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#lowellma — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #lowellma, aggregated by home.social.

  1. Alright #MAPoli I'm new to this, so bear with me. Energy bills 💡 are a top concern for everyday people in Massachusetts when it comes to building performance. Supposedly the Lowell Sun is reporting on bill actvity on Beacon Hill, but they only list votes for a fraction of the representatives?

    lowellsun.com/2026/03/09/beaco

    What is going on? A quick search tells me the Lowell Sun probably focused on Middlesex County representatives for this piece - so that answers that q.

    Where is the Senate on H 5151? Last week I was disturbed to hear legislation proposed to make taxpayers cover lobbying costs for the energy companies. And a $1 BILLION cut to Mass Save. Are rep's working to increase costs for people? In any case, check out the article above for some pretty current updates ⚡

    #buildingPerformance #construction #energy #law #LowellMA #Lowell #Massachusetts

  2. Echo And The Bunnymen, Heaven Up Here, 1981 on Sire/Korova

    Second album from Echo & the Bunnymen, produced by Hugh Jones (and the band) and recorded in Wales. It was put out by Korova in the UK and Sire in the US.

    While Crocodiles didn’t chart in the US this one did. The photo on the cover – taken on the shore in Wales – is such an iconic image for the era.

    My copy—via a record fair at Mill No. 5—is a US Jacksonville pressing from Allied metalwork.

    #1980s #1981 #Allied #EchoAndTheBunnymen #Jacksonville #Korova #LowellMA #MillNo5 #Sire #vinyl #vinylcollection #vinylfinds

  3. Joy Division, Substance, 1988 on Factory

    Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

    Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

    My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

    #1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

  4. Joy Division, Substance, 1988 on Factory

    Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

    Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

    My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

    #1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

  5. Joy Division, Substance, 1988 on Factory

    Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

    Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

    My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

    #1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

  6. Joy Division, Substance, 1988 on Factory

    Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

    Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

    My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

    #1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

  7. Joy Division, Substance, 1988 on Factory

    Posthumous collection of Joy Division singles put out in 1988 as a 1xLP and reissued in 2015 as a 2xLP by Rhino (a digital remaster). Substance was also used at the title for the New Order singles collection that came out in 1987 (with “1987” added).

    Still looking for a good clean copy of Unknown Pleasures but I was glad to find this copy of Substance. The 2xLP version includes the “Pennine Version” of “Love Will Tear Us Apart” which was the b-side of the original single.

    My copy—via a record fair at Mill No. 5—is the 2015 Rhino US edition pressed at Optimal GmbH on 180g vinyl.

    #1980s #1988 #2010s #2015 #compilation #FactoryRecords #JoyDivision #LowellMA #MillNo5 #Rhino #Singles #vinyl #vinylcollection #vinylfinds

  8. Modern English, Mesh & Lace, 1981 on 4AD

    Debut album from Modern English on the 4AD label. This wasn’t released in the US formally until the 2012 CD reissue and then 2016 on vinyl.

    The debut is a bit darker and more derivative of Joy Division than some of the later work but still a really strong collection of songs.

    I always loved the lyric from “I Melt With You”: “never realizing it was always mesh & lace” but didn’t recognize at the time it was something of a reference to their debut.

    My copy—via a record fair at Mill No. 5—is a UK pressing by WEA in West Drayton, with the original inner sleeve.

    #1980s #1981 #4AD #LowellMA #MillNo5 #ModernEnglish #UK #vinyl #vinylcollection #vinylfinds #WEAWestDrayton

  9. Modern English, Mesh & Lace, 1981 on 4AD

    Debut album from Modern English on the 4AD label. This wasn’t released in the US formally until the 2012 CD reissue and then 2016 on vinyl.

    The debut is a bit darker and more derivative of Joy Division than some of the later work but still a really strong collection of songs.

    I always loved the lyric from “I Melt With You”: “never realizing it was always mesh & lace” but didn’t recognize at the time it was something of a reference to their debut.

    My copy—via a record fair at Mill No. 5—is a UK pressing by WEA in West Drayton, with the original inner sleeve.

