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#hatchet — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #hatchet, aggregated by home.social.

  1. Anubis – Anthromorphicide Review By Grin Reaper

    Straddling the line between power metal and thrash, Anubis returns two years removed from their debut to unveil full-length follow-up Anthromorphicide. According to the promo materials,1 this translates to ‘the death of the human form,’ with Anubis mastermind Devin Reiche (Hatchet) clarifying that Anthromorphicide captures a band in flux as they ‘evolve in real time.’ Anubis formed back in 2018, and between then and now, they’ve released six EPs as well as 2024 LP Dark Paradise. The band maintains a steady course with Anthromorphicide, yet power thrash is niche enough that newer bands struggle to escape comparisons to its cornerstones (namely, Iced Earth). Given Anubis’ claim of continuously maturing their sound, how far do they extend past the limits imposed by themselves and the genre?

    Anthromorphicide brims with influences and inspirations, yet Anubis transcends mere mimicry. Instead, they call upon dozens of bands to inform a love letter to the fusion of power and thrash. Most immediately, Anubis’ theatrics remind me of Helloween, with Reiche’s vocals sidling comfortably between Kiske and Mystic Prophecy’s R.D. Liapakis. Musically, Anthromorphicide traverses a varied landscape, covering the likes of Kreator’s rabid power thrash attack (“Anthromorphicide,” “Reptile Eyes”), Persuader’s sprightly riffing (“Nuclear Dawn”), and DragonForce’s knack for hooky choruses and histrionics (“Celestial,” “Battalion”). And going back to Iced Earth, “Ancient at Birth” could slot nicely into one of the Something Wicked installments. Even with all these reference points, though, Anubis manages to craft an engaging affair that injects the familiar into an original and diverse collection of songs.

    Considering the lineup turbulence Anubis has weathered, Anthromorphicide evinces a natural progression. Each of their releases combines power metal’s anthemic songwriting with thrash’s chugs and aggressive riffing, and while Anthromorphicide is no different, it feels more vibrant and deliberate. Fun abounds when songs strong-arm listeners into singing along, such as the “Moonchild”like opening to “Ancient at Birth” or the candy-coated, synth-driven bop “My Favorite Cage,” elevated by Zhariah’s guest vocals. Anthromorphicide isn’t chintzy, singalong cheese, though, and Anubis adds plenty of heart and grit into the formula. “Celestial” conjures Follow the Blind-era Blind Guardian with kinetic drumming and furious riffing, while longtime bassist Will Buckley buffets with his buttery bottom-end. “The Arcanist” in particular highlights Buckley’s fluid grooves, recalling D.D. Verni’s (Overkill) in-your-face aesthetic. Through it all, Ulises Hernandez (Judicator) flits and wails in tandem with returning guitarist Justin Escamilla, ensuring a dual-axe flurry that rarely misses.

    Anubis shimmers during Anthromorphicide’s best moments, yet small snags hold it back. The first and final thirds of the album bristle with energy and deft execution, but the middle third sags compared to the bookends. The opening triad purrs with engrossing riffs and memorable melodies, but “The Fire Inside” slows proceedings with a seven-minute ballad that stalls Anthromorphicide’s momentum. Slow, contemplative numbers have their place, but just because it’s slow doesn’t mean it should be long. Paces accelerate from there, but it’s not until “My Favorite Cage” that I’m properly back in the groove. And that’s not to suggest that the intervening songs aren’t good, mind—just that they lack the show-stopping moments needed to reignite the flames left smoldering after “The Arcanist.” On the production front, Anthromorphicide sounds a bit thin and glossy. The bass drum and toms, contributed by David Velez, work well, but the cymbals get buried in the mix while the snare sounds flat and lifeless. Anubis commits no glaring sins, but the sum total of the minor gripes inhibits the album’s staying power.

    A single listen through Anthromorphicide exposes Anubis’ sturdy songwriting and technical chops, and my appreciation grows with each spin. Anthromorphicide presents a crisp forty-two minutes of power thrash drama that’s easy to get lost within, and despite its flaws, rewards return visits. Although Anubis weaves scads of references together, each track possesses a core identity, and while some are more memorable than others, it gives Anubis a secure foundation to build upon. If they can preserve what works, with a few small tweaks, Anubis could tip the scales and unload an undeniable power thrash triumph with their next outing.

