#fm-synthesis — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #fm-synthesis, aggregated by home.social.
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"Time" – BeRoTracker test draft track (with Pattern Matrix, Channel Patterns, OPL3 FM Synthesis)
https://www.youtube.com/watch?v=udeYsME6cYI
"Time" is a work-in-progress test track, written to put the newest BeRoTracker features through their paces. It is a draft: the song is not finished, the features are fresh, and details may still change.
What you are seeing:
▸ Pattern Matrix
An overview of the whole song: every pattern against every channel, one cell each. At a glance it shows which channel of which pattern holds its own notes and which one reads from a shared channel pattern, and whether that channel pattern comes round again inside the pattern.▸ Channel Patterns
A channel's column can live on its own and be reused. Any number of patterns can point at the same channel pattern, so a bassline or a drum part is written once and plays wherever it is referenced. Edit it in one place and every pattern using it follows. Each use can start at its own row (phase), and a channel pattern can repeat after a set number of rows, independent of how long the pattern is.▸ OPL3
FM synthesis of the Yamaha YMF262 (OPL3), emulated inside the tracker. In this song the FM voices and the samples play side by side in the same patterns, written in the same editor, with no separate FM module or second tracker involved. -
"Time" – BeRoTracker test draft track (with Pattern Matrix, Channel Patterns, OPL3 FM Synthesis)
https://www.youtube.com/watch?v=udeYsME6cYI
"Time" is a work-in-progress test track, written to put the newest BeRoTracker features through their paces. It is a draft: the song is not finished, the features are fresh, and details may still change.
What you are seeing:
▸ Pattern Matrix
An overview of the whole song: every pattern against every channel, one cell each. At a glance it shows which channel of which pattern holds its own notes and which one reads from a shared channel pattern, and whether that channel pattern comes round again inside the pattern.▸ Channel Patterns
A channel's column can live on its own and be reused. Any number of patterns can point at the same channel pattern, so a bassline or a drum part is written once and plays wherever it is referenced. Edit it in one place and every pattern using it follows. Each use can start at its own row (phase), and a channel pattern can repeat after a set number of rows, independent of how long the pattern is.▸ OPL3
FM synthesis of the Yamaha YMF262 (OPL3), emulated inside the tracker. In this song the FM voices and the samples play side by side in the same patterns, written in the same editor, with no separate FM module or second tracker involved. -
"Time" – BeRoTracker test draft track (with Pattern Matrix, Channel Patterns, OPL3 FM Synthesis)
https://www.youtube.com/watch?v=udeYsME6cYI
"Time" is a work-in-progress test track, written to put the newest BeRoTracker features through their paces. It is a draft: the song is not finished, the features are fresh, and details may still change.
What you are seeing:
▸ Pattern Matrix
An overview of the whole song: every pattern against every channel, one cell each. At a glance it shows which channel of which pattern holds its own notes and which one reads from a shared channel pattern, and whether that channel pattern comes round again inside the pattern.▸ Channel Patterns
A channel's column can live on its own and be reused. Any number of patterns can point at the same channel pattern, so a bassline or a drum part is written once and plays wherever it is referenced. Edit it in one place and every pattern using it follows. Each use can start at its own row (phase), and a channel pattern can repeat after a set number of rows, independent of how long the pattern is.▸ OPL3
FM synthesis of the Yamaha YMF262 (OPL3), emulated inside the tracker. In this song the FM voices and the samples play side by side in the same patterns, written in the same editor, with no separate FM module or second tracker involved. -
"Time" – BeRoTracker test draft track (with Pattern Matrix, Channel Patterns, OPL3 FM Synthesis)
https://www.youtube.com/watch?v=udeYsME6cYI
"Time" is a work-in-progress test track, written to put the newest BeRoTracker features through their paces. It is a draft: the song is not finished, the features are fresh, and details may still change.
What you are seeing:
▸ Pattern Matrix
An overview of the whole song: every pattern against every channel, one cell each. At a glance it shows which channel of which pattern holds its own notes and which one reads from a shared channel pattern, and whether that channel pattern comes round again inside the pattern.▸ Channel Patterns
A channel's column can live on its own and be reused. Any number of patterns can point at the same channel pattern, so a bassline or a drum part is written once and plays wherever it is referenced. Edit it in one place and every pattern using it follows. Each use can start at its own row (phase), and a channel pattern can repeat after a set number of rows, independent of how long the pattern is.▸ OPL3
FM synthesis of the Yamaha YMF262 (OPL3), emulated inside the tracker. In this song the FM voices and the samples play side by side in the same patterns, written in the same editor, with no separate FM module or second tracker involved. -
FM-1: A full FM synthesizer for $67
Wow, this little thing sounds great! A full-on DX7 in a little box, and for a low price too! I think I want one myself.
