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#vibraphone — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #vibraphone, aggregated by home.social.

  1. In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."

    Be sure to listen to the entire conversation: podcast.thetonearm.com/ben-wen

    #Saxophone #Vibraphone #JazzMusic #Jazztodon #Podcast

  2. In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."

    Be sure to listen to the entire conversation: podcast.thetonearm.com/ben-wen

    #Saxophone #Vibraphone #JazzMusic #Jazztodon #Podcast

  3. In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."

    Be sure to listen to the entire conversation: podcast.thetonearm.com/ben-wen

    #Saxophone #Vibraphone #JazzMusic #Jazztodon #Podcast

  4. In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."

    Be sure to listen to the entire conversation: podcast.thetonearm.com/ben-wen

    #Saxophone #Vibraphone #JazzMusic #Jazztodon #Podcast

  5. In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."

    Be sure to listen to the entire conversation: podcast.thetonearm.com/ben-wen

    #Saxophone #Vibraphone #JazzMusic #Jazztodon #Podcast

  6. Ben Wendel has always resisted the obvious move. So when the Jazz Gallery handed him an open-ended commission, he assembled four of the most distinctive mallet players working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—stood himself in the center of a semicircle of vibraphones and marimbas, and called the result BaRcoDe.

    In this conversation—episode 300 of The Tonearm Podcast—Wendel talks through the project's origins at the Jazz Gallery, the logic behind the album's title, and what it was like to inhabit that particular sonic space. He also reflects on what the Village Vanguard actually feels like from the stage, why he thinks bad teachers can be clarifying, and what's coming next—even if the logistics are, by his own admission, going to be a beast.

    Listen in on today's new episode of The Tonearm Podcast: podcast.thetonearm.com/ben-wen

    #Jazztodon #Vibraphone #Percussion #BenWendel #Podcast

  7. Ben Wendel has always resisted the obvious move. So when the Jazz Gallery handed him an open-ended commission, he assembled four of the most distinctive mallet players working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—stood himself in the center of a semicircle of vibraphones and marimbas, and called the result BaRcoDe.

    In this conversation—episode 300 of The Tonearm Podcast—Wendel talks through the project's origins at the Jazz Gallery, the logic behind the album's title, and what it was like to inhabit that particular sonic space. He also reflects on what the Village Vanguard actually feels like from the stage, why he thinks bad teachers can be clarifying, and what's coming next—even if the logistics are, by his own admission, going to be a beast.

    Listen in on today's new episode of The Tonearm Podcast: podcast.thetonearm.com/ben-wen

    #Jazztodon #Vibraphone #Percussion #BenWendel #Podcast

  8. Ben Wendel has always resisted the obvious move. So when the Jazz Gallery handed him an open-ended commission, he assembled four of the most distinctive mallet players working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—stood himself in the center of a semicircle of vibraphones and marimbas, and called the result BaRcoDe.

    In this conversation—episode 300 of The Tonearm Podcast—Wendel talks through the project's origins at the Jazz Gallery, the logic behind the album's title, and what it was like to inhabit that particular sonic space. He also reflects on what the Village Vanguard actually feels like from the stage, why he thinks bad teachers can be clarifying, and what's coming next—even if the logistics are, by his own admission, going to be a beast.

    Listen in on today's new episode of The Tonearm Podcast: podcast.thetonearm.com/ben-wen

    #Jazztodon #Vibraphone #Percussion #BenWendel #Podcast

  9. Ben Wendel has always resisted the obvious move. So when the Jazz Gallery handed him an open-ended commission, he assembled four of the most distinctive mallet players working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—stood himself in the center of a semicircle of vibraphones and marimbas, and called the result BaRcoDe.

    In this conversation—episode 300 of The Tonearm Podcast—Wendel talks through the project's origins at the Jazz Gallery, the logic behind the album's title, and what it was like to inhabit that particular sonic space. He also reflects on what the Village Vanguard actually feels like from the stage, why he thinks bad teachers can be clarifying, and what's coming next—even if the logistics are, by his own admission, going to be a beast.

    Listen in on today's new episode of The Tonearm Podcast: podcast.thetonearm.com/ben-wen

    #Jazztodon #Vibraphone #Percussion #BenWendel #Podcast

  10. Ben Wendel has always resisted the obvious move. So when the Jazz Gallery handed him an open-ended commission, he assembled four of the most distinctive mallet players working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—stood himself in the center of a semicircle of vibraphones and marimbas, and called the result BaRcoDe.

    In this conversation—episode 300 of The Tonearm Podcast—Wendel talks through the project's origins at the Jazz Gallery, the logic behind the album's title, and what it was like to inhabit that particular sonic space. He also reflects on what the Village Vanguard actually feels like from the stage, why he thinks bad teachers can be clarifying, and what's coming next—even if the logistics are, by his own admission, going to be a beast.