    Rating: Good
    DR: 6 | Format Reviewed: 192 kbps mp3
    Label: M-Theory Audio
    Website: Bandcamp
    Releases Worldwide: April 24th, 2026

    #2026 #30 #AmericanMetal #Anthromorphicide #Anubis #Apr26 #BlindGuardian #DragonForce #Hatchet #Helloween #IcedEarth #Judicator #Kreator #MTheoryAudio #MysticProphecy #Overkill #PowerMetal #PowerThrash #Review #Reviews #ThrashMetal #TowerGuard #Zhariah
  2. Anubis – Anthromorphicide Review By Grin Reaper

    Straddling the line between power metal and thrash, Anubis returns two years removed from their debut to unveil full-length follow-up Anthromorphicide. According to the promo materials,1 this translates to ‘the death of the human form,’ with Anubis mastermind Devin Reiche (Hatchet) clarifying that Anthromorphicide captures a band in flux as they ‘evolve in real time.’ Anubis formed back in 2018, and between then and now, they’ve released six EPs as well as 2024 LP Dark Paradise. The band maintains a steady course with Anthromorphicide, yet power thrash is niche enough that newer bands struggle to escape comparisons to its cornerstones (namely, Iced Earth). Given Anubis’ claim of continuously maturing their sound, how far do they extend past the limits imposed by themselves and the genre?

    Anthromorphicide brims with influences and inspirations, yet Anubis transcends mere mimicry. Instead, they call upon dozens of bands to inform a love letter to the fusion of power and thrash. Most immediately, Anubis’ theatrics remind me of Helloween, with Reiche’s vocals sidling comfortably between Kiske and Mystic Prophecy’s R.D. Liapakis. Musically, Anthromorphicide traverses a varied landscape, covering the likes of Kreator’s rabid power thrash attack (“Anthromorphicide,” “Reptile Eyes”), Persuader’s sprightly riffing (“Nuclear Dawn”), and DragonForce’s knack for hooky choruses and histrionics (“Celestial,” “Battalion”). And going back to Iced Earth, “Ancient at Birth” could slot nicely into one of the Something Wicked installments. Even with all these reference points, though, Anubis manages to craft an engaging affair that injects the familiar into an original and diverse collection of songs.

    Considering the lineup turbulence Anubis has weathered, Anthromorphicide evinces a natural progression. Each of their releases combines power metal’s anthemic songwriting with thrash’s chugs and aggressive riffing, and while Anthromorphicide is no different, it feels more vibrant and deliberate. Fun abounds when songs strong-arm listeners into singing along, such as the “Moonchild”like opening to “Ancient at Birth” or the candy-coated, synth-driven bop “My Favorite Cage,” elevated by Zhariah’s guest vocals. Anthromorphicide isn’t chintzy, singalong cheese, though, and Anubis adds plenty of heart and grit into the formula. “Celestial” conjures Follow the Blind-era Blind Guardian with kinetic drumming and furious riffing, while longtime bassist Will Buckley buffets with his buttery bottom-end. “The Arcanist” in particular highlights Buckley’s fluid grooves, recalling D.D. Verni’s (Overkill) in-your-face aesthetic. Through it all, Ulises Hernandez (Judicator) flits and wails in tandem with returning guitarist Justin Escamilla, ensuring a dual-axe flurry that rarely misses.

    Anubis shimmers during Anthromorphicide’s best moments, yet small snags hold it back. The first and final thirds of the album bristle with energy and deft execution, but the middle third sags compared to the bookends. The opening triad purrs with engrossing riffs and memorable melodies, but “The Fire Inside” slows proceedings with a seven-minute ballad that stalls Anthromorphicide’s momentum. Slow, contemplative numbers have their place, but just because it’s slow doesn’t mean it should be long. Paces accelerate from there, but it’s not until “My Favorite Cage” that I’m properly back in the groove. And that’s not to suggest that the intervening songs aren’t good, mind—just that they lack the show-stopping moments needed to reignite the flames left smoldering after “The Arcanist.” On the production front, Anthromorphicide sounds a bit thin and glossy. The bass drum and toms, contributed by David Velez, work well, but the cymbals get buried in the mix while the snare sounds flat and lifeless. Anubis commits no glaring sins, but the sum total of the minor gripes inhibits the album’s staying power.

    A single listen through Anthromorphicide exposes Anubis’ sturdy songwriting and technical chops, and my appreciation grows with each spin. Anthromorphicide presents a crisp forty-two minutes of power thrash drama that’s easy to get lost within, and despite its flaws, rewards return visits. Although Anubis weaves scads of references together, each track possesses a core identity, and while some are more memorable than others, it gives Anubis a secure foundation to build upon. If they can preserve what works, with a few small tweaks, Anubis could tip the scales and unload an undeniable power thrash triumph with their next outing.

