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#blackart — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #blackart, aggregated by home.social.

  1. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  2. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  3. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  4. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  5. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  6. Empire of Dragons @dragonshortstories.wordpress.com@dragonshortstories.wordpress.com ·

    Rin in something fluffy

    I don’t have anything to post for today sooooo enjoy this 2019 art of Rin. I am still very, very tired.

    If you’re wondering why it’s tagged black femboy, he is mixed.

    Rate this:

    #AnimeArt #Art #BlackArt #BlackFemboys #DigitalArt #DragonArt #DrawingWhileBlack
  7. Reposted from @blackaristocratart @wisdm From 3000BC to 2090 of Fashion 😍

    Fashion History through the Ages! My favourite has to be 1780! The Classical period rocks ✌🏾

    Do follow @blackaristocratart for Black Art History content you will love ❤️

    #blackaristocratart #historyofart #aristocrat #arthistory #blackart #fineart #victorian #renaissance #arthistorymatters #blackhistoryeveryday #classicalart #diaspora

  8. archive.org/details/kw-ny

    Kara Walker—No, Kara Walker—Yes, Kara Walker—? by Howardena Pindell; Najjar Abdul Musawwir; Camille Billops; Betty Blayton Taylor; Camille Ann Brewer; Kirsten Pai Buick; Gregory Coates; Bob Dillworth; Gloria Dulan-Wilson; Cay Fatina; Theodore A. Harris; Sonji Hunt; Rashidi Ismaili; F. Geoffrey Johnson; Ben Jones; Charlotte Ka; Karsten Kredel; Howard McCalebb; Dindga McCannon; Tad Mike; Helen Evans Ramsaran; Senghor Reid; Gilda Snowden; Ed Spriggs; Harry J. Weil; Clarence D. White; Shirley Woodson

    Topics
    #KaraWalker, #artcriticism, #critique, #art, #Blackart, #Blackartists, #Blackartcritics, #Blackartcriticism, #africanamerikanart, #afroamerikanart, #primitivism, #antiblackness, #minstrelry, #stereotyping, #arthistory, #artindustry, #artmarket

    Introduction: Kara Walker—No/Yes/?
    SECTION I: KARA WALKER—NO!
    • I-XXIX
    SECTION II: KARA WALKER—YES
    • XXX-XXXI
    SECTION III: KARA WALKER—?
    • XXXII
    XXIII. APPENDIX
    About the Authors