#dronemetal — Public Fediverse posts

It's Bandcamp Friday.

Here are about 15 minutes of drone guitar and post-industrial music recorded in 2025 and 2023.
Es könnte der Anfang sein (It could be the beginning) and Sueños salvajes (Wild dreams) are two tracks apart from what I usually do. Part of a sonic exploration, they could be another beginning indeed.
I like change.

https://syrphe.bandcamp.com/album/es-k-nnte-der-anfang-sein

#drone #dronemusic #noisemusic #noisedrone #dronemetal #droneguitar #guitardrone #ambient #postindustrial #experimentalmusic

Entheomorphosis – Pyhä Kuilu Review

By Dear Hollow

If I’ve learned anything from Dark Buddha Rising, it’s that drone metal goes hand-in-hand with spiritual awakening. The blinding light of transcendence and the shadows of the occult are parts of the same jagged landscape of existence, and the abyss rules beneath, embodying both creation and destruction. Gentle and ruthless in equal measure, drone metal’s tides of mountainous riffs and thunderous tones offer the secrets of the universe and the nonexistence that perpetually threatens every fiber. Dark Buddha Rising exemplified this in its Buddhism-influenced aesthetic tied to hypnotic and ritualist drone, pulsing percussion, and a flurry of vocal attacks to conjure and invoke a dark trance. With their ongoing hiatus, Entheomorphosis takes up the mantle.

Appropriately, Entheomorphosis is the spiritual successor of Dark Buddha Rising, taking its namesake after its 2009 album of the same name, its primary architect being former guitarist/vocalist Vesa Ajomo. A quartet, other members include Mr. Peter Hayden/PH/Enphin alum Lauri Kivelä (also of Alitila) on bass and JP Koivisto (also of Vallihauta) on guitar, as well as Lassi Männikkö of Gangrened and Ludalloy behind the kit. While Dark Buddha Rising offered a surprisingly nimble and balanced approach to drone in energetic percussion and obscure vocal approaches, Entheomorphosis embraces the sprawl and a more predictable vocal dimension, alongside a much more erratic percussion presence. Debut Pyhä Kuilu (“holy abyss” in Finnish) embraces the spiritual awakening of shedding old skin with shuddering tone abuse and glacial crawls in its favor, even if it pales in comparison to its mother act.

Entheomorphosis does a great job of compacting drone metal’s most trademark features in a tidy thirty-five-minute runtime, thanks to concise songwriting. It features four tracks, with the bookends comprising the main movements (“Alkiema,” “Iätön”). These are the transcended Arhats in a drone metal fan’s nirvana: droning riffs, tortured vocals, and breathless patience. Conjuring the Sabbath-worshipping likes more of Earth than Sunn O))) in its slightly orange and hazy tone (perhaps Bongripper), it drawls on while Ajomo’s vocals take the stage in tortured shouts and Männikkö’s slightly off-kilter rhythms add a dimension of intrigue to the proceeds. Contrary to Dark Buddha Rising’s winning formula of drums carrying the drone, Entheomorphosis finds the drums carrying on a manic ritualistic energy almost despite the droning riffs, reminding me of early Sumac’s work. This clash is a bit jarring but intriguing, as longer passages avoid stagnation thanks to these odd collisions. The moods invoked are vast, settling upon anticipation’s startling brightness (“Alkiema”) and dread’s heavy weight (“Iätön”).

Getting away from the traditional drone template, the meat of Pyhä Kuilu offers respite in unexpected ways for Entheomorphosis. From the minimalist creeping of blackened shrieks atop chaotic drumming, thunderous bass, and synthesizer (“Sikinä”) to a crystalline and pulsing synth foray (“Huntu”), the centerpieces recall a more liturgical and shamanistic Primitive Man in its unforgiving noise and injection of chaos among the more regal movements of straightforward drone. They nonetheless beg the question as to why two comparatively brief respites are tied together as such when they are just different enough to be confusing and just similar enough to sound the same. The vocals are likewise a bit of a conundrum with Entheomorphosis, especially in comparison to its parent project. Dark Buddha Rising benefited from the choir of insanity of its three voices, but Ajomo’s nasally shouts seem to clash with the surrounding bleak obscurity, working most effectively with the blackened shrieks in “Sikinä.” The vocals are not the main focus, but they do distract at best, derail at worst, when they appear.

