#entanglement — Public Fediverse posts

RELATIVITY FASTER THAN LIGHT

FTL FROM REDUCING THE DOMAIN OF DEFINITION OF THE LORENTZ TRANSFORMATION

Abstract: Quantum Entanglement has been experimentally demonstrated with utmost certainty to go Faster Than Light. However, Special Relativity is conventionally said to exclude faster-than-light signaling because Lorentz transformations can reverse the temporal order of spacelike-separated events. We readjust Relativity to make it Entanglement compatible.

For an explicit FTL signal with (u=2c), a perfectly ordinary Lorentz transformation indeed assigns a negative reception time in a sufficiently rapidly moving inertial frame.
But this does not demonstrate that physical time travel occurs; it demonstrates that coordinate-time ordering is frame-dependent for spacelike intervals.

The essay argues that the real assumption requiring examination is not the mathematics of the Lorentz transformation, but its unrestricted physical interpretation.
If FTL influences exist, they need not be required to possess the same relativistic transformation properties as ordinary subluminal processes (and they should not as they potentially come from completely different physics)..

The proposed solution is to introduce a preferred Cosmic Manifest Frame (CMF), identified approximately by the Cosmological Microwave Background, CMB, in which FTL propagation and causal ordering are physically defined.
Other inertial frames may assign negative coordinate times to the same FTL process, but those coordinates do not represent reversed physical causality.
Lorentz symmetry is thereby retained as an effective symmetry for domains where it has been experimentally validated, and theoretically deduced, while it is denied fundamental universality.
SQPR adopts precisely such a preferred causal structure, with nonlocal quantum influences propagating at a finite superluminal speed such as TAU (>>>>> c).
The proposal thus attempts to separate the mathematical freedom of spacetime coordinates from the physical ordering of causes and effects.

***

We consider first a concrete numerical example of a specific superluminal speed to make the conventional argument found in Special Relativity textbooks (which we think is erroneous) completely explicit.

The standard argument against Faster Than Light SIGNALING goes as follows:

“Given Special Relativity, SR, if you allow faster‑than‑light signaling, then the Lorentz transformation between inertial frames implies that some observers will see the signal arrive before it is sent. With two such FTL signals, you can construct a closed causal loop, i.e. a form of ‘time travel’ that violates causality.” 

We will show that the “closed causal loop” construction is superfluous to make this (erroneous) argument work. The traditional argument can be made more compact, no need for a loop. This irony is significant, because the existence of a sharper (erroneous) argument against FTL from SR shows that the physicists who pretend to have demonstrated that FTL is impossible from SR have not bothered to find the sharpest argument, possibly indicating that they find the subject unappetizing… Or could it be that they were afraid to be cut by the sharpness of the argument, because, as it turns out, the argument doesn’t even need a causal loop? … It’s that basic…

First let’s give a concrete example. Let the Faster than Light (FTL) signal speed be u = 2c. And let the speed of S’ relative to S be .6c. And the separation L be two light second (twice Earth-Moon). Computation shows that, BLINDLY using the Lorentz transformation, the FTL signal is received in S’ at MINUS .25 second. In other words, time travel.

We argue that this is absurd, and caused by a misuse of the Lorentz transformation by overextending its domain of definition over the spacelike subset of Poincaré spacetime. (Poincaré discovered and used Poincaré spacetime and its metric months or years before those who plagiarized him. In particular Poincaré found the full Lorentz Transformation, LT, using the most general argument; this is important because, in spite of his success using it, clearly Poincaré took Poincaré spacetime with a grain of salt; the present essay explains a plausible reason why; there is another; later, following Poincaré once again, Einstein confessed he didn’t like Poincaré spacetime… Make no mistake: Poincaré’s argument about getting LT from Poincaré spacetime was entirely mathematically correct; what was not done is the physical restriction we undertake below).

Recapitulation in the general case: 

We set the frame S and S’ such that their space and time origin coincide x = x’ = t = t’ = 0. That’s event A. Event B is at (L,T) in S, such that L/T = u, superluminal: u > c.