    #1980s #1981 #4AD #LowellMA #MillNo5 #ModernEnglish #UK #vinyl #vinylcollection #vinylfinds #WEAWestDrayton

  10. Bauhaus, 4AD, 1983 on 4AD

    Yes, I did save this one for halloween. This was a compilation EP of the singles versions of “Dark Entries,” “Telegram Sam,” and “Terror Couple Kill Colonel.” Love that back cover photo.

    I was today years old when I realized that John Cale wrote “Rosegarden Funeral of Sores,” the opening triplet of which is burned into my adolescent brain so much it still comes up whenever I am tired of dealing with people:

    Virgin Mary was tired so tired / Tired of listening to gossip / Gossip and complaints

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK pressing with a white b-side label, pressed by Damont. I don’t believe this was ever issued in the US.

    #1980s #1983 #4AD #Bauhaus #DanielAsh #DavidJay #Goth #JohnCale #KevinHaskins #LowellMA #MillNo5 #PeterMurphy #UK #vinyl #vinylcollection #vinylfinds

  11. Bob Dylan, Street-Legal, 1978 on Columbia

    This was Dylan’s 18th studio LP, made with a band that included Jerry Scheff, Ian Wallace, Alan Pasqua, Billy Cross, Steven Soles, Steve Douglas, and David Mansfield – many of whom were in the Rolling Thunder Revue. (David Mansfield also went on to be part of The Range).

    Not as many absolutely central Dylan songs here, but I do love “Is Your Love In Vain?” and “Señor (Tales of Yankee Power).”

    My copy—via a record fair at Mill No 5 in Lowell MA—is a 1978 pressing from Columbia’s Santa Maria plant. It’s written as “Street Legal” (no hyphen) on the labels but “Street-Legal” on the cover and spine.

    #1970s #1978 #AlanPasqua #BillyCross #BobDylan #Columbia #DavidMansfield #IanWallace #JerryScheff #LowellMA #MillNo5 #SantaMaria #SteveDouglas #StevenSoles #vinyl #vinylcollection #vinylfinds

  12. The Smiths, The World Won’t Listen, 1987 on Rough Trade

    This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

    Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

    What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

    #1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

  13. The Smiths, The World Won’t Listen, 1987 on Rough Trade

    This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

    Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

    What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

    #1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

  14. The Smiths, The World Won’t Listen, 1987 on Rough Trade

    This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

    Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

    What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

    #1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

  15. The Smiths, The World Won’t Listen, 1987 on Rough Trade

    This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

    Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

    What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

    #1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

  16. The Smiths, The World Won’t Listen, 1987 on Rough Trade

    This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.

    Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”

    What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).

    #1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds

  17. The Smiths, The Smiths, 1984 on Rough Trade

    Masterful debut album by Morrissey, Johnny Marr, Andy Rourke and Mike Joyce aka The Smiths. Produced by John Porter and recorded at multiple studios in Manchester and London in 1983.

    Yes, I still listen to The Smiths even if Morrissey is problematic. This is a fantastic debut – not necessarily my favorite single Smiths record, but so much of what makes them great is already here.

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a 1984 US pressing on Sire / RoughTrade, pressed at Specialty Records.

    #1980s #1984 #AndyRourke #JohnPorter #JohnnyMarr #London #LowellMA #ManchesterUK #MikeJoyce #MillNo5 #morrissey #RoughTrade #Sire #TheSmiths #vinyl #vinylcollection #vinylfinds

  18. ZZ Top, Fandango!, 1975 on London Records

    Fourth release from Texas blues band ZZ Top, Fandango! included an A side with live songs (from The Warehouse, in New Orleans) and a B side of new studio recordings.

    A Fandango is a dance originating in Spain and Portugal – which wikipedia tells me “is used as a synonym for ‘a quarrel’, ‘a big fuss’ or ‘a foolish or pretentious act'” – not sure which one ZZ Top were after here.

    I think their first eight albums (yes, I include Eliminator) are fantastic though I’d argue after that it is downhill – but the live releases that have continued to come out from earlier days are great.

    My copy—via a record fair at Mill No. 5 in Lowell, MA—is a later 1979 Winchester Pressing on Warner Bros. labels.

