Pareidolia is on PAREIDOLIA EP LYS 088
#ambientindus #industrialambient #darkambient #postindustrialdroneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign
#ambientnoise — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ambientnoise, aggregated by home.social.
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Ouverture is on the 3rd album BLACK METAL (CD ALBUM) 2005 LYS 004
#ambientindus #industrialambient #darkambient #postindustrialdroneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign -
Free download codes:
Wildergoose - Drones for a River
"Mutant field recordings overdosed on synths."
#ambientnoise wall; bio-industrial #music
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Brazil is on the 1rts album MIRACLE (CD ALBUM) 1995 OMNISONUS/POLYGRAM 529 587-2
#ambientindus #industrialambient #darkambient #postindustrialdroneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign -
Theater Of Pain (Part 2) is on CINETEEK REXX (DIGITAL LP) 2010 LYS 012
#ambientindus #industrialambient #darkambient #postindustrialdroneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign -
Spacewar is on 13 (ALBUM) LYS 030
#ambientindus #industrialambient #darkambient #postindustrialdroneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign -
Si os gusta leer pero os cuesta hacerlo en silencio (como a mi) he encontrado una magnífica herramienta accesible llamada MyNoise (en mynoise.net) creada por el ingeniero de sonido @mynoise (merci Stéphane!).
Me ayuda a entrar en las lecturas (este verano me tocan muchas por curro) y tiene una gran base de sonidos y ambientes con muchas finalidades distintas (siempre finalidades personales, para reproducir en casa).
Os animo a probarlo y si os gusta, haceros Patreons o hacerle alguna donación.
¡Viva el Internet!
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Zherbin – Tridrones
#Experimental #ambientnoise #darkambient #drone #musiqueconcrete #noise #tapeloops #Helsinki
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://dmitrizherbin.bandcamp.com/album/tridrones -
Free download codes:
Wildergoose - Drones for a River
"Mutant field recordings overdosed on synths."
#ambientnoise wall; bio-industrial #music
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https://www.laviezine.com/1566989/close-your-eyes-can-you-feel-this-place/ Close Your Eyes… Can You Feel This Place? #4kWalkingTour #AmbientNoise #asmr #CalmingVideo #ChurchAmbience #CityWalk #DeutschlandDestinations #DeutschlandTour #DeutschlandTravel #DeutschlandTrip #DeutschlandVacation #EuropeTravel #GermanyDestinations #GermanyTour #GermanyTravel #GermanyTrip #GermanyVacation #HiddenPlaces #immersive #KoblenzGermanyTour #MeditationVibe #NoTalkingWalk #PeacefulPlace #PlacesToTravel #QuietSound #RealLifeSounds #RelaxingWalk #SlowContent
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Free download codes:
Joel Julian - [DIS]COMFORT
"Through melody and dissonance, [DIS]COMFORT explores themes of habitual struggles, circular thinking, the paradox of finding comfort in that which is ultimately self-destructive, and the faint hope of light just above the surface."
#experimental #lofi #artrock #indiefolk #singersongwriter #folkrock #bedroom #tape #ambientnoise #music
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New album out today:
From a book of silent stories
7 tracksAxiomata: 1. Silence is never absolute. 2. Silence is not silent in the literal sense. Silence is symbolic of an active psycho-perceptual space. 3. There exist stories not told in words.
From far away, a signal arrives. We study its every detail. It pulses with life and at length we hear it speak, voices leaking in from beyond the unseen curtain.
#experimental #acousmatic #ambientnoise #fieldrecording
https://nulacc.bandcamp.com/album/from-a-book-of-silent-stories
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Free download codes:
Wildergoose - Drones for a River
"Mutant field recordings overdosed on synths."
