#sadist — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #sadist, aggregated by home.social.
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you're going to #slap them 10 times with a butterknife!
Find me live, or dm with what site you gifted on & the amount to begin!
#cbt #foodfetish #humiliation #degredation #waxplay #bbw #sadist #masochist #bdsm #tpe #flr
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Full of #PMS rage and your face is stupid, sub task slap yourself in the face & then go send me a triple digit thank you.
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RE: https://mastodon.social/@LadyMarzanna/116806718510668932
I'm online this morning and a bit cranky so perfect for #SPH, #CBT, humiliating you for being a sweaty pathetic #loser, and causing you pain.
Come see me on my #nsfw sites immediately ;) -
I've basically been asleep since Sunday because of a migraine.
It sucks.
I'm finally starting to feel somewhat human again, I want gifts to congratulate me on surviving & a man to step on with the same pressure that was behind my left eye for the last 3 days. -
... along with Netanyahu to turn Israel into Is-real-Hell. They are the 2026 Laurel & Hardy of horror tandem, giving a daily bloody horror show each day worse than the previous one.
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... along with Netanyahu to turn Israel into Is-real-Hell. They are the 2026 Laurel & Hardy of horror tandem, giving a daily bloody horror show each day worse than the previous one.
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Late night lurkers & early morning jerkers
The #Femdom Casino e-doors are open
Time to #cum go beserkers!Live now on my fave #spicy sites <3
#findom #bdsm #spanking #sph #feminization #feet #sadist #masochist #blackjack
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Another #GOP #Sadist #Fascist Administration....
...another #War of #Distraction in the #MiddleEast
#Fascist #Imperialist #War of #empire to distract from #EpsteinClass and #Oligarch #Billionaires in the #EpsteinFiles
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Another #GOP #Sadist #Fascist Administration....
...another #War of #Distraction in the #MiddleEast
#Fascist #Imperialist #War of #empire to distract from #EpsteinClass and #Oligarch #Billionaires in the #EpsteinFiles
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4. Grab your bouncy balls, and bounce them one at a time off wall until you get a bullseye on each side.
5. Make it competitive: Give the bullseye rings different points (5, 10, 25, and 50 for the bullseye)! Play one nut against each other until one reaches 200. -
Headline
Local Sadist/Dom Mercilessly Teases Subby Boi about Impending Neutering.(It's ok, you know the sub likes it, and will be especially cute once I'm done ✂️)
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Headline
Local Sadist/Dom Mercilessly Teases Subby Boi about Impending Neutering.(It's ok, you know the sub likes it, and will be especially cute once I'm done ✂️)
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"This evil bastard has been a white nationalist since he was a teenager. His own family disowned him because he is that hateful. He is the architect behind the child separation policy."
#StephenMiller #ViolentCruelty #Sadist #CBP #MAGA #Trump #Nazi #WhiteNationalist #ChildSeparation #Hateful
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"This evil bastard has been a white nationalist since he was a teenager. His own family disowned him because he is that hateful. He is the architect behind the child separation policy."
#StephenMiller #ViolentCruelty #Sadist #CBP #MAGA #Trump #Nazi #WhiteNationalist #ChildSeparation #Hateful
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CW: whumptober 2025, day 15: live-streamed torture. electrocution, dungeon, nudity
Miel has limits, and these guys pushed and broke them. But everyone knows Miel will be fine with being out of commission for a while if the money made Stan smile.
Whumptober 2025, day 15: Live-Streamed Torture
#oc #nsfw #art #torture #whump #trans #boy #electrocution #blood #gore #filming #livestream #pain #masochist #sadist #rape
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SADIST (Itàlia) presenta nou single: "Mater Tenebrarum" #Sadist #ProgressiveDeathMetal #Octubre2025 #Itàlia #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic
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SADIST (Itàlia) presenta nou single: "Mater Tenebrarum" #Sadist #ProgressiveDeathMetal #Octubre2025 #Itàlia #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic
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CW: NSFW, CBT
Balls are so weird!!
- Lucy LaRue (ft Vic Violet ) in “BALLS 3.0 Intro to CBT” (12 minutes)
https://apclips.com/lacebaby/balls-3-0-intro-to-cbt
#cbt #cockandballtorture #femdom #masochist #sadist #bdsm #kink #balls -
#Universalism Makes #God The Worst #Sadist
Even Universalism can't get The #TribalWar #godofAbraham off the hook.
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#Universalism Makes #God The Worst #Sadist
Even Universalism can't get The #TribalWar #godofAbraham off the hook.
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By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025Show 3 footnotes
- Session bass for Autopsy’s Severed Survival and member of Death for Human and Individual Thought Patterns. ↩
- DiGiorgio has been known to rock a 3-string bass too! ↩
- Reminding me of Atheist’s claim to the coolest bass harmonic in all of metal. ↩
#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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Richard L. Bean Detention Center Head Will Leave After “Loss of Confidence” in His Leadership — ProPublica
This miserable old man is a #Sadist in addition to a #Racist. It took them long enough and even then he’s going out on his terms. #GTFO
https://www.propublica.org/article/richard-l-bean-steps-down-detention-center-tennessee
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Way ahead of you, #Guardian
https://www.theguardian.com/books/2025/may/18/are-we-hardwired-to-fall-for-autocrats?CMP=Share_AndroidApp_Other
My take from 2020 here
https://nikolaskozloff.substack.com/p/reflections-on-trump-sociopaths-and #darwin #evolution #trump #fascism #anthropology #machiavelli #sadist #sadism #psychopath -
He is a #Sadist and a #Sociopath. He relishes the suffering of others.