    #1970s #1975 #LondonRecords #LowellMA #MillNo5 #NewOrleans #TheWarehouse #vinyl #vinylcollection #vinylfinds #ZZTop

  19. Cyndi Lauper, She’s So Unusual, 1983 on Portrait

    Lauper’s debut solo album, She’s So Unusual had four top-five singles: “Girls Just Want To Have Fun,” “Time After Time,” “She Bop,” and “All Through The Night.”

    A number of the songs were covers – “Money Changes Everything” by The Brains, “When You Were Mine” by Prince, “All Through The Night” by Jules Shear, and even “Girls Just Want To Have Fun” which was written by Robert Hazard who had performed it with multiple bands and made a demo recording.

    Truly a must-have album for an 80s music fan.

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a 1984 pressing with the original inner liner and Portrait label.

    #1980s #1983 #CyndiLauper #JulesShear #LowellMA #MillNo5 #Portrait #prince #RobertHazard #TheBrains #vinyl #vinylcollection #vinylfinds

  20. Various Artists, The Best of Music and Rhythm, 1983 on PVC Records

    Shortened single-LP version (there’s a 2xLP version as well, PVC 201) of a record released to commemorate and benefit the WOMAD festival (World of Music and Dance). Peter Gabriel founded WOMAD as an organization in 1980 and the 1982 festival was the first.

    The festival for which this LP serves as a benefit was held at the Royal Bath and West Showground, near Shepton Mallet in Somerset, from Friday, July 16th, until Sunday, July 18th, 1982. The W.O.M.A.D. festival intended to focus wider public attention upon the traditional and contemporary arts of non-west cultures, as practiced in the U.K. and throughout the world.

    Wonderful eclectic compilation including Gabriel, XTC, David Byrne, and the English Beat (credited as “The Beat” on the label, but “The English Beat” on the cover- it is a US pressing), along with Mighty Sparrow, Ekome, Prince Nico Mbarga, and Rico.

    My copy via a record fair at Mill No. 5 in Lowell MA.

    #DavidByrne #Ekome #LowellMA #MightySparrow #MillNo5 #PeterGabriel #PVCRecords #Rico #TheEnglishBeat #variousArtists #vinyl #vinylcollection #vinylfinds #WOMAD #WorldMusic #XTC

  21. Randy Newman, Little Criminals, 1977 on Warner Bros

    Randy Newman’s fifth studio LP and his highest charting, in part due to “Short People,” which was also a hit single. Produced by Lenny Waronker and Russ Titelman, with supporting players including Waddy Wachtel, Joe Walsh, Glen Frey, J.D. Souther, Tim Schmit, Klaus Voorman, Jim Keltner, Willie Weeks, and even Ry Cooder on mandola on “Kathleen.”

    My copy—via a record fair at Mill No. 5 in Lowell MA—is a Bestway pressing, with some price sticker damage on the front from a previous owner.

    #1970s #1977 #GlenFrey #JDSouther #JimKeltner #JoeWalsh #KlausVoorman #LarryWaronker #LowellMA #MillNo5 #RandyNewman #RussTitelman #RyCooder #TimSchmit #vinyl #vinylcollection #vinylfinds #WaddyWachtel #WarnerBrothers

  22. U2, Give Me One Last Chance, 2023 on Dear Boss.

    Bootleg of U2 live in Glen Helen Regional Park, San Bernadino CA, on May 30th 1983.

    Dear Boss. (apparently the period is part of the label name) is a new label reissuing things that were broadcast, which means under EU law are out of copyright at this point. Not sure if this was technically an FM broadcast or not (it was released multiple times on video), but it is the set U2 played (on “Rock Day”) at the US Festival in 1983.

    There’s a great video of it on YouTube (but can’t be embedded here): U2 War Tour US Festival 1983 remastered Devore, CA.

    My copy via Mill No. 5 in Lowell MA

    #1980s #1983 #Bootleg #DearBoss_ #LowellMA #MillNo5 #U2 #USFestival #vinyl #vinylcollection #vinylfinds

  23. The Replacements, Let It Be, 1984 on Twin/Tone

    Third full length album for The Replacements, following Hootenanny. Recorded at Blackberry Way after using a warehouse in Brooklyn Center for that record. Produced by Steve Fjelstad, Peter Jesperson, and Paul Westerberg.

