#avatar — Public Fediverse posts

Missing them

#korrasami #tlok #avatar #korra #asami

Missing them

#korrasami #tlok #avatar #korra #asami

Missing them

#korrasami #tlok #avatar #korra #asami

https://www.europesays.com/cz/190023/ Avataři se zasekli v realitě. Závěrečný díl filmové série Jumanji se představuje #Avatar #DwayneJohnson #Entertainment #FilmJumanji #Trailer #Videohry #Zábava

🔴Vket Weekly Worldhop & News
https://www.youtube.com/watch?v=GngUxK3VtOU

#youtube_vketchan #Virtual_Market #vketchan #Metaverse #vr #virtual #virtual_reality #funny #moments #hilarious #funtage #gameplay #silly #comedy #girl #social_vr #vrc #vrchat_funny_moments #vrchat_comedy #vrchat_funny #htc #vive #oculus #rift #memes #vrchat_meme #full_body_tracking #valve_index #gaminng #vr_experience #meme #vket #meta #quest #vtuber #avatar

🔴Vket Weekly Worldhop & News
https://www.youtube.com/watch?v=GngUxK3VtOU

#youtube_vketchan #Virtual_Market #vketchan #Metaverse #vr #virtual #virtual_reality #funny #moments #hilarious #funtage #gameplay #silly #comedy #girl #social_vr #vrc #vrchat_funny_moments #vrchat_comedy #vrchat_funny #htc #vive #oculus #rift #memes #vrchat_meme #full_body_tracking #valve_index #gaminng #vr_experience #meme #vket #meta #quest #vtuber #avatar

🔴Vket Weekly Worldhop & News
https://www.youtube.com/watch?v=GngUxK3VtOU

#youtube_vketchan #Virtual_Market #vketchan #Metaverse #vr #virtual #virtual_reality #funny #moments #hilarious #funtage #gameplay #silly #comedy #girl #social_vr #vrc #vrchat_funny_moments #vrchat_comedy #vrchat_funny #htc #vive #oculus #rift #memes #vrchat_meme #full_body_tracking #valve_index #gaminng #vr_experience #meme #vket #meta #quest #vtuber #avatar

🔴Vket Weekly Worldhop & News
https://www.youtube.com/watch?v=itleAshg50c

#youtube_vketchan #Virtual_Market #vketchan #Metaverse #vr #virtual #virtual_reality #funny #moments #hilarious #funtage #gameplay #silly #comedy #girl #social_vr #vrc #vrchat_funny_moments #vrchat_comedy #vrchat_funny #htc #vive #oculus #rift #memes #vrchat_meme #full_body_tracking #valve_index #gaminng #vr_experience #meme #vket #meta #quest #vtuber #avatar

🔴Vket Weekly Worldhop & News
https://www.youtube.com/watch?v=itleAshg50c

#youtube_vketchan #Virtual_Market #vketchan #Metaverse #vr #virtual #virtual_reality #funny #moments #hilarious #funtage #gameplay #silly #comedy #girl #social_vr #vrc #vrchat_funny_moments #vrchat_comedy #vrchat_funny #htc #vive #oculus #rift #memes #vrchat_meme #full_body_tracking #valve_index #gaminng #vr_experience #meme #vket #meta #quest #vtuber #avatar

🔴Vket Weekly Worldhop & News
https://www.youtube.com/watch?v=itleAshg50c

#youtube_vketchan #Virtual_Market #vketchan #Metaverse #vr #virtual #virtual_reality #funny #moments #hilarious #funtage #gameplay #silly #comedy #girl #social_vr #vrc #vrchat_funny_moments #vrchat_comedy #vrchat_funny #htc #vive #oculus #rift #memes #vrchat_meme #full_body_tracking #valve_index #gaminng #vr_experience #meme #vket #meta #quest #vtuber #avatar

Use the power of LOVE to beat patriarchy

#meme #memes #funny #patriarchy #feminism #feminist #avatar

Use the power of LOVE to beat patriarchy

#meme #memes #funny #patriarchy #feminism #feminist #avatar

Use the power of LOVE to beat patriarchy

#meme #memes #funny #patriarchy #feminism #feminist #avatar

Use the power of LOVE to beat patriarchy

#meme #memes #funny #patriarchy #feminism #feminist #avatar

Use the power of LOVE to beat patriarchy

#meme #memes #funny #patriarchy #feminism #feminist #avatar

#IllanElokuva on #Avatar-sarjan (alkuaanhan se oli yksi elokuva, nyt niitä taitaa tulla vuosi vuodelta uusia lisää) kolmososa. Aivan järkyttävän ylipitkä ja haaskaa kaikki kohdat, jossa voisi sanoa jotakin merkittävää. #elokuvat
https://www.imdb.com/title/tt1757678/

#IllanElokuva on #Avatar-sarjan (alkuaanhan se oli yksi elokuva, nyt niitä taitaa tulla vuosi vuodelta uusia lisää) kolmososa. Aivan järkyttävän ylipitkä ja haaskaa kaikki kohdat, jossa voisi sanoa jotakin merkittävää. #elokuvat
https://www.imdb.com/title/tt1757678/