    Rating: Good
    DR: 6 | Format Reviewed: 192 kbps mp3
    Label: M-Theory Audio
    Website: Bandcamp
    Releases Worldwide: April 24th, 2026

    #2026 #30 #AmericanMetal #Anthromorphicide #Anubis #Apr26 #BlindGuardian #DragonForce #Hatchet #Helloween #IcedEarth #Judicator #Kreator #MTheoryAudio #MysticProphecy #Overkill #PowerMetal #PowerThrash #Review #Reviews #ThrashMetal #TowerGuard #Zhariah
  3. Anubis – Anthromorphicide Review By Grin Reaper

    Straddling the line between power metal and thrash, Anubis returns two years removed from their debut to unveil full-length follow-up Anthromorphicide. According to the promo materials,1 this translates to ‘the death of the human form,’ with Anubis mastermind Devin Reiche (Hatchet) clarifying that Anthromorphicide captures a band in flux as they ‘evolve in real time.’ Anubis formed back in 2018, and between then and now, they’ve released six EPs as well as 2024 LP Dark Paradise. The band maintains a steady course with Anthromorphicide, yet power thrash is niche enough that newer bands struggle to escape comparisons to its cornerstones (namely, Iced Earth). Given Anubis’ claim of continuously maturing their sound, how far do they extend past the limits imposed by themselves and the genre?

    Anthromorphicide brims with influences and inspirations, yet Anubis transcends mere mimicry. Instead, they call upon dozens of bands to inform a love letter to the fusion of power and thrash. Most immediately, Anubis’ theatrics remind me of Helloween, with Reiche’s vocals sidling comfortably between Kiske and Mystic Prophecy’s R.D. Liapakis. Musically, Anthromorphicide traverses a varied landscape, covering the likes of Kreator’s rabid power thrash attack (“Anthromorphicide,” “Reptile Eyes”), Persuader’s sprightly riffing (“Nuclear Dawn”), and DragonForce’s knack for hooky choruses and histrionics (“Celestial,” “Battalion”). And going back to Iced Earth, “Ancient at Birth” could slot nicely into one of the Something Wicked installments. Even with all these reference points, though, Anubis manages to craft an engaging affair that injects the familiar into an original and diverse collection of songs.

    Considering the lineup turbulence Anubis has weathered, Anthromorphicide evinces a natural progression. Each of their releases combines power metal’s anthemic songwriting with thrash’s chugs and aggressive riffing, and while Anthromorphicide is no different, it feels more vibrant and deliberate. Fun abounds when songs strong-arm listeners into singing along, such as the “Moonchild”like opening to “Ancient at Birth” or the candy-coated, synth-driven bop “My Favorite Cage,” elevated by Zhariah’s guest vocals. Anthromorphicide isn’t chintzy, singalong cheese, though, and Anubis adds plenty of heart and grit into the formula. “Celestial” conjures Follow the Blind-era Blind Guardian with kinetic drumming and furious riffing, while longtime bassist Will Buckley buffets with his buttery bottom-end. “The Arcanist” in particular highlights Buckley’s fluid grooves, recalling D.D. Verni’s (Overkill) in-your-face aesthetic. Through it all, Ulises Hernandez (Judicator) flits and wails in tandem with returning guitarist Justin Escamilla, ensuring a dual-axe flurry that rarely misses.

    Anubis shimmers during Anthromorphicide’s best moments, yet small snags hold it back. The first and final thirds of the album bristle with energy and deft execution, but the middle third sags compared to the bookends. The opening triad purrs with engrossing riffs and memorable melodies, but “The Fire Inside” slows proceedings with a seven-minute ballad that stalls Anthromorphicide’s momentum. Slow, contemplative numbers have their place, but just because it’s slow doesn’t mean it should be long. Paces accelerate from there, but it’s not until “My Favorite Cage” that I’m properly back in the groove. And that’s not to suggest that the intervening songs aren’t good, mind—just that they lack the show-stopping moments needed to reignite the flames left smoldering after “The Arcanist.” On the production front, Anthromorphicide sounds a bit thin and glossy. The bass drum and toms, contributed by David Velez, work well, but the cymbals get buried in the mix while the snare sounds flat and lifeless. Anubis commits no glaring sins, but the sum total of the minor gripes inhibits the album’s staying power.

    A single listen through Anthromorphicide exposes Anubis’ sturdy songwriting and technical chops, and my appreciation grows with each spin. Anthromorphicide presents a crisp forty-two minutes of power thrash drama that’s easy to get lost within, and despite its flaws, rewards return visits. Although Anubis weaves scads of references together, each track possesses a core identity, and while some are more memorable than others, it gives Anubis a secure foundation to build upon. If they can preserve what works, with a few small tweaks, Anubis could tip the scales and unload an undeniable power thrash triumph with their next outing.