#ambientnoise wall; bio-industrial #music
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The ambient drones of Bill Baxter – Ambient Space Drift Music
#Ambient #Experimental #ambientdrone #ambientnoise #chillout #darkambient #drone #lowercase #meditation #minimalism #peaceful #soundscapes #space #UnitedKingdom
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://billbaxter.bandcamp.com/album/ambient-space-drift-music -
Kodak Slide Projector Experiment
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what's you favourite background ambience for creation? how about rest? what calms you?
i don't have a single favourite but i'm always happy whenever i find a tool or a channel that provides human-created soundscapes (without AI visuals, as well!) on the internet #ambientmusic #ambientnoise #ambient #ambience -
Free download codes:
Wildergoose - Drones for a River
"Mutant field recordings overdosed on synths."
#ambientnoise wall; bio-industrial #music
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Solar Plexus – Light from Distant Suns
#Ambient #Experimental #ambientdrone #ambientnoise #atmospheric #avantgarde #chillout #darkambient #drone #lowercase #meditation #newage #soundscapes #Manchester
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://solarplexus.bandcamp.com/album/light-from-distant-suns -
Brazil is on the 1st album MIRACLE (CD ALBUM) 1995 OMNISONUS/POLYGRAM 529 587-2
#ambientindus #industrialambient #darkambient #postindustrial #droneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign -
13 Mirrors (I Apologize Rx) is on 13 REMIXED LYS 035
#ambientindus #industrialambient #darkambient #postindustrial #droneambient #ritualambient #cinematicdark #noisescape #soundtexture #mechanicaldrone #industrialdrone #coldambient #darkdrone #soundart #experimentalambient #electroacoustic #industrialmusic #noiseambient #ambientnoise #soundscape #industrialaesthetic #darkelectronics #hauntingatmosphere #postapocalypticvibes #machinesound #industrialsounddesign -
Pareidolia is on MUSIC FOR GHOSTS EP LYS 089
#ambientindus #industrialambient #darkambient #postindustrial #droneambient #cinematicdrone #industrialdrone #ritualambient #experimentalambient #ambienttechno #coldambient #noisedrone #industrialmusic #soundsculpture #texturalsound #hauntological #electronicritual #ambientnoise #darkdrone #industrialsoundscape #electronicmusic #ambientproducer #avantgardeambient #industrialaesthetic #modularambient #atmosphericnoise -
Theta Wave Orchestra – Moon Echoes
#Ambient #Electronic #Experimental #ambientnoise #atmospheric #darkambient #drone #longform #meditation #newage #soundart #soundscapes #Manchester
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://theta-wave-orchestra.bandcamp.com/album/moon-echoes -
Bing Satellites – A Wave of Light
#Ambient #Electronic #Experimental #NewAge #ambientdrone #ambientnoise #atmospheric #chillout #drone #fieldrecordings #generative #shoegaze #soundscapes #tapeloops #Manchester
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://bingsatellites.bandcamp.com/album/a-wave-of-light -
5★ 4,2++(=..)+ • V/Vm, “WartHOG Pancake” (V/Vm Test, 2003-05-26) ⦾ https://www.youtube.com/watch?v=mc0mE1q5LA0 ⦾ https://inv.nadeko.net/watch?v=mc0mE1q5LA0 ⦾ https://www.discogs.com/release/147037-VVm-HelpAphexTwin40 #VVm #LeylandKirby #Caretaker #darkambient #postindustrial #ambientnoise #hauntologic #plunderphonics #helpaphextwin #AphexTwin #deconstructedclub #deconstructedidm #2000s
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The ambient drones of Bill Baxter – Andromeda
#Ambient #Experimental #ambientdrone #ambientnoise #atmospheric #chillout #darkambient #drone #longform #meditation #minimalism #relaxation #soundscapes #space #UnitedKingdom
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://billbaxter.bandcamp.com/album/andromeda -
vÄäristymä (a.k.a. Jarko Hedenius & Janne Liimatainen) - Biofusion Chamber
From V/A - "Bio-Mechanik: Aural Tribute to the Art of H.R. Giger" (Eighth Tower Records/IT, CD/digital/book/magazine, 1 August 2025).
https://eighthtowerrecords.bandcamp.com/track/biofusion-chamber
"This anthology explores the aesthetic, symbolic, and psychological landscape shaped by H.R. Giger’s legacy."