    Definitely one of my favorites – with the sublime (“Androgynous,” “Unsatisfied”) and the ridiculous (“Gary’s Got a Boner”) and a cover of Kiss’ “Black Diamond” for good measure. Peter Buck guests on “I Will Dare” and Chan Poling on “Sixteen Blue.”

    My copy—via Slipped Disc at a record fair at Mill No. 5 in Lowell MA—is the 2016 reissue by Rhino on Twin/Tone labels.

    #1980s #1984 #2016 #BobStinson #ChanPoling #ChrisMars #LowellMA #MillNo5 #PaulWesterberg #PeterBuck #PeterJesperson #Reissue #Rhino #SlippedDisc #SteveFjelstad #TheReplacements #TommyStinson #TwinTone #vinyl #vinylcollection #vinylfinds

  24. Bauhaus, In The Flat Field, 1980 on 4AD

    Debut album from Peter Murphy, Daniel Ash, David Jay, and Kevin Haskins aka Bauhaus. Bauhaus and its many spinoffs (Tones on Tail, Love and Rockets, Dali’s Car) are among my favorite musical lineages.

    They’d released “Bela Lugosi’s Dead” as a single in 1979 on Small Wonder records, but this debut came out on 4AD which itself was new in 1980 under the Beggars Banquet umbrella.

    The cover is a photograph called Homage to Purvis de Chavannes by American photographer Duane Michals – hopefully it doesn’t get my account flagged as naughty.

    My copy – as so many in the last few weeks via Slipped Disc at a Mill No 5 record fair – is a 2013 reissue.

    #1980 #1980s #4AD #Bauhaus #DanielAsh #DavidJay #Goth #KevinHaskins #LowellMA #MillNo5 #PeterMurphy #SlippedDisc #vinyl #vinylcollection #vinylfinds

  25. The Police, Zenyatta Mondatta, 1980 on A&M

    Third album in the brilliant opening set of LPs from Sting, Stewart Copeland, and Andy Summers. Side one opens with “Don’t Stand So Close To Me,” “Driven To Tears,” and “When The World is Running Down, You Make The Best of What’s Still Around” – what a sequence!

    There’s such a tight and interesting rhythm to these early Police albums – obviously a trio of brilliant musicians taking basic rock structures and expanding on them in interesting and challenging ways.

    Before I starting bringing discogs (on my phone) when record shopping, I bought 2 or 3 copies of each of the first 5 Police LPs – now I know better and only pick one up if it is an upgrade of quality.

    My copy—via Slipped Disc at a vinyl fair at Mill No. 5 in Lowell MA—looks to be a 1981 pressing from Pittman, perhaps with stampers from Terre Haute.

    #1980 #1980s #AM #AnySummers #LowellMA #MillNo5 #SlippedDisc #StewartCopeland #ThePolice #vinyl #vinylcollection #vinylfinds

  26. #BostonWeekend 12/x
    Fri-Sun WORLD #LowellMA Folk Festival (billed as the ‘largest free folk festival in the nation’ but understand it is more #WorldMusic than trad 'American folk') - recommend #BeauSoleil and #RedBaraat and #Solas lowellfolkfestival.org

  27. Haircut One Hundred, Pelican West, 1982 on Arista

    The debut album for UK New Wave band Haircut One Hundred, founded by Nick Heyward, Les Nemes, and Graham Jones, joined here by Blair Cunningham on drums. Lead single “Love Plus One” was a top 10 hit in the UK and a top 40 hit in the US.

    The LP was produced by Bob Sargeant and recorded at Roundhouse Studios in London.

    My copy—via Vinyl Destination in Lowell MA—is an early US repressing with the track title of A5 corrected on the label.

    #1980s #1982 #Arista #HaircutOneHundred #London #LowellMA #NewWave #RoundhouseStudios #vinyl #VinylDestination #vinylcollection #vinylfinds

  28. The Alarm, Change, 1989 on I.R.S. Records

    We recently lost Mike Peters of The Alarm, after a 30 year battle with cancer. He also had a lengthy solo career following the band’s breakup in the early 90s, and founded the Love Hope Strength Foundation.