#IllanElokuva on #Avatar-sarjan (alkuaanhan se oli yksi elokuva, nyt niitä taitaa tulla vuosi vuodelta uusia lisää) kolmososa. Aivan järkyttävän ylipitkä ja haaskaa kaikki kohdat, jossa voisi sanoa jotakin merkittävää. #elokuvat
https://www.imdb.com/title/tt1757678/

#IllanElokuva on #Avatar-sarjan (alkuaanhan se oli yksi elokuva, nyt niitä taitaa tulla vuosi vuodelta uusia lisää) kolmososa. Aivan järkyttävän ylipitkä ja haaskaa kaikki kohdat, jossa voisi sanoa jotakin merkittävää. #elokuvat
https://www.imdb.com/title/tt1757678/

#IllanElokuva on #Avatar-sarjan (alkuaanhan se oli yksi elokuva, nyt niitä taitaa tulla vuosi vuodelta uusia lisää) kolmososa. Aivan järkyttävän ylipitkä ja haaskaa kaikki kohdat, jossa voisi sanoa jotakin merkittävää. #elokuvat
https://www.imdb.com/title/tt1757678/

// 'Bending' YCHs - Auction!

Was watching Avatar again lately and felt really inspired to do YCHs of each element hope you like them as much as I do OwO

.

Starting Bid: €150
Minimum Bid: €10
Autobuy: —

Sample of finishing style:
https://t.me/DanCrescentWolf_Art/28

.

Rules:
• any gender
• mostly any anthro species & bodytype
• wings are fine
• Can add an outfit!
• Overall mood and scenery should stay like this pls

• Please comment below to the individual YCH bid comments
• Always reply to last bid (so they know when they're outbid)
• Auction will end in 48hrs from now - sniping within the last 2 hrs will extend the auction for 1 more hour
• Pls have money ready, full payment must be done within 24hrs after I contacted you

Please ask if anything's unsure!
Feel free to show me your OC first so I can let you know if it'll work :3

.

Will be finished after my current queue, pls don't commission me if you cannot wait!!

Telegram Crosspost:
https://t.me/dancrescentwolf/9663

.

#furry #furryart #furryych #ych #commissionsOpen #furrycommission #Avatar

// 'Bending' YCHs - Auction!

Was watching Avatar again lately and felt really inspired to do YCHs of each element hope you like them as much as I do OwO

.

Starting Bid: €150
Minimum Bid: €10
Autobuy: —

Sample of finishing style:
https://t.me/DanCrescentWolf_Art/28

.

Rules:
• any gender
• mostly any anthro species & bodytype
• wings are fine
• Can add an outfit!
• Overall mood and scenery should stay like this pls

• Please comment below to the individual YCH bid comments
• Always reply to last bid (so they know when they're outbid)
• Auction will end in 48hrs from now - sniping within the last 2 hrs will extend the auction for 1 more hour
• Pls have money ready, full payment must be done within 24hrs after I contacted you

Please ask if anything's unsure!
Feel free to show me your OC first so I can let you know if it'll work :3

.

Will be finished after my current queue, pls don't commission me if you cannot wait!!

Telegram Crosspost:
https://t.me/dancrescentwolf/9663

.

#furry #furryart #furryych #ych #commissionsOpen #furrycommission #Avatar

// 'Bending' YCHs - Auction!

Was watching Avatar again lately and felt really inspired to do YCHs of each element hope you like them as much as I do OwO

.

Starting Bid: €150
Minimum Bid: €10
Autobuy: —

Sample of finishing style:
https://t.me/DanCrescentWolf_Art/28

.

Rules:
• any gender
• mostly any anthro species & bodytype
• wings are fine
• Can add an outfit!
• Overall mood and scenery should stay like this pls

• Please comment below to the individual YCH bid comments
• Always reply to last bid (so they know when they're outbid)
• Auction will end in 48hrs from now - sniping within the last 2 hrs will extend the auction for 1 more hour
• Pls have money ready, full payment must be done within 24hrs after I contacted you

Please ask if anything's unsure!
Feel free to show me your OC first so I can let you know if it'll work :3

.

Will be finished after my current queue, pls don't commission me if you cannot wait!!

Telegram Crosspost:
https://t.me/dancrescentwolf/9663

.

#furry #furryart #furryych #ych #commissionsOpen #furrycommission #Avatar

// 'Bending' YCHs - Auction!

Was watching Avatar again lately and felt really inspired to do YCHs of each element hope you like them as much as I do OwO

.

Starting Bid: €150
Minimum Bid: €10
Autobuy: —

Sample of finishing style:
https://t.me/DanCrescentWolf_Art/28

.

