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1000 results for “englishm”

  1. Dave's Killer Classic English Muffins. So dry you'll lacerate your throat. You might not survive it. They're dry, like most things from Panera.

    Bays cheap English Muffins that you find in the cooler at supermarkets. So nasty I can't eat them. Repulsive.

    That leaves Thomas'. They only ones I'll pay for.

    So there.

    #EnglishMuffins

  2. My 2nd attempt at making #EnglishMuffins produced better results than the 1st. My hopes are high that it's 3rd time lucky. These tasted great, but there was some room for improvement looks-wise.
    -
    Mitt andra försök att baka engelska muffins gav bättre resultat än det första. Jag hoppas att tredje gången gillt. De smakade jättegott, men utseendet kunde förbättras.

    #Vegan#VeganFood#PlantBased#WhatVegansEat#VeganLife
    #Veganskt#Bakning#Hembakat
    #Frukost#Växtbaserat#Matfoto

  3. My 2nd attempt at making #EnglishMuffins produced better results than the 1st. My hopes are high that it's 3rd time lucky. These tasted great, but there was some room for improvement looks-wise.
    -
    Mitt andra försök att baka engelska muffins gav bättre resultat än det första. Jag hoppas att tredje gången gillt. De smakade jättegott, men utseendet kunde förbättras.

    #Vegan#VeganFood#PlantBased#WhatVegansEat#VeganLife
    #Veganskt#Bakning#Hembakat
    #Frukost#Växtbaserat#Matfoto

  4. My 2nd attempt at making #EnglishMuffins produced better results than the 1st. My hopes are high that it's 3rd time lucky. These tasted great, but there was some room for improvement looks-wise.
    -
    Mitt andra försök att baka engelska muffins gav bättre resultat än det första. Jag hoppas att tredje gången gillt. De smakade jättegott, men utseendet kunde förbättras.

    #Vegan#VeganFood#PlantBased#WhatVegansEat#VeganLife
    #Veganskt#Bakning#Hembakat
    #Frukost#Växtbaserat#Matfoto

  5. My 2nd attempt at making #EnglishMuffins produced better results than the 1st. My hopes are high that it's 3rd time lucky. These tasted great, but there was some room for improvement looks-wise.
    -
    Mitt andra försök att baka engelska muffins gav bättre resultat än det första. Jag hoppas att tredje gången gillt. De smakade jättegott, men utseendet kunde förbättras.

    #Vegan#VeganFood#PlantBased#WhatVegansEat#VeganLife
    #Veganskt#Bakning#Hembakat
    #Frukost#Växtbaserat#Matfoto

  6. Fairport Convention -- Liege And Lief
    youtu.be/MPuAOF3TiLk?si=96FZKO

    urusai.social/@gnitro has just mentioned listening to this album but finding it was not his cup of tea.

    I rediscovered this album about a year ago. Like @gnitro, I'm a Kpop fan, so one might expect my reation to be similar to his, since the sound of British folk rock of the late sixties is far indeed from the polished studio production of today's Seoul .

    Yet I do respond to that "Come All Ye". I don't think it's just nostalgia on my part; there's something about the rediscovery of traditional English music and its re-expression in a more modern idiom that stirs me, albeit in a fashion without flags, Faragism, or any other kind of fascistic nonsense.

    #FairportConvention #LiegeAndLief #BritishFolkRock #EnglishMusic

  7. Fellowship – The Skies Above Eternity Review

    By Eldritch Elitist

    If there had never been a second Fellowship record, I would have been okay. Obviously, I wanted another Fellowship record—and, ideally, biennial releases from England’s premiere life-affirming, self-worth-preserving power metal outfit—but I’ve known since the first time I heard The Saberlight Chronicles that there would never be another Fellowship record like it. Not only would their sophomore album be unable to re-invoke the wonder I felt upon hearing a full-length Fellowship release for the first time, but it would also be nigh impossible for them to recapture the exact vibe of that record after two years of added experience.1 Not that I would want them to. Ideally, subsequent Fellowship records will evolve in a variety of directions, all while still channeling their unmistakable and unbreakable sense of joy. Enter The Skies above Eternity, where—as prophesied—the Fellowship has grown.