    Rating: Good
    DR: 6 | Format Reviewed: 192 kbps mp3
    Label: M-Theory Audio
    Website: Bandcamp
    Releases Worldwide: April 24th, 2026

    #2026 #30 #AmericanMetal #Anthromorphicide #Anubis #Apr26 #BlindGuardian #DragonForce #Hatchet #Helloween #IcedEarth #Judicator #Kreator #MTheoryAudio #MysticProphecy #Overkill #PowerMetal #PowerThrash #Review #Reviews #ThrashMetal #TowerGuard #Zhariah
  4. Anubis – Anthromorphicide Review By Grin Reaper

    Straddling the line between power metal and thrash, Anubis returns two years removed from their debut to unveil full-length follow-up Anthromorphicide. According to the promo materials,1 this translates to ‘the death of the human form,’ with Anubis mastermind Devin Reiche (Hatchet) clarifying that Anthromorphicide captures a band in flux as they ‘evolve in real time.’ Anubis formed back in 2018, and between then and now, they’ve released six EPs as well as 2024 LP Dark Paradise. The band maintains a steady course with Anthromorphicide, yet power thrash is niche enough that newer bands struggle to escape comparisons to its cornerstones (namely, Iced Earth). Given Anubis’ claim of continuously maturing their sound, how far do they extend past the limits imposed by themselves and the genre?

    Anthromorphicide brims with influences and inspirations, yet Anubis transcends mere mimicry. Instead, they call upon dozens of bands to inform a love letter to the fusion of power and thrash. Most immediately, Anubis’ theatrics remind me of Helloween, with Reiche’s vocals sidling comfortably between Kiske and Mystic Prophecy’s R.D. Liapakis. Musically, Anthromorphicide traverses a varied landscape, covering the likes of Kreator’s rabid power thrash attack (“Anthromorphicide,” “Reptile Eyes”), Persuader’s sprightly riffing (“Nuclear Dawn”), and DragonForce’s knack for hooky choruses and histrionics (“Celestial,” “Battalion”). And going back to Iced Earth, “Ancient at Birth” could slot nicely into one of the Something Wicked installments. Even with all these reference points, though, Anubis manages to craft an engaging affair that injects the familiar into an original and diverse collection of songs.

    Considering the lineup turbulence Anubis has weathered, Anthromorphicide evinces a natural progression. Each of their releases combines power metal’s anthemic songwriting with thrash’s chugs and aggressive riffing, and while Anthromorphicide is no different, it feels more vibrant and deliberate. Fun abounds when songs strong-arm listeners into singing along, such as the “Moonchild”like opening to “Ancient at Birth” or the candy-coated, synth-driven bop “My Favorite Cage,” elevated by Zhariah’s guest vocals. Anthromorphicide isn’t chintzy, singalong cheese, though, and Anubis adds plenty of heart and grit into the formula. “Celestial” conjures Follow the Blind-era Blind Guardian with kinetic drumming and furious riffing, while longtime bassist Will Buckley buffets with his buttery bottom-end. “The Arcanist” in particular highlights Buckley’s fluid grooves, recalling D.D. Verni’s (Overkill) in-your-face aesthetic. Through it all, Ulises Hernandez (Judicator) flits and wails in tandem with returning guitarist Justin Escamilla, ensuring a dual-axe flurry that rarely misses.

    Anubis shimmers during Anthromorphicide’s best moments, yet small snags hold it back. The first and final thirds of the album bristle with energy and deft execution, but the middle third sags compared to the bookends. The opening triad purrs with engrossing riffs and memorable melodies, but “The Fire Inside” slows proceedings with a seven-minute ballad that stalls Anthromorphicide’s momentum. Slow, contemplative numbers have their place, but just because it’s slow doesn’t mean it should be long. Paces accelerate from there, but it’s not until “My Favorite Cage” that I’m properly back in the groove. And that’s not to suggest that the intervening songs aren’t good, mind—just that they lack the show-stopping moments needed to reignite the flames left smoldering after “The Arcanist.” On the production front, Anthromorphicide sounds a bit thin and glossy. The bass drum and toms, contributed by David Velez, work well, but the cymbals get buried in the mix while the snare sounds flat and lifeless. Anubis commits no glaring sins, but the sum total of the minor gripes inhibits the album’s staying power.

    A single listen through Anthromorphicide exposes Anubis’ sturdy songwriting and technical chops, and my appreciation grows with each spin. Anthromorphicide presents a crisp forty-two minutes of power thrash drama that’s easy to get lost within, and despite its flaws, rewards return visits. Although Anubis weaves scads of references together, each track possesses a core identity, and while some are more memorable than others, it gives Anubis a secure foundation to build upon. If they can preserve what works, with a few small tweaks, Anubis could tip the scales and unload an undeniable power thrash triumph with their next outing.