Rules:
• any gender
• mostly any anthro species & bodytype
• wings are fine
• Can add an outfit!
• Overall mood and scenery should stay like this pls

• Please comment below to the individual YCH bid comments
• Always reply to last bid (so they know when they're outbid)
• Auction will end in 48hrs from now - sniping within the last 2 hrs will extend the auction for 1 more hour
• Pls have money ready, full payment must be done within 24hrs after I contacted you

Please ask if anything's unsure!
Feel free to show me your OC first so I can let you know if it'll work :3

.

Will be finished after my current queue, pls don't commission me if you cannot wait!!

Telegram Crosspost:
https://t.me/dancrescentwolf/9663

.

#furry #furryart #furryych #ych #commissionsOpen #furrycommission #Avatar

// 'Bending' YCHs - Auction!

Was watching Avatar again lately and felt really inspired to do YCHs of each element hope you like them as much as I do OwO

.

Starting Bid: €150
Minimum Bid: €10
Autobuy: —

Sample of finishing style:
https://t.me/DanCrescentWolf_Art/28

.

Rules:
• any gender
• mostly any anthro species & bodytype
• wings are fine
• Can add an outfit!
• Overall mood and scenery should stay like this pls

• Please comment below to the individual YCH bid comments
• Always reply to last bid (so they know when they're outbid)
• Auction will end in 48hrs from now - sniping within the last 2 hrs will extend the auction for 1 more hour
• Pls have money ready, full payment must be done within 24hrs after I contacted you

Please ask if anything's unsure!
Feel free to show me your OC first so I can let you know if it'll work :3

.

Will be finished after my current queue, pls don't commission me if you cannot wait!!

Telegram Crosspost:
https://t.me/dancrescentwolf/9663

.

#furry #furryart #furryych #ych #commissionsOpen #furrycommission #Avatar

#Buchtipp 📖
#Avatar - #DerHerrderElemente: Das offizielle Zeichembuch
https://www.phantastiknews.de/index.php/rezensionen/33694-avatar-der-herr-der-elemente-das-offizielle-zeichenbuch-buch

#THE #KING S #AVATAR 2017 #WEB #SERIES
aepiot.com/advanced-sea...
#ALOIS #SCHÄDLER
headlines-world.com?q=ALOIS%20SC...
#MARION #COTILLARD ON #SCREEN #AND #STAGE
allgraph.ro?lang=en&q=MA...
aepiot.com

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#THE #KING S #AVATAR 2017 #WEB #SERIES
aepiot.com/advanced-sea...
#ALOIS #SCHÄDLER
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#MARION #COTILLARD ON #SCREEN #AND #STAGE
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Asami and Kuvira aren't done with Korra, yet

Full comic in my Pa3on sh0ppe:
https://www.patreon.com/kowachi/shop/korra-sandwich-part-3-standard-res-1460160?source=storefront

#korrasami #tlok #avatar #korra #asami #kuvira

Asami and Kuvira aren't done with Korra, yet

Full comic in my Pa3on sh0ppe:
https://www.patreon.com/kowachi/shop/korra-sandwich-part-3-standard-res-1460160?source=storefront

#korrasami #tlok #avatar #korra #asami #kuvira

Asami and Kuvira aren't done with Korra, yet

Full comic in my Pa3on sh0ppe:
https://www.patreon.com/kowachi/shop/korra-sandwich-part-3-standard-res-1460160?source=storefront

#korrasami #tlok #avatar #korra #asami #kuvira

Comic Crusaders interviews Ricardo Delgado about VAMPYRE, a bilingual horror project from Clover Press...

#Ricardo Delgado #VAMPYRE #VAMPYRE A Costa Rican Folktale #Clover Press #Dracula of Transylvania #Age of Reptiles #Costa Rican folklore #horror comics #illustrated novels #creature design #concept art #Hollywood concept designer #Apollo 13 #Men in Black #WALL-E #The Incredibles #Avatar The Last Airbender #Kickstarter comics #bilingual comics #Latino creators #Comic Crusaders Podcast

Comic Crusaders interviews Ricardo Delgado about VAMPYRE, a bilingual horror project from Clover Press...

#Ricardo Delgado #VAMPYRE #VAMPYRE A Costa Rican Folktale #Clover Press #Dracula of Transylvania #Age of Reptiles #Costa Rican folklore #horror comics #illustrated novels #creature design #concept art #Hollywood concept designer #Apollo 13 #Men in Black #WALL-E #The Incredibles #Avatar The Last Airbender #Kickstarter comics #bilingual comics #Latino creators #Comic Crusaders Podcast

Drittes Set Nintendo-Switch-Profilbilder zu Blubbmeeria in Pokémon Pokopia veröffentlicht

Die neuesten Optionen für Pokémon-Avatare auf der Nintendo Switch sind nun da.

Zur News: https://news.bisafans.de/13040

#Nintendo #Avatar #Icon #NintendoSwitch2 #PokémonPokopia

Drittes Set Nintendo-Switch-Profilbilder zu Blubbmeeria in Pokémon Pokopia veröffentlicht

Die neuesten Optionen für Pokémon-Avatare auf der Nintendo Switch sind nun da.

