#soundengineering — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #soundengineering, aggregated by home.social.
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Discovering Electronic Music (1970)
https://youtu.be/5AmatpZZV3E
„This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“#electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation
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Discovering Electronic Music (1970)
https://youtu.be/5AmatpZZV3E
„This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“#electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation
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Discovering Electronic Music (1970)
https://youtu.be/5AmatpZZV3E
„This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“#electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation
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Discovering Electronic Music (1970)
https://youtu.be/5AmatpZZV3E
„This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“#electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation
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Discovering Electronic Music (1970)
https://youtu.be/5AmatpZZV3E
„This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“#electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation
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Virtual violin produces realistic sounds
https://news.mit.edu/2026/mit-engineers-virtual-violin-produces-realistic-sounds-0429
#HackerNews #virtualviolin #realisticmusic #soundengineering #innovation #technology
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Virtual violin produces realistic sounds
https://news.mit.edu/2026/mit-engineers-virtual-violin-produces-realistic-sounds-0429
#HackerNews #virtualviolin #realisticmusic #soundengineering #innovation #technology
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Virtual violin produces realistic sounds
https://news.mit.edu/2026/mit-engineers-virtual-violin-produces-realistic-sounds-0429
#HackerNews #virtualviolin #realisticmusic #soundengineering #innovation #technology
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Virtual violin produces realistic sounds
https://news.mit.edu/2026/mit-engineers-virtual-violin-produces-realistic-sounds-0429
#HackerNews #virtualviolin #realisticmusic #soundengineering #innovation #technology
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Virtual violin produces realistic sounds
https://news.mit.edu/2026/mit-engineers-virtual-violin-produces-realistic-sounds-0429
#HackerNews #virtualviolin #realisticmusic #soundengineering #innovation #technology
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Hello Mastodon! ⚡️
We are AV Hertz (Pvt) Ltd, your professional partner for high-end Audio-Visual & Event Production. With over 30 years of expertise, we bring your events to life with precision and power.
What we offer:
🔊 Professional Sound Systems
📽️ High-Resolution Projectors
📺 LED Video Walls
💡 Intelligent Stage Lighting
📍 Serving Kandy and all of Sri Lanka.
🌐 Visit us at: https://www.avhertz.com
#AVHertz #EventProduction #AudioVisual #Kandy #SriLanka #SoundEngineering #Introductions 👌 -
Hello Mastodon! ⚡️
We are AV Hertz (Pvt) Ltd, your professional partner for high-end Audio-Visual & Event Production. With over 30 years of expertise, we bring your events to life with precision and power.
What we offer:
🔊 Professional Sound Systems
📽️ High-Resolution Projectors
📺 LED Video Walls
💡 Intelligent Stage Lighting
📍 Serving Kandy and all of Sri Lanka.
🌐 Visit us at: https://www.avhertz.com
#AVHertz #EventProduction #AudioVisual #Kandy #SriLanka #SoundEngineering #Introductions 👌 -
Hello Mastodon! ⚡️
We are AV Hertz (Pvt) Ltd, your professional partner for high-end Audio-Visual & Event Production. With over 30 years of expertise, we bring your events to life with precision and power.
What we offer:
🔊 Professional Sound Systems
📽️ High-Resolution Projectors
📺 LED Video Walls
💡 Intelligent Stage Lighting
📍 Serving Kandy and all of Sri Lanka.
🌐 Visit us at: https://www.avhertz.com
#AVHertz #EventProduction #AudioVisual #Kandy #SriLanka #SoundEngineering #Introductions 👌 -
What do people use to connect a laptop or phone to a sound mixer with minimal lag? Bluetooth isn't an option, unbalanced audio is horrible (sometimes you can hear radio from some cables, mainly cheap ones) and people say USB-XLR cables are horrible.
Are there mixers with USB-C input? Even if there are, the sound mixers I often have to deal with only support 6mm TS jacks and XLR. I saw some with RCA inputs and 3 mm TS jack input, but never USB input, not even the most expensive mixer I dealt with (it cost around 600 thousand reais IIRC).
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What do people use to connect a laptop or phone to a sound mixer with minimal lag? Bluetooth isn't an option, unbalanced audio is horrible (sometimes you can hear radio from some cables, mainly cheap ones) and people say USB-XLR cables are horrible.