    Listen in on today's new episode of The Tonearm Podcast: podcast.thetonearm.com/ben-wen

    #Jazztodon #Vibraphone #Percussion #BenWendel #Podcast

  11. Mein zweites Mal #echtzeitmusik im gemütlich unkomplizierten #Kühlspot Berlin. Heute mit:

    Ignaz Schick - #saxophone, composition
    Taiko Saito - #vibraphone
    Jan Roder - #doublebass
    Martial Frenzel - #drums

    Bin schon gespannt :catjam:

  12. This morning's #workout #music is some calm jazz from Brian Blade & Life Cycles doing some Bobby Hutcherson and similar tunes. Well executed. The vocals aren't to my taste, but ymmv.

    youtu.be/tNTbxLpbpoc
    #jazz #vibraphone #KettleBells #RotationalTraining

  13. /// Eine Woche nach dem 1. Geburtstag geht's heute Abend schon wieder weiter mit "jazzklub" #23 ~ featuring Martin Hanisch (sax) und Hannes Lingens (vib) ///
    /// Wie immer im "Pierre Grasse" oder live im "radiyo" @radiyan ///

    tune in @ 19.45 // 7.45 p.m.:

    >>> radiyan.uber.space/live

    featured musicians:

    * Martin Hanisch - Saxophone
    * Hannes Lingens - Vibraphone
    * Albrecht Brandt - Double Bass
    * Jonas Schneider - Drums

    thanx for listening!

    #jazz #jazzklub #live #music #musik #radio #concert #jazzkollektiv #saxophone #vibraphone #doublebass #drums #hallesaale

  14. A music break for sanity's sake. Grab a glass of something cool and alcoholic, sit back, close your eyes, and just listen... #music #ethiopia #jazz #ethiojazz #vibraphone #conga youtu.be/0ApwZaao0Q8?si=YKBjAz

  15. A music break for sanity's sake. Grab a glass of something cool and alcoholic, sit back, close your eyes, and just listen... #music #ethiopia #jazz #ethiojazz #vibraphone #conga youtu.be/0ApwZaao0Q8?si=YKBjAz

  16. A music break for sanity's sake. Grab a glass of something cool and alcoholic, sit back, close your eyes, and just listen... #music #ethiopia #jazz #ethiojazz #vibraphone #conga youtu.be/0ApwZaao0Q8?si=YKBjAz

  17. A music break for sanity's sake. Grab a glass of something cool and alcoholic, sit back, close your eyes, and just listen... #music #ethiopia #jazz #ethiojazz #vibraphone #conga youtu.be/0ApwZaao0Q8?si=YKBjAz

  18. A music break for sanity's sake. Grab a glass of something cool and alcoholic, sit back, close your eyes, and just listen... #music #ethiopia #jazz #ethiojazz #vibraphone #conga youtu.be/0ApwZaao0Q8?si=YKBjAz

  19. Mulatu Astatke / New York - Addis - London - The Story Of Ethio Jazz 1965-1975 (2009); Hauptsächlich mit Vibraphon und Congas erschafft Mulatu Astatke ein hypnotisches Kompendium aus Klangfarben, Rhythmen und Kulturen. Der Begründer des Ethio-Jazz, verbindet in diesen Aufnahmen westlichen Jazz, Funk und Latin mit äthiopischer Tonalität zu einem ganz eigenen Groove.#MulatuAstatke #Jazz #EthioJazz #Worldmusic #Ethiopia #Groove #vibraphone #Funk #Soul

  20. Heute, 21 Uhr, Johanneskirche:
    "Blue“ ist das erfolgreichste Albums von Joni Mitchell und gleichzeitig die Beschreibung eines melancholischen Lebensgefühls, dem wir in diesem besonderen Gottesdienst in Leben und Musik dieser großartigen Musikerin nachspüren, deren Lebensgeschichte so viele Höhen und Tiefen aufweist. Musik: Nobert Bujtor, Posaune und Matthias Strucken, Vibraphon. Texte und Liturgie: Ingmar Jochem und Tobias Mölleken.
    #kirchennacht #mitchell #posaune #vibraphone #eintrittfrei

  21. Elsa Nilsson and Martin Fabricius – Glaciers Jazzfuel Vibraphonist Martin Fabricius first met flautist Elsa Nilsson back in 2017 and it has taken this long for their paths to cross with instruments in hand and actually record. As on last year’s album with Randi Pontopiddian, Martin is more than happy to allow his collaborator to take the lead which, considering Elsa’s unique approach to the instrument and her extraordinary range of tone. #flute #vibraphone #jazzreview freq.org.uk/reviews/elsa-nilss