#progressivedeathmetal — Public Fediverse posts

#2026 #35 #Archspire #BritishMetal #Cognizance #DeathMetal #InLight #May26 #NoShape #Obscura #ProgressiveDeathMetal #Review #Reviews #Revocation #TechnicalDeathMetal #TheFaceless #TheZenithPassage #WillowtipRecords

A “faster is better” philosophy has long defined technical death metal, with bands regularly operating at breakneck speeds. While that approach requires undeniable virtuosity, I’ve always gravitated toward the genre’s more restrained, focused, and groove-oriented side. Cognizance initially walked the well-trodden path of bands like The Faceless and The Zenith Passage on their debut, Malignant Dominion, displaying speed and technicality in equal measure, but doing little to distinguish themselves from a crowded field. However, to their credit, the international quintet-turned-quartet has spent the past three albums gradually cementing their identity, culminating with 2024’s Phantazein. Though it got Stuck in the Filter, the record was packed with punishing grooves, strong songwriting, and phenomenal performances, containing all the qualities that keep me returning to the genre regularly. Two short years later, Cognizance returns with In Light, No Shape.

Much of Cognizance’s growth over the years stems from its stable lineup, though the recent departure of longtime vocalist Henry “Big Mac” Pryce disrupted that continuity. Guitarist Alex Baillie has since assumed vocal duties, marking a shift in the group’s sound. Baillie fills the role admirably, trading Pryce’s deathcore-leaning growls for a style closer to David Davidson (Revocation). In fact, In Light, No Shape—particularly tracks like “Vertical Illusion,” “Witness Marks,” “Chasm,” and “The Zone”—leans heavily into Revocation’s progressive stylings to its benefit. Drummers and longtime fans should already know the name David Diepold (ex-Obscura), but for anyone who doesn’t, consider this your required introduction. The dude absolutely cooks on this record. Whether through artful fills or splashy accents, he commands the material like a conductor leading an orchestra, sitting front and center in the record’s solid mix. Not to be outdone, guitarists Apostolis Karydis and Baillie, along with bassist Chris Binns, lock with Diepold effortlessly, never once sounding strained as they ebb between calibrated riffing, evocative solos, and ornate passages across the record’s 37 minutes.

Rather than following the Archspire school of extravagance, In Light, No Shape shows Karydis and Baillie easing off the accelerator, leaning more into atmosphere than velocity, with Diepold shouldering most of the speed. The duo utilizes more spacey arpeggiated passages (“A Reconfiguration,” “Witness Marks,” “A Game of Proliferation”) than on Phantazein, giving In Light, No Shape a feeling of dynamism and expansiveness. Accordingly, the songwriting strikes a keen balance between technical, immersive, and hooky, while leaving room for each element to breathe. Opener “Transient Fixations” wastes no time launching into hyperdrive, blasting and chugging through its sub‑three‑minute runtime, essentially functioning as an intro track that reaffirms that this is still the Cognizance fans will know. And while it feels a bit short, it flows seamlessly into “Inflection Chants'” groovy opening, making it work. Later, the surges of melodic tremolos and blasts that fuel “Chasm” give way to a haunting, aura-rich soundscape, where cymbal accents melt into jaunty tom fills before everything cascades back into overdrive. Similar structures drive tracks like “The Zone” and Song o’ the Year candidate “A Game of Proliferation,” while others (“Induced Contortions,” “Subterranean Incantation”) stick closer to standard tech death.

To state the obvious, tech death production usually sucks. Thankfully, In Light, No Shape isn’t totally brickwalled to hell, clocking in at a DR of 6. While that number looks average on paper,1 the mix retains a surprisingly natural edge while still delivering the punch and low-end presence needed to let the intricacies of the performances shine. Yes, it’s still compressed, but it never totally collapses on itself either. The guitars carry plenty of bite, avoiding the trap of sounding overly synthetic or overproduced, though the solos sit too far back in the mix for my liking. Likewise, the use of robotic spoken word interludes on tracks like “Inflection Chants” and “Transient Fixations” is conceptually fine, but they get lost behind the loud drums and end up feeling pointless. It’s a trade-off I can ultimately live with, though.

After multiple spins, In Light, No Shape stands toe-to-toe with Phantazein. Overcoming a key member’s departure isn’t easy, and while the album’s stylistic changes may feel reactive or too familiar, most come across as deliberate, pointing to a group resettling their identity. Cognizance continues to emerge as one of tech death’s most compelling acts and In Light, No Shape highlights what the genre can achieve when done right.

