#dark-ambient — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #dark-ambient, aggregated by home.social.
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Free download codes:
GhostN3rve - Transgression
"A transgression remembered."
#darkambient #industrial #idm #downtempo #experimentalelectronic #music
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Free download codes:
GhostN3rve - Transgression
"A transgression remembered."
#darkambient #industrial #idm #downtempo #experimentalelectronic #music
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Dark Valley / Borehole - There is a Borehole in the Dark Valley
"This is experimental, chiaroscuro dungeon synth for those who like to delve deep."
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Dark Valley / Borehole - There is a Borehole in the Dark Valley
"This is experimental, chiaroscuro dungeon synth for those who like to delve deep."
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Wings of an Angel & nox intempesta – Quiet Snow from a Dark Sky
#Ambient #darkambient #drone #electronic #meditation #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/quiet-snow-from-a-dark-sky -
Wings of an Angel & nox intempesta – Quiet Snow from a Dark Sky
#Ambient #darkambient #drone #electronic #meditation #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/quiet-snow-from-a-dark-sky -
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Left in Twain - Distant Memories in Digital Fog
"An alternate take on a score for the world of grief and solitude that is Silent Hill"
#electronic #experimental #darkambient #horror #filmscore #gamescore #silenthill #music
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Left in Twain - Distant Memories in Digital Fog
"An alternate take on a score for the world of grief and solitude that is Silent Hill"
#electronic #experimental #darkambient #horror #filmscore #gamescore #silenthill #music
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UZIMOTO + GELBART + ULTRAVIOLET
ask a punk, Thursday, July 30 at 08:30 PM GMT+2
THURSDAY 30.07.26
⚡️🥚🥚🥚⚡️
Twintoe Records & Im Schatten present:
🟢 Uzimoto (Freak/Dub/Wave)
🟡 Gelbart (Experimental Yakitori Pop)
🔵 UltraViolet (Dark Ambient/Wave)
THERE WILL BE SOME DANCING AND BOPPING
💻 🎶 🎹 👾
@OGH 👹 🚭
DOORS: 20:30
SHOW: 21:00⚡️🥚🥚🥚⚡️
https://berlin.askapunk.de/event/uzimoto-gelbart-ultraviolet
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sonnov – tefawajav
#Ambient #darkambient #droneambient #fieldrecordings #meditationmusic #Russia
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://sonnovdrone.bandcamp.com/album/tefawajav -
sonnov – tefawajav
#Ambient #darkambient #droneambient #fieldrecordings #meditationmusic #Russia
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://sonnovdrone.bandcamp.com/album/tefawajav -
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Scare in a Box - The Narrowcasted Haunting
"When a transmission antenna was installed in a graveyard, a new channel began broadcasting..."
#ambient #darkambient #noise #lofi #atmospheric #eerie #spooky #analoghorror #creepy #unsettlingatmosphere #music
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Scare in a Box - The Narrowcasted Haunting
"When a transmission antenna was installed in a graveyard, a new channel began broadcasting..."
#ambient #darkambient #noise #lofi #atmospheric #eerie #spooky #analoghorror #creepy #unsettlingatmosphere #music
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Emptiness – Nowhere Speaks Review By Thus SpokeEmptiness, nothingness, absence, non-being: such evocations of negation abound in extreme metal, often justifiably given the visceral analogy between dense dissonance and existential dysphoria. Among the acts walking this walk, Belgium’s Emptiness proudly stalk, with the blurb for seventh full-length Nowhere Speaks explicitly stating that it is “entirely unconcerned with making its listener comfortable.” The group’s trajectory thus far has taken them from uncompromising blackened death into ever more ambient and experimental territory, where they first crossed into the AMG-verse via Jean-Luc Ricard’s 2014 TYMHM post on Nothing But the Whole, and returned in 2017 to send shivers down Grymm’s spine with Not For Music. The sudden pivot into French-sung, distortion-free Vide was no less disturbing for its quietitude, though it may have ironically alienated fans. Nowhere Speaks thus carries the weight of significant mystery: what form has Emptiness taken this time, and does it bear any connection to their past?