#vÄäristymä #noise #harshnoise #ambientnoise #darkambient #EighthTowerRecords #Italy #Helsinki #Finland #JarkoHedenius #JanneLiimatainen #HRGiger
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mostly guitar with some digital drone. download for free, but if you wanna pay, 100% of profits will be donated to antipoliceterrorproject.org
headphones recommended
13 minutes of #melancholy #AmbientNoise
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Nachtstrom & v93r – Brothers Campfire
#Experimental #ambientnoise #darkambientnoise #drone #dronenoise #imbecil #loveable #melodic #mystic #noise #unusual #Graz
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://bruitversum.bandcamp.com/album/brothers-campfire -
Free download codes:
Occupying Force - Occupying Force [LP]
"Anti-Fascist brutal harsh noise"
#noise #harshnoise #harshnoisewall #ambientnoise #antimusic #antifascist #music
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#spiders #ambientnoise #adaptation
Spiders are keeping loud noises out by using their webs in strange way | indy100 https://www.indy100.com/science-tech/spider-soundproof-webs-keep-noise-out-loudest-countries
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Free download codes:
Occupying Force - Occupying Force [LP]
"Anti-Fascist brutal harsh noise"
#noise #harshnoise #harshnoisewall #ambientnoise #antimusic #antifascist #music
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La Torture des Ténèbres – Episode VII – Revenge of Unfailing Valor Review
By Dear Hollow
La Torture des Ténèbres, in spite of the sadistic propensity for aural flaying, offers a unique voice in black metal. A one-woman show with an aesthetic evoking dystopian urban shimmer, decopunk, classic science fiction, and the space age, it conjures images of glittering mile-high cities built on the backs of the impoverished, brave women overcoming the adversity of the stars, the sneaking static cutting through a dictator’s commands through the radio, the jazzy bombasts of the elite’s decadent galas – and the loneliness of it all. There is no overselling just how noisy and jarring this act’s sound is on the ears, but lone mastermind JK has concocted a trademark stew that makes it stand out in nearly every way. Episode VII arrives a mere five months after its predecessor, expressing a fusion of its aesthetics.
Episode VII – Revenge of Unfailing Valor deals in a sound that retains La Torture des Ténèbres’ signature style, the vicious rawness and lonely melodic tremolo leads while fusing its two aesthetic influences. 2016 began with the formidably raw and ambient spacefaring canon of Choirs of Emptiness and Acadian Nights,1 but was reinterpreted by the more dystopian Civilization is the Tomb of Our Noble Gods, which set the tone for the following releases up to last year’s V and The Lost Colony of Altar Vista. In this way, Episode VII – Revenge of Unfailing Valor blends these two themes, dystopian civilizations set amongst the stars, its vast colonies and glorious cities plagued by inequality, sexism, and the hive mind’s whims.
La Torture des Ténèbres lives up to Revenge of Unfailing Valor’s description (“VOLITIONAL EXPLOITATION // SMOULDERING HIVES”) by channeling its trademark melodic template and ambient sensibilities into a fuller sound that amps violence while hinting at a tragic heart beneath machinelike mania. Its trademark is intact: the rawness and utter saturation of rawness is ubiquitous, as even its more placid moments of lonely melodies are scathing. However, one distinction is melodic motifs that tie the album into one cohesive whole: an ascending jazzy synth run (“Vast Black Claws Drag Her Back to Space,” “Metropolitan Warfare,” “Out of All the Years We’ve Come…”) and sanguine synth melodies (“The Second Piscean Abyss,” “Angels”). As always, this is communicated through the ebb and flow of three prongs of scathing second-wave blasting/tremolo/shrieking, lonely tremolo, and distorted vintage samples. This arsenal and dynamic are as intriguing as they are jarring, samples and melodies inviting comparisons to classic science fiction (“Vast Black Claws…,” “The Second Piscean Abyss”) and the roarin’ twenties worship of decopunk (“Breathe in the Fucking Sawdust and Die,” “Yes But Can a Camp Girl Do This”). The first act in particular utilizes a bombast of violent second-wave rawness in contrast with an over-the-top sample presence. A grandiosity pervades in a way that recalls predecessor V, but La Torture des Ténèbres‘ fuller sound adds to the assault – tinnitus is guaranteed.