Rating: Very Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: cognizance.bandcamp.com | facebook.com/cognizanceband
Releases Worldwide: May 1st, 2026

#archspire #britishmetal #cognizance #deathmetal #inlight #may26

Angry Metal Guy @[email protected] · 2026-05-02 · 13:33 UTC

#2026 #35 #Archspire #BritishMetal #Cognizance #DeathMetal #InLight #May26 #NoShape #Obscura #ProgressiveDeathMetal #Review #Reviews #Revocation #TechnicalDeathMetal #TheFaceless #TheZenithPassage #WillowtipRecords

A “faster is better” philosophy has long defined technical death metal, with bands regularly operating at breakneck speeds. While that approach requires undeniable virtuosity, I’ve always gravitated toward the genre’s more restrained, focused, and groove-oriented side. Cognizance initially walked the well-trodden path of bands like The Faceless and The Zenith Passage on their debut, Malignant Dominion, displaying speed and technicality in equal measure, but doing little to distinguish themselves from a crowded field. However, to their credit, the international quintet-turned-quartet has spent the past three albums gradually cementing their identity, culminating with 2024’s Phantazein. Though it got Stuck in the Filter, the record was packed with punishing grooves, strong songwriting, and phenomenal performances, containing all the qualities that keep me returning to the genre regularly. Two short years later, Cognizance returns with In Light, No Shape.

Much of Cognizance’s growth over the years stems from its stable lineup, though the recent departure of longtime vocalist Henry “Big Mac” Pryce disrupted that continuity. Guitarist Alex Baillie has since assumed vocal duties, marking a shift in the group’s sound. Baillie fills the role admirably, trading Pryce’s deathcore-leaning growls for a style closer to David Davidson (Revocation). In fact, In Light, No Shape—particularly tracks like “Vertical Illusion,” “Witness Marks,” “Chasm,” and “The Zone”—leans heavily into Revocation’s progressive stylings to its benefit. Drummers and longtime fans should already know the name David Diepold (ex-Obscura), but for anyone who doesn’t, consider this your required introduction. The dude absolutely cooks on this record. Whether through artful fills or splashy accents, he commands the material like a conductor leading an orchestra, sitting front and center in the record’s solid mix. Not to be outdone, guitarists Apostolis Karydis and Baillie, along with bassist Chris Binns, lock with Diepold effortlessly, never once sounding strained as they ebb between calibrated riffing, evocative solos, and ornate passages across the record’s 37 minutes.

Rather than following the Archspire school of extravagance, In Light, No Shape shows Karydis and Baillie easing off the accelerator, leaning more into atmosphere than velocity, with Diepold shouldering most of the speed. The duo utilizes more spacey arpeggiated passages (“A Reconfiguration,” “Witness Marks,” “A Game of Proliferation”) than on Phantazein, giving In Light, No Shape a feeling of dynamism and expansiveness. Accordingly, the songwriting strikes a keen balance between technical, immersive, and hooky, while leaving room for each element to breathe. Opener “Transient Fixations” wastes no time launching into hyperdrive, blasting and chugging through its sub‑three‑minute runtime, essentially functioning as an intro track that reaffirms that this is still the Cognizance fans will know. And while it feels a bit short, it flows seamlessly into “Inflection Chants'” groovy opening, making it work. Later, the surges of melodic tremolos and blasts that fuel “Chasm” give way to a haunting, aura-rich soundscape, where cymbal accents melt into jaunty tom fills before everything cascades back into overdrive. Similar structures drive tracks like “The Zone” and Song o’ the Year candidate “A Game of Proliferation,” while others (“Induced Contortions,” “Subterranean Incantation”) stick closer to standard tech death.

To state the obvious, tech death production usually sucks. Thankfully, In Light, No Shape isn’t totally brickwalled to hell, clocking in at a DR of 6. While that number looks average on paper,1 the mix retains a surprisingly natural edge while still delivering the punch and low-end presence needed to let the intricacies of the performances shine. Yes, it’s still compressed, but it never totally collapses on itself either. The guitars carry plenty of bite, avoiding the trap of sounding overly synthetic or overproduced, though the solos sit too far back in the mix for my liking. Likewise, the use of robotic spoken word interludes on tracks like “Inflection Chants” and “Transient Fixations” is conceptually fine, but they get lost behind the loud drums and end up feeling pointless. It’s a trade-off I can ultimately live with, though.