    Rating: Good
    DR: 6 | Format Reviewed: 192 kbps mp3
    Label: M-Theory Audio
    Website: Bandcamp
    Releases Worldwide: April 24th, 2026

    #2026 #30 #AmericanMetal #Anthromorphicide #Anubis #Apr26 #BlindGuardian #DragonForce #Hatchet #Helloween #IcedEarth #Judicator #Kreator #MTheoryAudio #MysticProphecy #Overkill #PowerMetal #PowerThrash #Review #Reviews #ThrashMetal #TowerGuard #Zhariah
  5. Anubis – Anthromorphicide Review By Grin Reaper

    Straddling the line between power metal and thrash, Anubis returns two years removed from their debut to unveil full-length follow-up Anthromorphicide. According to the promo materials,1 this translates to ‘the death of the human form,’ with Anubis mastermind Devin Reiche (Hatchet) clarifying that Anthromorphicide captures a band in flux as they ‘evolve in real time.’ Anubis formed back in 2018, and between then and now, they’ve released six EPs as well as 2024 LP Dark Paradise. The band maintains a steady course with Anthromorphicide, yet power thrash is niche enough that newer bands struggle to escape comparisons to its cornerstones (namely, Iced Earth). Given Anubis’ claim of continuously maturing their sound, how far do they extend past the limits imposed by themselves and the genre?

    Anthromorphicide brims with influences and inspirations, yet Anubis transcends mere mimicry. Instead, they call upon dozens of bands to inform a love letter to the fusion of power and thrash. Most immediately, Anubis’ theatrics remind me of Helloween, with Reiche’s vocals sidling comfortably between Kiske and Mystic Prophecy’s R.D. Liapakis. Musically, Anthromorphicide traverses a varied landscape, covering the likes of Kreator’s rabid power thrash attack (“Anthromorphicide,” “Reptile Eyes”), Persuader’s sprightly riffing (“Nuclear Dawn”), and DragonForce’s knack for hooky choruses and histrionics (“Celestial,” “Battalion”). And going back to Iced Earth, “Ancient at Birth” could slot nicely into one of the Something Wicked installments. Even with all these reference points, though, Anubis manages to craft an engaging affair that injects the familiar into an original and diverse collection of songs.

    Considering the lineup turbulence Anubis has weathered, Anthromorphicide evinces a natural progression. Each of their releases combines power metal’s anthemic songwriting with thrash’s chugs and aggressive riffing, and while Anthromorphicide is no different, it feels more vibrant and deliberate. Fun abounds when songs strong-arm listeners into singing along, such as the “Moonchild”like opening to “Ancient at Birth” or the candy-coated, synth-driven bop “My Favorite Cage,” elevated by Zhariah’s guest vocals. Anthromorphicide isn’t chintzy, singalong cheese, though, and Anubis adds plenty of heart and grit into the formula. “Celestial” conjures Follow the Blind-era Blind Guardian with kinetic drumming and furious riffing, while longtime bassist Will Buckley buffets with his buttery bottom-end. “The Arcanist” in particular highlights Buckley’s fluid grooves, recalling D.D. Verni’s (Overkill) in-your-face aesthetic. Through it all, Ulises Hernandez (Judicator) flits and wails in tandem with returning guitarist Justin Escamilla, ensuring a dual-axe flurry that rarely misses.

    Anubis shimmers during Anthromorphicide’s best moments, yet small snags hold it back. The first and final thirds of the album bristle with energy and deft execution, but the middle third sags compared to the bookends. The opening triad purrs with engrossing riffs and memorable melodies, but “The Fire Inside” slows proceedings with a seven-minute ballad that stalls Anthromorphicide’s momentum. Slow, contemplative numbers have their place, but just because it’s slow doesn’t mean it should be long. Paces accelerate from there, but it’s not until “My Favorite Cage” that I’m properly back in the groove. And that’s not to suggest that the intervening songs aren’t good, mind—just that they lack the show-stopping moments needed to reignite the flames left smoldering after “The Arcanist.” On the production front, Anthromorphicide sounds a bit thin and glossy. The bass drum and toms, contributed by David Velez, work well, but the cymbals get buried in the mix while the snare sounds flat and lifeless. Anubis commits no glaring sins, but the sum total of the minor gripes inhibits the album’s staying power.

