#blackness — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #blackness, aggregated by home.social.
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Le colloque à Copenhague a été l’occasion de découvrir Noémie Ndiaye, prof à l’Université de Chicago. Elle a fait une intervention particulièrement passionnante et brillante.
Je conseille de découvrir ses sujets de recherche, autour du théâtre de l’époque moderne et de la représentation des minorités, et notamment des Noirs et des Noires en Europe à l’époque moderne.
Son second ouvrage paraît bientôt : The Whiteness between Us: Early Modern Playbooks of Racial TriangulationBref, je suis fan !
https://english.uchicago.edu/people/noemie-ndiaye
#Histoire #History #Theatre #PerformanceStudies #Blackness #Racialization #EpoqueModerne #EarlyModern -
🌈 This conversation may have gone unnoticed, yet Carol Stampone finds a way to articulate the complexity, unease, and instability underlying what we so often take for granted. 100% recommended
https://rwm.macba.cat/en/podcasts/sonia-447-carol-stampone/
Shaped by migration, love, displacement, class, and identity, Brazilian writer and thinker Carol Stampone’s trajectory reflects a sustained inquiry into belonging and selfhood.
We talk about BEING TIRED... TOGETHER
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Rest in Power, Betye Saar. Artist and activist extraordinaire. Black Liberation. Womanist. She died on Sunday four days before her 100th birthday. 🙏🏿✊🏿
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#podcast :underheart: In the work of Santiago Mostyn history is never fixed. Shaped by displacement and the lingering afterlives of colonialism, he has developed a practice that moves across film, installation, performance and text, tracing fragile connections between bodies, territories and power.
https://rwm.macba.cat/en/podcasts/sonia-459-santiago-mostyn/
And we also discuss his personal account of the Grenada Revolution.🌴
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#podcast Glitter, sequins, faux flowers... and vultures hiding in the garden. Jamaican artist Ebony G. Patterson on beauty as a Trojan horse: how opulence seduces the eye while refusing to let the "un-visible" disappear.
Bling, grief, the Tivoli Incursion, cockroaches and flies, death as community.
🎧https://rwm.macba.cat/en/podcasts/sonia-444-ebony-g-patterson/
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New #podcast 🎙️ Central to AbdouMaliq Simone's work is extensionality — the ways relations stretch across households, neighborhoods, and economies, enabling partial connections and provisional alignments.
Infrastructure isn't only technical; it's social. People become the conduits through which resources circulate and possibilities emerge.🎧 https://rwm.macba.cat/en/podcasts/sonia-457-abdoumaliq-simone/
#architecture #urbanism #blackness #Blackstudies #globalsouth
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More Artists Could Stand To Be Normal About Their Black Music Influences
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#podcast 📻 Through Mpho Matsipa's inquiry and practice, art and curatorial work become tools for accessing the city (and its uses) differently. By attending to ubiquitous yet often undervalued spaces, such as the hair salon, as sites of survival and imagination in environments where one is not always welcome, she reveals how these spaces disrupt binaries such as center/periphery or formal/informal.
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“Allyship” Do’s and Don’ts for Well-meaning White People
https://youtu.be/alm3GB8Hh0s?si=05CMh3_9ui0zREcA
#allyship #ally #StandUpToRacism #racism #TheWhiteWomanWhisperer #relationship #community #AntiRacism #whiteness #blackness #POC #WhiteSupremacy
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Voice Acting While Black Is Still Worth The Fight
https://fed.brid.gy/r/https://aftermath.site/gachiakuta-jujutsu-kaisen-zeno-robinson-jabber/
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The Bell Finally Tolls For Tyler Perry
https://fed.brid.gy/r/https://aftermath.site/the-bell-finally-tolls-for-tyler-perry/
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Cord Jefferson – „Amerikanische Fiktion“ (2023)Der Literaturbetrieb liebt das Elend, solange es sich gut verkauft. Hier wird diese Obsession nicht nur verspottet, sondern seziert. Präzise, Boshaft, und mit einem Lächeln, das schmerzt. Regisseur und Drehbuchautor Cord Jefferson adaptiert den Roman Erasure von Percival Everett und verwandelt ihn in eine bitterkomische Abrechnung mit einem Kulturbetrieb, der Schwarze Erfahrung normiert, verengt und kolonisiert. (ARD, Free-TV-Premiere!)