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FM-1: A full FM synthesizer for $67
Wow, this little thing sounds great! A full-on DX7 in a little box, and for a low price too! I think I want one myself.
-
FM-1: A full FM synthesizer for $67
Wow, this little thing sounds great! A full-on DX7 in a little box, and for a low price too! I think I want one myself.
-
FM-1: A full FM synthesizer for $67
Wow, this little thing sounds great! A full-on DX7 in a little box, and for a low price too! I think I want one myself.
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Tokyo Ambient Without Escaping Tokyo
Hiroshi Yoshimura’s GREEN was recorded during the winter of 1985–86 in his home studio. The music uses Yamaha FM...
#HiroshiYoshimura #JapaneseAmbient #FMSynthesis #EnvironmentalMusic
lumlux-art.com/art-stream/t...
Tokyo Ambient Without Escaping... -
Clan Analogue’s compilation Sublime Wavelengths: The Cosmic Bliss of FM Synthesis, explores the art of frequency modulation in all its phases and manifestations. Compilation artists Acidalius, Sussiguala, KOshowKO, Reductionist and Aday, perform live from 8pm onwards at Brunswick Artists Bar, 316 Sydney Road, Brunswick this Saturday 8th of August.
#electronicmusic #synthesizer #fmsynthesis #livemusic
https://www.clananalogue.org/featured/clan-analogue-presents-fm3-at-brunswick-artists-bar/
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Clan Analogue’s compilation Sublime Wavelengths: The Cosmic Bliss of FM Synthesis, explores the art of frequency modulation in all its phases and manifestations. Compilation artists Acidalius, Sussiguala, KOshowKO, Reductionist and Aday, perform live from 8pm onwards at Brunswick Artists Bar, 316 Sydney Road, Brunswick this Saturday 8th of August.
#electronicmusic #synthesizer #fmsynthesis #livemusic
https://www.clananalogue.org/featured/clan-analogue-presents-fm3-at-brunswick-artists-bar/
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Clan Analogue’s compilation Sublime Wavelengths: The Cosmic Bliss of FM Synthesis, explores the art of frequency modulation in all its phases and manifestations. Compilation artists Acidalius, Sussiguala, KOshowKO, Reductionist and Aday, perform live from 8pm onwards at Brunswick Artists Bar, 316 Sydney Road, Brunswick this Saturday 8th of August.
#electronicmusic #synthesizer #fmsynthesis #livemusic
https://www.clananalogue.org/featured/clan-analogue-presents-fm3-at-brunswick-artists-bar/
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I'm doing some research into algorithmic organisation of rhythm these days. Here's an experiment with composing rhythms as a list of 1's and 0's. These are then masked using modulo operators and probability gating to remove events.
#supercollider #livecoding #electronicmusic #experimentalmusic #computermusic #algorithmiccomposition #creativecoding #creativetechnology #drumandbass #electronica #glitch #808 #fmsynthesis
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I'm doing some research into algorithmic organisation of rhythm these days. Here's an experiment with composing rhythms as a list of 1's and 0's. These are then masked using modulo operators and probability gating to remove events.
#supercollider #livecoding #electronicmusic #experimentalmusic #computermusic #algorithmiccomposition #creativecoding #creativetechnology #drumandbass #electronica #glitch #808 #fmsynthesis
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I'm doing some research into algorithmic organisation of rhythm these days. Here's an experiment with composing rhythms as a list of 1's and 0's. These are then masked using modulo operators and probability gating to remove events.
#supercollider #livecoding #electronicmusic #experimentalmusic #computermusic #algorithmiccomposition #creativecoding #creativetechnology #drumandbass #electronica #glitch #808 #fmsynthesis
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I'm doing some research into algorithmic organisation of rhythm these days. Here's an experiment with composing rhythms as a list of 1's and 0's. These are then masked using modulo operators and probability gating to remove events.
