#blackartists — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #blackartists, aggregated by home.social.
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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"Untitled," Minnie Evans, 1959.
Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.
Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.
She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.
Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.
From the American Folk Art Museum, New York.
#Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday
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Tammy photographs one of the mixed media sculptures in the current "Sharif Bey: Homecoming" Show at the Andy Warhol Museum in Pittsburgh. #andywarhol #andywarholmuseum #theandywarholmuseum #thewarhol #thewarholmuseum #artist #artists #arting #makingart #artwork #artworks #sculpture #sculptures #sharifbey #sharifbeyhomecoming #homecoming #mixedmedia #pittsburgh #pittsburghart #vacation #vacations #holiday #holidays #vacationday #blackartist #blackartists #city #citylife #photography
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#BlackArtists Cotilda Memorial #CallForArtists
“The memorial will be developed through a collaborative process that will engage the community founded by the Clotilda survivors & other formerly enslaved people: historic #Africatown & the expansive diaspora”
In the artists app ur asked to share a subject connection. Paid, project budget 2mil
Love the community incl! U can also send “inspiration” incl photos & stories -Unsure if paidhttps://theclotildamemorial.info/call-for-artists/
#BlackDiaspora #Alabama #CommunityArt -
#WMPG honors #BlackHistoryMonth
"WMPG recognizes Black History Month with special programming throughout the month of February, highlighting the voices, music, history, and lived experiences of Black artists, activists, and storytellers.
Tune in to hear programs that celebrate Black creativity and resilience across genres and generations, from music that shaped movements to conversations that deepen our understanding of the past and present."
Segments include:
#MarshaPJohnson, #RobertLewis, #EarthaKitt, #MalcomX, #AlvinAiley, #BobGreen, #ChadwickBoseman, #DukeEllington, #LewisLatimer, #AudreLord, #ATribeCalledQuest, #OtisRedding, #NelsonMandela, #GarzaCullorsTometi, #LeslieOdomJr, #NinaSimone, #AudraMcDonald #BelHooks, #Beyonce, #FlorencePrice, #JamesBaldwin, #MuhammadAli, #ScottJoplin, #GraceVenuzaRogers, #BobTheDragQueen, #GordonParks, #KobeBryant, #WEBDubois, #BarackObama, #AudreLorde, #Lizzo, #KatherineJohnson, #ClaudetteColvin, #RhiannonGiddens, #TaranaBurke, #TeresaKachindamoto, #ShirleyChisholm, #ThurgoodMarshall, #HarrietTubman, #JohnBrownRusswurm, #StevieWonder, #LeadBelly, #MaryMcleodBethune, #ShirleyChisolm, #LeonardCummings, #MaeJemison, #BadBrains, #CornelWest, #MaconBollingAllen, #SpikeLee, #BeverlyGlennCopeland, #AngelaDavis, #SojournerTruth, #HankAaron, #BillieHoliday, #GeraldTalbot, #TrevorNoah, #JosephineBaker, #JackieRobinson, #ArethaFranklin, #ToniMorrison, #RobertLewis, #IndigoArtsListen:
https://www.wmpg.org/wmpg-honors-black-history-month/#BlackHistory #BlackArtists #BlackMusicians #BlackActivists #CommunityRadio #CollegeRadio
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Hunter Saxony III, BLM, ca. 2020.
Read more about Saxony: https://letterformarchive.org/news/the-last-black-calligrapher-in-sf/
And see more of his calligraphy in the Online Archive: https://oa.letterformarchive.org/?dims=Name_KEY&vals0=SAXONYIIIHUNTER&friendly0=Saxony%20III%25comma%20Hunter#Calligraphy #Blackletter #BlackArtists #BlackDesigners #BLM
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Kunjina Tesfaye on Growth and Preserving #Artisanal Techniques.
#Handweaving, #embroidery and #fabric manipulation are design elements that communicate stories about Ethiopia. “If you’ve seen photos of #Ethiopians wearing the traditional white dress, it’s handwoven.”
Interview with Kunjina Tesfaye.
When Kunjina Tesfaye talks about UDET, her eponymous #fashion label Kunjina’s collection, growth radiates. #UDET is a Geez word meaning cycle. Inspired by Ms. Tesfaye’s personal experience, this collection explores fear, productivity guilt, and growth. “It’s like a butterfly’s story or growth from the first stage, from the caterpillar stage into becoming a butterfly. I’ve used that metaphor to explain how a person goes through these stages to flourish and become the person they want. It’s a cycle. It’s not a one-time thing.”
Since her debut as a twentysomething with a degree in construction technology, Ms. Tesfaye’s life and creative approach have evolved. “Every time I make a collection I’ve grown – my designs and the brand and the aesthetics, everything has changed or has grown.” Today, Kunjina has developed into a platform for local #artists. They lobby for growth, preserve traditional #handcrafting methods, and promote #ecofriendly practices.
#Africa #Ethiopia #FashionDesigners #TraditionalWeaving #clothesmaking #AfricanWeavers #GlobalSouth #BlackDesigners #BlackArtists #POCfashion #FibreArts #Handwoven #BlackMastodon #TraditionalWeaving #MadeByHand #Interview #BIPOC