Nowhere Speaks sees Emptiness heap scorn over those who doubted them—this is all of Emptiness, and there’s nothing random about it. The album begins with this affirmation, picking up the riff that was cut-off midway from Nothing But the Whole’s closer “Lowland,” and carrying on (“Nothing But The Whole (Part 2)”). It ends with it too, final track “All For Nothing” lapsing into the malevolent soundscape of Nothing But The Whole’s first, “Go and Hope,” and stopping with similar abruptness—a synecdoche for the wider circularity that connects these two albums over a decade apart. This brings a weird closure to the former record, even as Nowhere Speaks’ ending perpetuates the unsettled and unsettling sempiternality. Emptiness’ self-referential horror doesn’t stop at album construction. In a direct mirror of predecessor Vide, which was recorded by each member in isolation and geographically distant, Nowhere Speaks was recorded live all at once in the studio. This reassembling works as a metaphor for this album’s sound, which reconstructs many of Emptiness’ elements in both familiar and unfamiliar ways.
Nowhere Speaks is the opposite of immediate; everything about it creeps. And it creeps inexorably, as certain as death. The dark melodies and restlessly stalking tempos (“Nowhere Speaks,” “Words to Wind,” “When the Whole Arrives”1) are only the half of it. Sometimes the music’s atmosphere incarnates as disso-death moodiness, (“Words to Wind,” “When the Whole Arrives”), sometimes as the blurriness of noisy atmo-black (“The Threat,” “One Must See All,” “All For Nothing”), sometimes as warped, static-scattered ambience (“Darkness Commands,” “Words to Wind,” “Next In Line”). Tremolos often feel almost warm (“Nowhere Speaks,” “All For Nothing”) until they aren’t (“Words to Wind”), and the stylistic incongruence between them and the electro-industrial edge that warps whispered growls creates an eerie tone throughout. The highest points are the culmination of these apparent inconsistencies, some new genre Emptiness have been crafting all this time—a pared-back blackened-death, dark ambient, groovy, and dissonant. It builds in the second act of “Words to Wind,” stalks with predatory grace at “When the Whole Arrives”‘s intro, and spreads insidiously in “Next In Line.” Emptiness pass through extreme metal and cloak elements in atmosphere, yet all this adds rather than subtracts tension and fearfulness.
These nuanced and unusual textures are intriguing, but they sometimes veer towards a mélange that’s too understated. Emptiness have absolutely nailed the vibe, and much of Nowhere Speaks does capitalise on the magical combination of pseudo-dissonant guitar, smothering dark ambience, and unusual compositional shapes. I can forgive the myriad interludes—some of which, particularly “Darkness Commands,” are excellent in their own right—which bleed in and out of the main songs. It’s the wavering vagaries in the midpoints and margins that threaten to fade too far into the background. The burying of instruments whilst nothing else drives a progression (“Nowhere Speaks,”); muffled voices and noise (“Words to Wind”), an immersion-breaking slide into the major (“Nowhere Speaks,” “The Clash of Forces,” “All for Nothing”). At least it sounds brilliant—all the layers distinguishable, the reverb a softness rather than an obstruction, the drums, vocals and guitars each having space to spook you.
Emptiness are evidently believers in the virtue of patience, answering the open question of Nothing But The Whole’s abrupt ending more than a decade after it was posed. Nowhere Speaks is no anomaly; give it time, and it spreads out like a great gulf of nothing.2 It may have taken many listens, but I’m now so immersed in the void of beautiful nothingness Emptiness have created, that it’s hard to remember I ever really had my doubts.
Rating: Very Good
#2026 #35 #BelgianMetal #BlackMetal #DarkAmbient #Emptiness #ExperimentalMetal #IndustrialMetal #Jul26 #NowhereSpeaks #PostMetal #Review #Reviews #SeasonOfMist
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Bandcamp | Facebook
Releases Worldwide: July 17th, 2026 -
Emptiness – Nowhere Speaks Review By Thus SpokeEmptiness, nothingness, absence, non-being: such evocations of negation abound in extreme metal, often justifiably given the visceral analogy between dense dissonance and existential dysphoria. Among the acts walking this walk, Belgium’s Emptiness proudly stalk, with the blurb for seventh full-length Nowhere Speaks explicitly stating that it is “entirely unconcerned with making its listener comfortable.” The group’s trajectory thus far has taken them from uncompromising blackened death into ever more ambient and experimental territory, where they first crossed into the AMG-verse via Jean-Luc Ricard’s 2014 TYMHM post on Nothing But the Whole, and returned in 2017 to send shivers down Grymm’s spine with Not For Music. The sudden pivot into French-sung, distortion-free Vide was no less disturbing for its quietitude, though it may have ironically alienated fans. Nowhere Speaks thus carries the weight of significant mystery: what form has Emptiness taken this time, and does it bear any connection to their past?