After multiple spins, In Light, No Shape stands toe-to-toe with Phantazein. Overcoming a key member’s departure isn’t easy, and while the album’s stylistic changes may feel reactive or too familiar, most come across as deliberate, pointing to a group resettling their identity. Cognizance continues to emerge as one of tech death’s most compelling acts and In Light, No Shape highlights what the genre can achieve when done right.

Rating: Very Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: cognizance.bandcamp.com | facebook.com/cognizanceband
Releases Worldwide: May 1st, 2026

#archspire #britishmetal #cognizance #deathmetal #inlight #may26

Angry Metal Guy @[email protected] · 2026-05-02 · 13:33 UTC

#2026 #35 #Archspire #BritishMetal #Cognizance #DeathMetal #InLight #May26 #NoShape #Obscura #ProgressiveDeathMetal #Review #Reviews #Revocation #TechnicalDeathMetal #TheFaceless #TheZenithPassage #WillowtipRecords

A “faster is better” philosophy has long defined technical death metal, with bands regularly operating at breakneck speeds. While that approach requires undeniable virtuosity, I’ve always gravitated toward the genre’s more restrained, focused, and groove-oriented side. Cognizance initially walked the well-trodden path of bands like The Faceless and The Zenith Passage on their debut, Malignant Dominion, displaying speed and technicality in equal measure, but doing little to distinguish themselves from a crowded field. However, to their credit, the international quintet-turned-quartet has spent the past three albums gradually cementing their identity, culminating with 2024’s Phantazein. Though it got Stuck in the Filter, the record was packed with punishing grooves, strong songwriting, and phenomenal performances, containing all the qualities that keep me returning to the genre regularly. Two short years later, Cognizance returns with In Light, No Shape.

Much of Cognizance’s growth over the years stems from its stable lineup, though the recent departure of longtime vocalist Henry “Big Mac” Pryce disrupted that continuity. Guitarist Alex Baillie has since assumed vocal duties, marking a shift in the group’s sound. Baillie fills the role admirably, trading Pryce’s deathcore-leaning growls for a style closer to David Davidson (Revocation). In fact, In Light, No Shape—particularly tracks like “Vertical Illusion,” “Witness Marks,” “Chasm,” and “The Zone”—leans heavily into Revocation’s progressive stylings to its benefit. Drummers and longtime fans should already know the name David Diepold (ex-Obscura), but for anyone who doesn’t, consider this your required introduction. The dude absolutely cooks on this record. Whether through artful fills or splashy accents, he commands the material like a conductor leading an orchestra, sitting front and center in the record’s solid mix. Not to be outdone, guitarists Apostolis Karydis and Baillie, along with bassist Chris Binns, lock with Diepold effortlessly, never once sounding strained as they ebb between calibrated riffing, evocative solos, and ornate passages across the record’s 37 minutes.

Rather than following the Archspire school of extravagance, In Light, No Shape shows Karydis and Baillie easing off the accelerator, leaning more into atmosphere than velocity, with Diepold shouldering most of the speed. The duo utilizes more spacey arpeggiated passages (“A Reconfiguration,” “Witness Marks,” “A Game of Proliferation”) than on Phantazein, giving In Light, No Shape a feeling of dynamism and expansiveness. Accordingly, the songwriting strikes a keen balance between technical, immersive, and hooky, while leaving room for each element to breathe. Opener “Transient Fixations” wastes no time launching into hyperdrive, blasting and chugging through its sub‑three‑minute runtime, essentially functioning as an intro track that reaffirms that this is still the Cognizance fans will know. And while it feels a bit short, it flows seamlessly into “Inflection Chants'” groovy opening, making it work. Later, the surges of melodic tremolos and blasts that fuel “Chasm” give way to a haunting, aura-rich soundscape, where cymbal accents melt into jaunty tom fills before everything cascades back into overdrive. Similar structures drive tracks like “The Zone” and Song o’ the Year candidate “A Game of Proliferation,” while others (“Induced Contortions,” “Subterranean Incantation”) stick closer to standard tech death.

To state the obvious, tech death production usually sucks. Thankfully, In Light, No Shape isn’t totally brickwalled to hell, clocking in at a DR of 6. While that number looks average on paper,1 the mix retains a surprisingly natural edge while still delivering the punch and low-end presence needed to let the intricacies of the performances shine. Yes, it’s still compressed, but it never totally collapses on itself either. The guitars carry plenty of bite, avoiding the trap of sounding overly synthetic or overproduced, though the solos sit too far back in the mix for my liking. Likewise, the use of robotic spoken word interludes on tracks like “Inflection Chants” and “Transient Fixations” is conceptually fine, but they get lost behind the loud drums and end up feeling pointless. It’s a trade-off I can ultimately live with, though.

