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#blackart — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #blackart, aggregated by home.social.

  1. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  2. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  3. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  4. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  5. By Joseph Holston (born 1944), Jazz, 1990, screenprint, 27 7⁄8 x 20 inches (70.8 x 50.8 cm), © 1990 Joseph Holston. #BlackArt #Blackartist #blackhistory #printmaking

    From the Pittsburgh Post-Gazette: “Holston's subjects are African-Americans, often engaged in the activities of daily life. While his figures are simplified and abstracted, they're imbued with dignity, and their societal identities are recognizable, from business-suited commuter to homemaker.
    Underlying their narrative roles, at times competitive with them, is the paint, pulsing at the edge of line's restraint, frequently tactile, just short of becoming an entity of its own. One could cite the influence of the Fauves, Romare Bearden and Jacob Lawrence, who was a mentor — but in the end, Holston's handling of color and composition is consistently and uniquely his own.” ~ by Mary Thomas, “Vivid, subtle works show strong emotion in SAMA exhibits,” The Pittsburgh Post-Gazette, May 31, 2006.

  6. You're in luck! Join us Wednesdays in June for the Website Workshop! 🌐 Each week, we'll cover a different aspect of website creation: planning, design, and creation -- all using #opensource #FOSS software like #Penpot and #Publii.

    Learn more and register at candide.media/website-workshop

    #workshop #portfolio #BIPOCartists #BIPOCart #IndigenousArtists #IndigenousArt #BlackArt #BlackArtists

  7. The Time is Always Now
    Artists Reframe the Black Figure

    An exhibition at The National Portrait Gallery, curated by Ekow Eshun, showcasing the work of contemporary artists (all works are post 2000) of the African diaspora - From the US and UK.

    1) The Marchioness, Toyin Ojih Odutola, 2016
    2) Standing Figure with African Masks, Claudette Johnson, 2018
    3) Conjestina, Michael Armitage

    #thetimeisalwaysnow #nationalportraitgallery #artexhibition #art #artists #artworld #worldofart #blackartists #blackart #toyinojihodutola #claudettejohnson #kunst #peintre #michaelarmitage #ekoweshun #figurativeart #contemporaryart #contemporaryartists

  8. The Time is Always Now
    Artists Reframe the Black Figure

    An exhibition at The National Portrait Gallery, curated by Ekow Eshun, showcasing the work of contemporary artists (all works are post 2000) of the African diaspora - From the US and UK.

    1) Father Stretch My Hands, Nathaniel Mary Quinn, 2021
    2) Still you Bloom in the Land of No Gardens, Njidika Akunyili Crosby, 2021
    3) Untitled, Kerry James Marshall, 2009

    #thetimeisalwaysnow #nationalportraitgallery #artexhibition #art #artists #artworld #worldofart #blackartists #blackart #nathanielmaryquinn #njidikaakunyilicrosby #kerryjamesmarshall #ekoweshun #figurativeart #contemporaryart #kunst #peintre #contemporaryartists