Zur News: https://news.bisafans.de/13040

#Nintendo #Avatar #Icon #NintendoSwitch2 #PokémonPokopia

Drittes Set Nintendo-Switch-Profilbilder zu Blubbmeeria in Pokémon Pokopia veröffentlicht

Die neuesten Optionen für Pokémon-Avatare auf der Nintendo Switch sind nun da.

Zur News: https://news.bisafans.de/13040

#Nintendo #Avatar #Icon #NintendoSwitch2 #PokémonPokopia

Drittes Set Nintendo-Switch-Profilbilder zu Blubbmeeria in Pokémon Pokopia veröffentlicht

Die neuesten Optionen für Pokémon-Avatare auf der Nintendo Switch sind nun da.

Zur News: https://news.bisafans.de/13040

#Nintendo #Avatar #Icon #NintendoSwitch2 #PokémonPokopia

Movie TV Tech Geeks #Movie #ScienceFiction #Dune #Avatar 10 Most Ambitious Sci-Fi Movies of the Last 25 Years http://dlvr.it/TV4F6j

Movie TV Tech Geeks #Movie #ScienceFiction #Dune #Avatar 10 Most Ambitious Sci-Fi Movies of the Last 25 Years http://dlvr.it/TV4F6j

Movie TV Tech Geeks #Movie #ScienceFiction #Dune #Avatar 10 Most Ambitious Sci-Fi Movies of the Last 25 Years http://dlvr.it/TV4F6j

London, England’s Fen has a storied history at AMG, with five reviews spread across three different writers. The illustrious Madam X reviewed them thrice with mixed results, followed by Doom_et_Al’s laudatory commentary on The Dead Light and, most recently, Cherd’s favorable-but-less-impressed impression of Monuments to Absence. You should read their words because they’re excellent writers,1 but the upshot of their analysis is that Fen often crafts gorgeous layers of music that sometimes lose focus or take too long to spool out. Imagine my delight, then, when I discovered Fen’s newest album, Elemental Part One: Mourning Earth only runs forty-seven minutes.2 While the overall album length suggests improved self-editing, Mourning Earth is the first part of a greater effort and carries the risk of either feeling incomplete or disguising bloat between multiple releases. In the end, does Fen free their songwriting from the mires that held back some previous albums?

Throughout Mourning Earth, Fen conjures familiar reference points while evoking less obvious connections as well. Opener “Glacier” reminds me of “Storm Son,” the opening track to Enslaved’s E, with its prog-leaning clean guitars playing over galloping blast beats and beautifully written choral arrangements. The last third of “Glacier” and follow-up “Techtonic” rumble and quake with calls to Blood Mountain-era Mastodon,3 while “Massif” and “Abyssal Plain” drift into gazey waters, where shimmering guitars and haunting vocal stacks tread alongside Alcest. The opening riff on “Barrow” reminds me of a cross between Helloween’s “Future World” and something off Avatar’s Feathers & Flesh, casting ties to genres I never previously linked to Fen. Meanwhile, closing track “Moor” begins with sparkling builds akin to Saor and Agalloch, but when the atmosphere gives way to melody,4 I suddenly hear mid-aughts Amon Amarth. Everything on Mourning Earth points to a band harnessing a vast reach of styles and influences and fusing them into a vision uniquely their own.

Given Mourning Earth’s eclectic backdrop, its cohesion and effectiveness remain refreshingly intact. Throughout, Fen’s jaw-droppingly gorgeous textures harken to primordial environs that imbue the album with nature’s innate beauty. Mourning Earth’s midsection broods within layers of reverb and melancholy, entrancing listeners with hypnotic refrains and crystalline guitar work. “Massif,” though, kicks up past the halfway point, recalling the groove and melody from its first half while dialing up the heft and drama. “Techtonic” and “Barrow” both charge out in rollicking fashion, hitting hard early on. “Barrow” even permutates melodies from “Tectonic”‘s midsection, tethering the two songs in a satisfying harmony that took me many listens to notice and appreciate. Bookends “Glacier” and “Moor” round out Mourning Earth’s synchronicity as the longest tracks on the album, supplying grandeur and gravitas that ensure it begins and ends with fully baked moods.

In the past, Fen’s releases initially fascinated me yet lacked the staying power to compel frequent visits despite stellar moments. Mourning Earth changes that, and its forty-seven-minute runtime proves an incredible boon as the band expertly strikes the balance between anticipation and payoff. And despite being Fen’s shortest LP to date, Mourning Earth achieves a remarkable diversity of sounds and influences without ever sacrificing its singular identity. With the bloat plaguing earlier albums gone, not much else requires attention. More space within the mix would give the wealth of sounds a bit more breathing room, particularly on busier songs like “Tectonic” and “Barrow,” and “Abyssal Plain” doesn’t quite live up to the heights of other tracks. In all, though, Mourning Earth stands uncontested as my favorite Fen album to date.