After multiple spins, In Light, No Shape stands toe-to-toe with Phantazein. Overcoming a key member’s departure isn’t easy, and while the album’s stylistic changes may feel reactive or too familiar, most come across as deliberate, pointing to a group resettling their identity. Cognizance continues to emerge as one of tech death’s most compelling acts and In Light, No Shape highlights what the genre can achieve when done right.

Rating: Very Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: cognizance.bandcamp.com | facebook.com/cognizanceband
Releases Worldwide: May 1st, 2026

#archspire #britishmetal #cognizance #deathmetal #inlight #may26

Angry Metal Guy @[email protected] · 2026-05-02 · 13:33 UTC

#2026 #35 #Archspire #BritishMetal #Cognizance #DeathMetal #InLight #May26 #NoShape #Obscura #ProgressiveDeathMetal #Review #Reviews #Revocation #TechnicalDeathMetal #TheFaceless #TheZenithPassage #WillowtipRecords

A “faster is better” philosophy has long defined technical death metal, with bands regularly operating at breakneck speeds. While that approach requires undeniable virtuosity, I’ve always gravitated toward the genre’s more restrained, focused, and groove-oriented side. Cognizance initially walked the well-trodden path of bands like The Faceless and The Zenith Passage on their debut, Malignant Dominion, displaying speed and technicality in equal measure, but doing little to distinguish themselves from a crowded field. However, to their credit, the international quintet-turned-quartet has spent the past three albums gradually cementing their identity, culminating with 2024’s Phantazein. Though it got Stuck in the Filter, the record was packed with punishing grooves, strong songwriting, and phenomenal performances, containing all the qualities that keep me returning to the genre regularly. Two short years later, Cognizance returns with In Light, No Shape.

Much of Cognizance’s growth over the years stems from its stable lineup, though the recent departure of longtime vocalist Henry “Big Mac” Pryce disrupted that continuity. Guitarist Alex Baillie has since assumed vocal duties, marking a shift in the group’s sound. Baillie fills the role admirably, trading Pryce’s deathcore-leaning growls for a style closer to David Davidson (Revocation). In fact, In Light, No Shape—particularly tracks like “Vertical Illusion,” “Witness Marks,” “Chasm,” and “The Zone”—leans heavily into Revocation’s progressive stylings to its benefit. Drummers and longtime fans should already know the name David Diepold (ex-Obscura), but for anyone who doesn’t, consider this your required introduction. The dude absolutely cooks on this record. Whether through artful fills or splashy accents, he commands the material like a conductor leading an orchestra, sitting front and center in the record’s solid mix. Not to be outdone, guitarists Apostolis Karydis and Baillie, along with bassist Chris Binns, lock with Diepold effortlessly, never once sounding strained as they ebb between calibrated riffing, evocative solos, and ornate passages across the record’s 37 minutes.

Rather than following the Archspire school of extravagance, In Light, No Shape shows Karydis and Baillie easing off the accelerator, leaning more into atmosphere than velocity, with Diepold shouldering most of the speed. The duo utilizes more spacey arpeggiated passages (“A Reconfiguration,” “Witness Marks,” “A Game of Proliferation”) than on Phantazein, giving In Light, No Shape a feeling of dynamism and expansiveness. Accordingly, the songwriting strikes a keen balance between technical, immersive, and hooky, while leaving room for each element to breathe. Opener “Transient Fixations” wastes no time launching into hyperdrive, blasting and chugging through its sub‑three‑minute runtime, essentially functioning as an intro track that reaffirms that this is still the Cognizance fans will know. And while it feels a bit short, it flows seamlessly into “Inflection Chants'” groovy opening, making it work. Later, the surges of melodic tremolos and blasts that fuel “Chasm” give way to a haunting, aura-rich soundscape, where cymbal accents melt into jaunty tom fills before everything cascades back into overdrive. Similar structures drive tracks like “The Zone” and Song o’ the Year candidate “A Game of Proliferation,” while others (“Induced Contortions,” “Subterranean Incantation”) stick closer to standard tech death.