#supercollider #livecoding #electronicmusic #experimentalmusic #computermusic #algorithmiccomposition #creativecoding #creativetechnology #drumandbass #electronica #glitch #808 #fmsynthesis
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The 1983 Invention That Ended Progressive Rock
#JustListen #Music #MusicProduction #History #Guitar #ElectricGuitar #Synthesizer #Synth #FM #FMSynthesis #Yamaha #DX7
https://www.youtube.com/watch?v=CTpyW3NDDqA -
The 1983 Invention That Ended Progressive Rock
#JustListen #Music #MusicProduction #History #Guitar #ElectricGuitar #Synthesizer #Synth #FM #FMSynthesis #Yamaha #DX7
https://www.youtube.com/watch?v=CTpyW3NDDqA -
The 1983 Invention That Ended Progressive Rock
#JustListen #Music #MusicProduction #History #Guitar #ElectricGuitar #Synthesizer #Synth #FM #FMSynthesis #Yamaha #DX7
https://www.youtube.com/watch?v=CTpyW3NDDqA -
WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation index ratio from 1 to 100 on a carrier running at 200Hz and modulator at 800Hz. One of the things you can see clearly here is how the sidebands “wobble” as the modulation index is increased. It’s a rather complex pattern which can be understood using the Bessel functions often mentioned in literature about FM. No effects used, just two sine wave oscillators.
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WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation index ratio from 1 to 100 on a carrier running at 200Hz and modulator at 800Hz. One of the things you can see clearly here is how the sidebands “wobble” as the modulation index is increased. It’s a rather complex pattern which can be understood using the Bessel functions often mentioned in literature about FM. No effects used, just two sine wave oscillators.
-
WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation index ratio from 1 to 100 on a carrier running at 200Hz and modulator at 800Hz. One of the things you can see clearly here is how the sidebands “wobble” as the modulation index is increased. It’s a rather complex pattern which can be understood using the Bessel functions often mentioned in literature about FM. No effects used, just two sine wave oscillators.
-
WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation index ratio from 1 to 100 on a carrier running at 200Hz and modulator at 800Hz. One of the things you can see clearly here is how the sidebands “wobble” as the modulation index is increased. It’s a rather complex pattern which can be understood using the Bessel functions often mentioned in literature about FM. No effects used, just two sine wave oscillators.
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WARNING: LOUD SOUND.
Another beautifully weird FM Synthesis example.
No sound effects used. Just two sine waves oscillators.
Two notes (C3 AND C5) repeating while the C:M ratio and modulation index increases.
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WARNING: LOUD SOUND.
Another beautifully weird FM Synthesis example.
No sound effects used. Just two sine waves oscillators.
Two notes (C3 AND C5) repeating while the C:M ratio and modulation index increases.
-
WARNING: LOUD SOUND.
Another beautifully weird FM Synthesis example.
No sound effects used. Just two sine waves oscillators.
Two notes (C3 AND C5) repeating while the C:M ratio and modulation index increases.
-
WARNING: LOUD SOUND.
Another beautifully weird FM Synthesis example.
No sound effects used. Just two sine waves oscillators.
Two notes (C3 AND C5) repeating while the C:M ratio and modulation index increases.
-
WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation frequency from 1hz to 10khz on a carrier running at 200hz. The modulation ratio index is 10.
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WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation frequency from 1hz to 10khz on a carrier running at 200hz. The modulation ratio index is 10.
-
WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation frequency from 1hz to 10khz on a carrier running at 200hz. The modulation ratio index is 10.
-
WARNING: LOUD SOUND.
The beauty of FM: Sweeping the modulation frequency from 1hz to 10khz on a carrier running at 200hz. The modulation ratio index is 10.
-
WARNING: LOUD SOUND.
The beauty of FM: The spectrum of a 30 second sweep of the carrier frequency from 100hz to 10khz with the modulation frequency fixed at 200 hz and modulation index ratio of 5. Using one carrier and one modulator, both sine waves.
-
WARNING: LOUD SOUND.
The beauty of FM: The spectrum of a 30 second sweep of the carrier frequency from 100hz to 10khz with the modulation frequency fixed at 200 hz and modulation index ratio of 5. Using one carrier and one modulator, both sine waves.
-
WARNING: LOUD SOUND.
The beauty of FM: The spectrum of a 30 second sweep of the carrier frequency from 100hz to 10khz with the modulation frequency fixed at 200 hz and modulation index ratio of 5. Using one carrier and one modulator, both sine waves.
-
WARNING: LOUD SOUND.
The beauty of FM: The spectrum of a 30 second sweep of the carrier frequency from 100hz to 10khz with the modulation frequency fixed at 200 hz and modulation index ratio of 5. Using one carrier and one modulator, both sine waves.
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Reading John Chowning's DX7 manual and gotta say, this illustration perfectly sums up my artistic life.
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Reading John Chowning's DX7 manual and gotta say, this illustration perfectly sums up my artistic life.
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Reading John Chowning's DX7 manual and gotta say, this illustration perfectly sums up my artistic life.
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Reading John Chowning's DX7 manual and gotta say, this illustration perfectly sums up my artistic life.