    A single listen through Anthromorphicide exposes Anubis’ sturdy songwriting and technical chops, and my appreciation grows with each spin. Anthromorphicide presents a crisp forty-two minutes of power thrash drama that’s easy to get lost within, and despite its flaws, rewards return visits. Although Anubis weaves scads of references together, each track possesses a core identity, and while some are more memorable than others, it gives Anubis a secure foundation to build upon. If they can preserve what works, with a few small tweaks, Anubis could tip the scales and unload an undeniable power thrash triumph with their next outing.

    Rating: Good
    DR: 6 | Format Reviewed: 192 kbps mp3
    Label: M-Theory Audio
    Website: Bandcamp
    Releases Worldwide: April 24th, 2026

    #2026 #30 #AmericanMetal #Anthromorphicide #Anubis #Apr26 #BlindGuardian #DragonForce #Hatchet #Helloween #IcedEarth #Judicator #Kreator #MTheoryAudio #MysticProphecy #Overkill #PowerMetal #PowerThrash #Review #Reviews #ThrashMetal #TowerGuard #Zhariah
  6. 🚀🎩 Brace yourselves, folks: "Supertoast" tables are here to save the day with their magical ability to prevent #Postgres explosions. Just when you thought databases couldn't get any toastier, enter Hatchet's CLI—because who wouldn't want another tool to overcomplicate their local development? 🍞💥
    hatchet.run/blog/supertoast-ta #Supertoast #Hatchet #CLI #DatabaseDevelopment #TechInnovation #HackerNews #ngated

  7. 🚀🎩 Brace yourselves, folks: "Supertoast" tables are here to save the day with their magical ability to prevent #Postgres explosions. Just when you thought databases couldn't get any toastier, enter Hatchet's CLI—because who wouldn't want another tool to overcomplicate their local development? 🍞💥
    hatchet.run/blog/supertoast-ta #Supertoast #Hatchet #CLI #DatabaseDevelopment #TechInnovation #HackerNews #ngated

  8. 🚀🎩 Brace yourselves, folks: "Supertoast" tables are here to save the day with their magical ability to prevent #Postgres explosions. Just when you thought databases couldn't get any toastier, enter Hatchet's CLI—because who wouldn't want another tool to overcomplicate their local development? 🍞💥
    hatchet.run/blog/supertoast-ta #Supertoast #Hatchet #CLI #DatabaseDevelopment #TechInnovation #HackerNews #ngated

  9. 🚀🎩 Brace yourselves, folks: "Supertoast" tables are here to save the day with their magical ability to prevent #Postgres explosions. Just when you thought databases couldn't get any toastier, enter Hatchet's CLI—because who wouldn't want another tool to overcomplicate their local development? 🍞💥
    hatchet.run/blog/supertoast-ta #Supertoast #Hatchet #CLI #DatabaseDevelopment #TechInnovation #HackerNews #ngated

  10. A Jan. 6 #rioter and member of the militia group known as the #Three #Percenters who brought a #hatchet with him to the U.S. Capitol will
    not be released from #prison pending appeal following the Supreme Court‘s ruling that narrowed an obstruction charge used against him and many others.

    The Supreme Court’s ruling in Fischer v. United States has prompted a rush of activity from federal prosecutors including dropped charges and plea deals, as Law&Crime reported Thursday.

    #Alan #Hostetter, once a police chief in La Habra, California, saw his request for release denied in a 5-page order entered Thursday by Senior U.S. District Judge Royce Lamberth, an appointee of former President Ronald Reagan.

    lawandcrime.com/high-profile/j

  11. 20 books that have had an impact on who you are. One book a day for 20 days. No explanations, no reviews, just book covers (don’t forget the alt text).

    Day 2/20

    #20books #20books20days #bookstodon #Hatchet #GaryPaulsen

  12. 20 books that have had an impact on who you are. One book a day for 20 days. No explanations, no reviews, just book covers (don’t forget the alt text).

    Day 2/20

    #20books #20books20days #bookstodon #Hatchet #GaryPaulsen

  13. 20 books that have had an impact on who you are. One book a day for 20 days. No explanations, no reviews, just book covers (don’t forget the alt text).

    Day 2/20

    #20books #20books20days #bookstodon #Hatchet #GaryPaulsen

  14. 20 books that have had an impact on who you are. One book a day for 20 days. No explanations, no reviews, just book covers (don’t forget the alt text).

    Day 2/20

    #20books #20books20days #bookstodon #Hatchet #GaryPaulsen

  15. 20 books that have had an impact on who you are. One book a day for 20 days. No explanations, no reviews, just book covers (don’t forget the alt text).