The second half of Episode VII finds La Torture des Ténèbres taking risks – the samples are fewer, the melodies are far more tragic and empty, and there is rest to be found. The brutal mid-album climax in “The Second Piscean Abyss” allows for reinterpretation for “Metropolitan Warfare” and beyond, trademark and motifs carrying across in emptier and more tragic melodies and moments (i.e. the release of all sound but tinny tremolo and blastbeats in “Traditions” and total collapses into noise in “Out of All the Years…”). This reinforces the need for bulletproof songwriting rather than reliance on samples and jarring movements to do the heavy lifting, and JK is up to the task. “Angels” is placed perfectly, its minimalist, distorted, and aptly angelic sample providing rest for the weary ears – for the first time in La Torture des Ténèbres’ career.
La Torture des Ténèbres will not sway any naysayers of raw black or blackened noise. In fact, many will point to their ringing ears or pinched nerves2 and say “See??” after Episode VII concludes with the noise fadeout of “Out of All the Years…”. Those who are willing to endure will find treasures aplenty, an opus of hyper-atmospheric, excessively noisy, and endlessly tragic melodies and motifs. Episode VII – Revenge of Unfailing Valor sweeps you away to a universe yet to be explored; but even in the dead vacuum of space or within mankind’s hive-mind colonies, you can’t escape your humanity.
Rating: 4.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Self-Released
Website: latorturedestenebres.bandcamp.com
Releases Worldwide: March 7th, 2025#2025 #40 #AmbientBlackMetal #AmbientNoise #AtmosphericBlackMetal #CanadianMetal #Chaosophia #EpisodeVIIRevengeOfUnfailingValor #LaTortureDesTénèbres #Mar25 #Noise #RawBlackMetal #Review #Reviews #SelfReleased
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this new #pumiquxt #BandWagon album (mine) is very different from my first. only listen if you can appreciate monotone repetition
#NoiseDrone #DroneNoise #NoiseAmbient #AmbientNoise
(i know should use at least two less hashtags, but i struggle with categorization tendencies)
https://bandwagon.fm/67d72298c7456af3506a7ab7 -
Wings Of An Angel – Don't You See We Gotta Make A Chance For Everyone To Come Alive?
#Ambient #AmbientFuneralDoom #ambientnoise #ambientnoisewall #atmospheric #cinematicmusic #dark #dronefuneraldoom #experimental #noise #noiseambient #outsidermusic #soundtrack #weird #Israel
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://wingsofanangel.bandcamp.com/album/dont-you-see-we-gotta-make-a-chance-for-everyone-to-come-alive -
Noise Therapy: Session 098
Playing with granulation and feedback from a single sound source in Bespoke Synth. Bespoke patch d/l in video description (uses only built-in modules).
#noise #AmbientNoise #soundscape #experimental #BespokeSynth #NoiseTherapy
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Free download codes:
M.C Tie - the tower
"It's like Radiohead if there was no head."
#bandcampcodes #indierock #shoegaze #lofi #hiphop #ambientnoise #music
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Choir – Smithe Thee Smoldering Providence [Things You Might Have Missed 2024]
By Dear Hollow
Bring them tired ashes to the black waters and sing an anthem for the famine! Smithe Thee Smoldering Providence is blasphemy, a molten and silt-laden horror that saturates every negative space with noise, desolation, and punishment. It dirges and roars like the gods that you thought were benevolent and merciful – their faces lurid and nauseating when you looked upon them. Hallelujah, you will go mad. You will embrace your fate with arms outstretched and feet running until you sink. You will vomit and rejoice at the coming of ruin. You will praise your master. Choir preaches to this manic truth and gospel of filth, recalling the memory of a ritual buried deep in a book of death-bathed dark. As you are baptized in the muddy river, buried with Christ, and raised to walk in newness of life, open your eyes and look below and you’ll notice the abyss of the dead and rotting staring back.