    This album was their penultimate with the original lineup, and has NID YN CYMRU AR WERTH carved into the runout (“Wales is not for sale”). They also released simultaneously a version in Welsh called Newid.

    My copy—via Vinyl Destination in Lowell MA—is a US pressing from 1989. The cover is die cut (ALARM on the front, CHANGE on the back) such that the inner lyrics sheet (which wraps around the printer inner) shows through.

    #1980s #IRSRecords #LoveHopeStrengthFoundation #LowellMA #MikePeters #Newid #TheAlarm #vinyl #VinylDestination #vinylcollection #vinylfinds

  29. Sturgill Simpson, Cuttin’ Grass Vol. 1 (The Butcher Shoppe Sessions), 2020 on High Top Mountain Records

    Sturgill Simpson is one of my favorite contemporary artists, who generally gets classified as a Country artist but here breaks out into bluegrass. The Butcher Shoppe is actually a studio in Nashville set up by David Ferguson and John Prine. (There’s also a Nashville studio called The Butcher Shop, operated by Butch Walker).

    The band includes Scott Vestal, Stuart Duncan, Sierra Hull, Miles Miller, Mark Howard, and Tim O’Brien – some very strong bluegrass bona fides in that room.

    These are bluegrass versions of Sturgill Simpson songs, so you get “Turtles All The Way Down” and “Life Ain’t Far and the World is Mean” and “Sitting Here Without You.”

    My copy via a record fair at Mill No. 5 in Lowell MA

    #2020 #2020s #Bluegrass #HighTopMountainRecords #LowellMA #MarkHoward #millNo5 #ScottVestal #SierraHull #StuartDuncan #SturgillSimpson #TimOBrien #vinyl #vinylcollection #vinylfinds

  30. Junior Walker and the All-Stars, Anthology, 1974 on Motown

    While many folks only know Walker and the All-Stars via their first and biggest hit, “Shotgun,” this 2xLP release collects recordings from 1965-1973 – good way to get to know more of their catalog.

    Motown issued a whole series of Anthology releases in the mid-seventies – mostly 2xLP releases of collections from their best selling artists – and I’ll grab them whenever i find them in good shape at a reasonable price. (Record store owners and collectors sometimes have a preference for all the original records rather than these collections – but I enjoy them).

    My copy via Vinyl Destination (formerly) in Lowell MA

    #1970s #1974 #anthology #JuniorWalker #JuniorWalkerAndTheAllStars #LowellMA #motown #Soul #vinyl #VinylDestination #vinylcollection #vinylfinds

  31. Joe Jackson, Look Sharp!, 1979 on A&M

    Joe Jackson’s debut full length, with “Is She Really Going Out With Him?,” “Fools In Love,” and “Sunday Papers.” Love this iconic cover photo by Brian Griffin.

    Recorded at Eden Studios in London, with the band including Graham Maby, Dave Houghton, and Gary Sanford – produced by David Kershenbaum.

    My copy is a promotional pressing via Vinyl Destination in Lowell, MA

    #1970s #1979 #AM #DaveHoughton #EdenStudios #GarySanford #GrahamMaby #JoeJackson #LowellMA #Promo #vinyl #VinylDestination #vinylcollection #vinylfinds

  32. Jeff Beck, Blow By Blow, 1975 on Epic

    Jeff Beck is a guitarists’ guitarist – constantly named by other greats as one of the greatest but not given quite the same public acclaim.

    This 1975 album – orchestrated, arranged, and produced by George Martin – has two Stevie Wonder songs (“Case We’ve Ended As Lovers” and “Thelonious”), a Beatles cover (“She’s a Woman”) as well as joint compositions by Beck and members of the backing […]

    #1970s #1975 #Epic #GeorgeMartin #Guitar #JeffBeck #JeffBeckGroup #LowellMA #StevieWonder #vinyl #VinylDestination #vinylcollection #vinylfinds

    wp.me/p4tTZ-6KU

  33. Traffic, Welcome to the Canteen, 1971 on United Artists

    As a result of some contractual disputes, this is credited on the labels and cover directly to Steve Winwood, Jim Capaldi, Dave Mason, Chris Wood, Rick Grech, “Reebop” Kwaku Baah, and Jim Gordon, with no mention of “Traffic” though the rear cover and labels include the Traffic logo. Recorded live at Fairfield Hall in Croydon and at the Polytechnic of Central London in June and July of 1971. […]