Are there mixers with USB-C input? Even if there are, the sound mixers I often have to deal with only support 6mm TS jacks and XLR. I saw some with RCA inputs and 3 mm TS jack input, but never USB input, not even the most expensive mixer I dealt with (it cost around 600 thousand reais IIRC).
-
What do people use to connect a laptop or phone to a sound mixer with minimal lag? Bluetooth isn't an option, unbalanced audio is horrible (sometimes you can hear radio from some cables, mainly cheap ones) and people say USB-XLR cables are horrible.
Are there mixers with USB-C input? Even if there are, the sound mixers I often have to deal with only support 6mm TS jacks and XLR. I saw some with RCA inputs and 3 mm TS jack input, but never USB input, not even the most expensive mixer I dealt with (it cost around 600 thousand reais IIRC).
-
What do people use to connect a laptop or phone to a sound mixer with minimal lag? Bluetooth isn't an option, unbalanced audio is horrible (sometimes you can hear radio from some cables, mainly cheap ones) and people say USB-XLR cables are horrible.
Are there mixers with USB-C input? Even if there are, the sound mixers I often have to deal with only support 6mm TS jacks and XLR. I saw some with RCA inputs and 3 mm TS jack input, but never USB input, not even the most expensive mixer I dealt with (it cost around 600 thousand reais IIRC).
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Buy Professional Audio Gear for Studio & Live Sound
Upgrade your setup with trusted pro audio equipment for recording, mixing, live performance, and more. From microphones and mixers to speakers, headphones, and audio interfaces, find the gear you need to sound your best.
Explore professional audio solutions here:
https://www.solesourceav.com/pro-audio-equipment.html#ProfessionalAudio #StudioGear #LiveSound #ProAudioEquipment #AudioGear #MusicProduction #SoundEngineering #SoleSourceAV
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#NEXO #Alpha+ supplied by distributor #ONLOP S.A. replaces a line array at #the #Crobar #Club, the undisputed home of techno in particular, and dance music more widely, located in the north Buenos Aires, the Argentinian capital.
👉 Link to the article : https://lnkd.in/e--XvdvW
#TechnoSound #LineArray #NEXOAlphaPlus #HybridSourceSystem #ProAudio #SoundEngineering #EDMAudio #BassModules #SubwooferSystem #AudioArchitecture
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L’#Alpha+ de NEXO fourni par le distributeur ONLOP S.A. remplace un line array au Crobar Club, la référence incontestée de la techno et plus largement de la musique dance de Buenos Aires, la capitale argentine.
👉L'article est disponible ici : https://www.soundlightup.com/flash-and-news/lalpha-nexo-au-crobar-club-de-buenos-aires-parce-que-la-membrane-a-toujours-raison.html
#TechnoSound #LineArray #NEXOAlphaPlus #HybridSourceSystem #ProAudio #SoundEngineering #EDMAudio #BassModules #SubwooferSystem #AudioArchitecture
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Ich mische morgen zum ersten Mal eine Show mit meinem neuen #Behringer #WING Compact. Kommt alle vorbei! #foh #soundengineering
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Ich mische morgen zum ersten Mal eine Show mit meinem neuen #Behringer #WING Compact. Kommt alle vorbei! #foh #soundengineering
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Ich mische morgen zum ersten Mal eine Show mit meinem neuen #Behringer #WING Compact. Kommt alle vorbei! #foh #soundengineering
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Ich mische morgen zum ersten Mal eine Show mit meinem neuen #Behringer #WING Compact. Kommt alle vorbei! #foh #soundengineering