Choir is a one-man act from Singapore consisting of musician/producer The Choir, offering extreme metal dredged in obscurity and violence. At once blending the pulverizing weight of death/doom, the raw hatred of black metal, and the cavernous echoes of death metal, crammed to the brim with misanthropic dissonance, dense atmospherics, and vicious noise, the act can be compared to the likes of Impetuous Ritual, Infernal Coil, Menace Ruine, and Primitive Man, but with an interpretation of pain all its own. While 2021’s first full-length Songs for a Tarnished World introduced this noise, its follow-up Smithe Thee Smoldering Providence hones it, Choir’s sound achieves relentless devastation and palpable purpose. And it’s a damn shame it was released so late in 2024.
Smithe Thee Smoldering Providence consists of two twenty-two-minute songs, but the tracklist breaks them into three and four movements respectively – one of the few mercies you will receive listening to Choir’s relentless onslaught. Like 2024’s boundary-pushing Ingurgitating Oblivion, Choir combines the outer limits of extreme metal. However, contrary to the elegance, technicality, and grace of Ontology of Nought, Choir molds the festering and rotten loams of lumbering weight, blackened chaos, and ruthless dissonance into a lethal clay, encased in the thick grime of murk. Emerging like many-eyed and many-limbed creatures emerging from the muddy river, movements will sear themselves into your ears from out of nowhere, such as the Mitochondrion-esque chugging riffs (“Bring Them… I,” “Bring Them… III,” “And Sing… IV”), dizzying brain-bleeds and complete disintegrations into noise and dissonance (“And Sing… III”), full-on blackened assaults buried beneath the garbling Portal-esque weight of mud (“And Sing… I”), and ambient sprawls with a rotten hum and bilious distortion trembling beneath (“Bring Them… II”). Gorgeous synth melodies are sparse and stand in stark contrast during capitalizations of crescendos (“And Sing… IV”). While nonetheless bathed in the blood of distortion, they add a distinctly human feel that somehow makes the album much more punishing by contrast while also providing a jagged light at the end of Choir’s pitch-black tunnel.
Choir has accomplished an insane feat, creating an experience that balances haunting hypnotism, primitive ritualism, and cutthroat punishment in its misanthropic blend of extreme styles. Simultaneously a thunderously colossal and lumbering beast and a hateful specter with teeth of lightning, Smithe Thee Smoldering Providence is a portrayal of divine smelt, god silt, and blasphemous murk. Molten and filthy, hypnotic and punishing, Choir is an easy triumph for year-end lists had it been released earlier.
Tracks to Check Out: “Bring Them Tired Ashes to the Black Waters,” “And Sing an Anthem for the Famine”
#2024 #AmbientBlackMetal #AmbientNoise #BlackMetal #BlackenedDeathMetal #BlackenedDoomMetal #Choir #DeathMetal #DeathDoomMetal #DissonantBlackMetal #DissonantDeathMetal #ImpetuousRitual #InfernalCoil #IngurgitatingOblivion #MenaceRuine #Mitochondrion #Portal #PrimitiveMan #SingaporeanMetal #SmitheTheeSmolderingProvidence #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM
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Fantastic Rectangles – Something Worthwhile
#Electronic #ambient #ambientnoise #avantgarde #darkambient #drone #fieldrecording #musiqueconcrete #noise #soundscape #UnitedKingdom
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://fantasticrectangles.bandcamp.com/album/something-worthwhile-2 -
La Torture des Ténèbres – V / The Lost Colony of Altar Vista [Things You Might Have Missed 2024]
By Dear Hollow
The breed of noise that courses through Ottawa one-woman act La Torture des Ténèbres is truly disorienting and off-putting,1 but it takes on a hypnotizing and triumphant quality when its curious blend of caustic and decadent settles into your bones. While 2016 debuts Acadian Nights and Choirs of Emptiness captured a predictable blend of raw black and spacefaring dark ambient, Civilization is the Tomb of Our Noble Gods found mastermind J.K. taking influence from classic science fiction and decopunk: raw black played as an accompaniment to Fritz Lang’s Metropolis, perhaps. With this breed of raw punishment, discernment is a spiritual gift – V praises a grand civilization, The Lost Colony of Altar Vista laments it. Viciously raw, relentlessly noisy, and painfully discordant, while also beautifully grandiose and subtly tragic, La Torture des Ténèbres offers decadence and venom as few can.