    #Reebop_ #1970s #1971 #ChrisWood #Croydon #DaveMason #FairfieldHall #JimCapaldi #JimGordon #KwakuBaah #London #LowellMA #PolytechnicOfCentralLondon #RickGrech #SteveWinwood #Traffic #UnitedArtists #vinyl #VinylDestination #vinylcollection #vinylfinds

    wp.me/p4tTZ-6HF

  34. James Taylor, One Man Dog, 1972 on Warner Bros.

    This was Taylor’s fourth studio album, with “Don’t Let Me Be Lonely Tonight.” 18 tracks means lots of short bits / interludes, some of which can feel a bit unfinished but overall I like the effect.

    Performers include Carly Simon and Carole King on backing vocals, Danny Kortchmar, Leland Sklar, Russ Kunkel, and John McLaughlin (of Mahavishnu Orchestra) on “Someone.”

    My copy via Vinyl […]

    #1970s #1972 #CarlySimon #CaroleKing #DannyKortchmar #JamesTaylor #JohnMcLaughlin #LowellMA #RussKunkel #vinyl #VinylDestination #vinylcollection #vinylfinds #WarnerBrothers

    wp.me/p4tTZ-6Dp

  35. Steely Dan, Katy Lied, 1975 on ABC Records

    Walter Becker and Donald Fagen on the fourth full length studio album from Steely Dan. This was the first album after the departure of Skunk Baxter and Jim Hodder and the shift into studio albums with session musicians. (One of the session musicians here is Michael MacDonald providing backing vocals.)

    Apparently Becker and Fagen were unhappy with the sound for some technical reasons but it […]

    #1970s #1975 #1980 #ABCRecords #DonaldFagen #LowellMA #MCARecords #MichaelMacDonald #SteelyDan #vinyl #VinylDestination #vinylcollection #vinylfinds #WalterBecker

    wp.me/p4tTZ-6At

  36. Third place in the Banjo/Fiddle duet category at the 43rd Annual Lowell Banjo and Fiddle Contest on Saturday. My partner also took third in the solo old time fiddle category! Fun day of jamming on the sidelines too.
    #fiddle #banjo #lowellMA #summer #longloststringband #oldtimeMusic #otaf

  37. #Brazil #Portuguese - Sinto muito, meu português é ruim

    Aqui em #Massachusetts, o #português é a terceira língua mais popular, 2,6% falam!

    Especialmente comunidades em #SomervilleMA e #EverettMA e #NewBedfordMA e #FallRiverMA e #LowellMA e #Boston.

    Encontre a comunidade aqui: maps-inc.org/pt-pt/

    💚 💛 🤍 💙 🇧🇷 Nós amamos o #Brasil
    /
    Sorry, my Portuguese is bad

    Here in #Massachusetts, #Portuguese is the third most popular language, 2.6% speak it!

    Specifically communities in #SomervilleMA and #EverettMA and #NewBedfordMA and #FallRiverMA and #LowellMA and #Boston.

    Find community here: maps-inc.org/pt-pt/
    💚 💛 🤍 💙 🇧🇷 We love #Brazil

  38. #Brazil #Portuguese - Sinto muito, meu português é ruim

    Aqui em #Massachusetts, o #português é a terceira língua mais popular, 2,6% falam!

    Especialmente comunidades em #SomervilleMA e #EverettMA e #NewBedfordMA e #FallRiverMA e #LowellMA e #Boston.

    Encontre a comunidade aqui: maps-inc.org/pt-pt/

    💚 💛 🤍 💙 🇧🇷 Nós amamos o #Brasil
    /
    Sorry, my Portuguese is bad

    Here in #Massachusetts, #Portuguese is the third most popular language, 2.6% speak it!

    Specifically communities in #SomervilleMA and #EverettMA and #NewBedfordMA and #FallRiverMA and #LowellMA and #Boston.

    Find community here: maps-inc.org/pt-pt/
    💚 💛 🤍 💙 🇧🇷 We love #Brazil