Zum Blog: https://nexxtpress.de/mediathekperlen/cord-jefferson-amerikanische-fiktion-2023/ -
I love my Blackness.
I love being Black.
I wouldn’t ever want to be anything else.
I love who I am.
Black Is Beautiful.
Blackness Is Beautiful.
Always and forever. ✊🏿
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Now that I am home again, I want to elaborate on that last post.
I grew up in the middle of fucking nowhere.
I used to say that I could count on one hand — and have fingers left over — the number of overtly racist incidents I experienced up there, but it's also where I learned that there's a critical mass factor to racism.One or two Black families, and you're not enough of "them" to be taking their jerbs. And they make a little exception in their pea brains, because fuck knows, it's not that they're wrong about what's connate to Black people, it's just that you're somehow "not really Black."
The difference is Canadians have a sense of self-preservation enough not to say that out loud, unlike Americans, so you just walk around thinking that these are some weirdly decent people.
Nope.
Then maybe 10, 20 years later, you look around at the ones that are left in your life from that era, and you go on a blocking spree with:"Guess what! I am not your Black friend anymore!"
And you sweep them all into the bin and then you forget they exist.
And I suspect that Brenda wasn't even around for that, having been long since binned. I speak to all of 2 people from that era, and those, very infrequently.
Which is funny because I really loved that era of my life, and it deeply influenced my love of the woods and teaching young anarchists how to forage, do bushcraft, and be self-sufficient.
But that's the place, which to me is very distinct from the people.
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The formidable south tower of Blackness Castle, standing on the south shore of the Firth of Forth north-east of Linlithgow. In the years around 1540 it was transformed into one of strongest artillery fortifications of its age. More pics and info: https://www.undiscoveredscotland.co.uk/blackness/blacknesscastle/index.html
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Open Humanities Press has published Tom Cohen's #book Ecocide and Inscription vol. 1: Black Ops. Petrolepathy, Escaped Slaves, Cinemacide – A Tele-mnemonics for the After-Times.
Examining works by #Faulkner, #Morrison and #Hitchcock among others, Tom Cohen traces a ‘hyper-blackness’ that exceeds racial binaries and links to the viscous materiality of #oil. He argues that this #blackness before face or figuration offers a way to rupture the ‘Anthropocene’ spell and its attendant anaesthesias. By tracking inscriptions that melt back into a prefigural domain, Cohen outlines a literary structure of #climatechange itself, one that undoes conventional notions of meaning, reference, and #human exceptionalism.
Available #openaccess and in colour print from:
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So…I found this interview with Muhammad Ali from 1972. He’s in Ireland for a bout. A famous journalist there, Cathal O’ Shannon, gets an hour of his time for TV.
It’s stellar. Including the way Cathal listens to him so intently. Ali’s stories moved me. As did Cathal’s captivation.
This clip about Black people’s lack of trust for white people is edifying.
Here’s the whole interview:
https://vid.northbound.online/w/qL2pquYgr2aPayzg6Cjv7B#MuhammadAli #Ali #Interview #History #Blackness #Race #SystemicRacism #Ireland
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"You Were Never Meant to Survive Alone" is a framework I have developed for Black queer abolitionist care rooted in refusal, kinship, and survival.
It’s not a clinical manual. It’s a map, a ritual, a refusal to leave each other behind. 🖤
#abolition #blackness #queerness #drift
https://vincentmousseau.net/en/framework/ -
#forth #bridge #blackness
Forth bridges from a couple of evenings ago, taken from Blackness. -
In search of Saadia
"Over the years of fighting anti-blackness in Tunisia, Mosbah has herself become a living archive of the stories of suffering and humiliation faced by those racialized as black."