April’s V is the more straightforward of the 2024 releases, reflecting its grainy album art basking in a birds-eye view of the grand metropolis.2 There’s a robotic quality about V that pairs neatly with its predecessor IV – Memoirs of a Machine Girl, as La Torture des Ténèbres saturates the palette of relentless blasting, dense and raw tremolo tinnitus, and tortured wails and harrowing shrieks with grimy feedback, noise, industrial ambiance, and the act’s trademark flaying melodic sensibilities. Reverb-laden melodic interludes would seem to offer reprieve during the punishment, but their blaring distortion and clipping only drive the knife deeper with a shrill and warped quality, like ringing sirens during the calm before the storm. Inspired by the shimmering deceptively utopian and futuristic civilizations, the juxtaposition of the grandiosity of tomorrow (“Accelerated Degeneration Descent,” “Valley of the Unclean”) and the horrors of today (“Descent into Suburban Hellscape,” “Catalyst of Tomb Reconfiguration”) only heightens J.K.’s themes. Lyrics detail paranoia, sexual oppression, obsession, and horror, idolizing beautiful cities built atop the broken backs of the ugly. And despite its triumphant ambiance, V is one of the ugliest black metal albums of the year.
October’s The Lost Colony of Altar Vista is a more lonely and contemplative affair,3 reflected in its artwork of the same city at a grimmer low angle and in a filthier light. La Torture des Ténèbres’ punishing palette and caustic rawness remain largely the same, but the empty tinny melodies contrast to the decadent gloss of V. Paired with experimental samples stuttered from audio clipping and perverted by distortion,4 the tremolo-picked melodies atop subtle ambiance and silence are more abundant and dwell more in somber countenance (i.e. “The Reflection of the Moon in Her Skyline Eyes”), with more complete collapses of noise (“Allison”) and doomed piano (“The Axis of the Exaltation and the Fall of Venus”). The Lost Colony of Altar Vista basks in its forlornness, its relentless rawness a jagged and jaded vessel for fragile pain.
V and The Lost Colony of Altar Vista showcase both sides of La Torture des Ténèbres, streamlined with a propensity for vicious noise and flaying rawness. It’s completely unforgiving, painfully harsh, and alienating to even the most hardened black metal fans. It’s jaggedly pieced, tracks cutting off abruptly and samples seeming to have no relevance to the sound, but every element adds to the themes of dissociation of both the beautiful glimmer and filthy underbelly of this metropolis. Truly a thin glossy mask atop a horrific face.
Tracks to Check Out: ”Descent Into Suburban Hellscape,” “Phantoms Over Altar Vista,” “Allison,” “Spectres Over Altar Vista”
#2024 #AmbientBlackMetal #AmbientNoise #BlackMetal #CanadianMetal #ConnieFrancis #IndependentRelease #JillianBanks #LaTortureDesTénèbres #Noise #RawBlackMetal #TheLostColonyOfAltarVista #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #V
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Wings Of An Angel – Dizzy And Uneasy
#Ambient #ambientdrone #ambientnoise #chillout #cinematicmusic #colddrone #droneambient #experimental #fieldrecordings #meditationmusic #noiseambient #outsidermusic #soundscapes #soundtrack #warmdrone #weird #Israel
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives)
https://wingsofanangel.bandcamp.com/album/dizzy-and-uneasy -
Wetlands (Journey to the Ice Wall)
from the latest single/EP Aquaculture
by feinstrukturhttps://feinstruktur.bandcamp.com/track/wetlands-journey-to-the-ice-wall
you can also listen to the several parts Wetlands I–V here:
https://feinstruktur.bandcamp.com/album/doggerland
#ElectronicMusic #ExperimentalMusic #AmbientMusic #AmbientNoise
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By Dear Hollow
Look, Dave. Buddy. Pal. I love drone, but you’re making it really difficult. When I sat and listened to Sunn O))) for like an hour and a half, my colleagues mocked me. They said, “Wow Dear Hollow, doing laundry at work, huh?” before laughing and gorilla-hooting in my face all the way back to the Fvneral Fvkk cvbicle. I persisted, even when Steel Druhm played screaming rooster videos while I played Nadja’s Radiance of Shadows and I thought it was the advent of vocals I had missed before—I even spilled my coffee. But even then, I turned the other cheek. I persisted. Even when Dr. A.N. Grier called me an idiot as loudly as possible to drown out Horseback, making him sound like the deranged lap-steel-abusing cowpoke I know he is. My point is: Dave, my man, you gotta help me out here.