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Yamaha Stagepas 400i
Playing with the system in the afternoon of yesterday
- 4 mono mic/line + 4 mono / 2 stereo line + USB Audio IN: iPod/iPhone exclusive
- 2-band (HIGH Shelving: 8kHz, LOW Shelving: 100Hz)
- SPX digital reverb (4 program, parameter control), Feedback suppressor, 1-Knob Master EQ™
- 400W (200W + 200W)
- speakers
- 55Hz - 20kHz
- 8” (20cm) cone
- 1” (2.54cm) voice coil compression driver
- 125dB SPL / speaker
- 100V - 240V 50Hz/60Hz
- 30W (Idle), 70W (1/8 Power) [in reality 25W measured here]
- 17.8kg / 39.2lbs (2 x Speaker 7.5kg + Mixer 2.8kg)
- over panel, Power cord (2m), 2xSpeaker cables (6m), 12xNon-skid pads
Don't buy it new since Yamaha discontinued production
Yamaha StagePas 600BT is the current system
- Powered mixer with 2 passive speakers
- 10 channels
- Hi-Z switch: CH4, ST/MONO switch: CH5/6-9/10
- Feedback suppressor, 1-Knob Master EQ™
- 4 mono mic / line + 6 mono / 3 stereo line
- +30V (CH1, 2) (Phantom)
- SPEAKERS OUT (L, R), MONITOR OUT (L/MONO, R), SUBWOOFER OUT (MONO) with auto HPF
- Bluetooth Ver.4.1, A2DP v1.2, Maximum Range: Approx. 10 m
- Reverb foot switch
- CH4 [Hi-Z]
- HIGH Shelving: 8 kHz
- LOW Shelving: 100 Hz
- MID peaking: 2.5 kHz
- SPX digital reverb (4 program, parameter control)
- 680W (340 W + 340 W) (Dynamic), 560W (280W + 280W) (Continuous)
- Two-way bass-relfex speakers
- 55 Hz - 20 kHz
- 90° H
- 60° V
- 50° [floor monitor angle]
- 10" (25 cm) cone
- 1.4" (3.56 cm) voice coil compression driver
- 129 dB SPL / speaker
- 100 V - 240 V 50 Hz/60 Hz
- 35 W (Idle), 100 W (1/8 Power)
- 34.8-35.2 mm pole socket with StageLok™
- Cover panel, Power cord (2m), 2 x Speaker cables (6m), 12 x Non-skid pads, 2 x Ferrite Cores, 2 x Cable ties
- Yamaha BMS10A (mic stand adaptor) for mixer mount, FC5 (foot switch) for reverb ON/OFF
- Handle: 1 x Top
- Speaker 335 x 545 x 319 mm, Mixer 348 x 197 x 135 mm [dimensions w x h x d]
- 25.6 kg (56.4 lbs) (2 x Speaker 10.9 kg + Mixer 3.8 kg)
features
680-watt, portable PA system with 10-channel powered mixer, two 10" speakers, a Bluetooth input, SPX digital reverbs, an onboard feedback suppressor and versatile EQ.
680W (340W + 340W) power output
High quality speakers (LF:10" woofer/ HF:1.4" voice coil compression driver)
Detachable 10-channel mixer (4 mono/line + 6 mono / 3 stereo line)
Bluetooth audio streaming
1-Knob Master EQ™ with virtual bass boost
High resolution SPX digital reverbs (4 types, parameter control)
Onboard feedback suppressor
Great-sounding 3-band channel EQ
Switchable stereo/ mono inputs
Hi-Z (high impedance) inputs
Phantom power
Monitor and Subwoofer outputs
Optional reverb footswitchsources
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400i_600i/index.html
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400i_600i/specs.html#product-tabs
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400bt_600bt/specs.html#product-tabs
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400bt_600bt/index.html
for reference dont buy
https://www.amazon.com/yamaha-stagepas-400i-portable-system/dp/B00B78SZJ2
#nowplaying #audio #music #PA #yamaha #stagepas #technology #live #400i #livesound #soundengineering
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Yamaha Stagepas 400i
Playing with the system in the afternoon of yesterday
- 4 mono mic/line + 4 mono / 2 stereo line + USB Audio IN: iPod/iPhone exclusive
- 2-band (HIGH Shelving: 8kHz, LOW Shelving: 100Hz)
- SPX digital reverb (4 program, parameter control), Feedback suppressor, 1-Knob Master EQ™
- 400W (200W + 200W)
- speakers
- 55Hz - 20kHz
- 8” (20cm) cone
- 1” (2.54cm) voice coil compression driver
- 125dB SPL / speaker
- 100V - 240V 50Hz/60Hz