What is the time of B in S’? T’(B) is: (T – v L/cc)γ 

If the signal is FTL, L> cTL. Then there exists some subluminal v high enough such that:

(T− vL/cc) < 0…. Thus t’(B) < 0.

In other words the FTL signal is received at a negative time in S’ … thus before it is sent. 

This is my sharper version of the erroneous argument many physicists have made against FTL.

***

GRAND RETURN OF ABSOLUTE SPACE:

Solution to the riddle of the Lorentz Transformation creating events which have not happened yet: Reject the claim that all inertial frames are equivalent  In other words, as observed in Physical Reality, I mean the cosmos out there, there is a preferred frame in the universe, the one in which the CMB is at rest. (Mach and Newton would opine that this absolute space gives us some hope of explaining inertia. Einstein developed General Relativity in the hope of explaining inertia… He completely failed in that hope, but then we got GPS from GR…)

So postulate a special frame in which FTL is defined and causality is enforced. This is the path of SQPR.

In other frames, you might get “backwards in time” coordinates, but you declare that only the preferred frame’s ordering is physically meaningful.

This does not even abandon standard Special Relativity formally, and certainly not in practice (all the usual formulas are still effective, say for GPS, but one cannot extend the domain of the Lorentz Transformation over the space-like domain). SR has no difficulty representing spacelike intervals. 

What we reject formally is the additional assumption that an FTL physical influence must transform exactly like an ordinary subluminal signal, with every inertial observer’s time coordinate having equal causal status. 

The Lorentz transformation is mathematically valid on spacetime, but its physical interpretation as a symmetry of every possible causal process need not be valid. Clearly when Poincaré published on June 5, 1905, the Lorentz Transformation as a rotation of Poincaré spacetime, he could not have guessed the EPR argument of 1935 of the demonstration of FTL by Aspect in 1982 (the latter proving that there are causal processes which are not confined by the speed of light; this outside of the domain of the Lorentz Transformation).

***

We can send (not yet controlled) information faster than light (Bell style experiments). Yes the orientation of the device at A has a real physical effect at B, even if the interval AB is spacelike. That has been amply proven theoretically and experimentally. 

We do not reject Poincaré spacetime… After all, it’s the geometrodynamics of light in the first approximation! But it’s just a first approximation; by the way, that seems to have been the point of view of his creator Henri Poincaré, that’s why he talked about the “ether” so much… Similarly Einstein admitted that, in General Relativity, the speed of light varies… The “ether” was a placeholder concept for the sort of hyperspace in which Physical Reality is embedded and that yours truly advocates for…

There are very deep math reasons for this; the math was not yet developed at the time but Poincaré, the world’s greatest topologist then, may have guessed them..

Instead we posit a preferred frame, the CMF, Cosmic Manifest Frame, as given by the CMB, the Cosmic Microwave Background. Call CMF by the letter S (for Stationary). 

• Causality is fundamentally defined.
• FTL influences propagate with some speed u>c. In the case of SQPR one cosmic quantum collapse/entanglement speed is hypothesized: TAU. 
• The Lorentz transformation is an effective symmetry only for certain classes of phenomena (e.g. electromagnetism), not a fundamental symmetry of all physics…. Just like light is not all of physics, and sure has little to say about the QUANTUM ENTANGLEMENT machinery it is subjected to (see Aspect Nobel Prize winning FTL experiments). 

This is exactly the loophole that avoids the “FTL ⇒ time travel” argument.

By the way, this restriction of the Lorentz Transformation proposed here will no doubt do wonders to help avoiding causal time like loops around Black Holes…

As we are into grandiose semi poetic evocations, let’s go all the way. I have an entanglement-clock argument: which questions the elevation of coordinate time to fundamental physical time. In the present essay, I similarly question the elevation of Lorentz-frame equivalence to a universal causal principle.