    Day 2/20

    #20books #20books20days #bookstodon #Hatchet #GaryPaulsen

  16. Remember the famous case where a suffragette in Dublin "threw a hatchet at the prime minister and wounded John Redmond"? Well, you know those little yokes used for breaking toffee? That was what she threw! #Suffragette #MaryLeigh #Hatchet #ToffeeHatchet

  17. Because some of you liked my last posts with my work in progress (naturally I haven't finished these, but started to work on an octopus jewellery dish 🙄 because you can't have enough UFO's in your life 😅) I show you my Kirschvogel. Kirsche means Cherry in German, Vogel = Bird. I had something swallow- or sparrowlike in my mind while I worked on it, but my dear family calls it "Die Ente!" (this duck!) 🤪, because the beak looks very wide when you look from above at the thingie. But I designed it to look at it from the side. I made it for myself and it now sits on a raised place on my desktop, so that I look directly at it and can just be happy about my small bird.

    I saw something like this (bigger, shinier, better) on Pinterest last year and tried to make it in a smaller scale. It's a Holder for pens - or respectively my fountain pen of choice. The pen of your choice should resemble the tail feather. As you can see, a lip stick has also a perfect place here.
    As funny as this is: The cherry wood I used is selled as neatly in smooth rectangles sowed smoker wood for BBQs. Nice for litte projects and much cheaper than wood which is explicitly sold for whittling. But it's seasoned and really hard wood - which gave me some problems in the beginning - until I switched to soak it before working on it.

    #whittling #schnitzen #holz #carving #CherryWood #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet #bird #pen #fountainPen #Füller #Tintenfüller #ink #MastoArt

  18. Because some of you liked my last posts with my work in progress (naturally I haven't finished these, but started to work on an octopus jewellery dish 🙄 because you can't have enough UFO's in your life 😅) I show you my Kirschvogel. Kirsche means Cherry in German, Vogel = Bird. I had something swallow- or sparrowlike in my mind while I worked on it, but my dear family calls it "Die Ente!" (this duck!) 🤪, because the beak looks very wide when you look from above at the thingie. But I designed it to look at it from the side. I made it for myself and it now sits on a raised place on my desktop, so that I look directly at it and can just be happy about my small bird.

    I saw something like this (bigger, shinier, better) on Pinterest last year and tried to make it in a smaller scale. It's a Holder for pens - or respectively my fountain pen of choice. The pen of your choice should resemble the tail feather. As you can see, a lip stick has also a perfect place here.
    As funny as this is: The cherry wood I used is selled as neatly in smooth rectangles sowed smoker wood for BBQs. Nice for litte projects and much cheaper than wood which is explicitly sold for whittling. But it's seasoned and really hard wood - which gave me some problems in the beginning - until I switched to soak it before working on it.

    #whittling #schnitzen #holz #carving #CherryWood #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet #bird #pen #fountainPen #Füller #Tintenfüller #ink #MastoArt

  19. Because some of you liked my last posts with my work in progress (naturally I haven't finished these, but started to work on an octopus jewellery dish 🙄 because you can't have enough UFO's in your life 😅) I show you my Kirschvogel. Kirsche means Cherry in German, Vogel = Bird. I had something swallow- or sparrowlike in my mind while I worked on it, but my dear family calls it "Die Ente!" (this duck!) 🤪, because the beak looks very wide when you look from above at the thingie. But I designed it to look at it from the side. I made it for myself and it now sits on a raised place on my desktop, so that I look directly at it and can just be happy about my small bird.

    I saw something like this (bigger, shinier, better) on Pinterest last year and tried to make it in a smaller scale. It's a Holder for pens - or respectively my fountain pen of choice. The pen of your choice should resemble the tail feather. As you can see, a lip stick has also a perfect place here.
    As funny as this is: The cherry wood I used is selled as neatly in smooth rectangles sowed smoker wood for BBQs. Nice for litte projects and much cheaper than wood which is explicitly sold for whittling. But it's seasoned and really hard wood - which gave me some problems in the beginning - until I switched to soak it before working on it.

    #whittling #schnitzen #holz #carving #CherryWood #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet #bird #pen #fountainPen #Füller #Tintenfüller #ink #MastoArt

  20. Because some of you liked my last posts with my work in progress (naturally I haven't finished these, but started to work on an octopus jewellery dish 🙄 because you can't have enough UFO's in your life 😅) I show you my Kirschvogel. Kirsche means Cherry in German, Vogel = Bird. I had something swallow- or sparrowlike in my mind while I worked on it, but my dear family calls it "Die Ente!" (this duck!) 🤪, because the beak looks very wide when you look from above at the thingie. But I designed it to look at it from the side. I made it for myself and it now sits on a raised place on my desktop, so that I look directly at it and can just be happy about my small bird.

