#blackart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #blackart, aggregated by home.social.
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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A portrait of “Lead Belly” Ledbetter by Charles White (1918-1979), “Good Night Irene,” 1952, oil on canvas, 47 × 24 inches (119.38 × 60.96 cm), Nelson-Atkins Museum of Art, Kansas City, MO. #art #arthistory #blackart #blackartist #blackartists #BlackHistory
From the gallery label: “Charles Wilbert White created this portrait three years after the legendary musician’s death. He painted Lead Belly in his prime playing a popular late-1800s folk song that he was the first to record in 1933. In addition to celebrating an icon of American music, Goodnight Irene is a key example of White’s socially conscious art. White aimed to affirm the humanity and beauty of African Americans throughout his career. Goodnight Irene highlights the artist’s ability to invest his subjects with steadfast dignity and universal resonance.”
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Rin in something fluffy
I don’t have anything to post for today sooooo enjoy this 2019 art of Rin. I am still very, very tired.
If you’re wondering why it’s tagged black femboy, he is mixed.
Rate this:
#AnimeArt #Art #BlackArt #BlackFemboys #DigitalArt #DragonArt #DrawingWhileBlack -
Rin in something fluffy
I don’t have anything to post for today sooooo enjoy this 2019 art of Rin. I am still very, very tired.
If you’re wondering why it’s tagged black femboy, he is mixed.
Rate this:
#AnimeArt #Art #BlackArt #BlackFemboys #DigitalArt #DragonArt #DrawingWhileBlack -
Rin in something fluffy
I don’t have anything to post for today sooooo enjoy this 2019 art of Rin. I am still very, very tired.
If you’re wondering why it’s tagged black femboy, he is mixed.
Rate this:
#AnimeArt #Art #BlackArt #BlackFemboys #DigitalArt #DragonArt #DrawingWhileBlack -
Reposted from @blackaristocratart @wisdm From 3000BC to 2090 of Fashion 😍
Fashion History through the Ages! My favourite has to be 1780! The Classical period rocks ✌🏾
Do follow @blackaristocratart for Black Art History content you will love ❤️
#blackaristocratart #historyofart #aristocrat #arthistory #blackart #fineart #victorian #renaissance #arthistorymatters #blackhistoryeveryday #classicalart #diaspora
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#Condiment #WarmUpSketch #PracticeSketch #MangaBoy #Manga #HowToDraw #HowToDrawManga #EchoPenn #Anime #AnimeBoy #PracticeDrawings #MangaDrawings #AnimeDrawings #AnimeArt #Art #Artist #Draw #Drawing #BlackMastodon #MastoArt #MastoArtist #Reference #ReferenceDrawing #BlackArt #BlackArtist #practiceart #Sketch #Sketchbook #SketchbookArt #design #DeniseWalker #Denise #Walker
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Art Challenge
#WarmUpSketch #WarmUpDrawing #PencilDrawing #PencilSketch #PracticeSketch #Sketchbook #SketchBookDrawing #SketchDrawing #SketchArtist #SketchArtists #characterart #characterdesign #Characters #mastoart #QueerArtistofMastodon #QueerArtist #originalcharacter #OC #OriginalArt #OriginalArtwork #OriginalDrawing #Reference #ReferenceDrawing #Illustration #Illustrations #IllustrationArt #IllustrationArtist #BlackVOiceActor #BlackVoiceActors #BlackArt #BlackArtist #Blackchracters #Draw
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Art Challenge
#DrawNotScroll #WarmUpSketch #WarmUpDrawing #MorningSketch #SketchDrawing #Doodle #DoodleSketch #AnimeGirl #Beginners #SketchBook #SketchBookDrawing #EchoPenn #PracticeDrawing #BlackMastodon #mastoart #BlackArt #Art #Draw #Drawing #HandDrawn #sketches #Sketching #artist #Pencil #PencilDrawing #Animator #Animation #animated #BlackAnimator #BlackAnimation #2dAnimation #Artcommunity #DrawingPractice #QueerArt #QueerArtistofMastodon #Sapphic #Lesbian #artchallenge #artchallenge2024
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In deep thought about successful memorial. I know this is nine years old, but I'm blown away by the complexity of this work. I have always profoundly admired #karawalker, ever since I saw her silhouettes 30 years ago. There is so much here.
https://www.youtube.com/watch?v=sRkP5rcXtys
#africanamerican #blacklivesmatter #arthistory #racism #endwhitesupremacy #blackart #blackmastodon -
https://archive.org/details/kw-ny
Kara Walker—No, Kara Walker—Yes, Kara Walker—? by Howardena Pindell; Najjar Abdul Musawwir; Camille Billops; Betty Blayton Taylor; Camille Ann Brewer; Kirsten Pai Buick; Gregory Coates; Bob Dillworth; Gloria Dulan-Wilson; Cay Fatina; Theodore A. Harris; Sonji Hunt; Rashidi Ismaili; F. Geoffrey Johnson; Ben Jones; Charlotte Ka; Karsten Kredel; Howard McCalebb; Dindga McCannon; Tad Mike; Helen Evans Ramsaran; Senghor Reid; Gilda Snowden; Ed Spriggs; Harry J. Weil; Clarence D. White; Shirley Woodson
Topics
#KaraWalker, #artcriticism, #critique, #art, #Blackart, #Blackartists, #Blackartcritics, #Blackartcriticism, #africanamerikanart, #afroamerikanart, #primitivism, #antiblackness, #minstrelry, #stereotyping, #arthistory, #artindustry, #artmarketIntroduction: Kara Walker—No/Yes/?
SECTION I: KARA WALKER—NO!
• I-XXIX
SECTION II: KARA WALKER—YES
• XXX-XXXI
SECTION III: KARA WALKER—?
• XXXII
XXIII. APPENDIX
About the Authors