That gives the essay a much deeper unifying thesis: coordinate transformations need not dictate physical causality. (Ironically that idea is nothing new: it led to the creation of Special and General Relativity; what’s new is to push it beyond the old epistemological frontiers, taking FTL and Entanglement seriously…)

Patrice Ayme

Here I spin a yarn about an efficient method of using orientalism to support israel. 🧶

#unitary #normalization #normation #normal #normativity #school #secularism #neutrality #education #hijab #bioPolitics #bioPower #islamophobia #racism #raceMaking #systemicRacism #France #Europe #extremeCentre #extremeCenter #proZionism #confusion #conflation #entanglement #EstelleSays

Death trap: Killing Australian wildlife with everyday items

"Flying foxes make up two-thirds of all entanglement cases in NSW"

"But it’s not just flying foxes – entanglements affect hundreds of different species, mostly mammals and birds, including kangaroos, platypus, raptors and gliders....Hungry animals, especially flying foxes, birds and possums, are attracted to flowers and fruits, and get easily caught in “large-aperture” nets, where the mesh size is greater than 5mm. The rule of thumb is that if you can poke a finger through it, it’s not safe for wildlife."

"Aquatic debris makes up about 10% of entanglement cases, according to NSW wildlife rescue data. Fishing line is probably the most difficult type of litter for platypus to cope with, and causes horrendous injuries – it basically just cuts through the skin.” >>
https://www.theguardian.com/australia-news/2026/jul/11/everyday-items-catching-killing-native-animals-how-to-help-tangled-wildlife
#biodiversity #wildlife #bats #birds #platypus #traps #entanglement #fencing #netting #FishingGear #Plastic #garbage #BarbedWire #fences #Hairties #fruit #food #gardens
Image: Grey-headed flying foxes mosaic, Bellingen

🔥😈 #MakingFireWith #AirParticles: Why Maxwell's Demon Is Absolutely #Spooky!

📺 Interview: https://youtu.be/TPCADLkSBWM

📎 Information: https://philosophies.de/index.php/2024/03/12/grenzen_physik_psychologie

#Maxwell'sDemon #WalterVonLucadou #Physics #Psychology #Parapsychology #Zoomposium #QuantumPhysics #Embodiment #Hauntings #Thermodynamics #SystemsTheory #Epistemology #FringeScience #Entanglement #philosophies_de

🌌🔭 Cosmic #Consciousness vs. #Astronomy: Why the #Universe Transcends Our #Embodiment

But where exactly does the line between #Mind, #Space, and #Matter lie?

📺 https://youtu.be/TPCADLkSBWM

📎 https://philosophies.de/index.php/2024/03/12/grenzen_physik_psychologie

#Zoomposium #WalterVonLucadou #CosmicConsciousness #Astronomy #Embodiment #Physics #Psychology #Parapsychology #SystemsTheory #QuantumPhysics #Entanglement #Synchronicity #Hauntings #EmbodimentDisruption #NearDeathExperience #NDE #Science #BorderCrossers #philosophies_de

Fisica Quantistica spiegata semplice: Cos’è e perché cambia il nostro modo di vedere la realtà

https://www.psicospace.it/fisica-quantistica-spiegata-semplice/

🌍#Ontological vs. #Epistemological🧠—What We Can Actually Observe🔬

📺 Interview: https://youtu.be/TPCADLkSBWM

📎 Information: https://philosophies.de/index.php/2024/03/12/grenzen_physik_psychologie

#OnticVsEpistemic #HeisenbergCut #Consciousness #FrontierSciences #Parapsychology #QuantumPhysics #NearDeathExperiences #Entanglement #Synchronicity #Physics #Psychology #SystemsTheory #Embodiment #Energy #Hauntings #Science #Physicists #BorderCrossers #KnowledgeAndTruth #BoundariesOfKnowledge #WalterVonLucadou #Zoomposium

💊 #PlaceboEffect – Every #medication has this secret #ingredient!✨

What if the effect of a medication is never just “chemical”?

Every #treatment is always a combination of #active ingredient and #expectation, #relationship, and #trust.