Nowhere Speaks sees Emptiness heap scorn over those who doubted them—this is all of Emptiness, and there’s nothing random about it. The album begins with this affirmation, picking up the riff that was cut-off midway from Nothing But the Whole’s closer “Lowland,” and carrying on (“Nothing But The Whole (Part 2)”). It ends with it too, final track “All For Nothing” lapsing into the malevolent soundscape of Nothing But The Whole’s first, “Go and Hope,” and stopping with similar abruptness—a synecdoche for the wider circularity that connects these two albums over a decade apart. This brings a weird closure to the former record, even as Nowhere Speaks’ ending perpetuates the unsettled and unsettling sempiternality. Emptiness’ self-referential horror doesn’t stop at album construction. In a direct mirror of predecessor Vide, which was recorded by each member in isolation and geographically distant, Nowhere Speaks was recorded live all at once in the studio. This reassembling works as a metaphor for this album’s sound, which reconstructs many of Emptiness’ elements in both familiar and unfamiliar ways.
Nowhere Speaks is the opposite of immediate; everything about it creeps. And it creeps inexorably, as certain as death. The dark melodies and restlessly stalking tempos (“Nowhere Speaks,” “Words to Wind,” “When the Whole Arrives”1) are only the half of it. Sometimes the music’s atmosphere incarnates as disso-death moodiness, (“Words to Wind,” “When the Whole Arrives”), sometimes as the blurriness of noisy atmo-black (“The Threat,” “One Must See All,” “All For Nothing”), sometimes as warped, static-scattered ambience (“Darkness Commands,” “Words to Wind,” “Next In Line”). Tremolos often feel almost warm (“Nowhere Speaks,” “All For Nothing”) until they aren’t (“Words to Wind”), and the stylistic incongruence between them and the electro-industrial edge that warps whispered growls creates an eerie tone throughout. The highest points are the culmination of these apparent inconsistencies, some new genre Emptiness have been crafting all this time—a pared-back blackened-death, dark ambient, groovy, and dissonant. It builds in the second act of “Words to Wind,” stalks with predatory grace at “When the Whole Arrives”‘s intro, and spreads insidiously in “Next In Line.” Emptiness pass through extreme metal and cloak elements in atmosphere, yet all this adds rather than subtracts tension and fearfulness.
These nuanced and unusual textures are intriguing, but they sometimes veer towards a mélange that’s too understated. Emptiness have absolutely nailed the vibe, and much of Nowhere Speaks does capitalise on the magical combination of pseudo-dissonant guitar, smothering dark ambience, and unusual compositional shapes. I can forgive the myriad interludes—some of which, particularly “Darkness Commands,” are excellent in their own right—which bleed in and out of the main songs. It’s the wavering vagaries in the midpoints and margins that threaten to fade too far into the background. The burying of instruments whilst nothing else drives a progression (“Nowhere Speaks,”); muffled voices and noise (“Words to Wind”), an immersion-breaking slide into the major (“Nowhere Speaks,” “The Clash of Forces,” “All for Nothing”). At least it sounds brilliant—all the layers distinguishable, the reverb a softness rather than an obstruction, the drums, vocals and guitars each having space to spook you.
Emptiness are evidently believers in the virtue of patience, answering the open question of Nothing But The Whole’s abrupt ending more than a decade after it was posed. Nowhere Speaks is no anomaly; give it time, and it spreads out like a great gulf of nothing.2 It may have taken many listens, but I’m now so immersed in the void of beautiful nothingness Emptiness have created, that it’s hard to remember I ever really had my doubts.