    As it turns out, the most efficient way for Fellowship to absolve any fears that their sophomore record might fail to capitalize on the strengths of its predecessor is to open with the best power metal song of the year. The winkingly titled “Hold up Your Hearts (Again)” is the ideal power metal opener, excising all chaff and cutting straight to the most giddily melodic lead guitar riff imaginable. The flow and feel of this track are replicated in many of The Skies above Eternity’s best cuts (namely “Dawnbreaker,” “Eternity,” and “World End Slowly”). It took me a while to pinpoint where exactly I’d heard this vibe, but once I realized, it could not be denied: these tracks all invoke the hype-building structure of an excellent anime opening. It may sound silly, and perhaps even cringe if you are a joyless husk given human form. However, if you’re familiar with anime tropes, and you close your eyes during the opening of these songs, you can practically see the logo drop. This feels like a conscious choice to differentiate the feel of a Fellowship song from their contemporaries. Thanks to the band’s ever-boundless optimism, they pull it off without losing so much of a hint of their established charm.

    Efficiency is the operative word when it comes to The Skies above Eternity’s pop-oriented structure; excluding the instrumental outro “Memories on the Wind,” the album barely breaches forty minutes. While I don’t think this is a better record than The Saberlight Chronicles, it is nearly as good, with The Skies Above Eternity’s main strength over its predecessor being its digestibility and replayability. Where Saberlight was something of a marathon at sixty-two minutes, Skies is compulsively replayable, and its songs are every bit as excellent (though it did take some time for the training montage-worthy “King of Nothing” to fully grow on me). My only criticism, then, is an unconventional but glaring one: it feels like it’s missing a track. The infectiously bouncy “A New Hope” is a bit of an odd closer, but one that would make much more sense if it were preceded by a darker, more bombastic track in the vein of “Avalon.” As it stands, The Skies above Eternity feels somewhat anticlimactic.

    Speaking of “darker,” the announcement for The Skies above Eternity advertised a darker direction for Fellowship. This darkness manifests in a purely lyrical fashion; these songs cover notably more difficult subject matter, with “World End Slowly” in particular addressing the search for solace in the face of an imminent and untimely death. Yet Matthew Corry’s lyrics still manage to kindle hope in a wonderfully poetic fashion, preserving Fellowship’s essential, unshakeable optimism. Corry’s literal voice has evolved as well, with his intense delivery in “Eternity” being my favorite performance from him to date. The band flexes more technical muscle than ever despite multiple lineup alterations; The Skies above Eternity is a riffier experience, with more colorful texturing in both its composition and drummer Callum Tuffen’s kitwork. While former lead guitarist Sam Browne retains a studio presence, Brad Wosko has taken up the bulk of the lead work and proves himself to be every bit as proficient. It should be said as well that incoming bassist Ed Munson delivers one of my favorite bass performances of the year in the verse of “Victim.”

    The Skies above Eternity is not an experience on the same level as The Saberlight Chronicles, and—at least from my perspective—it was never going to be. That being said, thanks to its condensed runtime and a stronger sense of instrumental muscle, I find it likely that a sizable chunk of Fellowship’s audience will see it as the superior album. Regardless of where one stands with their abbreviated ranking of Fellowship records, I cannot imagine any previously established fan of Fellowship being disappointed with The Skies Above Eternity. It may not have the same impact on the scene as Fellowship’s debut, but it is vital to their discography. This record doesn’t just confirm that Fellowship’s initial success was anything but a fluke; it assures me that they both understand and have preserved what made them so special in the first place.

    Rating: 4.0/5.0
    DR: 7 | Format Reviewed: 256 kb/s CBR MP3
    Label: Scarlet Records
    Websites: fellowshipmetal.bandcamp.com | fellowshipmetal.com | facebook.com/fellowshipUK
    Releases Worldwide: November 22nd, 2024

    #2024 #40 #EnglishMetal #Fellowship #Nov24 #PowerMetal #Review #Reviews #ScarletRecords #TheSkiesAboveEternity

  8. Fellowship – The Skies Above Eternity Review

    By Eldritch Elitist

    If there had never been a second Fellowship record, I would have been okay. Obviously, I wanted another Fellowship record—and, ideally, biennial releases from England’s premiere life-affirming, self-worth-preserving power metal outfit—but I’ve known since the first time I heard The Saberlight Chronicles that there would never be another Fellowship record like it. Not only would their sophomore album be unable to re-invoke the wonder I felt upon hearing a full-length Fellowship release for the first time, but it would also be nigh impossible for them to recapture the exact vibe of that record after two years of added experience.1 Not that I would want them to. Ideally, subsequent Fellowship records will evolve in a variety of directions, all while still channeling their unmistakable and unbreakable sense of joy. Enter The Skies above Eternity, where—as prophesied—the Fellowship has grown.