Entheomorphosis soars in being a worthy spiritual successor to Dark Buddha Rising, even if its pedigree cannot hold up. It’s a dark drone sound that you’ve come to know and love, but simultaneously more accessible and more experimental. Pyhä Kuilu feels more liturgical and less hypnotic, and its chemistry between drums and riff is endlessly intriguing. It may not achieve transcendence of its actors’ other projects, but for fans of drone, Entheomorphosis is a tour de force of holiness and devastation. While a nice bit of escapism, I’m banking on a more complete spiritual awakening next time.

Rating: 3.0/5.0
DR: | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: entheomorphosis.bandcamp.com | entheomorphosis.com
Releases Worldwide: May 23rd, 2025

#2025 #30 #Alitila #AvantGardeMetal #Bongripper #DarkBuddhaRising #DoomMetal #DroneMetal #Earth #Enphin #Entheomorphosis #FinnishMetal #Gangrened #Ludalloy #May25 #MrPeterHayden #PH #PrimitiveMan #PyhäKuilu #Review #Reviews #Sumac #SunnO_ #SvartRecords #Vallihauta

Entheomorphosis – Pyhä Kuilu Review

By Dear Hollow

If I’ve learned anything from Dark Buddha Rising, it’s that drone metal goes hand-in-hand with spiritual awakening. The blinding light of transcendence and the shadows of the occult are parts of the same jagged landscape of existence, and the abyss rules beneath, embodying both creation and destruction. Gentle and ruthless in equal measure, drone metal’s tides of mountainous riffs and thunderous tones offer the secrets of the universe and the nonexistence that perpetually threatens every fiber. Dark Buddha Rising exemplified this in its Buddhism-influenced aesthetic tied to hypnotic and ritualist drone, pulsing percussion, and a flurry of vocal attacks to conjure and invoke a dark trance. With their ongoing hiatus, Entheomorphosis takes up the mantle.

Appropriately, Entheomorphosis is the spiritual successor of Dark Buddha Rising, taking its namesake after its 2009 album of the same name, its primary architect being former guitarist/vocalist Vesa Ajomo. A quartet, other members include Mr. Peter Hayden/PH/Enphin alum Lauri Kivelä (also of Alitila) on bass and JP Koivisto (also of Vallihauta) on guitar, as well as Lassi Männikkö of Gangrened and Ludalloy behind the kit. While Dark Buddha Rising offered a surprisingly nimble and balanced approach to drone in energetic percussion and obscure vocal approaches, Entheomorphosis embraces the sprawl and a more predictable vocal dimension, alongside a much more erratic percussion presence. Debut Pyhä Kuilu (“holy abyss” in Finnish) embraces the spiritual awakening of shedding old skin with shuddering tone abuse and glacial crawls in its favor, even if it pales in comparison to its mother act.

Entheomorphosis does a great job of compacting drone metal’s most trademark features in a tidy thirty-five-minute runtime, thanks to concise songwriting. It features four tracks, with the bookends comprising the main movements (“Alkiema,” “Iätön”). These are the transcended Arhats in a drone metal fan’s nirvana: droning riffs, tortured vocals, and breathless patience. Conjuring the Sabbath-worshipping likes more of Earth than Sunn O))) in its slightly orange and hazy tone (perhaps Bongripper), it drawls on while Ajomo’s vocals take the stage in tortured shouts and Männikkö’s slightly off-kilter rhythms add a dimension of intrigue to the proceeds. Contrary to Dark Buddha Rising’s winning formula of drums carrying the drone, Entheomorphosis finds the drums carrying on a manic ritualistic energy almost despite the droning riffs, reminding me of early Sumac’s work. This clash is a bit jarring but intriguing, as longer passages avoid stagnation thanks to these odd collisions. The moods invoked are vast, settling upon anticipation’s startling brightness (“Alkiema”) and dread’s heavy weight (“Iätön”).