📺 https://youtu.be/TPCADLkSBWM

📎 https://philosophies.de/index.php/2024/03/12/grenzen_physik_psychologie/

#Medicine #Psychology #Consciousness #Healing #Therapy #DoctorPatientRelationship #Science #InterdisciplinaryFields #SystemsTheory #QuantumPhysics #Entanglement #Parapsychology #Zoomposium #WalterVonLucadou

Brutal cold envelops the building as my minions scrape through ice and filthy slush to find even the smallest shard of metallic glimmer. With extensive budget cuts demanded by my exorbitant bonus schedule—as is my right as CEO of this filtration service—there was no room to purchase adequate gear and equipment for these harsher weathers. However, I did take up crocheting recently so each of my “employees” received a nice soft hat.

Hopefully, that will be enough to tide them over until the inclement weather passes and we return to normal temps. Until then, they have these rare finds to keep them warm, and so do you! REJOICE!

Kenstrosity’s Knightly Nightmare

AngelMaker // This Used to Be Heaven [November 20th, 2025 – Self Released]

I’ve been a fan of AngelMaker’s since their 2015 debut Dissentient. The grossly underrated and underappreciated Vancouver septet are a highly specialized deathcore infantry, with their lineup expanding steadily over their career in concert with their ever-increasing songwriting sophistication. Unlike the brutish and belligerent debut and follow-up AngelMaker, 2022’s Sanctum and new outing This Used to Be Heaven indulge in rich layering, near-neoclassical melodies, and dramatic atmosphere to complement AngelMaker’s trademark sense of swaggering groove. With early entries “Rich in Anguish” and “Haunter” establishing the strength of both sides of their sound, it always surprises me how AngelMaker successfully twist and gnarl their sound into shapes—whether it be hardcore, blackened, or melodic—I wasn’t anticipating (“Silken Hands,” “Relinquished,” “Nothing Left”). A rock-solid back half launched by the epic “The Omen” two-part suite brings these deviations from the expected into unity with the deathcore foundation I know AngelMaker so well for (“Malevolence Reigns,” “Altare Mortis”), and in doing so secure their status as one of the most reliably creative deathcore acts in the scene. Nothing here is going to change the minds of the fiercer deathcore detractors, but if your heart is open even just a crack, there’s a good chance This Used to Be Heaven will force themselves into it, if not entirely rip the whole thing asunder. My advice is simply to let it.

This Used To Be Heaven by AngelMaker

ClarkKent’s Sonic Symphonics

Brainblast // Colossus Suprema [November 11th, 2025 – Vmbrella]

A debut album five years in the making from a band formed in 2015, Colossus Suprema is the brainchild of Bogotá, Colombia’s Edd Jiménez. Jiménez turned his passion for and training in classical composition towards his symphonic progressive act, Brainblast. With Bach as an inspiration, Brainblast’s brand of technical death metal has the grandeur of Fleshgod Apocalypse, the speed of Archspire, and the virtuosity of concert musicians. Jiménez’s classical training shows — the compositions have an orchestral feel, only played at insane energy levels. The speed, the depth, and the breadth of the instrumentation are sure to leave you breathless. Nicholas Le Fou Wells (First Fragment) lays down relentless kitwork with jaw-dropping velocity, while Eetu Hernesmaa provides technical fretwork that’ll similarly leave you awestruck. He delivers sublime riffs on “Relentless Rise” and a surprising melodic lead that steals the show on “Unchain Your Soul.” Perhaps most prominent is the virtuoso play of the bass from Rich Gray (Annihilator) and Dominic Forest Lapointe (First Fragment) that is omnipresent and funky on each and every song. To top it all off is the piano (perhaps from Jiménez), giving the music some gravitas with the technical, concert-style playing. This record is just plain bonkers and tons of fun. Given this is the debut from a young musician, the idea that Brainblast has room to grow is plenty exciting.

