#blackartists — Public Fediverse posts

Government of Canada supports Wildseed Centre for Art & Activism in Toronto

Parliamentary Secretary Madeleine Chenette announces funding for the Wildseed Centre for Art & Activism in Toronto. TORONTO, Sept.…
#Canada #Toronto #activism #Blackartists #CanadianIdentity #culturalspaces #MadeleineChenette #ParliamentarySecretary #Wildseed
https://www.europesays.com/canada/203539/

"Untitled," Minnie Evans, 1959.

Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

From the American Folk Art Museum, New York.

#Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

"Untitled," Minnie Evans, 1959.

Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

From the American Folk Art Museum, New York.

#Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

"Untitled," Minnie Evans, 1959.

Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

From the American Folk Art Museum, New York.

#Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

"Untitled," Minnie Evans, 1959.

Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

From the American Folk Art Museum, New York.

#Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

"Untitled," Minnie Evans, 1959.

Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

From the American Folk Art Museum, New York.

#Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

#BlackArtists Cotilda Memorial #CallForArtists

“The memorial will be developed through a collaborative process that will engage the community founded by the Clotilda survivors & other formerly enslaved people: historic #Africatown & the expansive diaspora”

In the artists app ur asked to share a subject connection. Paid, project budget 2mil
Love the community incl! U can also send “inspiration” incl photos & stories -Unsure if paid

https://theclotildamemorial.info/call-for-artists/
#BlackDiaspora #Alabama #CommunityArt

@jayarts__, Black Royalty, shared the image below.

@handsomeazze, Black Royalty, replied:

The original sugar shack painting is owned by #EddieMurphy.

https://www.blackartdepot.com/products/sugar-shack-by-ernie-barnes

It was painted by a former NFL player #erniebarnes

No ALT TEXT bc the information in the post completely explains it.

#blackcreativesmatter #blackartists #blacksports #blackmastodon

#WMPG honors #BlackHistoryMonth

"WMPG recognizes Black History Month with special programming throughout the month of February, highlighting the voices, music, history, and lived experiences of Black artists, activists, and storytellers.

Tune in to hear programs that celebrate Black creativity and resilience across genres and generations, from music that shaped movements to conversations that deepen our understanding of the past and present."

Segments include:
#MarshaPJohnson, #RobertLewis, #EarthaKitt, #MalcomX, #AlvinAiley, #BobGreen, #ChadwickBoseman, #DukeEllington, #LewisLatimer, #AudreLord, #ATribeCalledQuest, #OtisRedding, #NelsonMandela, #GarzaCullorsTometi, #LeslieOdomJr, #NinaSimone, #AudraMcDonald #BelHooks, #Beyonce, #FlorencePrice, #JamesBaldwin, #MuhammadAli, #ScottJoplin, #GraceVenuzaRogers, #BobTheDragQueen, #GordonParks, #KobeBryant, #WEBDubois, #BarackObama, #AudreLorde, #Lizzo, #KatherineJohnson, #ClaudetteColvin, #RhiannonGiddens, #TaranaBurke, #TeresaKachindamoto, #ShirleyChisholm, #ThurgoodMarshall, #HarrietTubman, #JohnBrownRusswurm, #StevieWonder, #LeadBelly, #MaryMcleodBethune, #ShirleyChisolm, #LeonardCummings, #MaeJemison, #BadBrains, #CornelWest, #MaconBollingAllen, #SpikeLee, #BeverlyGlennCopeland, #AngelaDavis, #SojournerTruth, #HankAaron, #BillieHoliday, #GeraldTalbot, #TrevorNoah, #JosephineBaker, #JackieRobinson, #ArethaFranklin, #ToniMorrison, #RobertLewis, #IndigoArts

Listen:
https://www.wmpg.org/wmpg-honors-black-history-month/

#BlackHistory #BlackArtists #BlackMusicians #BlackActivists #CommunityRadio #CollegeRadio

https://archive.org/details/kw-ny

Kara Walker—No, Kara Walker—Yes, Kara Walker—? by Howardena Pindell; Najjar Abdul Musawwir; Camille Billops; Betty Blayton Taylor; Camille Ann Brewer; Kirsten Pai Buick; Gregory Coates; Bob Dillworth; Gloria Dulan-Wilson; Cay Fatina; Theodore A. Harris; Sonji Hunt; Rashidi Ismaili; F. Geoffrey Johnson; Ben Jones; Charlotte Ka; Karsten Kredel; Howard McCalebb; Dindga McCannon; Tad Mike; Helen Evans Ramsaran; Senghor Reid; Gilda Snowden; Ed Spriggs; Harry J. Weil; Clarence D. White; Shirley Woodson

Topics
#KaraWalker, #artcriticism, #critique, #art, #Blackart, #Blackartists, #Blackartcritics, #Blackartcriticism, #africanamerikanart, #afroamerikanart, #primitivism, #antiblackness, #minstrelry, #stereotyping, #arthistory, #artindustry, #artmarket

Introduction: Kara Walker—No/Yes/?
SECTION I: KARA WALKER—NO!
• I-XXIX
SECTION II: KARA WALKER—YES
• XXX-XXXI
SECTION III: KARA WALKER—?
• XXXII
XXIII. APPENDIX
About the Authors