Getting away from the traditional drone template, the meat of Pyhä Kuilu offers respite in unexpected ways for Entheomorphosis. From the minimalist creeping of blackened shrieks atop chaotic drumming, thunderous bass, and synthesizer (“Sikinä”) to a crystalline and pulsing synth foray (“Huntu”), the centerpieces recall a more liturgical and shamanistic Primitive Man in its unforgiving noise and injection of chaos among the more regal movements of straightforward drone. They nonetheless beg the question as to why two comparatively brief respites are tied together as such when they are just different enough to be confusing and just similar enough to sound the same. The vocals are likewise a bit of a conundrum with Entheomorphosis, especially in comparison to its parent project. Dark Buddha Rising benefited from the choir of insanity of its three voices, but Ajomo’s nasally shouts seem to clash with the surrounding bleak obscurity, working most effectively with the blackened shrieks in “Sikinä.” The vocals are not the main focus, but they do distract at best, derail at worst, when they appear.

Entheomorphosis soars in being a worthy spiritual successor to Dark Buddha Rising, even if its pedigree cannot hold up. It’s a dark drone sound that you’ve come to know and love, but simultaneously more accessible and more experimental. Pyhä Kuilu feels more liturgical and less hypnotic, and its chemistry between drums and riff is endlessly intriguing. It may not achieve transcendence of its actors’ other projects, but for fans of drone, Entheomorphosis is a tour de force of holiness and devastation. While a nice bit of escapism, I’m banking on a more complete spiritual awakening next time.

Rating: 3.0/5.0
DR: | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: entheomorphosis.bandcamp.com | entheomorphosis.com
Releases Worldwide: May 23rd, 2025

#2025 #30 #Alitila #AvantGardeMetal #Bongripper #DarkBuddhaRising #DoomMetal #DroneMetal #Earth #Enphin #Entheomorphosis #FinnishMetal #Gangrened #Ludalloy #May25 #MrPeterHayden #PH #PrimitiveMan #PyhäKuilu #Review #Reviews #Sumac #SunnO_ #SvartRecords #Vallihauta

Entheomorphosis – Pyhä Kuilu Review

By Dear Hollow

If I’ve learned anything from Dark Buddha Rising, it’s that drone metal goes hand-in-hand with spiritual awakening. The blinding light of transcendence and the shadows of the occult are parts of the same jagged landscape of existence, and the abyss rules beneath, embodying both creation and destruction. Gentle and ruthless in equal measure, drone metal’s tides of mountainous riffs and thunderous tones offer the secrets of the universe and the nonexistence that perpetually threatens every fiber. Dark Buddha Rising exemplified this in its Buddhism-influenced aesthetic tied to hypnotic and ritualist drone, pulsing percussion, and a flurry of vocal attacks to conjure and invoke a dark trance. With their ongoing hiatus, Entheomorphosis takes up the mantle.

Appropriately, Entheomorphosis is the spiritual successor of Dark Buddha Rising, taking its namesake after its 2009 album of the same name, its primary architect being former guitarist/vocalist Vesa Ajomo. A quartet, other members include Mr. Peter Hayden/PH/Enphin alum Lauri Kivelä (also of Alitila) on bass and JP Koivisto (also of Vallihauta) on guitar, as well as Lassi Männikkö of Gangrened and Ludalloy behind the kit. While Dark Buddha Rising offered a surprisingly nimble and balanced approach to drone in energetic percussion and obscure vocal approaches, Entheomorphosis embraces the sprawl and a more predictable vocal dimension, alongside a much more erratic percussion presence. Debut Pyhä Kuilu (“holy abyss” in Finnish) embraces the spiritual awakening of shedding old skin with shuddering tone abuse and glacial crawls in its favor, even if it pales in comparison to its mother act.