Mourning Earth’s magic takes time to gestate, and over my repeated listens Fen’s hooks unfurled and took root as I helplessly succumbed to their enthralling collection of swamp songs. The Watcher’s spritely and ethereal guitars weave melodic threads throughout, even during atmospheric passages, and his withered rasps and roars scrape like the dry crackle of leaves while the wistful cleans brim with forlorn charm. Mourning Earth bursts at the seams with ideas and styles, and it continues to entice me as my time with this review draws nigh. I’m unclear on when Elemental Part Two may arrive or what it will be about, but Part One lets listeners know that this trio has plenty more to say before they Fenish.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 21st, 2026

London, England’s Fen has a storied history at AMG, with five reviews spread across three different writers. The illustrious Madam X reviewed them thrice with mixed results, followed by Doom_et_Al’s laudatory commentary on The Dead Light and, most recently, Cherd’s favorable-but-less-impressed impression of Monuments to Absence. You should read their words because they’re excellent writers,1 but the upshot of their analysis is that Fen often crafts gorgeous layers of music that sometimes lose focus or take too long to spool out. Imagine my delight, then, when I discovered Fen’s newest album, Elemental Part One: Mourning Earth only runs forty-seven minutes.2 While the overall album length suggests improved self-editing, Mourning Earth is the first part of a greater effort and carries the risk of either feeling incomplete or disguising bloat between multiple releases. In the end, does Fen free their songwriting from the mires that held back some previous albums?

Throughout Mourning Earth, Fen conjures familiar reference points while evoking less obvious connections as well. Opener “Glacier” reminds me of “Storm Son,” the opening track to Enslaved’s E, with its prog-leaning clean guitars playing over galloping blast beats and beautifully written choral arrangements. The last third of “Glacier” and follow-up “Techtonic” rumble and quake with calls to Blood Mountain-era Mastodon,3 while “Massif” and “Abyssal Plain” drift into gazey waters, where shimmering guitars and haunting vocal stacks tread alongside Alcest. The opening riff on “Barrow” reminds me of a cross between Helloween’s “Future World” and something off Avatar’s Feathers & Flesh, casting ties to genres I never previously linked to Fen. Meanwhile, closing track “Moor” begins with sparkling builds akin to Saor and Agalloch, but when the atmosphere gives way to melody,4 I suddenly hear mid-aughts Amon Amarth. Everything on Mourning Earth points to a band harnessing a vast reach of styles and influences and fusing them into a vision uniquely their own.

Given Mourning Earth’s eclectic backdrop, its cohesion and effectiveness remain refreshingly intact. Throughout, Fen’s jaw-droppingly gorgeous textures harken to primordial environs that imbue the album with nature’s innate beauty. Mourning Earth’s midsection broods within layers of reverb and melancholy, entrancing listeners with hypnotic refrains and crystalline guitar work. “Massif,” though, kicks up past the halfway point, recalling the groove and melody from its first half while dialing up the heft and drama. “Techtonic” and “Barrow” both charge out in rollicking fashion, hitting hard early on. “Barrow” even permutates melodies from “Tectonic”‘s midsection, tethering the two songs in a satisfying harmony that took me many listens to notice and appreciate. Bookends “Glacier” and “Moor” round out Mourning Earth’s synchronicity as the longest tracks on the album, supplying grandeur and gravitas that ensure it begins and ends with fully baked moods.

In the past, Fen’s releases initially fascinated me yet lacked the staying power to compel frequent visits despite stellar moments. Mourning Earth changes that, and its forty-seven-minute runtime proves an incredible boon as the band expertly strikes the balance between anticipation and payoff. And despite being Fen’s shortest LP to date, Mourning Earth achieves a remarkable diversity of sounds and influences without ever sacrificing its singular identity. With the bloat plaguing earlier albums gone, not much else requires attention. More space within the mix would give the wealth of sounds a bit more breathing room, particularly on busier songs like “Tectonic” and “Barrow,” and “Abyssal Plain” doesn’t quite live up to the heights of other tracks. In all, though, Mourning Earth stands uncontested as my favorite Fen album to date.

Mourning Earth’s magic takes time to gestate, and over my repeated listens Fen’s hooks unfurled and took root as I helplessly succumbed to their enthralling collection of swamp songs. The Watcher’s spritely and ethereal guitars weave melodic threads throughout, even during atmospheric passages, and his withered rasps and roars scrape like the dry crackle of leaves while the wistful cleans brim with forlorn charm. Mourning Earth bursts at the seams with ideas and styles, and it continues to entice me as my time with this review draws nigh. I’m unclear on when Elemental Part Two may arrive or what it will be about, but Part One lets listeners know that this trio has plenty more to say before they Fenish.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 21st, 2026

London, England’s Fen has a storied history at AMG, with five reviews spread across three different writers. The illustrious Madam X reviewed them thrice with mixed results, followed by Doom_et_Al’s laudatory commentary on The Dead Light and, most recently, Cherd’s favorable-but-less-impressed impression of Monuments to Absence. You should read their words because they’re excellent writers,1 but the upshot of their analysis is that Fen often crafts gorgeous layers of music that sometimes lose focus or take too long to spool out. Imagine my delight, then, when I discovered Fen’s newest album, Elemental Part One: Mourning Earth only runs forty-seven minutes.2 While the overall album length suggests improved self-editing, Mourning Earth is the first part of a greater effort and carries the risk of either feeling incomplete or disguising bloat between multiple releases. In the end, does Fen free their songwriting from the mires that held back some previous albums?