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Moved the stream to Sunday! Come watch and listen as I make some cool, weird sounds on the Korg opsix, and talk a minimal amount (for me).
https://www.youtube.com/live/e7oQh2AVvPk
#SoundDesign #SynthProgramming #FMSynthesis #LiveStream #opsix
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Moved the stream to Sunday! Come watch and listen as I make some cool, weird sounds on the Korg opsix, and talk a minimal amount (for me).
https://www.youtube.com/live/e7oQh2AVvPk
#SoundDesign #SynthProgramming #FMSynthesis #LiveStream #opsix
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Moved the stream to Sunday! Come watch and listen as I make some cool, weird sounds on the Korg opsix, and talk a minimal amount (for me).
https://www.youtube.com/live/e7oQh2AVvPk
#SoundDesign #SynthProgramming #FMSynthesis #LiveStream #opsix
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Moved the stream to Sunday! Come watch and listen as I make some cool, weird sounds on the Korg opsix, and talk a minimal amount (for me).
https://www.youtube.com/live/e7oQh2AVvPk
#SoundDesign #SynthProgramming #FMSynthesis #LiveStream #opsix
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I'm in this picture and I don't like it
#shitpost #MusicShitpost #MusicProduction #Synthesis #FMSynthesis
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I'm in this picture and I don't like it
#shitpost #MusicShitpost #MusicProduction #Synthesis #FMSynthesis
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I'm in this picture and I don't like it
#shitpost #MusicShitpost #MusicProduction #Synthesis #FMSynthesis
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I'm in this picture and I don't like it
#shitpost #MusicShitpost #MusicProduction #Synthesis #FMSynthesis
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Understanding FM: Algorithms
https://friprogramvarusyndikatet.tv/w/5LMg4aDFEiYkoboVmdzAcc
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FM on the Side: Using FM as a secondary technique
https://friprogramvarusyndikatet.tv/w/oa1f43orybxMCPibnT8Lxy
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Stream starts in 20 minutes! Today we look at using FM as a "side" technique -- using it with wavetables, VA, etc (rather than as the core/only technique) to spice up your patches and synth programming.
https://www.youtube.com/live/N4DRVu-XauM
#SoundDesign #SynthProgramming #FMSynthesis #ArturiaPigments
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Stream starts in 20 minutes! Today we look at using FM as a "side" technique -- using it with wavetables, VA, etc (rather than as the core/only technique) to spice up your patches and synth programming.
https://www.youtube.com/live/N4DRVu-XauM
#SoundDesign #SynthProgramming #FMSynthesis #ArturiaPigments
-
Stream starts in 20 minutes! Today we look at using FM as a "side" technique -- using it with wavetables, VA, etc (rather than as the core/only technique) to spice up your patches and synth programming.
https://www.youtube.com/live/N4DRVu-XauM
#SoundDesign #SynthProgramming #FMSynthesis #ArturiaPigments
-
Stream starts in 20 minutes! Today we look at using FM as a "side" technique -- using it with wavetables, VA, etc (rather than as the core/only technique) to spice up your patches and synth programming.
https://www.youtube.com/live/N4DRVu-XauM
#SoundDesign #SynthProgramming #FMSynthesis #ArturiaPigments
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New FM synth added to the Mercury Playground @mercury, coded with a single AudioWorkletProcessor inside a ToneAudioNode from ToneJS
It's a basic FM with a single modulator-(envelope)->carrier setup, and can be extended with extra voices and detuning to run 2-3 or more operators.
Syntax: `new synth fm index() ratio() fmShape()`
Some tutorials available on the website
#mercurylivecoding #fmsynthesis #webaudio #audioworkletprocessor #javascript #mercury #browserbased
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New FM synth added to the Mercury Playground @mercury, coded with a single AudioWorkletProcessor inside a ToneAudioNode from ToneJS
It's a basic FM with a single modulator-(envelope)->carrier setup, and can be extended with extra voices and detuning to run 2-3 or more operators.
Syntax: `new synth fm index() ratio() fmShape()`
Some tutorials available on the website
#mercurylivecoding #fmsynthesis #webaudio #audioworkletprocessor #javascript #mercury #browserbased
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New FM synth added to the Mercury Playground @mercury, coded with a single AudioWorkletProcessor inside a ToneAudioNode from ToneJS
It's a basic FM with a single modulator-(envelope)->carrier setup, and can be extended with extra voices and detuning to run 2-3 or more operators.
Syntax: `new synth fm index() ratio() fmShape()`
Some tutorials available on the website
#mercurylivecoding #fmsynthesis #webaudio #audioworkletprocessor #javascript #mercury #browserbased