Entheomorphosis does a great job of compacting drone metal’s most trademark features in a tidy thirty-five-minute runtime, thanks to concise songwriting. It features four tracks, with the bookends comprising the main movements (“Alkiema,” “Iätön”). These are the transcended Arhats in a drone metal fan’s nirvana: droning riffs, tortured vocals, and breathless patience. Conjuring the Sabbath-worshipping likes more of Earth than Sunn O))) in its slightly orange and hazy tone (perhaps Bongripper), it drawls on while Ajomo’s vocals take the stage in tortured shouts and Männikkö’s slightly off-kilter rhythms add a dimension of intrigue to the proceeds. Contrary to Dark Buddha Rising’s winning formula of drums carrying the drone, Entheomorphosis finds the drums carrying on a manic ritualistic energy almost despite the droning riffs, reminding me of early Sumac’s work. This clash is a bit jarring but intriguing, as longer passages avoid stagnation thanks to these odd collisions. The moods invoked are vast, settling upon anticipation’s startling brightness (“Alkiema”) and dread’s heavy weight (“Iätön”).

Getting away from the traditional drone template, the meat of Pyhä Kuilu offers respite in unexpected ways for Entheomorphosis. From the minimalist creeping of blackened shrieks atop chaotic drumming, thunderous bass, and synthesizer (“Sikinä”) to a crystalline and pulsing synth foray (“Huntu”), the centerpieces recall a more liturgical and shamanistic Primitive Man in its unforgiving noise and injection of chaos among the more regal movements of straightforward drone. They nonetheless beg the question as to why two comparatively brief respites are tied together as such when they are just different enough to be confusing and just similar enough to sound the same. The vocals are likewise a bit of a conundrum with Entheomorphosis, especially in comparison to its parent project. Dark Buddha Rising benefited from the choir of insanity of its three voices, but Ajomo’s nasally shouts seem to clash with the surrounding bleak obscurity, working most effectively with the blackened shrieks in “Sikinä.” The vocals are not the main focus, but they do distract at best, derail at worst, when they appear.

Entheomorphosis soars in being a worthy spiritual successor to Dark Buddha Rising, even if its pedigree cannot hold up. It’s a dark drone sound that you’ve come to know and love, but simultaneously more accessible and more experimental. Pyhä Kuilu feels more liturgical and less hypnotic, and its chemistry between drums and riff is endlessly intriguing. It may not achieve transcendence of its actors’ other projects, but for fans of drone, Entheomorphosis is a tour de force of holiness and devastation. While a nice bit of escapism, I’m banking on a more complete spiritual awakening next time.

Rating: 3.0/5.0
DR: | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: entheomorphosis.bandcamp.com | entheomorphosis.com
Releases Worldwide: May 23rd, 2025

#2025 #30 #Alitila #AvantGardeMetal #Bongripper #DarkBuddhaRising #DoomMetal #DroneMetal #Earth #Enphin #Entheomorphosis #FinnishMetal #Gangrened #Ludalloy #May25 #MrPeterHayden #PH #PrimitiveMan #PyhäKuilu #Review #Reviews #Sumac #SunnO_ #SvartRecords #Vallihauta

Entheomorphosis – Pyhä Kuilu Review

By Dear Hollow

If I’ve learned anything from Dark Buddha Rising, it’s that drone metal goes hand-in-hand with spiritual awakening. The blinding light of transcendence and the shadows of the occult are parts of the same jagged landscape of existence, and the abyss rules beneath, embodying both creation and destruction. Gentle and ruthless in equal measure, drone metal’s tides of mountainous riffs and thunderous tones offer the secrets of the universe and the nonexistence that perpetually threatens every fiber. Dark Buddha Rising exemplified this in its Buddhism-influenced aesthetic tied to hypnotic and ritualist drone, pulsing percussion, and a flurry of vocal attacks to conjure and invoke a dark trance. With their ongoing hiatus, Entheomorphosis takes up the mantle.