- 30W (Idle), 70W (1/8 Power) [in reality 25W measured here]
- 17.8kg / 39.2lbs (2 x Speaker 7.5kg + Mixer 2.8kg)
- over panel, Power cord (2m), 2xSpeaker cables (6m), 12xNon-skid pads
Don't buy it new since Yamaha discontinued production
Yamaha StagePas 600BT is the current system
- Powered mixer with 2 passive speakers
- 10 channels
- Hi-Z switch: CH4, ST/MONO switch: CH5/6-9/10
- Feedback suppressor, 1-Knob Master EQ™
- 4 mono mic / line + 6 mono / 3 stereo line
- +30V (CH1, 2) (Phantom)
- SPEAKERS OUT (L, R), MONITOR OUT (L/MONO, R), SUBWOOFER OUT (MONO) with auto HPF
- Bluetooth Ver.4.1, A2DP v1.2, Maximum Range: Approx. 10 m
- Reverb foot switch
- CH4 [Hi-Z]
- HIGH Shelving: 8 kHz
- LOW Shelving: 100 Hz
- MID peaking: 2.5 kHz
- SPX digital reverb (4 program, parameter control)
- 680W (340 W + 340 W) (Dynamic), 560W (280W + 280W) (Continuous)
- Two-way bass-relfex speakers
- 55 Hz - 20 kHz
- 90° H
- 60° V
- 50° [floor monitor angle]
- 10" (25 cm) cone
- 1.4" (3.56 cm) voice coil compression driver
- 129 dB SPL / speaker
- 100 V - 240 V 50 Hz/60 Hz
- 35 W (Idle), 100 W (1/8 Power)
- 34.8-35.2 mm pole socket with StageLok™
- Cover panel, Power cord (2m), 2 x Speaker cables (6m), 12 x Non-skid pads, 2 x Ferrite Cores, 2 x Cable ties
- Yamaha BMS10A (mic stand adaptor) for mixer mount, FC5 (foot switch) for reverb ON/OFF
- Handle: 1 x Top
- Speaker 335 x 545 x 319 mm, Mixer 348 x 197 x 135 mm [dimensions w x h x d]
- 25.6 kg (56.4 lbs) (2 x Speaker 10.9 kg + Mixer 3.8 kg)
features
680-watt, portable PA system with 10-channel powered mixer, two 10" speakers, a Bluetooth input, SPX digital reverbs, an onboard feedback suppressor and versatile EQ.
680W (340W + 340W) power output
High quality speakers (LF:10" woofer/ HF:1.4" voice coil compression driver)
Detachable 10-channel mixer (4 mono/line + 6 mono / 3 stereo line)
Bluetooth audio streaming
1-Knob Master EQ™ with virtual bass boost
High resolution SPX digital reverbs (4 types, parameter control)
Onboard feedback suppressor
Great-sounding 3-band channel EQ
Switchable stereo/ mono inputs
Hi-Z (high impedance) inputs
Phantom power
Monitor and Subwoofer outputs
Optional reverb footswitchsources
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400i_600i/index.html
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400i_600i/specs.html#product-tabs
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400bt_600bt/specs.html#product-tabs
https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400bt_600bt/index.html
for reference dont buy
https://www.amazon.com/yamaha-stagepas-400i-portable-system/dp/B00B78SZJ2
#nowplaying #audio #music #PA #yamaha #stagepas #technology #live #400i #livesound #soundengineering
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How problematic is resampling audio from 44.1 to 48 kHz?
https://kevinboone.me/sample48.html
#HackerNews #resampling #audio #audioquality #44100 #48000 #technews #soundengineering
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How problematic is resampling audio from 44.1 to 48 kHz?
https://kevinboone.me/sample48.html
#HackerNews #resampling #audio #audioquality #44100 #48000 #technews #soundengineering
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How problematic is resampling audio from 44.1 to 48 kHz?
https://kevinboone.me/sample48.html
#HackerNews #resampling #audio #audioquality #44100 #48000 #technews #soundengineering
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How problematic is resampling audio from 44.1 to 48 kHz?
https://kevinboone.me/sample48.html
#HackerNews #resampling #audio #audioquality #44100 #48000 #technews #soundengineering
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How problematic is resampling audio from 44.1 to 48 kHz?