Oscillotron is a project of David Johansson, frontman of Steel Druhm–gorilla-themed Swedish doom rock act Kongh, and live guitarist for Cult of Luna since 2013. If you’re hoping that Oscillotron incorporates any of that shit, aside from thick-as-booty-cheeks heavy, you’ll be sorely disappointed. Oblivion is Johansson’s first offering under the moniker in eight years, promising more drone-influenced sprawls than the atmospheric doom and electronic emphases of 2016’s Cataclysm or 2012’s Eclipse. In this way, Oblivion lives up to its name—mightily. Your ears will be greeted by an hour-long track composed of an unceasing wall of noise made of droning guitars and Moog synthesizers. Without a serious pair of headphones or an ounce of masochism, Oscillotron will offer you the album to drift off to. It’s about as exciting as you can imagine.
Oscillotron is meticulous in its sound design, with each layer of density and shuddering radiant carefully constructed and included. In true drone spirit, Oblivion’s spotlight is on the heft. Oscillotron offers no vocals or percussion and no chord progressions in a stark (and tragic) departure from their Sunny genremates. It’s one sprawling and unmoving beast whose only sign of life is some periodic strumming movement, the electronic warbles and beeps from the synth, or the gradual collapse of the wall somewhere near the forty-five-minute mark. Johansson steers away from the Sabbathian orange fuzz of Earth, the dynamics of early Boris, and the evocative movements of Nadja. It’s truly Oblivion, an emptiness that envelopes the ears in encompassing saturation of total emptiness. It’s almost astounding, as repeated listens grant layers of noise peeled back with each iteration, a trip to the void that feels ruinously apathetic and aphotic. It will drive you mad, for better or for worse.
Perhaps most obviously, Oscillotron is drone—stubbornly more-vacant-than-usual-drone—for a whole fuckin’ hour with nothing going for it. Good drone is meant to swallow you whole, but Oblivion is so devoted to expansion that it neglects any form of accessibility or, dare I say music. Distortion is front and center, and for funsies you can sing along by humming the same note for a whole fucking hour. As such, there is no direction or defined purpose, no beginning, middle, or conclusion, aside from the shuddering density. Oblivion cannot stand on its own, as there isn’t even a lead-in or a fade-out—it just starts abruptly and ends abruptly. I can admire Oscillotron’s motives to create something rawer and more visceral than the cinematic facades constructed in years past, but to turn away from the very basics of music into truly a sprawling static stand-still of noise? That is truly puzzling.
I will use Oscillotron’s breed of noise-mongering as background noise for reading or sleep aid, but Oblivion is minimalist decadence for absolutely no one’s benefit. It lacks basic musical wherewithal and earns its status as “just noise.” Yeah, I love drone, but I also like drone to feel a bit more like, I don’t know, music? I can see its uses and get lost in the labyrinth where all walls look the same, but Dave, my guy, I’m gonna be made the laughingstock of AMG HQ if you keep this up. At least put in a couple more chords, a sustained high note, drums, vocals—something. If not, the ADHD Metal Guy, Second Most High Gorilla, Idiotic Cowpoke Grier, and the other Fvneral Fvkking bastards are coming for me. For my sake. Be a friend. Please.