Rating: Very Good
#2026 #35 #BelgianMetal #BlackMetal #DarkAmbient #Emptiness #ExperimentalMetal #IndustrialMetal #Jul26 #NowhereSpeaks #PostMetal #Review #Reviews #SeasonOfMist
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Bandcamp | Facebook
Releases Worldwide: July 17th, 2026 -
"Chimie Du Son", de Meat Beat Manifesto (2010)
#musica #music #electronica #electronicmusic #dubstep #dub #darkambient
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"Chimie Du Son", de Meat Beat Manifesto (2010)
#musica #music #electronica #electronicmusic #dubstep #dub #darkambient
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treeholder - FiELDWAVE
"a wild adventure traversing biological horror, relentless madness, and a subtle melancholy."
#darkambient #noise #industrial #glitch #avantgarde #breakcore #experimentalpop #sounddesign #fieldwave #music
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treeholder - FiELDWAVE
"a wild adventure traversing biological horror, relentless madness, and a subtle melancholy."
#darkambient #noise #industrial #glitch #avantgarde #breakcore #experimentalpop #sounddesign #fieldwave #music
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Michael HERTER - HORROR. Vol. 1: Dark Psychological Suspense
"Cinematic psychological suspense music that breeds horror and fear."
#darkambient #instrumental #soundtrack #cinematic #soundtrackmusic #horror #ost #dark #halloween #fear #suspense #music
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Michael HERTER - HORROR. Vol. 1: Dark Psychological Suspense
"Cinematic psychological suspense music that breeds horror and fear."
#darkambient #instrumental #soundtrack #cinematic #soundtrackmusic #horror #ost #dark #halloween #fear #suspense #music
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@ExperimentalMusic
@electronicmusic🎶 "Summe der Teile" von AZugM
#DarkAmbient
#DungeonSynth
#BlackMetal📝 kältester Sommer, Anachronismus
Monster in Indien
#Grindcore im Mittelalter
Weltuntergang - was sagen Betroffene?
Wohlstandskinder, die ich nicht beneide
Und Fische ohne Gefühle
So der zeitlose Poet
Mystisch
Brauchst Hilfe?
Bilderbuch
Ein Triumphzug - Frieden🇬🇧 sample: "ravens are called the wolves' eyes"
#ambient #metal #bass #music #art #nature #experimental #Augsburg #mystery
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@ExperimentalMusic
@electronicmusic🎶 "Summe der Teile" von AZugM
#DarkAmbient
#DungeonSynth
#BlackMetal📝 kältester Sommer, Anachronismus
Monster in Indien
#Grindcore im Mittelalter
Weltuntergang - was sagen Betroffene?
Wohlstandskinder, die ich nicht beneide
Und Fische ohne Gefühle
So der zeitlose Poet
Mystisch
Brauchst Hilfe?
Bilderbuch
Ein Triumphzug - Frieden🇬🇧 sample: "ravens are called the wolves' eyes"
#ambient #metal #bass #music #art #nature #experimental #Augsburg #mystery
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Ivonne Van Cleef – Still an Interlude: Live-to-Tape Dubs
#Experimental #RuralPsychedelia #argentina #darkambient #darkwestern #drone #experimental #noise #psychedelicfolk #ruralpsychedelia #sanjosédelrincón #santafe #western #SanJoséDelRincón
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://ivonnevancleef.bandcamp.com/album/still-an-interlude-live-to-tape-dubs -
Ivonne Van Cleef – Still an Interlude: Live-to-Tape Dubs
#Experimental #RuralPsychedelia #argentina #darkambient #darkwestern #drone #experimental #noise #psychedelicfolk #ruralpsychedelia #sanjosédelrincón #santafe #western #SanJoséDelRincón
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://ivonnevancleef.bandcamp.com/album/still-an-interlude-live-to-tape-dubs -
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Intact Veils - Saint Imago
"Mirroring movements of sounds and space, blurred branches dissolving into pale blue fog"
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Intact Veils - Saint Imago
"Mirroring movements of sounds and space, blurred branches dissolving into pale blue fog"
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Qid Love - Transmissions Vol 1
"An electronic transfer of spiritual energy."
#experimental #darkambient #cinematic #guitar #improvised #music
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Qid Love - Transmissions Vol 1
"An electronic transfer of spiritual energy."
#experimental #darkambient #cinematic #guitar #improvised #music
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Revok - Transmission IV
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Revok - Transmission IV
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Arcis - Numen
"Cinematic ambient."
#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music
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Arcis - Numen
"Cinematic ambient."