https://kevinboone.me/sample48.html
#HackerNews #resampling #audio #audioquality #44100 #48000 #technews #soundengineering
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"Portable" #recording equipment used in #Britain for #film making in 1953 - it could use either 35mm or 17,5mm magnetic film (better #sound quality than optical recording), could be synchronised to the film camera, and easily transportable in a private car (presumably by two fairly strong people, as the recording unit alone would weigh north of 40 kg, there was a mixer and amplifier to go with it) - and it would fill the boot and probably the back seats too of most cars available in those times
Power was a choice of 230V single phase or 400V three phase mains (so a location shoot would require a genset as well)
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"Portable" #recording equipment used in #Britain for #film making in 1953 - it could use either 35mm or 17,5mm magnetic film (better #sound quality than optical recording), could be synchronised to the film camera, and easily transportable in a private car (presumably by two fairly strong people, as the recording unit alone would weigh north of 40 kg, there was a mixer and amplifier to go with it) - and it would fill the boot and probably the back seats too of most cars available in those times
Power was a choice of 230V single phase or 400V three phase mains (so a location shoot would require a genset as well)
-
"Portable" #recording equipment used in #Britain for #film making in 1953 - it could use either 35mm or 17,5mm magnetic film (better #sound quality than optical recording), could be synchronised to the film camera, and easily transportable in a private car (presumably by two fairly strong people, as the recording unit alone would weigh north of 40 kg, there was a mixer and amplifier to go with it) - and it would fill the boot and probably the back seats too of most cars available in those times
Power was a choice of 230V single phase or 400V three phase mains (so a location shoot would require a genset as well)
-
"Portable" #recording equipment used in #Britain for #film making in 1953 - it could use either 35mm or 17,5mm magnetic film (better #sound quality than optical recording), could be synchronised to the film camera, and easily transportable in a private car (presumably by two fairly strong people, as the recording unit alone would weigh north of 40 kg, there was a mixer and amplifier to go with it) - and it would fill the boot and probably the back seats too of most cars available in those times
Power was a choice of 230V single phase or 400V three phase mains (so a location shoot would require a genset as well)
-
"Portable" #recording equipment used in #Britain for #film making in 1953 - it could use either 35mm or 17,5mm magnetic film (better #sound quality than optical recording), could be synchronised to the film camera, and easily transportable in a private car (presumably by two fairly strong people, as the recording unit alone would weigh north of 40 kg, there was a mixer and amplifier to go with it) - and it would fill the boot and probably the back seats too of most cars available in those times
Power was a choice of 230V single phase or 400V three phase mains (so a location shoot would require a genset as well)
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Contrary to what you may believe however, Mackie doesn't deliver its microphones in a beautiful 'flight case' that I've showcased the EM89D in.
Instead you get a plane Jane cardboard box that I've just photographed, in which the microphone normally resides.
Even TASCAM delivers its fantastic amazing microphones in plane Jane cardboard boxes.
Shure tops the charts with ugly cardboard boxes for its magnífico microphones. The boxes in which I got my SM58s are so ugly I'm not even going to photograph them.
Credit goes to Behringer who delivers it's microphones like the XM8500 in a flightcase. The XM8500 microphone has good use cases here. It's also a fraction of the cost of the EM89D, and a sliver of the cost of the Legendary Shure SM58.
Never let the low/high price of a microphone fool you. Buy it, if it captures your sound Source nice, and you will find good to fantastic use cases for many microphones which are categorized as cheap.
Sets of fantastic microphones for example are AKG matched pair condenser mics. They are fantastic for me because I have great use cases for them; they're not fantastic because they have a substantial high price.
Thank you Behringer for packaging your microphones nicely and sturdy.
https://mastodon.bsd.cafe/@Dendrobatus_Azureus/115710655170993173
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #Behringer #microphone #magnífico #XLR #stable
-
Contrary to what you may believe however, Mackie doesn't deliver its microphones in a beautiful 'flight case' that I've showcased the EM89D in.
Instead you get a plane Jane cardboard box that I've just photographed, in which the microphone normally resides.
Even TASCAM delivers its fantastic amazing microphones in plane Jane cardboard boxes.
Shure tops the charts with ugly cardboard boxes for its magnífico microphones. The boxes in which I got my SM58s are so ugly I'm not even going to photograph them.
Credit goes to Behringer who delivers it's microphones like the XM8500 in a flightcase. The XM8500 microphone has good use cases here. It's also a fraction of the cost of the EM89D, and a sliver of the cost of the Legendary Shure SM58.
Never let the low/high price of a microphone fool you. Buy it, if it captures your sound Source nice, and you will find good to fantastic use cases for many microphones which are categorized as cheap.
Sets of fantastic microphones for example are AKG matched pair condenser mics. They are fantastic for me because I have great use cases for them; they're not fantastic because they have a substantial high price.