To state the obvious, tech death production usually sucks. Thankfully, In Light, No Shape isn’t totally brickwalled to hell, clocking in at a DR of 6. While that number looks average on paper,1 the mix retains a surprisingly natural edge while still delivering the punch and low-end presence needed to let the intricacies of the performances shine. Yes, it’s still compressed, but it never totally collapses on itself either. The guitars carry plenty of bite, avoiding the trap of sounding overly synthetic or overproduced, though the solos sit too far back in the mix for my liking. Likewise, the use of robotic spoken word interludes on tracks like “Inflection Chants” and “Transient Fixations” is conceptually fine, but they get lost behind the loud drums and end up feeling pointless. It’s a trade-off I can ultimately live with, though.

After multiple spins, In Light, No Shape stands toe-to-toe with Phantazein. Overcoming a key member’s departure isn’t easy, and while the album’s stylistic changes may feel reactive or too familiar, most come across as deliberate, pointing to a group resettling their identity. Cognizance continues to emerge as one of tech death’s most compelling acts and In Light, No Shape highlights what the genre can achieve when done right.

Rating: Very Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: cognizance.bandcamp.com | facebook.com/cognizanceband
Releases Worldwide: May 1st, 2026

#willowtiprecords #thezenithpassage #thefaceless #technicaldeathmetal #revocation #reviews

Angry Metal Guy @[email protected] · 2026-05-02 · 13:33 UTC

#2026 #35 #Archspire #BritishMetal #Cognizance #DeathMetal #InLight #May26 #NoShape #Obscura #ProgressiveDeathMetal #Review #Reviews #Revocation #TechnicalDeathMetal #TheFaceless #TheZenithPassage #WillowtipRecords

A “faster is better” philosophy has long defined technical death metal, with bands regularly operating at breakneck speeds. While that approach requires undeniable virtuosity, I’ve always gravitated toward the genre’s more restrained, focused, and groove-oriented side. Cognizance initially walked the well-trodden path of bands like The Faceless and The Zenith Passage on their debut, Malignant Dominion, displaying speed and technicality in equal measure, but doing little to distinguish themselves from a crowded field. However, to their credit, the international quintet-turned-quartet has spent the past three albums gradually cementing their identity, culminating with 2024’s Phantazein. Though it got Stuck in the Filter, the record was packed with punishing grooves, strong songwriting, and phenomenal performances, containing all the qualities that keep me returning to the genre regularly. Two short years later, Cognizance returns with In Light, No Shape.

Much of Cognizance’s growth over the years stems from its stable lineup, though the recent departure of longtime vocalist Henry “Big Mac” Pryce disrupted that continuity. Guitarist Alex Baillie has since assumed vocal duties, marking a shift in the group’s sound. Baillie fills the role admirably, trading Pryce’s deathcore-leaning growls for a style closer to David Davidson (Revocation). In fact, In Light, No Shape—particularly tracks like “Vertical Illusion,” “Witness Marks,” “Chasm,” and “The Zone”—leans heavily into Revocation’s progressive stylings to its benefit. Drummers and longtime fans should already know the name David Diepold (ex-Obscura), but for anyone who doesn’t, consider this your required introduction. The dude absolutely cooks on this record. Whether through artful fills or splashy accents, he commands the material like a conductor leading an orchestra, sitting front and center in the record’s solid mix. Not to be outdone, guitarists Apostolis Karydis and Baillie, along with bassist Chris Binns, lock with Diepold effortlessly, never once sounding strained as they ebb between calibrated riffing, evocative solos, and ornate passages across the record’s 37 minutes.

Rather than following the Archspire school of extravagance, In Light, No Shape shows Karydis and Baillie easing off the accelerator, leaning more into atmosphere than velocity, with Diepold shouldering most of the speed. The duo utilizes more spacey arpeggiated passages (“A Reconfiguration,” “Witness Marks,” “A Game of Proliferation”) than on Phantazein, giving In Light, No Shape a feeling of dynamism and expansiveness. Accordingly, the songwriting strikes a keen balance between technical, immersive, and hooky, while leaving room for each element to breathe. Opener “Transient Fixations” wastes no time launching into hyperdrive, blasting and chugging through its sub‑three‑minute runtime, essentially functioning as an intro track that reaffirms that this is still the Cognizance fans will know. And while it feels a bit short, it flows seamlessly into “Inflection Chants'” groovy opening, making it work. Later, the surges of melodic tremolos and blasts that fuel “Chasm” give way to a haunting, aura-rich soundscape, where cymbal accents melt into jaunty tom fills before everything cascades back into overdrive. Similar structures drive tracks like “The Zone” and Song o’ the Year candidate “A Game of Proliferation,” while others (“Induced Contortions,” “Subterranean Incantation”) stick closer to standard tech death.