Throughout Mourning Earth, Fen conjures familiar reference points while evoking less obvious connections as well. Opener “Glacier” reminds me of “Storm Son,” the opening track to Enslaved’s E, with its prog-leaning clean guitars playing over galloping blast beats and beautifully written choral arrangements. The last third of “Glacier” and follow-up “Techtonic” rumble and quake with calls to Blood Mountain-era Mastodon,3 while “Massif” and “Abyssal Plain” drift into gazey waters, where shimmering guitars and haunting vocal stacks tread alongside Alcest. The opening riff on “Barrow” reminds me of a cross between Helloween’s “Future World” and something off Avatar’s Feathers & Flesh, casting ties to genres I never previously linked to Fen. Meanwhile, closing track “Moor” begins with sparkling builds akin to Saor and Agalloch, but when the atmosphere gives way to melody,4 I suddenly hear mid-aughts Amon Amarth. Everything on Mourning Earth points to a band harnessing a vast reach of styles and influences and fusing them into a vision uniquely their own.

Given Mourning Earth’s eclectic backdrop, its cohesion and effectiveness remain refreshingly intact. Throughout, Fen’s jaw-droppingly gorgeous textures harken to primordial environs that imbue the album with nature’s innate beauty. Mourning Earth’s midsection broods within layers of reverb and melancholy, entrancing listeners with hypnotic refrains and crystalline guitar work. “Massif,” though, kicks up past the halfway point, recalling the groove and melody from its first half while dialing up the heft and drama. “Techtonic” and “Barrow” both charge out in rollicking fashion, hitting hard early on. “Barrow” even permutates melodies from “Tectonic”‘s midsection, tethering the two songs in a satisfying harmony that took me many listens to notice and appreciate. Bookends “Glacier” and “Moor” round out Mourning Earth’s synchronicity as the longest tracks on the album, supplying grandeur and gravitas that ensure it begins and ends with fully baked moods.

In the past, Fen’s releases initially fascinated me yet lacked the staying power to compel frequent visits despite stellar moments. Mourning Earth changes that, and its forty-seven-minute runtime proves an incredible boon as the band expertly strikes the balance between anticipation and payoff. And despite being Fen’s shortest LP to date, Mourning Earth achieves a remarkable diversity of sounds and influences without ever sacrificing its singular identity. With the bloat plaguing earlier albums gone, not much else requires attention. More space within the mix would give the wealth of sounds a bit more breathing room, particularly on busier songs like “Tectonic” and “Barrow,” and “Abyssal Plain” doesn’t quite live up to the heights of other tracks. In all, though, Mourning Earth stands uncontested as my favorite Fen album to date.

Mourning Earth’s magic takes time to gestate, and over my repeated listens Fen’s hooks unfurled and took root as I helplessly succumbed to their enthralling collection of swamp songs. The Watcher’s spritely and ethereal guitars weave melodic threads throughout, even during atmospheric passages, and his withered rasps and roars scrape like the dry crackle of leaves while the wistful cleans brim with forlorn charm. Mourning Earth bursts at the seams with ideas and styles, and it continues to entice me as my time with this review draws nigh. I’m unclear on when Elemental Part Two may arrive or what it will be about, but Part One lets listeners know that this trio has plenty more to say before they Fenish.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 21st, 2026

London, England’s Fen has a storied history at AMG, with five reviews spread across three different writers. The illustrious Madam X reviewed them thrice with mixed results, followed by Doom_et_Al’s laudatory commentary on The Dead Light and, most recently, Cherd’s favorable-but-less-impressed impression of Monuments to Absence. You should read their words because they’re excellent writers,1 but the upshot of their analysis is that Fen often crafts gorgeous layers of music that sometimes lose focus or take too long to spool out. Imagine my delight, then, when I discovered Fen’s newest album, Elemental Part One: Mourning Earth only runs forty-seven minutes.2 While the overall album length suggests improved self-editing, Mourning Earth is the first part of a greater effort and carries the risk of either feeling incomplete or disguising bloat between multiple releases. In the end, does Fen free their songwriting from the mires that held back some previous albums?

Throughout Mourning Earth, Fen conjures familiar reference points while evoking less obvious connections as well. Opener “Glacier” reminds me of “Storm Son,” the opening track to Enslaved’s E, with its prog-leaning clean guitars playing over galloping blast beats and beautifully written choral arrangements. The last third of “Glacier” and follow-up “Techtonic” rumble and quake with calls to Blood Mountain-era Mastodon,3 while “Massif” and “Abyssal Plain” drift into gazey waters, where shimmering guitars and haunting vocal stacks tread alongside Alcest. The opening riff on “Barrow” reminds me of a cross between Helloween’s “Future World” and something off Avatar’s Feathers & Flesh, casting ties to genres I never previously linked to Fen. Meanwhile, closing track “Moor” begins with sparkling builds akin to Saor and Agalloch, but when the atmosphere gives way to melody,4 I suddenly hear mid-aughts Amon Amarth. Everything on Mourning Earth points to a band harnessing a vast reach of styles and influences and fusing them into a vision uniquely their own.

