home.social

#computermusic — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #computermusic, aggregated by home.social.

  1. Big thank you to everyone who came out to my shows in Denmark these past few weeks. Big thank you to the organizers as well.
    It's so great to play concerts again, and it's been - despite my facial expressions in these photos suggesting otherwise - fun to debut my new computer music performance system MASS (Modular Algorithmic Sound System) with you all.

    #supercollider #experimentalmusic #computermusic

  2. our next Twitch event is coming up on the 6th of June, 6pm BST!! this line up is so amazing, it’s really not one to be missed xx

    #livestream #computermusic #algorave

  3. our next Twitch event is coming up on the 6th of June, 6pm BST!! this line up is so amazing, it’s really not one to be missed xx

    #livestream #computermusic #algorave

  4. our next Twitch event is coming up on the 6th of June, 6pm BST!! this line up is so amazing, it’s really not one to be missed xx

    #livestream #computermusic #algorave

  5. our next Twitch event is coming up on the 6th of June, 6pm BST!! this line up is so amazing, it’s really not one to be missed xx

    #livestream #computermusic #algorave

  6. our next Twitch event is coming up on the 6th of June, 6pm BST!! this line up is so amazing, it’s really not one to be missed xx

    #livestream #computermusic #algorave

  7. I’ve been playing and really enjoying this new release Resilience by Daniel M Karlsson ( @t36s) on @EVEL a lot over the last day or so.

    It's a swooping, swirling, swooning 91 minute continuous piece of utterly sublime computer music, full of sweeping drama and intense emotional resonance. Very highly recommended!

    @ExperimentalMusic

    #ExperimentalMusic #ComputerMusic #Synthesis #DeterministicMusic #DroneMusic #ElectronicMusic social.ordinal.garden/@t36s/11

  8. Iterative ßpace #6 w/ Eric Frye & Michael Flora

    ßpace, Sunday, May 24 at 06:30 PM GMT+2

    iterative ßpace #6
    So. 24.05.2026
    19:00–23:00 (18:30 doors)

    On Sunday, 24 May, for the 6th edition of Iterative ßpace, we are excited to welcome Eric Frye and Michael Flora.

    Michael Flora is an artist living and working in the Santa Cruz Mountains, California. His work explores the emergent phenomena that occurs through non-deterministic and autopoietic processes. Informed by architecture, systems, perceptual psychology, visual art, and computer music, his work encompasses sound, installation and performance.

    Eric Frye (Editions Mego, 29 Speedway, Futura Resistenza) is an American composer and artist. He is known for his solo performance and installation work - an exploration of the dissociative and psychoactive functions of sound and image. An utterly unique, surreal blend of song sketches and experimental electronics, Frye's music carries the haze of a half-remembered hallucination: palimpsestic, illusory, yet strangely familiar.

    The evening will be supported by Daniel Höpfner, Jia Liu, Michele Samarotto, and DJ Mar.

    Iterative ßpace is a concert series in Karlsruhe featuring experimental algorithmic and live computer music. It started in 2023 with a focus on live coding and aims to include diverse practices of electronic music and sound performance.

    
Eric Frye
    Michael Flora
    Daniel Höpfner
    Jia Liu
    Michele Samarotto
    DJ Mar

    keepkarlsruheboring.org/event/

  9. Discovering Electronic Music (1970)
    youtu.be/5AmatpZZV3E
    „This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“

    #electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation

  10. Discovering Electronic Music (1970)
    youtu.be/5AmatpZZV3E
    „This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“

    #electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation

  11. Discovering Electronic Music (1970)
    youtu.be/5AmatpZZV3E
    „This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“

    #electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation

  12. Discovering Electronic Music (1970)
    youtu.be/5AmatpZZV3E
    „This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“

    , , , , , , , , ,

  13. Discovering Electronic Music (1970)
    youtu.be/5AmatpZZV3E
    „This documentary explores the evolution of music in the technological age, focusing on how electronic synthesizers and computers have revolutionized sound creation …“

    #electronicmusic, #synthesizers, #oscillators, #computermusic, #waveforms, #soundengineering, #musictechnology, #composition, #filters, #notation

  14. #CFP

    8th International Csound Conference (ICSC 2026)

    📍 Trapani, Sicily, Italy
    📅 20–22 October 2026

    Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.

    Deadline: 30/06/2026

    csound.com/icsc2026/

    #CFP #Csound #ComputerMusic #SoundArt #MusicTech

  15. #CFP

    8th International Csound Conference (ICSC 2026)

    📍 Trapani, Sicily, Italy
    📅 20–22 October 2026

    Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.

    Deadline: 30/06/2026

    csound.com/icsc2026/

    #CFP #Csound #ComputerMusic #SoundArt #MusicTech

  16. #CFP

    8th International Csound Conference (ICSC 2026)

    📍 Trapani, Sicily, Italy
    📅 20–22 October 2026

    Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.

    Deadline: 30/06/2026

    csound.com/icsc2026/

    #CFP #Csound #ComputerMusic #SoundArt #MusicTech

  17. #CFP

    8th International Csound Conference (ICSC 2026)

    📍 Trapani, Sicily, Italy
    📅 20–22 October 2026

    Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.