COLOSSUS SUPREMA by BRAINBLAST

Gods of Gaia // Escape the Wonderland [November 28th, 2025 – Self Released]

If you’ve been eagerly awaiting the next SepticFlesh release, Germany’s Gods of Gaia have got you covered. Founded in 2023 by Kevin Sierra Eifert, Gods of Gaia is made up of an anonymous collective from around the world, contributing to a dark, heavy, and aggressive form of symphonic metal. Their sophomore album, Escape the Wonderland, features a collection of death metal songs with plenty of orchestral arrangements that add a dramatic flair. Along with crushing riffs and thunderous blast beats, you’ll hear choral chants (“Escape the Wonderland,” “Burn for Me”), bits of piano (“What It Takes”), and plenty of cinematic symphonics. SepticFlesh is the obvious influence, but the grandiosity of Fleshgod Apocalypse flares up on cuts like the dramatic “Rise Up.” The front half is largely aggressive, with “What It Takes” taking the energy to thrash levels. The back half dials down the energy, even creeping to near doom on “Krieg in Mir,” but never pulls back on the heaviness. Cool as the symphonic elements are, the riffs, blast beats, and brutal vocal delivery are just as impressive. Make no mistake, this is melodic death metal above all else, with symphonic seasonings that elevate it a notch. Just the opposite of what the record title suggests, this is one wonderland you won’t want to escape.

Escape the Wonderland by Gods of Gaia

Grin Reaper’s Frozen Feast

Hounds of Bayanay // КЭМ [November 15, 2025 – Self Released]

Two-and-a-half years after dropping debut Legends of the North, Hounds of Bayanay returns with КЭМ to sate your eternal lust for folk metal.1 Blending heavy metal with folk instrumentation, specifically kyrympa2 and khomus,3 as well as throat singing, Hounds of Bayanay might sound like a Tengger Cavalry or The Hu knockoff, but you’ll do yourself a disservice by writing them off. Boldly enunciated, clarion cleans belt out in confident proclamations while grittier refrains and overtones resonate beneath, proffering assorted and engaging vocal stylings. Rather than dwelling overlong in strings and tribal chanting, the deft fusion of folk instruments with traditional metal defines Hounds’ sound and feels cohesively integrated on КЭМ, providing an intimate yet heavy backdrop to a hook-laden and alluringly replayable thirty-nine minutes. In addition to the eclectic folk influence, there’s a satisfying variety of songwriting from track to track, with “Ardaq,” “Cɯsqa:n,” and “Dɔʃɔrum” exemplifying the enticing synthesis of styles. More than anything else, Hounds of Bayanay embodies heart and fun, warming my chilly days with a well-executed platter of Eastern-influenced folk metal. Don’t skip this one, or the decision could hound you.

KEM by Hounds Of Bayanay

Blood Red Throne // Siltskin [December 05, 2025 – Soulseller Records]

I’m shoving up against the deadline to wedge this one in, but Blood Red Throne’s latest deserves a mention, and bulldozing is just the sort of thing you should do while listening to BRT’s brand of bludgeoning, pit-stomping romp. Back in December, the venerable Norwegian death metal act dropped twelfth album Siltskin, maintaining their prolific and consistent release schedule. In addition to their dependable output, BRT stays the course with pummeling, brutish pomp. In his coverage of Nonagon and Imperial Congregation, Doc Grier drums up comparisons to Old Man’s Child, Panzerchrist, and Hypocrisy, and while I’m not inclined to disagree on those points, I’ll add that Siltskin also harkens to Kill-era Cannibal Corpse in its slick coalition of mid-paced slammers, warp-speed blitzes, and fat ‘n’ frolicking bass. Add to that the sly, sticky melody from the likes of Sentenced’s North from Here (“Vestigial Remnants”), and you’ve got a recipe for a righteous forty-five-minute smash-a-thon. Blood Red Throne’s last few records have been among their best, which is an incredible feat for a band this far into their career. While Siltskin doesn’t surpass BRT’s high-water mark, it keeps up, and if you’re hungry for an aural beatdown, then Blood Red Throne would like to throw their crown into the ring for consideration.