Given Mourning Earth’s eclectic backdrop, its cohesion and effectiveness remain refreshingly intact. Throughout, Fen’s jaw-droppingly gorgeous textures harken to primordial environs that imbue the album with nature’s innate beauty. Mourning Earth’s midsection broods within layers of reverb and melancholy, entrancing listeners with hypnotic refrains and crystalline guitar work. “Massif,” though, kicks up past the halfway point, recalling the groove and melody from its first half while dialing up the heft and drama. “Techtonic” and “Barrow” both charge out in rollicking fashion, hitting hard early on. “Barrow” even permutates melodies from “Tectonic”‘s midsection, tethering the two songs in a satisfying harmony that took me many listens to notice and appreciate. Bookends “Glacier” and “Moor” round out Mourning Earth’s synchronicity as the longest tracks on the album, supplying grandeur and gravitas that ensure it begins and ends with fully baked moods.

In the past, Fen’s releases initially fascinated me yet lacked the staying power to compel frequent visits despite stellar moments. Mourning Earth changes that, and its forty-seven-minute runtime proves an incredible boon as the band expertly strikes the balance between anticipation and payoff. And despite being Fen’s shortest LP to date, Mourning Earth achieves a remarkable diversity of sounds and influences without ever sacrificing its singular identity. With the bloat plaguing earlier albums gone, not much else requires attention. More space within the mix would give the wealth of sounds a bit more breathing room, particularly on busier songs like “Tectonic” and “Barrow,” and “Abyssal Plain” doesn’t quite live up to the heights of other tracks. In all, though, Mourning Earth stands uncontested as my favorite Fen album to date.

Mourning Earth’s magic takes time to gestate, and over my repeated listens Fen’s hooks unfurled and took root as I helplessly succumbed to their enthralling collection of swamp songs. The Watcher’s spritely and ethereal guitars weave melodic threads throughout, even during atmospheric passages, and his withered rasps and roars scrape like the dry crackle of leaves while the wistful cleans brim with forlorn charm. Mourning Earth bursts at the seams with ideas and styles, and it continues to entice me as my time with this review draws nigh. I’m unclear on when Elemental Part Two may arrive or what it will be about, but Part One lets listeners know that this trio has plenty more to say before they Fenish.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 21st, 2026

London, England’s Fen has a storied history at AMG, with five reviews spread across three different writers. The illustrious Madam X reviewed them thrice with mixed results, followed by Doom_et_Al’s laudatory commentary on The Dead Light and, most recently, Cherd’s favorable-but-less-impressed impression of Monuments to Absence. You should read their words because they’re excellent writers,1 but the upshot of their analysis is that Fen often crafts gorgeous layers of music that sometimes lose focus or take too long to spool out. Imagine my delight, then, when I discovered Fen’s newest album, Elemental Part One: Mourning Earth only runs forty-seven minutes.2 While the overall album length suggests improved self-editing, Mourning Earth is the first part of a greater effort and carries the risk of either feeling incomplete or disguising bloat between multiple releases. In the end, does Fen free their songwriting from the mires that held back some previous albums?

Throughout Mourning Earth, Fen conjures familiar reference points while evoking less obvious connections as well. Opener “Glacier” reminds me of “Storm Son,” the opening track to Enslaved’s E, with its prog-leaning clean guitars playing over galloping blast beats and beautifully written choral arrangements. The last third of “Glacier” and follow-up “Techtonic” rumble and quake with calls to Blood Mountain-era Mastodon,3 while “Massif” and “Abyssal Plain” drift into gazey waters, where shimmering guitars and haunting vocal stacks tread alongside Alcest. The opening riff on “Barrow” reminds me of a cross between Helloween’s “Future World” and something off Avatar’s Feathers & Flesh, casting ties to genres I never previously linked to Fen. Meanwhile, closing track “Moor” begins with sparkling builds akin to Saor and Agalloch, but when the atmosphere gives way to melody,4 I suddenly hear mid-aughts Amon Amarth. Everything on Mourning Earth points to a band harnessing a vast reach of styles and influences and fusing them into a vision uniquely their own.

Given Mourning Earth’s eclectic backdrop, its cohesion and effectiveness remain refreshingly intact. Throughout, Fen’s jaw-droppingly gorgeous textures harken to primordial environs that imbue the album with nature’s innate beauty. Mourning Earth’s midsection broods within layers of reverb and melancholy, entrancing listeners with hypnotic refrains and crystalline guitar work. “Massif,” though, kicks up past the halfway point, recalling the groove and melody from its first half while dialing up the heft and drama. “Techtonic” and “Barrow” both charge out in rollicking fashion, hitting hard early on. “Barrow” even permutates melodies from “Tectonic”‘s midsection, tethering the two songs in a satisfying harmony that took me many listens to notice and appreciate. Bookends “Glacier” and “Moor” round out Mourning Earth’s synchronicity as the longest tracks on the album, supplying grandeur and gravitas that ensure it begins and ends with fully baked moods.