To state the obvious, tech death production usually sucks. Thankfully, In Light, No Shape isn’t totally brickwalled to hell, clocking in at a DR of 6. While that number looks average on paper,1 the mix retains a surprisingly natural edge while still delivering the punch and low-end presence needed to let the intricacies of the performances shine. Yes, it’s still compressed, but it never totally collapses on itself either. The guitars carry plenty of bite, avoiding the trap of sounding overly synthetic or overproduced, though the solos sit too far back in the mix for my liking. Likewise, the use of robotic spoken word interludes on tracks like “Inflection Chants” and “Transient Fixations” is conceptually fine, but they get lost behind the loud drums and end up feeling pointless. It’s a trade-off I can ultimately live with, though.

After multiple spins, In Light, No Shape stands toe-to-toe with Phantazein. Overcoming a key member’s departure isn’t easy, and while the album’s stylistic changes may feel reactive or too familiar, most come across as deliberate, pointing to a group resettling their identity. Cognizance continues to emerge as one of tech death’s most compelling acts and In Light, No Shape highlights what the genre can achieve when done right.

Rating: Very Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: cognizance.bandcamp.com | facebook.com/cognizanceband
Releases Worldwide: May 1st, 2026

#archspire #britishmetal #cognizance #deathmetal #inlight #may26

Dans Musicbox @[email protected] · 2026-05-02 · 06:36 UTC

#NowPlaying the Album "Where Owls know My name" by the band #RiversOfNihil from the #USA

#MelodicDeathMetal #TechnicalDeathMetal #ProgressiveDeathMetal #AlbumsOf2018

Personal Rating: 5 / 10
🟡🟡🟡🟡🟡⚪⚪⚪⚪⚪

Recommended Tracks: "The Silent Life", "Terrestria III - Withering", "Where Owls know My Name", "Capricorn / Agoratopia", "Death is real'

https://riversofnihil.bandcamp.com/album/where-owls-know-my-name

#albumsof2018 #progressivedeathmetal #technicaldeathmetal #melodicdeathmetal #usa #riversofnihil

Dans Musicbox @[email protected] · 2026-05-02 · 06:36 UTC

#NowPlaying the Album "Where Owls know My name" by the band #RiversOfNihil from the #USA

#MelodicDeathMetal #TechnicalDeathMetal #ProgressiveDeathMetal #AlbumsOf2018

Personal Rating: 5 / 10
🟡🟡🟡🟡🟡⚪⚪⚪⚪⚪

Recommended Tracks: "The Silent Life", "Terrestria III - Withering", "Where Owls know My Name", "Capricorn / Agoratopia", "Death is real'

https://riversofnihil.bandcamp.com/album/where-owls-know-my-name

#albumsof2018 #progressivedeathmetal #technicaldeathmetal #melodicdeathmetal #usa #riversofnihil

Dans Musicbox @[email protected] · 2026-05-02 · 06:36 UTC

#NowPlaying the Album "Where Owls know My name" by the band #RiversOfNihil from the #USA

#MelodicDeathMetal #TechnicalDeathMetal #ProgressiveDeathMetal #AlbumsOf2018

Personal Rating: 5 / 10
🟡🟡🟡🟡🟡⚪⚪⚪⚪⚪

Recommended Tracks: "The Silent Life", "Terrestria III - Withering", "Where Owls know My Name", "Capricorn / Agoratopia", "Death is real'

https://riversofnihil.bandcamp.com/album/where-owls-know-my-name

#albumsof2018 #progressivedeathmetal #technicaldeathmetal #melodicdeathmetal #usa #riversofnihil

Dans Musicbox @[email protected] · 2026-05-02 · 06:36 UTC

#NowPlaying the Album "Where Owls know My name" by the band #RiversOfNihil from the #USA

#MelodicDeathMetal #TechnicalDeathMetal #ProgressiveDeathMetal #AlbumsOf2018

Personal Rating: 5 / 10
🟡🟡🟡🟡🟡⚪⚪⚪⚪⚪

Recommended Tracks: "The Silent Life", "Terrestria III - Withering", "Where Owls know My Name", "Capricorn / Agoratopia", "Death is real'

https://riversofnihil.bandcamp.com/album/where-owls-know-my-name

#nowplaying #riversofnihil #usa #melodicdeathmetal #technicaldeathmetal #progressivedeathmetal