Thank you Behringer for packaging your microphones nicely and sturdy.
https://mastodon.bsd.cafe/@Dendrobatus_Azureus/115710655170993173
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #Behringer #microphone #magnífico #XLR #stable
-
Contrary to what you may believe however, Mackie doesn't deliver its microphones in a beautiful 'flight case' that I've showcased the EM89D in.
Instead you get a plane Jane cardboard box that I've just photographed, in which the microphone normally resides.
Even TASCAM delivers its fantastic amazing microphones in plane Jane cardboard boxes.
Shure tops the charts with ugly cardboard boxes for its magnífico microphones. The boxes in which I got my SM58s are so ugly I'm not even going to photograph them.
Credit goes to Behringer who delivers it's microphones like the XM8500 in a flightcase. The XM8500 microphone has good use cases here. It's also a fraction of the cost of the EM89D, and a sliver of the cost of the Legendary Shure SM58.
Never let the low/high price of a microphone fool you. Buy it, if it captures your sound Source nice, and you will find good to fantastic use cases for many microphones which are categorized as cheap.
Sets of fantastic microphones for example are AKG matched pair condenser mics. They are fantastic for me because I have great use cases for them; they're not fantastic because they have a substantial high price.
Thank you Behringer for packaging your microphones nicely and sturdy.
https://mastodon.bsd.cafe/@Dendrobatus_Azureus/115710655170993173
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #Behringer #microphone #magnífico #XLR #stable
-
Contrary to what you may believe however, Mackie doesn't deliver its microphones in a beautiful 'flight case' that I've showcased the EM89D in.
Instead you get a plane Jane cardboard box that I've just photographed, in which the microphone normally resides.
Even TASCAM delivers its fantastic amazing microphones in plane Jane cardboard boxes.
Shure tops the charts with ugly cardboard boxes for its magnífico microphones. The boxes in which I got my SM58s are so ugly I'm not even going to photograph them.
Credit goes to Behringer who delivers it's microphones like the XM8500 in a flightcase. The XM8500 microphone has good use cases here. It's also a fraction of the cost of the EM89D, and a sliver of the cost of the Legendary Shure SM58.
Never let the low/high price of a microphone fool you. Buy it, if it captures your sound Source nice, and you will find good to fantastic use cases for many microphones which are categorized as cheap.
Sets of fantastic microphones for example are AKG matched pair condenser mics. They are fantastic for me because I have great use cases for them; they're not fantastic because they have a substantial high price.
Thank you Behringer for packaging your microphones nicely and sturdy.
https://mastodon.bsd.cafe/@Dendrobatus_Azureus/115710655170993173
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #Behringer #microphone #magnífico #XLR #stable
-
Contrary to what you may believe however, Mackie doesn't deliver its microphones in a beautiful 'flight case' that I've showcased the EM89D in.
Instead you get a plane Jane cardboard box that I've just photographed, in which the microphone normally resides.
Even TASCAM delivers its fantastic amazing microphones in plane Jane cardboard boxes.
Shure tops the charts with ugly cardboard boxes for its magnífico microphones. The boxes in which I got my SM58s are so ugly I'm not even going to photograph them.
Credit goes to Behringer who delivers it's microphones like the XM8500 in a flightcase. The XM8500 microphone has good use cases here. It's also a fraction of the cost of the EM89D, and a sliver of the cost of the Legendary Shure SM58.
Never let the low/high price of a microphone fool you. Buy it, if it captures your sound Source nice, and you will find good to fantastic use cases for many microphones which are categorized as cheap.
Sets of fantastic microphones for example are AKG matched pair condenser mics. They are fantastic for me because I have great use cases for them; they're not fantastic because they have a substantial high price.
Thank you Behringer for packaging your microphones nicely and sturdy.
https://mastodon.bsd.cafe/@Dendrobatus_Azureus/115710655170993173
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #Behringer #microphone #magnífico #XLR #stable
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My superlativo EM89D Dynamic microphone 🎤 composed & elevated to monochromatic light
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #microphone #magnífico #XLR #stable
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My superlativo EM89D Dynamic microphone 🎤 composed & elevated to monochromatic light
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #microphone #magnífico #XLR #stable
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My superlativo EM89D Dynamic microphone 🎤 composed & elevated to monochromatic light
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #microphone #magnífico #XLR #stable
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My superlativo EM89D Dynamic microphone 🎤 composed & elevated to monochromatic light
#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #microphone #magnífico #XLR #stable