Appropriately, Entheomorphosis is the spiritual successor of Dark Buddha Rising, taking its namesake after its 2009 album of the same name, its primary architect being former guitarist/vocalist Vesa Ajomo. A quartet, other members include Mr. Peter Hayden/PH/Enphin alum Lauri Kivelä (also of Alitila) on bass and JP Koivisto (also of Vallihauta) on guitar, as well as Lassi Männikkö of Gangrened and Ludalloy behind the kit. While Dark Buddha Rising offered a surprisingly nimble and balanced approach to drone in energetic percussion and obscure vocal approaches, Entheomorphosis embraces the sprawl and a more predictable vocal dimension, alongside a much more erratic percussion presence. Debut Pyhä Kuilu (“holy abyss” in Finnish) embraces the spiritual awakening of shedding old skin with shuddering tone abuse and glacial crawls in its favor, even if it pales in comparison to its mother act.

Entheomorphosis does a great job of compacting drone metal’s most trademark features in a tidy thirty-five-minute runtime, thanks to concise songwriting. It features four tracks, with the bookends comprising the main movements (“Alkiema,” “Iätön”). These are the transcended Arhats in a drone metal fan’s nirvana: droning riffs, tortured vocals, and breathless patience. Conjuring the Sabbath-worshipping likes more of Earth than Sunn O))) in its slightly orange and hazy tone (perhaps Bongripper), it drawls on while Ajomo’s vocals take the stage in tortured shouts and Männikkö’s slightly off-kilter rhythms add a dimension of intrigue to the proceeds. Contrary to Dark Buddha Rising’s winning formula of drums carrying the drone, Entheomorphosis finds the drums carrying on a manic ritualistic energy almost despite the droning riffs, reminding me of early Sumac’s work. This clash is a bit jarring but intriguing, as longer passages avoid stagnation thanks to these odd collisions. The moods invoked are vast, settling upon anticipation’s startling brightness (“Alkiema”) and dread’s heavy weight (“Iätön”).

Getting away from the traditional drone template, the meat of Pyhä Kuilu offers respite in unexpected ways for Entheomorphosis. From the minimalist creeping of blackened shrieks atop chaotic drumming, thunderous bass, and synthesizer (“Sikinä”) to a crystalline and pulsing synth foray (“Huntu”), the centerpieces recall a more liturgical and shamanistic Primitive Man in its unforgiving noise and injection of chaos among the more regal movements of straightforward drone. They nonetheless beg the question as to why two comparatively brief respites are tied together as such when they are just different enough to be confusing and just similar enough to sound the same. The vocals are likewise a bit of a conundrum with Entheomorphosis, especially in comparison to its parent project. Dark Buddha Rising benefited from the choir of insanity of its three voices, but Ajomo’s nasally shouts seem to clash with the surrounding bleak obscurity, working most effectively with the blackened shrieks in “Sikinä.” The vocals are not the main focus, but they do distract at best, derail at worst, when they appear.

Entheomorphosis soars in being a worthy spiritual successor to Dark Buddha Rising, even if its pedigree cannot hold up. It’s a dark drone sound that you’ve come to know and love, but simultaneously more accessible and more experimental. Pyhä Kuilu feels more liturgical and less hypnotic, and its chemistry between drums and riff is endlessly intriguing. It may not achieve transcendence of its actors’ other projects, but for fans of drone, Entheomorphosis is a tour de force of holiness and devastation. While a nice bit of escapism, I’m banking on a more complete spiritual awakening next time.

Rating: 3.0/5.0
DR: | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: entheomorphosis.bandcamp.com | entheomorphosis.com
Releases Worldwide: May 23rd, 2025

#2025 #30 #Alitila #AvantGardeMetal #Bongripper #DarkBuddhaRising #DoomMetal #DroneMetal #Earth #Enphin #Entheomorphosis #FinnishMetal #Gangrened #Ludalloy #May25 #MrPeterHayden #PH #PrimitiveMan #PyhäKuilu #Review #Reviews #Sumac #SunnO_ #SvartRecords #Vallihauta

AVAILABLE NOW.