Siltskin by Blood Red Throne

Gotsu-Totsu-Kotsu // Immortality [December 17, 2025 – Bang the Head Records]

I am woefully late to the charms of Gotsu-Totsu-Kotsu, a Japanese death metal outfit prominently featuring slap ‘n’ pop bass. Had it not been for our trusty Flippered Friend, I might have continued this grievous injustice of ignorance, but thankfully, this is not the timeline to which I’m doomed. Immortality is Gotsu-Totsu-Kotsu’s seventh album, and those who enjoy the band’s previous work should remain satisfied. For new acolytes, Gotsu-Totsu-Kotsu grasps the rabid intensity of Vader and Krisiun and imbues it with a funky edge. Meaty bass rumbles and sprightly slapped accents, provided by bassist/vocalist Haruhisa Takahata, merge with Kouki Akita’s kit obliteration to establish a thunderous, unrelenting rhythm section. Atop the lower end’s heft, Keiichi Enjouji shreds and squeals with thrashy vigor and a keen understanding of melody. First proper track “Anima Immortalis” even includes gang intonations that work so well, I wish they were more prevalent across the album. The sum total of Gotsu-Totsu-Kotsu’s atmosphere is one of plucky exuberance that strikes with the force of a roundhouse kick to the dome. Had I discovered it sooner, Immortality would have qualified for a 2025 year-end honorable mention, as I haven’t been able to stop spinning it or the band’s prior releases.4 Though I’m still in the honeymoon phase, I expect this platter to live on in my listening, and recommend you not miss this GTK killer like I almost did.

Thus Spoke’s Random Revelations

The Algorithm // Recursive Infinity [November 21st, 2025 – Self Released]

I’ve been a fan of The Algorithm since the early days, back when their electronica-djent was almost twee in its experimental joy, spliced with light-hearted samples. Over the years, Rémi Gallego has tuned his flair for mesmeric, playful compositions to develop a richer, more streamlined sound. Recursive Infinity continues the recent upward trend Data Renaissance began. With riffs and rhythms the slickest since Brute Force, and melodies the brightest and most colourful since equally-prettily adorned Polymorphic Code, it’s a cyberpunk tour-de-force. The wildness is trained, chunky heaviness grounding magnetic melodies (“Race Condition,” “Mutex,” “By Design”), dense chugging transitioning seamlessly into techno (“Advanced Iteration Technique,” “Hollowing,” “Graceful Degradation), and adding bite to bubbly, candy-coloured soundscapes (“Rainbow Table,”). The skittering of breakbeats tempers synthwave (“Endless Iteration), and bright pulses wrap cascading electro-core (“Race Condition,” “Mutex”) and orchestral melodrama (“Recursive Infinity”). It’s often strongly reminiscent of some point in The Algorithm’s history, but everything is upgraded from charming to entrancing. This provides a new way to interpret Recursive Infinity: not just a reference to an endless loop in general, but to Boucle Infinie (Infinite Loop)—Remi’s other musical project—and by extension, The Algorithm themselves. Yet he is still experimenting, including vocoder vocals (“Endless Iteration,” “By Design”) for a surprisingly successful dark-Daft Punk vibe in slower, moodier moments. With nostalgic throwbacks transformed so beautifully, and the continued evolution, there’s simply no way I can ignore The Algorithm now. And neither should you.

