#johnnymarr — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #johnnymarr, aggregated by home.social.
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The best music of autumn 2026: Johnny Marr, Phoebe Bridgers, Rachel Chinouriri and more
By Pop picks by Alexis Petridis. Global and jazz picks Ammar Kalia and John Fordham. Classical picks Flora WillsonIrish noisemongers Gilla Band, shadowy producers Two Shell and lovable band the Big Moon have new records – plus there are tours from veterans such as Bob Dylan and Sex Pistols and newer trailblazers Kelela and EsDeeKid• See all of our unmissable autumn arts recommendations here• ‘It’s easier when nobody’s watching’: inside the secretive and sublime freak-folk of @• See all of our unmissable autumn arts recommendations here
#Culture #Music #Popandrock #RB #Punk #Electronicmusic #Indie #Rap #Hiphop #Folkmusic #JohnnyMarr #RachelChinouriri #EzraFurman #Kelela #NoahKahan #BobDylan #PhoebeBridgers #Kehlani #SexPistols #TheGuardian #PoppicksbyAlexisPetridisGlobal #jazzpicksAmmarKalia #JohnFordhamClassicalpicksFloraWillson
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The Smiths, The World Won’t Listen, 1987 on Rough Trade
This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits.
Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t Funny Anymore,” and “You Just Haven’t Earned It Yet, Baby.”
What teenager hasn’t felt “And I’ve got no right to take my place in the human race . . . “?
My copy—via a record fair at Mill No. 5 in Lowell MA—is a UK issue from 1987, pressed by MPO. (Louder than Bombs was released in the US in lieu of this record, which was not released on vinyl in the US until the 2011 reissue series).
#1980s #1987 #AndyRourke #JohnnyMarr #LowellMA #MikeJoyce #MillNo5 #morrissey #RoughTrade #TheSmiths #vinyl #vinylcollection #vinylfinds
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The Smiths, Strangeways Here We Come, 1987 on Rough Trade.
Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience.
Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover of The Queen is Dead.
My copy—via A1 Records in NYC—is the 2009 Rhino reissue which sounds great (though I don’t have an 80s pressing to compare it to).
#1980s #1987 #2009 #A1Records #JohnnyMarr #morrissey #NYC #Reissue #Rhino #RoughTrade #Salford #StephenStreet #TheSmiths #vinyl #vinylcollection #vinylfinds
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Selected influences (part 9)
#Aspidistrafly #CaetanoVeloso #Gwenno #Jónsi #Jonsi #TheLas #BethJeansHoughton #PerfumeGenius #Rinse #SuperFurryAnimals #CSNY #Efterklang #KitchensOfDistinction #OuzoBazooka #BeachFossils #Alvvays #DavidSylvian #naam #DuncanBrowne #HereWeGoMagic #WashedOut #MosesSumney #NataliaLafourcade #TheKnife #ArcticMonkeys #KateBush #BatForLashes #JaySom #Unloved #JohnnyMarr #Lush #Tungg #BelleAndSebastian #Pulp #SergeGainsbourg #Tonstartssbandht #MiguelBosé #MiguelBose