DIRTY DRONE DISTORTION - a doom drone stompbox (3rd batch)

This one is for heavy doom drone sounds, no matter if you run your stringed instruments (electric guitar/bass/etc) or a synth through it, the Dirty Drone Distortion will add 10 tons of weight to it. It is housed in a sturdy aluminum enclosure, hand-painted with ‘industry burnout’ camo patterns in black and silver. The circuit is a modded vintage SUNN MODEL T preamp based distortion with HIGH and LOW control and a build in duo-oscillator DIRTY DRONE section. MIX control blends the DRONES with the pedal’s input, before the distortion kicks in. But the machine can also be used as a stand alone drone synth, if you fancy. Each oscillator has a FREQUENCY control for and a WAVEFORM toggle-switch for TRIANGLE and SQUARE wave selection. The upper toggle has 3 positions, the middle position disables that oscillator, if a single non-overlaping waveform is desired. The third toggle engages the EXTREME DISTORTION mode when flipped to the right. (NOTE! this is not explained or shown in the 1st demo video, since i have changed this function after recording it.) The NORMAL DISTORTION (toggle left) results in the wonderfully saturated distortion this circuit is famous for. The right stomp-switch with indicator LED is the DRONE KILL switch, it engages or shuts down the oscillators completely for hands-free operation. The left stomp switch is the TRUE BYPASS with it’s own indicator LED (the LEDs are violet/UV and lime green, order my vary). VOLUME attenuates the global output level (BEWARE: the pedal is VERY loud!). Powered by 9V DC via a ‘boss-style’ 2.1mm DC socket (negative pin inside). Power supply not included. Handmade by GRM for Metsään.

Some demovideos can be found from youtube or the Metsään website.

https://metsn.tumblr.com/post/708974793317384192

#METSÄÄN #dirtydrone #dirtydronedistortion #thismachinekillsfascists #dronesynthesizer #dronepedal #dirtpedal #DirtyDrone #distortion
#distortionpedal #doomdrones
#doommetal #dronemetal #doomcore
#pedal #guitarpedal #fuzz #stompbox #noiseagainstfascism #noisenotmusic #anarxnoise

DIRTY DRONE DISTORTION - heavy tone controlled distortion with build in doom drone oscillators

DM for preorders. (185€+shipping) The last batches went rather fast. When i have done proper documentation, they will be also made available via METSÄÄN and other online shopping strip malls.

This one is for heavy doom drone sounds, no matter if you run your stringed instruments (electric guitar/bass/etc) or a synth through it, the Dirty Drone Distortion will add 10 tons. It is housed in a sturdy aluminum enclosure, hand-painted with ‘industry burnout’ camo patterns in black and silver. The circuit is a modded vintage SUNN MODEL T preamp based distortion with HIGH and LOW control and a build in duo-oscillator DIRTY DRONE section. MIX control blends the DRONES with the pedal’s input before the distortion kicks in. Each oscillator has a TUNE control and a WAVEFORM toggle-switch for TRIANGLE and SQUARE wave selection. The third toggle engages the EXTREME DISTORTION mode when flipped to the right. (NOTE! this is not explained or shown in the 1st demo video, since i have changed this function after recording it.) The NORMAL DISTORTION (toggle left) results the mighty saturated distortion this circuit is famous for. The right stomp-switch with indicator LED is the DRONE KILL switch, it engages or shuts down the oscillators completely for hands-free operation. The left stomp switch is the TRUE BYPASS with it’s own indicator LED (the LEDs are violet/UV and lime green, order my vary). VOLUME attenuates the global output level (BEWARE: the pedal is VERY loud!). Powered by 9V DC via a ‘boss-style’ 2.1mm DC socket (negative pin inside). Power supply not included. Handmade by GRM for Metsään.

#METSÄÄN #dirtydrone #dirtydronedistortion #thismachinekillsfascists #dronesynthesizer #dronepedal #dirtpedal #DirtyDrone #distortion
#distortionpedal #doomdrones
#doommetal #dronemetal #doomcore
#pedal #guitarpedal #fuzz #stompbox #noiseagainstfascism #noisenotmusic

Available now.

DIRTY DRONE DISTORTION - Distortion with build in doom drone oscillators

Still need to make a demo video with the NORMAL distortion setting, as the previous one only shows the EXTREME setting. Stay detuned.