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SADIST (Itàlia) presenta nou àlbum: "Something to Pierce" #Sadist #ProgressiveDeathMetal #Març2025 #Itàlia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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Sadist – Something to Pierce Review
By Dolphin Whisperer
Through Sadist’s classic run, from 1993’s Above the Light to 1997’s Crust, the imitable Italians carved a path around emergent death-thrash, progressive death, and groove sounds with a synth-laden and horror-guided flair as pillars of their heritage. And though their hiatus to reunion with 2007’s self-titled comeback burst forth with an aggressive energy that encapsulated their extreme and unique breed of work, the path afterward has remained fairly rocky. The freedom to be Sadist in all their never-replicated Goblin keys meets Pestilence riffs with a B-movie attitude has resulted in some excursions that felt more style than substance. In that sense, with 2022’s Firescorched, the embrace of techy fusion wrapped tightly around a carnival core fueled the promise of a fresh and focused Sadist. Can Something to Pierce, then, continue this late-career stab at glory?
For the second album in a row, Sadist has leaned on outside talents for their rhythmic core, this time absorbing the bass-drum duo of Italian progsters Fate Unburied, who have also acted as the band’s live setup.1 And in grooving lockstep, the duo rumbles about with a throbbing double-time and blasting fervor between founding guitarist and keys maestro Tommy Talamanca at his most garish and ripping. Early tracks like the breathy and bouncy “Deprived” and “Kill Devour Dissect” find that has rooted the Sadist sound in the campy world of blood splattered jungles and terror-drenched cistern ruins since 1995’s Tribe. In vocalist Trevor Nadir’s ripping howls and raspy cries, you can almost smell the rising of the undead against Talamanca’s Fulci-tinged, surrealistic compositions.
Alas, there’s not much plot to bind the horror-tinged persona that Something to Pierce wears as brazenly as it does deep death metal grooves. But that groove—that groove is, of course, persistent and slinky in a way that has always fused Talamanca’s knotted, progressive riffs and jazzy, heroic solos with an unbreakable flair. In that sense, though, Something to Pierce strikes in a uniform manner—a collection of songs that alternates between sliding riff intros and sparkling synth motifs that both bubble and bustle to gruesome and thrashing crescendos. As such, it’s the iterative nuance that colors Sadist’s stride—the swelling bass grunt of “Something to Pierce,” the snare roll to stomp of “The Sun God,” the escalating vocal grunt choir of “The Best Part Is the Brain”—and sells some memorability into the experience.
Yet, memorable or otherwise, no one has quite the attack that Sadist does, even at their most comfortable. Though veteran fans may feel at home in the swirling twists of cinematic, MENA-laced melodies, creeping ambience, and virtuosic guitar fills that lace Talamanca’s playing, newcomers may find a novel solace in the eclectic atmosphere that Something to Pierce conjures. The front half, in particular, plays more directly in its progressive death onslaught, serving jagged riff tumbles and stronger chorus structures that recapitulate in “One Shot Closer” before Sadist launches into a fuller, snake-charming glory. And, in turn, ending on the credits roll of “Respirium,” an instrumental with little ties to the aggression that pervades all that preceded it, requires full acceptance of the quirky world that Sadist builds—the one-two wobble-toned escapade of “The Best Part…” and “Nove Strade” makes it a little easier. After all, it’s only in this world that this bleep and swoon, desert scene patches, and bongo prancing make any sense.
That Sadist continues to walk undeterred along their own path now thirty-four years into existence is nothing short of a macabre miracle. Owing, in part, a peerish thanks to progenitors like Nocturnus and Atheist, the Genoese delicacy that Sadist presents has blossomed and rotted and reformed recognizable and largely uncontested. Why, in the annals of Angry Metal Guy, the Sadist tag itself directs in style only to more Sadist. So, Something to Pierce may not represent a bold new take on that lineage, neither as technical or raging or whimsical as past peaks. But Sadist, in a practiced and powerful groove, remains as dedicated and energetic as ever to their progressive and deathly craft, with ears virgin to their dastardly wiles hopefully finding something to throw them deep down a Sadist hole.
Rating: 3.0/5.0
DR: 5 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Websites: sadist.it | facebook.com/sadstofficial
Releases Worldwide: March 7th, 2025#2025 #30 #AgoniaRecords #DeathMetal #Goblin #ItalianMetal #Mar25 #Nocturnus #Pestilence #ProgressiveDeathMetal #Review #Reviews #Sadist #SomethingToPierce
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No, not quite. - If you check into the #Atlantic article, a #DarkTriad becomes a #DarkTetrad if a person also is a #Sadist, too.