    As it turns out, the most efficient way for Fellowship to absolve any fears that their sophomore record might fail to capitalize on the strengths of its predecessor is to open with the best power metal song of the year. The winkingly titled “Hold up Your Hearts (Again)” is the ideal power metal opener, excising all chaff and cutting straight to the most giddily melodic lead guitar riff imaginable. The flow and feel of this track are replicated in many of The Skies above Eternity’s best cuts (namely “Dawnbreaker,” “Eternity,” and “World End Slowly”). It took me a while to pinpoint where exactly I’d heard this vibe, but once I realized, it could not be denied: these tracks all invoke the hype-building structure of an excellent anime opening. It may sound silly, and perhaps even cringe if you are a joyless husk given human form. However, if you’re familiar with anime tropes, and you close your eyes during the opening of these songs, you can practically see the logo drop. This feels like a conscious choice to differentiate the feel of a Fellowship song from their contemporaries. Thanks to the band’s ever-boundless optimism, they pull it off without losing so much of a hint of their established charm.

    Efficiency is the operative word when it comes to The Skies above Eternity’s pop-oriented structure; excluding the instrumental outro “Memories on the Wind,” the album barely breaches forty minutes. While I don’t think this is a better record than The Saberlight Chronicles, it is nearly as good, with The Skies Above Eternity’s main strength over its predecessor being its digestibility and replayability. Where Saberlight was something of a marathon at sixty-two minutes, Skies is compulsively replayable, and its songs are every bit as excellent (though it did take some time for the training montage-worthy “King of Nothing” to fully grow on me). My only criticism, then, is an unconventional but glaring one: it feels like it’s missing a track. The infectiously bouncy “A New Hope” is a bit of an odd closer, but one that would make much more sense if it were preceded by a darker, more bombastic track in the vein of “Avalon.” As it stands, The Skies above Eternity feels somewhat anticlimactic.

    Speaking of “darker,” the announcement for The Skies above Eternity advertised a darker direction for Fellowship. This darkness manifests in a purely lyrical fashion; these songs cover notably more difficult subject matter, with “World End Slowly” in particular addressing the search for solace in the face of an imminent and untimely death. Yet Matthew Corry’s lyrics still manage to kindle hope in a wonderfully poetic fashion, preserving Fellowship’s essential, unshakeable optimism. Corry’s literal voice has evolved as well, with his intense delivery in “Eternity” being my favorite performance from him to date. The band flexes more technical muscle than ever despite multiple lineup alterations; The Skies above Eternity is a riffier experience, with more colorful texturing in both its composition and drummer Callum Tuffen’s kitwork. While former lead guitarist Sam Browne retains a studio presence, Brad Wosko has taken up the bulk of the lead work and proves himself to be every bit as proficient. It should be said as well that incoming bassist Ed Munson delivers one of my favorite bass performances of the year in the verse of “Victim.”

    The Skies above Eternity is not an experience on the same level as The Saberlight Chronicles, and—at least from my perspective—it was never going to be. That being said, thanks to its condensed runtime and a stronger sense of instrumental muscle, I find it likely that a sizable chunk of Fellowship’s audience will see it as the superior album. Regardless of where one stands with their abbreviated ranking of Fellowship records, I cannot imagine any previously established fan of Fellowship being disappointed with The Skies Above Eternity. It may not have the same impact on the scene as Fellowship’s debut, but it is vital to their discography. This record doesn’t just confirm that Fellowship’s initial success was anything but a fluke; it assures me that they both understand and have preserved what made them so special in the first place.

    Rating: 4.0/5.0
    DR: 7 | Format Reviewed: 256 kb/s CBR MP3
    Label: Scarlet Records
    Websites: fellowshipmetal.bandcamp.com | fellowshipmetal.com | facebook.com/fellowshipUK
    Releases Worldwide: November 22nd, 2024

    #2024 #40 #EnglishMetal #Fellowship #Nov24 #PowerMetal #Review #Reviews #ScarletRecords #TheSkiesAboveEternity

  9. Englishman Jamie Bynoe-Gittens gives Borussia Dortmund the lead in Milan.

    #ACMBVB | #UCL

    🎥 @[email protected]

  10. Englishman in New York? over, tired, played 😪

    Englishman in Tokyo 🤯 🔊

    #anime #MFGhost #meme

  11. Schwirrte mir gerade durch den Kopp, da ein italienischer Freund von mir in New York ist 🙂
    I´m an italien in New York :-) 😂

    Woah, I'm italien, I'm a legal alien
    I′m an Englishman in New York😎 ✌️

    #Sting
    #EnglishmanInNewYork

    invidious.protokolla.fi/watch?