Recursive Infinity by The Algorithm

Owlswald’s Holiday Scraps

Sun of the Suns // Entanglement [December 12th, 2025 – Scarlet Records]

Bands and labels take heed—We reserve December for two things: Listurnalia and celebrating another trip around the sun. It is not for releasing new music. Yet this blunder persists, ensuring we inevitably miss gems like Sun of the Suns’ sophomore effort, Entanglement.5 The record dropped just as the world was tuning out for the year, and it deserves much better. Building on the foundation of their 2021 debut, TIIT, the Italian trio has significantly beefed up their progressive death formula. Mixing tech-death articulation with deathcore brutality, Entanglement ensures fans of Fallujah will feel right at home with its effervescent clean melodies and crystalline textures. Francesca Paoli (Fleshgod Apocalypse) returns to provide another masterclass behind the kit with rapid-fire double-bass, blasts, and tom fills, while guitarists Marco Righetti and Ludovico Cioffi deliver cosmic shredding and radiant solos that are both technical and deliberate. While the early tracks lean into Fallujahian songcraft and Tesseract-style arpeggios, the album shines brightest late when the group largely sheds its stylistic orbit. “Please, Blackout My Eyes” pivots toward a majestic Aeternam vibe with ethereal tech-death incisiveness, while “One With the Sun” and “The Void Where Sound Ends Its Path” hit like a sledgehammer with Xenobiotic’s deathcore grooves. Though Luca Dave Scarlatti’s vocals lack differentiation, the sheer quality of the compositions carries the weight, proving Sun of the Suns are much more than mere clones.

Entanglement by Sun Of The Suns

"Silicon Valley leaders are no longer merely building tools for the battlefield; they are being formally integrated into its command structure"

"AI for War: Big Tech Empowering Israel’s Crimes and Occupation", by Marwa Fatafta for Al-Shabaka: https://al-shabaka.org/briefs/ai-for-war-big-tech-empowering-israels-crimes-and-occupation/ @palestine

#dehumanisation #squash #technoCriticism #StartUpNation #TechBros #innovation #efficiency #technoSolutionnism #productivity #strikes #DefundIsrael #patriotism #JewishSupremacy #MilInt #military #army #IDF #Unit8200 #Gaza #warOnGaza #israel #tech #technology #AI #data #Microsoft #warCrimes #ethnicCleansing #militaryAI #Cloud #OpenAI #IDF #genocideSupport #entanglement #complicity #complicityInGenocide #AlShabaka

This essay calls "for a radical shift in language from narratives that obscure violence to those affirming Palestinian presence, history, and sovereignty."

by Abdalrahman Kittana: https://al-shabaka.org/commentaries/gaza-uninhabitable-challenging-colonial-frames-of-erasure/

@palestine @geography

#struggles #agency #decolonial #dignity #resistance #survival #habitability #unliveable #humanitarian #necropolitics #geography #agnotology #collapse #demolition #reconstruction #colonialConvergence #TelAviv #Gaza #Israel #Palestine #racism #coloniality #proZionism #StandWithIsrael #Zionism #colonialism #connivance #complicity #entanglement #historyOfIdeas #landManagement #BritishEmpire #BritishRule #pineTrees #ongoingNakba #genocide #ethnicCleansing

"We should first examine how colonisation works to decivilise the coloniser, to literally dumb them down, to degrade them, to awaken them to buried instincts, to greed, to violence, to racial hatred, to ethical relativism."

Aimé Césaire in "Discours sur le colonialisme", 1950

#entanglement #othering #civilisation #lineOfColor #raceMaking #beliefs #squash #brutalization #complicity #epistemology #coloniality #genocide #racism #colonialism #Césaire #AiméCésaire #whiteness #quote #quotes #citation

This is an announcement for an event I’ll be facilitating as part of TeachOnline’s excellent ongoing series of webinars. In it I will be discussing some of the key ideas of my open book, How Education Works, and exploring what they imply about how we should teach and, more broadly, how we should design systems of education. It will be fun. It will be educational. There may be music.

Here are the details:

Date: Tuesday, September 24, 2024

Time: 1:00 PM – 2:00 PM (Eastern Time) (find your time zone here)

Register (free of charge) for the event here

Source: How to be an Educational Technology: An Entangled Perspective on Teaching | Welcome to TeachOnline

https://jondron.ca/forthcoming-webinar-september-24-2024-how-to-be-an-educational-technology-an-entangled-perspective-on-teaching/

#education #entanglement #event #intertwingularity #learning #presentation #teaching #teachonline #technology #webinar