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#thesmiths — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #thesmiths, aggregated by home.social.

  1. 🔴 LIVE NOW ON VORTEX
    📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
    ──────────────
    🎵 The Smiths - Barbarism Begins At Home

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TheSmiths #IndieRock #PostPunk #80s

  2. 🔴 LIVE NOW ON VORTEX
    📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
    ──────────────
    🎵 The Smiths - Heaven Knows I'm Miserable Now (2011 Remaster)

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TheSmiths #PostPunk #IndiePop #80s

  3. Und wenn man die inbrünstig vorgetragene Textsicherheit der Fans (alte Knacker und junge Leute) bei den Doppeldeckerbussen und Zehn-Tonnen-Lastern erlebt, wird klar, welche Karriere die Smiths am Ende hingeworfen haben, die heute als Headliner Stadien füllen würden. #sentimentaljourney #TheSmiths #RickAstley

    dailymotion.com/video/x8m7vht

  4. The Smiths, Strangeways Here We Come, 1987 on Rough Trade.

    Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience.

    Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover of The Queen is Dead.

    My copy—via A1 Records in NYC—is the 2009 Rhino reissue which sounds great (though I don’t have an 80s pressing to compare it to).

    #1980s #1987 #2009 #A1Records #JohnnyMarr #morrissey #NYC #Reissue #Rhino #RoughTrade #Salford #StephenStreet #TheSmiths #vinyl #vinylcollection #vinylfinds

  5. Listening to my #Vinyl #Collection - Album 95

    Dum Dum Girls – He Gets Me High (2011)

    My last #DumDumGirls non-single. Includes a cover of #TheSmiths song There Is A Light That Never Goes Out! Fun but short EP. So good!

    #music #indie #lofi

  6. Mistodon: this is an adaptation of the cover art to the 1987 album #LouderThanBombs by #TheSmiths, here tweaked by artist Pixard_neh to pertain to his chosen medium of #pixelart. (The album art is a photo of British playwright #ShelaghDelaney originally published in the Saturday Evening Post.) This piece was included in the music-themed MIST0121 artpack collection.

  7. Mistodon: this is an adaptation of the cover art to the 1987 album #LouderThanBombs by #TheSmiths, here tweaked by artist Pixard_neh to pertain to his chosen medium of #pixelart. (The album art is a photo of British playwright #ShelaghDelaney originally published in the Saturday Evening Post.) This piece was included in the music-themed MIST0121 artpack collection.

  8. Mistodon: this is an adaptation of the cover art to the 1987 album #LouderThanBombs by #TheSmiths, here tweaked by artist Pixard_neh to pertain to his chosen medium of #pixelart. (The album art is a photo of British playwright #ShelaghDelaney originally published in the Saturday Evening Post.) This piece was included in the music-themed MIST0121 artpack collection.

  9. Mistodon: this is an adaptation of the cover art to the 1987 album #LouderThanBombs by #TheSmiths, here tweaked by artist Pixard_neh to pertain to his chosen medium of #pixelart. (The album art is a photo of British playwright #ShelaghDelaney originally published in the Saturday Evening Post.) This piece was included in the music-themed MIST0121 artpack collection.

  10. Mistodon: this is an adaptation of the cover art to the 1987 album #LouderThanBombs by #TheSmiths, here tweaked by artist Pixard_neh to pertain to his chosen medium of #pixelart. (The album art is a photo of British playwright #ShelaghDelaney originally published in the Saturday Evening Post.) This piece was included in the music-themed MIST0121 artpack collection.