned off.
No information is provided on Youtube, but the sleeve note reveals that the track was recorded from a radio broadcast live from Birdland in New York City on March 31st 1951 using a primitive disc recording machine by an amateur recording buff called Boris Rose. The sound quality isn’t great, but he deserves much greater recognition for capturing this and so many other classic performances and preserving them for posterity.
The personnels consist of Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Bud Powell (piano), Tommy Potter (bass) and Roy Haynes (drums).
Here’s what the sleevenote (written by Gary Giddens) says about this track:
“Anthropology is an “I Got Rhythm” variation which originally appeared, in a slightly different form, as “Thriving on a Riff” on Parker’s first session as leader. The tempo is insanely fast; the performance is stunning. Bird has plenty of ideas in his first chorus, but he builds the second and third around a succession of quotations: “Tenderly”, “High Society”, “Temptation.” Gillespie’s second chorus is especially fine – only Fats Navarro had comparable control among the trumpeters who worked with Bird. His blazing high notes tend to set his lyrical phrases in bold relief. Bud, the ultimate bop pianist (and much more), jumps in for two note-gobbling choruses: no quotes, though, it’s all Powell. The four bar exchanges that follow demonstrate Haynes’s precision.
It’s a very exciting track not least because of the contributions of Roy Haynes, not only in the chase sequence mentioned in that quote but throughout the track where he demonstrates tremendous energy and imagination as well as control at such a high tempo.
Rest in peace, Roy Haynes (1925-2024), one of the greatest of all jazz drummers.
#Anthropology #bebop #BorisRose #BudPowell #CharlieParker #DizzyGillespie #IGotRhythm #RhythmChanges #RoyHaynes #TommyPotter
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Bud Powell - Danceland
#JazzDeVille #Jazz #NowPlaying #BudPowell -
Bud Powell realizzò sul pianoforte le innovazioni che Charlie Parker e Dizzy Gillespie avevano sperimentato sugli strumenti a fiato. Questo è un esempio.
Vai all'articolo: Bud Powell, Tempus Fugit
▸ https://go.leoravera.it/4eCM2Op -
Bud Powell realizzò sul pianoforte le innovazioni che Charlie Parker e Dizzy Gillespie avevano sperimentato sugli strumenti a fiato. Questo è un esempio.
Vai all'articolo: Bud Powell, Tempus Fugit
▸ https://go.leoravera.it/4eCM2Op -
Bud Powell realizzò sul pianoforte le innovazioni che Charlie Parker e Dizzy Gillespie avevano sperimentato sugli strumenti a fiato. Questo è un esempio.
Vai all'articolo: Bud Powell, Tempus Fugit
▸ https://go.leoravera.it/4eCM2Op