El Pregoner del Metall @[email protected] · 2026-05-01 · 08:07 UTC

MALCONSTRUCT (Estats Units) presenta nou àlbum: "Entanglement" #Malconstruct #ProgressiveDeathMetal #Maig2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#metalmusic #musicametal #metal #metall #noualbum #estatsunits

El Pregoner del Metall @[email protected] · 2026-05-01 · 08:07 UTC

MALCONSTRUCT (Estats Units) presenta nou àlbum: "Entanglement" #Malconstruct #ProgressiveDeathMetal #Maig2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#malconstruct #progressivedeathmetal #maig2026 #estatsunits #noualbum #metall

El Pregoner del Metall @[email protected] · 2026-04-27 · 21:12 UTC

THE FUNERAL PROCESSION (Estats Units) presenta nou EP: "Carrion" #TheFuneralProcession #ProgressiveDeathMetal #Abril2026 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

#metalmusic #musicametal #metal #metall #nouep #estatsunits

El Pregoner del Metall @[email protected] · 2026-04-27 · 21:12 UTC

THE FUNERAL PROCESSION (Estats Units) presenta nou EP: "Carrion" #TheFuneralProcession #ProgressiveDeathMetal #Abril2026 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

#thefuneralprocession #progressivedeathmetal #abril2026 #estatsunits #nouep #metall

El Pregoner del Metall @[email protected] · 2026-04-25 · 02:59 UTC

PESTILENCE (Països Baixos) presenta nou EP: "Twisted Truth / Land of Tears" #Pestilence #DeathMetal #ThrashMetal #ProgressiveDeathMetal #Abril2026 #PaïsosBaixos #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

#metalmusic #musicametal #metal #metall #nouep #paisosbaixos

El Pregoner del Metall @[email protected] · 2026-04-25 · 02:59 UTC

PESTILENCE (Països Baixos) presenta nou EP: "Twisted Truth / Land of Tears" #Pestilence #DeathMetal #ThrashMetal #ProgressiveDeathMetal #Abril2026 #PaïsosBaixos #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

#pestilence #deathmetal #thrashmetal #progressivedeathmetal #abril2026 #paisosbaixos

El Pregoner del Metall @[email protected] · 2026-04-19 · 11:04 UTC

ATROPAL (Estats Units) presenta nou àlbum: "Burn the Skies" #Atropal #ProgressiveDeathMetal #Abril2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#metalmusic #musicametal #metal #metall #noualbum #estatsunits

El Pregoner del Metall @[email protected] · 2026-04-19 · 11:04 UTC

ATROPAL (Estats Units) presenta nou àlbum: "Burn the Skies" #Atropal #ProgressiveDeathMetal #Abril2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#atropal #progressivedeathmetal #abril2026 #estatsunits #noualbum #metall

El Pregoner del Metall @[email protected] · 2026-04-17 · 18:47 UTC

ORDH (Estats Units) presenta nou àlbum: "Blind in Abyssal Realms" #Ordh #ProgressiveDeathMetal #Abril2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#metalmusic #musicametal #metal #metall #noualbum #estatsunits

El Pregoner del Metall @[email protected] · 2026-04-17 · 18:47 UTC

ORDH (Estats Units) presenta nou àlbum: "Blind in Abyssal Realms" #Ordh #ProgressiveDeathMetal #Abril2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#ordh #progressivedeathmetal #abril2026 #estatsunits #noualbum #metall

BC BY-NC-SA @[email protected] · 2026-04-17 · 13:28 UTC

Godless Truth – Burning Existence
#DeathMetal #Metal #TechDeathMetal #oldschooldeathmetal #progressivedeathmetal #techdeath #technicaldeathmetal #Olomouc
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://godlesstruth.bandcamp.com/album/burning-existence

#deathmetal #metal #techdeathmetal #oldschooldeathmetal #progressivedeathmetal #techdeath

BC BY-NC-SA @[email protected] · 2026-04-17 · 13:28 UTC

Godless Truth – Burning Existence
#DeathMetal #Metal #TechDeathMetal #oldschooldeathmetal #progressivedeathmetal #techdeath #technicaldeathmetal #Olomouc
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://godlesstruth.bandcamp.com/album/burning-existence

#deathmetal #metal #techdeathmetal #oldschooldeathmetal #progressivedeathmetal #techdeath