This one is for heavy doom drone sounds, no matter if you run your stringed instruments (electric guitar/bass/etc) or a synth through it, the Dirty Drone Distortion will add 10 tons. It is housed in a sturdy aluminum enclosure, hand-painted with ‘industry burnout’ camo patterns in black and silver. The circuit is a modded vintage SUNN MODEL T preamp based distortion with HIGH and LOW control and a build in duo-oscillator DIRTY DRONE section. MIX control blends the DRONES with the pedal’s input before the distortion kicks in. Each oscillator has a TUNE control and a WAVEFORM toggle-switch for TRIANGLE and SQUARE wave selection. The third toggle engages the EXTREME DISTORTION mode when flipped to the right. (NOTE! this is not explained or shown in the 1st demo video, since i have changed this function after recording it.) The NORMAL DISTORTION (toggle left) results the mighty saturated distortion this circuit is famous for. The right stomp-switch with indicator LED is the DRONE KILL switch, it engages or shuts down the oscillators completely for hands-free operation. The left stomp switch is the TRUE BYPASS with it’s own indicator LED (the LEDs are violet/UV and lime green, order my vary). VOLUME attenuates the global output level (BEWARE: the pedal is VERY loud!). Powered by 9V DC via a ‘boss-style’ 2.1mm DC socket (negative pin inside). Power supply not included. Handmade by GRM for Metsään.

https://metsn.tumblr.com/post/703926314059579393​

#METSÄÄN #dirtydrone #dirtydronedistortion #thismachinekillsfascists #dronesynthesizer #dronepedal #dirtpedal #DirtyDrone #distortion​
#distortionpedal #doomdrones​
#doommetal #dronemetal #doomcore​
#pedal #guitarpedal #fuzz #stompbox #noiseagainstfascism #noisenotmusic​
#fuzzpedal #pedalporn #pedalfetish #pedalboard #pedalcommodity #dirtstomp #stompbox​

Available now.

DIRTY DRONE DISTORTION - Distortion with build in doom drone oscillators

Still need to make a demo video with the NORMAL distortion setting, as the previous one only shows the EXTREME setting. Stay detuned.

This one is for heavy doom drone sounds, no matter if you run your stringed instruments (electric guitar/bass/etc) or a synth through it, the Dirty Drone Distortion will add 10 tons. It is housed in a sturdy aluminum enclosure, hand-painted with ‘industry burnout’ camo patterns in black and silver. The circuit is a modded vintage SUNN MODEL T preamp based distortion with HIGH and LOW control and a build in duo-oscillator DIRTY DRONE section. MIX control blends the DRONES with the pedal’s input before the distortion kicks in. Each oscillator has a TUNE control and a WAVEFORM toggle-switch for TRIANGLE and SQUARE wave selection. The third toggle engages the EXTREME DISTORTION mode when flipped to the right. (NOTE! this is not explained or shown in the 1st demo video, since i have changed this function after recording it.) The NORMAL DISTORTION (toggle left) results the mighty saturated distortion this circuit is famous for. The right stomp-switch with indicator LED is the DRONE KILL switch, it engages or shuts down the oscillators completely for hands-free operation. The left stomp switch is the TRUE BYPASS with it’s own indicator LED (the LEDs are violet/UV and lime green, order my vary). VOLUME attenuates the global output level (BEWARE: the pedal is VERY loud!). Powered by 9V DC via a ‘boss-style’ 2.1mm DC socket (negative pin inside). Power supply not included. Handmade by GRM for Metsään.

https://metsn.tumblr.com/post/703926314059579393

#METSÄÄN #dirtydrone #dirtydronedistortion #thismachinekillsfascists #dronesynthesizer #dronepedal #dirtpedal #DirtyDrone #distortion
#distortionpedal #doomdrones
#doommetal #dronemetal #doomcore
#pedal #guitarpedal #fuzz #stompbox #noiseagainstfascism #noisenotmusic
#fuzzpedal #pedalporn #pedalfetish #pedalboard #pedalcommodity #dirtstomp #stompbox