In other words, a #DarkTriad will be a subset of a #DarkTetrad, but not all #DarkTriads (quite a few, actually) will be #DarkTetrads, too. ,)
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No, not quite. - If you check into the #Atlantic article, a #DarkTriad becomes a #DarkTetrad if a person also is a #Sadist, too.
In other words, a #DarkTriad will be a subset of a #DarkTetrad, but not all #DarkTriads (quite a few, actually) will be #DarkTetrads, too. ,)
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Of course this is going to hurt the #USA as well as #Canada
So what's the point?
The standard #sadism playbook is inflict #pain, increase #suffering, and tell people the #sadist is their salvation while the sadist's enemies are the real cause of their suffering
And there are enough #idiots
And the #sadists control enough of the #media
That it might work
"#Trump launches #tradewar against Canada with a 25% #tariff on most goods"
https://www.cbc.ca/news/politics/trump-tariffs-canada-february-1-1.7447829
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Of course this is going to hurt the #USA as well as #Canada
So what's the point?
The standard #sadism playbook is inflict #pain, increase #suffering, and tell people the #sadist is their salvation while the sadist's enemies are the real cause of their suffering
And there are enough #idiots
And the #sadists control enough of the #media
That it might work
"#Trump launches #tradewar against Canada with a 25% #tariff on most goods"
https://www.cbc.ca/news/politics/trump-tariffs-canada-february-1-1.7447829
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In #Ukraine, residents on the frontline of the war w/ #Russia may be going w/o firewood in the middle of winter.
Some of the world’s most vulnerable populations are already feeling #Trump’s sudden cutoff of billions of dollars in American #aid that helps fend off #starvation, treats #diseases & provides #shelter for the #displaced.
#TheCrueltyIsThePoint #inhumane #sadist #WhiteChristianNationalism #USpol #geopolitics #GiftArticle
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In #Ukraine, residents on the frontline of the war w/ #Russia may be going w/o firewood in the middle of winter.
Some of the world’s most vulnerable populations are already feeling #Trump’s sudden cutoff of billions of dollars in American #aid that helps fend off #starvation, treats #diseases & provides #shelter for the #displaced.
#TheCrueltyIsThePoint #inhumane #sadist #WhiteChristianNationalism #USpol #geopolitics #GiftArticle
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Morning my pet. Have you had your morning nourishment? Be good and eat for me. Savor the flavor of grilled tilapia on fried rice with me. You deserve to be my perverted little slut, so fuel that meat suit and take on another day. The future is uncertain, but your part in it doesn't have to be. ❤️😈
#breakfast #meatsuit #threateninginspiration #gentledomme #sadist -
Morning my pet. Have you had your morning nourishment? Be good and eat for me. Savor the flavor of grilled tilapia on fried rice with me. You deserve to be my perverted little slut, so fuel that meat suit and take on another day. The future is uncertain, but your part in it doesn't have to be. ❤️😈
#breakfast #meatsuit #threateninginspiration #gentledomme #sadist -
24 Songs of Xmas 2024: Sadist – “Jugular Bells”
Sadist's new EP Jugular Bells will be released on December 20th via Nadir Music. It's a limited edition box set, which is going to make all the fans of the band very happy.
Inside the Box: a five tracks jewel box CD, band sticker, wool hat, band patch!
While waiting for the release of the Sadist C
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"I Love Hispanics!"
After revisiting this photo...
I now believe that Trump is seen here eating a #Hispanic!
#Hispanics are being served at #TrumpTower Grill!
All this time folks thought that Trump was just being weird with oddly placed racist pandering...
Nope.
Look at that sick sadistic grin...
Cannibal #Trump is expounding on the flavor!
"I Love Hispanics!"
#ILoveHispanics #HannibalLecter #Cannibal #Sadist #CNN #MSNBC #FOXnews #WeeklyWorldNews #WWN #TheOnion #DailyShow #Realtime #ABC #NBC #CBS #News #BreakingNews #USpol #US #USA #Springfield #Ohio #OH #cats #dogs #geese
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:headache:
Is it any wonder I have a problem calling myself a "sadist?"
I ran into the following crap:
"Some experts suggest that there are four main subtypes of sadism:
* Spineless sadism: People with this type tend to be insecure, so exploiting weaker people allows them to feel superior.
* Tyrannical sadism: People with this type enjoy using power to harm others.
* Enforcing sadism: This type of sadist harms others out of a sense of moral superiority and enjoys inflicting pain on those who they think deserve punishment.
* Explosive sadism: This type is characterized by high reactivity that leads to outbursts of anger.Some research has found associations between sadism and Dark Triad traits."
This is from here:
https://www.verywellmind.com/what-is-a-masochist-7104805
Yes, I did note that the page is not saying who exactly says that shit.
I'm none of those.
If we take for basic definition that the sadist is the person who likes to give pain, then yes, I am a sadist.
However....
I'm a sadist, only for people who want pain. Usually, these are masochists. Yes, they do exist. Moreover, I give them what they ask for, nothing more. Finally, I like giving pain, for the same reason that I like giving pleasure. It is the reaction that I get out of it that does it for me.