    I saw something like this (bigger, shinier, better) on Pinterest last year and tried to make it in a smaller scale. It's a Holder for pens - or respectively my fountain pen of choice. The pen of your choice should resemble the tail feather. As you can see, a lip stick has also a perfect place here.
    As funny as this is: The cherry wood I used is selled as neatly in smooth rectangles sowed smoker wood for BBQs. Nice for litte projects and much cheaper than wood which is explicitly sold for whittling. But it's seasoned and really hard wood - which gave me some problems in the beginning - until I switched to soak it before working on it.

    #whittling #schnitzen #holz #carving #CherryWood #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet #bird #pen #fountainPen #Füller #Tintenfüller #ink #MastoArt

  21. Because some of you liked my last posts with my work in progress (naturally I haven't finished these, but started to work on an octopus jewellery dish 🙄 because you can't have enough UFO's in your life 😅) I show you my Kirschvogel. Kirsche means Cherry in German, Vogel = Bird. I had something swallow- or sparrowlike in my mind while I worked on it, but my dear family calls it "Die Ente!" (this duck!) 🤪, because the beak looks very wide when you look from above at the thingie. But I designed it to look at it from the side. I made it for myself and it now sits on a raised place on my desktop, so that I look directly at it and can just be happy about my small bird.

    I saw something like this (bigger, shinier, better) on Pinterest last year and tried to make it in a smaller scale. It's a Holder for pens - or respectively my fountain pen of choice. The pen of your choice should resemble the tail feather. As you can see, a lip stick has also a perfect place here.
    As funny as this is: The cherry wood I used is selled as neatly in smooth rectangles sowed smoker wood for BBQs. Nice for litte projects and much cheaper than wood which is explicitly sold for whittling. But it's seasoned and really hard wood - which gave me some problems in the beginning - until I switched to soak it before working on it.

    #whittling #schnitzen #holz #carving #CherryWood #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet #bird #pen #fountainPen #Füller #Tintenfüller #ink #MastoArt

  22. Had a lovely afternoon with nice visitor and could do something while we talked. Here are some pics in progress: I played a little bit with fire 🔥 to smooth out the surface of this small jewellery dish I'm making. I always have problems with the surface after using my gouges. Working with sandpaper for too long hurts too much in my wrists. So I had the idea to use fire - it worked out great. Will do some sanding and then give it a polish with my homemade wood butter.
    The other picture is showing a little spoon blanket I made today - out of a bit of cherry wood. It's relatively hard wood, before working on it, I always need to soak it for a few minutes in water. Maybe that's really bad for wood? I haven't seen other persons doing this (but maybe they mostly use green wood for whittling?). I tried it at other small objects and the wood didn't splinter or went grey. The outcome was really nice and I could work out a very thin rim. You can see this in the little kitchen chute I made, have a look in this recipe article for a cookie spice (scroll down to have a better look at it):
    magischer-kessel.de/2022/11/ke

    Also in the picture is the axe/hatchett I got for christmas. Used it for the first time. I like her weight, but the handle is a little bit to thick for my hands. As you can see, she is two faced and has an adze (Runddechsel) for bowls or (bigger than my actual one) spoons. Still searching for a name for her.

    #whittling #schnitzen #holz #carving #spoonCarving #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet

  23. Had a lovely afternoon with nice visitor and could do something while we talked. Here are some pics in progress: I played a little bit with fire 🔥 to smooth out the surface of this small jewellery dish I'm making. I always have problems with the surface after using my gouges. Working with sandpaper for too long hurts too much in my wrists. So I had the idea to use fire - it worked out great. Will do some sanding and then give it a polish with my homemade wood butter.
    The other picture is showing a little spoon blanket I made today - out of a bit of cherry wood. It's relatively hard wood, before working on it, I always need to soak it for a few minutes in water. Maybe that's really bad for wood? I haven't seen other persons doing this (but maybe they mostly use green wood for whittling?). I tried it at other small objects and the wood didn't splinter or went grey. The outcome was really nice and I could work out a very thin rim. You can see this in the little kitchen chute I made, have a look in this recipe article for a cookie spice (scroll down to have a better look at it):
    magischer-kessel.de/2022/11/ke

    Also in the picture is the axe/hatchett I got for christmas. Used it for the first time. I like her weight, but the handle is a little bit to thick for my hands. As you can see, she is two faced and has an adze (Runddechsel) for bowls or (bigger than my actual one) spoons. Still searching for a name for her.

    #whittling #schnitzen #holz #carving #spoonCarving #woodCarving #wood #woodworking #Holzbearbeitung #axe #hatchet

  24. still looking for #Hatchet Job report .... a company has "Anal" in its name... I think it is because their reports must come from that Orifice what is the latin for #Shite