BC BY-NC-SA @[email protected] · 2026-04-17 · 13:28 UTC

Godless Truth – Burning Existence
#DeathMetal #Metal #TechDeathMetal #oldschooldeathmetal #progressivedeathmetal #techdeath #technicaldeathmetal #Olomouc
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://godlesstruth.bandcamp.com/album/burning-existence

#deathmetal #metal #techdeathmetal #oldschooldeathmetal #progressivedeathmetal #techdeath

BC BY-NC-SA @[email protected] · 2026-04-17 · 13:28 UTC

Godless Truth – Burning Existence
#DeathMetal #Metal #TechDeathMetal #oldschooldeathmetal #progressivedeathmetal #techdeath #technicaldeathmetal #Olomouc
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://godlesstruth.bandcamp.com/album/burning-existence

#ccmusic #olomouc #technicaldeathmetal #techdeath #progressivedeathmetal #oldschooldeathmetal

BC BY-NC-SA @[email protected] · 2026-04-17 · 13:28 UTC

Godless Truth – Burning Existence
#DeathMetal #Metal #TechDeathMetal #oldschooldeathmetal #progressivedeathmetal #techdeath #technicaldeathmetal #Olomouc
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://godlesstruth.bandcamp.com/album/burning-existence

#deathmetal #metal #techdeathmetal #oldschooldeathmetal #progressivedeathmetal #techdeath

UK @[email protected] · 2026-04-15 · 02:30 UTC

https://www.europesays.com/uk/894737/ Review: Bekor Qilish – Consecrated Abysses of Dread #2026 #75 #AvantGardeBlackMetal #EnglishLyrics #Entertainment #IVoidhangerRecords #Italy #March #MixedVocals #music #ProgressiveBlackMetal #ProgressiveDeathMetal #UK #UnitedKingdom

#unitedkingdom #uk #progressivedeathmetal #progressiveblackmetal #music #mixedvocals

United Kingdom News Beep @[email protected] · 2026-04-15 · 00:40 UTC

Review: Bekor Qilish – Consecrated Abysses of Dread

Published by Clay on 2026/04/142026/04/14 Artwork by STRX Art Style: Progressive black metal, progressive death metal, avant-garde black…
#NewsBeep #News #Music #2026 #7.5 #avant-gardeblackmetal #Englishlyrics #Entertainment #IVoidhangerRecords #Italy #march #mixedvocals #progressiveblackmetal #progressivedeathmetal #UK #UnitedKingdom
https://www.newsbeep.com/uk/531223/

#unitedkingdom #uk #progressivedeathmetal #progressiveblackmetal #mixedvocals #march

El Pregoner del Metall @[email protected] · 2026-04-13 · 00:18 UTC

VALDIVIUM (Sèrbia) presenta nou àlbum: "Alone in the Storm" #Valdivium #Technical #ProgressiveDeathMetal #Abril2026 #Sèrbia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#metalmusic #musicametal #metal #metall #noualbum #serbia

El Pregoner del Metall @[email protected] · 2026-04-13 · 00:18 UTC

VALDIVIUM (Sèrbia) presenta nou àlbum: "Alone in the Storm" #Valdivium #Technical #ProgressiveDeathMetal #Abril2026 #Sèrbia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#valdivium #technical #progressivedeathmetal #abril2026 #serbia #noualbum

Your Future Ex @[email protected] · 2026-04-09 · 14:23 UTC

For #ThursDeath:

#RiversAblaze: Inexternal Dread

#whiteward #phendrana #bedsore #progressivedeathmetal #blackeneddeathmetal #riversablaze

Your Future Ex @[email protected] · 2026-04-09 · 14:23 UTC

For #ThursDeath:

#RiversAblaze: Inexternal Dread

#whiteward #phendrana #bedsore #progressivedeathmetal #blackeneddeathmetal #riversablaze

Your Future Ex @[email protected] · 2026-04-09 · 14:23 UTC

For #ThursDeath:

#RiversAblaze: Inexternal Dread

#whiteward #phendrana #bedsore #progressivedeathmetal #blackeneddeathmetal #riversablaze

Your Future Ex @[email protected] · 2026-04-09 · 14:23 UTC

For #ThursDeath:

#RiversAblaze: Inexternal Dread

#thursdeath #riversablaze #blackeneddeathmetal #progressivedeathmetal #bedsore #phendrana

Your Future Ex @[email protected] · 2026-04-09 · 14:23 UTC

For #ThursDeath:

#RiversAblaze: Inexternal Dread