    Deadline: 30/06/2026

    csound.com/icsc2026/

    #CFP #Csound #ComputerMusic #SoundArt #MusicTech

  18. #CFP

    8th International Csound Conference (ICSC 2026)

    📍 Trapani, Sicily, Italy
    📅 20–22 October 2026

    Conference on Csound research and practice, welcoming papers, music, and installation works. Focus on computer music, sound synthesis, and artistic experimentation.

    Deadline: 30/06/2026

    csound.com/icsc2026/

    #CFP #Csound #ComputerMusic #SoundArt #MusicTech

  19. Here's my new step sequencer for Pd with multiple pages with independent number of steps/tempo/etc and microtonal support. This object is from the MERDA abstractions,as part of my ELSE library for Pure Data. #anginedepoitrine #modularsynth #puredata #microtonalmusic #computermusic

  20. Here's my new step sequencer for Pd with multiple pages with independent number of steps/tempo/etc and microtonal support. This object is from the MERDA abstractions,as part of my ELSE library for Pure Data. #anginedepoitrine #modularsynth #puredata #microtonalmusic #computermusic

  21. My new performance system is pretty much ready for performance! Having so much fun playing it. I guess that means it and I'm ready ?

    #supercollider #experimentalmusic #bitwig #computermusic

  22. My new performance system is pretty much ready for performance! Having so much fun playing it. I guess that means it and I'm ready ?

    #supercollider #experimentalmusic #bitwig #computermusic

  23. My new performance system is pretty much ready for performance! Having so much fun playing it. I guess that means it and I'm ready ?

    #supercollider #experimentalmusic #bitwig #computermusic

  24. My new performance system is pretty much ready for performance! Having so much fun playing it. I guess that means it and I'm ready ?

    #supercollider #experimentalmusic #bitwig #computermusic

  25. My new performance system is pretty much ready for performance! Having so much fun playing it. I guess that means it and I'm ready ?

    #supercollider #experimentalmusic #bitwig #computermusic

  26. Working on crossfade syntax for section transitions in Sorbis (my open-source computer music scripting language). Which reads better to you?

    Option A — keyword:

    o: play A xfade 10ms B xfade 5% C xfade 10% A

    Option B — symbolic:

    o: play A >10%< B >5ms< C >10%< A

    (> = fade out, < = fade in, value = overlap amount)

    What feels more intuitive?

    #Rust #AudioProgramming #OpenSource #ComputerMusic

  27. Working on crossfade syntax for section transitions in Sorbis (my open-source computer music scripting language). Which reads better to you?

    Option A — keyword:

    o: play A xfade 10ms B xfade 5% C xfade 10% A

    Option B — symbolic:

    o: play A >10%< B >5ms< C >10%< A

    (> = fade out, < = fade in, value = overlap amount)

    What feels more intuitive?

    #Rust #AudioProgramming #OpenSource #ComputerMusic

  28. Working on crossfade syntax for section transitions in Sorbis (my open-source computer music scripting language). Which reads better to you?

    Option A — keyword:

    o: play A xfade 10ms B xfade 5% C xfade 10% A

    Option B — symbolic:

    o: play A >10%< B >5ms< C >10%< A

    (> = fade out, < = fade in, value = overlap amount)

    What feels more intuitive?

    #Rust #AudioProgramming #OpenSource #ComputerMusic

  29. Working on crossfade syntax for section transitions in Sorbis (my open-source computer music scripting language). Which reads better to you?

    Option A — keyword:

    o: play A xfade 10ms B xfade 5% C xfade 10% A

    Option B — symbolic:

    o: play A >10%< B >5ms< C >10%< A

    (> = fade out, < = fade in, value = overlap amount)

    What feels more intuitive?

    #Rust #AudioProgramming #OpenSource #ComputerMusic

  30. Working on crossfade syntax for section transitions in Sorbis (my open-source computer music scripting language). Which reads better to you?

    Option A — keyword:

    o: play A xfade 10ms B xfade 5% C xfade 10% A

    Option B — symbolic:

    o: play A >10%< B >5ms< C >10%< A

    (> = fade out, < = fade in, value = overlap amount)

    What feels more intuitive?

    #Rust #AudioProgramming #OpenSource #ComputerMusic

  31. While preparing teaching materials for my upcoming Hyperlinear workshop in Berlin, I accidentally started making bangers. The thing is, on day 2 of this workshop we'll look into the magic of euclidean rhythm algorithms. Why don't you swing past the workshop and I'll teach you how to do all this ? Plus I've prepared loads of nice theory to help you understand the inner workings of all this from a more theoretical perspective.

    #supercollider #algorave #livecoding #experimentalmusic #computermusic

  32. While preparing teaching materials for my upcoming Hyperlinear workshop in Berlin, I accidentally started making bangers. The thing is, on day 2 of this workshop we'll look into the magic of euclidean rhythm algorithms. Why don't you swing past the workshop and I'll teach you how to do all this ? Plus I've prepared loads of nice theory to help you understand the inner workings of all this from a more theoretical perspective.

    #supercollider #algorave #livecoding #experimentalmusic #computermusic