In the past, Fen’s releases initially fascinated me yet lacked the staying power to compel frequent visits despite stellar moments. Mourning Earth changes that, and its forty-seven-minute runtime proves an incredible boon as the band expertly strikes the balance between anticipation and payoff. And despite being Fen’s shortest LP to date, Mourning Earth achieves a remarkable diversity of sounds and influences without ever sacrificing its singular identity. With the bloat plaguing earlier albums gone, not much else requires attention. More space within the mix would give the wealth of sounds a bit more breathing room, particularly on busier songs like “Tectonic” and “Barrow,” and “Abyssal Plain” doesn’t quite live up to the heights of other tracks. In all, though, Mourning Earth stands uncontested as my favorite Fen album to date.

Mourning Earth’s magic takes time to gestate, and over my repeated listens Fen’s hooks unfurled and took root as I helplessly succumbed to their enthralling collection of swamp songs. The Watcher’s spritely and ethereal guitars weave melodic threads throughout, even during atmospheric passages, and his withered rasps and roars scrape like the dry crackle of leaves while the wistful cleans brim with forlorn charm. Mourning Earth bursts at the seams with ideas and styles, and it continues to entice me as my time with this review draws nigh. I’m unclear on when Elemental Part Two may arrive or what it will be about, but Part One lets listeners know that this trio has plenty more to say before they Fenish.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 21st, 2026

Light in the dark

#korrasami #tlok #korra #asami #avatar

Light in the dark

#korrasami #tlok #korra #asami #avatar

Light in the dark

#korrasami #tlok #korra #asami #avatar

Not because it's used constantly, but because knowing you can stop the avatar makes the conversation feel real. You're in control. The avatar is responsive. That's the difference between a tool and a presence.

Avatars anywhere

#conversational-AI #interrupt-handling #real-time-audio #UX #avatar-responsiveness

https://www.europesays.com/be-fr/215441/ Microsoft retire son assistant IA de Copilot Voice moins d’un an après son lancement #animation #assistant #Avatar » #BE #BEFr #Belgique #Belgium #chatbot #Clippy #Copilot #Cortana #Écosystème #éducation #ia #InformationsSurDesOrdinateursPortatifs #learn #Mico #Microsoft #Nadella #nouvelles #rapport #retraite » #revues #SALLEDECLASSE #Science #ScienceAndTechnology #Sciences #SciencesEtTechnologies #Suleyman #Technologie #Technologies #Technology #test #tuteur #voix

https://www.europesays.com/ch-fr/263520/ Microsoft retire son assistant IA de Copilot Voice moins d’un an après son lancement #animation #assistant #Avatar » #Chatbot #Clippy #Copilot #Cortana #Écosystème #Éducation #IA #InformationsSurDesOrdinateursPortatifs #Learn #Mico #microsoft #Nadella #nouvelles #rapport #retraite #revues #SalleDeClasse #Science #ScienceAndTechnology #Sciences #SciencesEtTechnologies #Suisse #Suleyman #technologie #Technologies #Technology #test #tuteur #voix

https://www.gulfchannels.com/572634/ من رحم الفقر لملك الإيرادات.. جيمس كاميرون صانع قوانين المتعة البصرية #avatar #Entertainment #TheTerminator #titanic #UnitedArabEmirates #اخبارالفن #افاتار #ترفيه #تيتانيك #تيرميناتور #جيمسكاميرون #سينماعالمية #شباكالتذاكر

https://www.gulfchannels.com/572634/ من رحم الفقر لملك الإيرادات.. جيمس كاميرون صانع قوانين المتعة البصرية #avatar #Entertainment #TheTerminator #titanic #UnitedArabEmirates #اخبارالفن #افاتار #ترفيه #تيتانيك #تيرميناتور #جيمسكاميرون #سينماعالمية #شباكالتذاكر

https://www.europesays.com/hu/210093/ Lehet, hogy el sem készül az Avatar 4. és 5. része #AVízútja #avatár #disney+ #Entertainment #Filmek #HU #Hungarian #Hungary #JamesCameron #Magyar #Magyarország #Movie #RaeSanchini #Szórakozás #TűzésHamu

Korra has a weird dream in Korra Sandwich

Full comic in my Pa3on sh0ppe:
https://www.patreon.com/kowachi/shop/korra-sandwich-part-3-standard-res-1460160?source=storefront

#korrasami #tlok #avatar #korra #asami #kuvira

Korra has a weird dream in Korra Sandwich

Full comic in my Pa3on sh0ppe:
https://www.patreon.com/kowachi/shop/korra-sandwich-part-3-standard-res-1460160?source=storefront

#korrasami #tlok #avatar #korra #asami #kuvira