#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music
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Arcane Synthetic - Revised Reports - Volume 1
"Reinventions of pre-existing Arcane Synthetic songs"
#experimental #alternative #darkambient #industrial #cinematic #goth #postpunk #atmospheric #avantgarde #scifi #experimentalelectronic #soundscapes #moody #mysterious #auckland #sinister #music
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Free download codes:
Arcane Synthetic - Revised Reports - Volume 1
"Reinventions of pre-existing Arcane Synthetic songs"
#experimental #alternative #darkambient #industrial #cinematic #goth #postpunk #atmospheric #avantgarde #scifi #experimentalelectronic #soundscapes #moody #mysterious #auckland #sinister #music
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remst8 – Harmonoia v2024.08.26
#Ambient #darkambient #drone #droneambient #experimentalambient #live #longform #renoise #Olathe
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://remst8.bandcamp.com/album/harmonoia-v20240826 -
remst8 – Harmonoia v2024.08.26
#Ambient #darkambient #drone #droneambient #experimentalambient #live #longform #renoise #Olathe
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://remst8.bandcamp.com/album/harmonoia-v20240826 -
Porta Ad Nihil - Dreaming in the Womb
"Rather than relying on randomness or sonic chaos, the album unfolds with a clear sense of direction, gradually revealing its atmosphere through tension, repetition and subtle transformation."
https://portaadnihil.bandcamp.com/album/dreaming-in-the-womb -
Porta Ad Nihil - Dreaming in the Womb
"Rather than relying on randomness or sonic chaos, the album unfolds with a clear sense of direction, gradually revealing its atmosphere through tension, repetition and subtle transformation."
https://portaadnihil.bandcamp.com/album/dreaming-in-the-womb -
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Arcane Synthetic - Awaken The Androids
"Arcane Synthetic is conceptually driven by a central protagonist, through the means of time travel, reporting back on the human condition."
#experimental #alternative #darkambient #industrial #cinematic #goth #postpunk #atmospheric #avantgarde #scifi #experimentalelectronic #soundscapes #moody #mysterious #auckland #sinister #music
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Arcane Synthetic - Awaken The Androids
"Arcane Synthetic is conceptually driven by a central protagonist, through the means of time travel, reporting back on the human condition."
#experimental #alternative #darkambient #industrial #cinematic #goth #postpunk #atmospheric #avantgarde #scifi #experimentalelectronic #soundscapes #moody #mysterious #auckland #sinister #music
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welp I dunno even I guess just me + synthesizers + fuzzbox have a lot to say lately. It’s just slow and loud and not very complicated, whatever it is. As far as satisfyin self-expression, I think think this achieves something more or less like what I set out to; except now I just wish it had more swears, like screaming and cusswords. But except for not having any of that, I still think it turned out pretty kickass if I do say so myself
https://dub.yager-madden.com/eternal-blues.html
#drone #doom #doomDrone #ambient #darkAmbient #electronicMusic #indie #fediMusic
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welp I dunno even I guess just me + synthesizers + fuzzbox have a lot to say lately. It’s just slow and loud and not very complicated, whatever it is. As far as satisfyin self-expression, I think think this achieves something more or less like what I set out to; except now I just wish it had more swears, like screaming and cusswords. But except for not having any of that, I still think it turned out pretty kickass if I do say so myself
https://dub.yager-madden.com/eternal-blues.html
#drone #doom #doomDrone #ambient #darkAmbient #electronicMusic #indie #fediMusic
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One of my favorite soundtracks for late-night codenoodling.
https://music.apple.com/us/album/necropolis-the-dialogic-project/153603966?l=pt-BR
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One of my favorite soundtracks for late-night codenoodling.
https://music.apple.com/us/album/necropolis-the-dialogic-project/153603966?l=pt-BR
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Spank Hookers – Narratophilia
#Ambient #darkambient #drone #electronic #meditation #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/narratophilia -
Spank Hookers – Narratophilia
#Ambient #darkambient #drone #electronic #meditation #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/narratophilia -
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Franck Martin - Je me Souviens
"Do you want to experience the sound of memories? Do you want to immerse yourself in a sonic journey that evokes the emotions of nostalgia, sadness, and wonder? If so, you might want to check out my new album 'Je me Souviens' - I remember."