Rating: 1.0/5.0
DR: 3 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Website: oscillotron.bandcamp.com | facebook.com/oscillotron
Releases Worldwide: September 20th, 2024#10 #2024 #AmbientNoise #BlackSabbath #Boris #CultOfLuna #DoomMetal #Drone #DroneMetal #Earth #Horseback #Kongh #Nadja #Noise #Obligion #Oscillotron #Review #Reviews #SelfRelease #Sep24 #SunnO_ #SwedishMetal
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https://www.wacoca.com/anime/1654336/ 【WATCHALONG】 Dungeon Meshi Watchalong to keep you company! シーズン1を一緒に見よう! # 2【TEENYTANUKI】 #2024Winter #AmbientNoise #asmr #vtuber #VtuberEN #ダンジョン飯
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Sepulchre by the Sea – Seven Chambers Review
By Dear Hollow
As a high school English teacher in America, it’s actually a crime not to teach Edgar Allan Poe. Dude needs no introduction, his influence felt from basic literature and film, to even the Baltimore’s NFL team mascot, the Ravens – and of course, metal music. As I grumbled my way through middle school and high school English, pursued college work, and hereafter, I became familiar with the gamut, including but not limited to “The Tell-Tale Heart,” “The Black Cat,” “The Purloined Letter,” “The Fall of the House of Usher,” “Murders in the Rue Morgue,” The Narrative of Arthur Gordon Pym, and, relevant to Sepulchre by the Sea’s sophomore effort Seven Chambers, “The Masque of the Red Death.” Will Seven Chambers embrace the undeniably Gothic and insane of the author or die alone and desolate in a gutter in Baltimore?
Sepulchre by the Sea, named after the Poe-m of the same name, is a Bristol-based one-man project masterminded by Ashley Shannon, having released a demo, an EP, and a full-length since its inception in 2019. Straddling the line between post-black and atmospheric black metal, Seven Chambers attempts to distinguish its moods, each of the seven tracks represented by a color. Simultaneously raw and punishing, shimmering melodies and synths shower the proceedings, with a patience that conjures the likes of Envy or So Hideous. Ultimately, Sepulchre by the Sea hints at greatness with Seven Chambers but is hindered by bloat and complicated by rawness.
Seven Chambers is less a sonic reflection of Poe’s work than it first appears. Rather, Sepulchre by the Sea opts for a far more sanguine post-rock template that reflects yearning rather than horror. This thread courses through its seven movements: three lengthy black metal tracks, three instrumentals, and one acoustic conclusion. “Purple Pestilence,” “Orange Opulence,” and “Violet Visions” are tasteful post-black affairs, the guitar tone raw and grungy, rumbling bass audible, and more melodic pieces able to soar above the biting repetition. Shannon utilizes repetition well, as the background vocals add to the yearning baritone he exhibits in acoustic closer “Scarlet Dreams,” the morphing melody of “Purple Pestilence,” the reverb-laden guitar overlays of “Orange Opulence.” Movements are a crucial component of Seven Chambers, as metallic tracks morph from blackened sections to chuggy death metal to melodic sprawls, growling bass tastefully worming through each, with transitions securing each firmly. Shannon’s vocals rely more on a fiery sermonic bark rather than the traditional shriek for the better, injecting an intensity found in post-black’s more aggressive yeasayers like Au-Dessus or Decline of the I. Sepulchre by the Sea benefits from its more raw and self-released nature with a more cutthroat edge amplified by ambient noise and thick bass that recalls both black metal’s kvlt history and the more traditional crystalline melody you expect from post-black or blackgaze.
Sepulchre by the Sea’s most glaring issue is the instrumentals and their protracted length. While opener “Blue Hubris” sets the dual tone with a tasteful crescendo of piano, blastbeats, and tremolo, “Green Bath” and “White Death” are far too lengthy to add to the tone, and instead feel like four minutes of wandering plucking with insufficient dynamics. While Shannon does a good job with the movements and transitions, the rawer template nonetheless robs the seamlessness with somewhat jarring shifts, especially in “Purple Pestilence” between starker tones, or the melodic midsection to the chuggy conclusion of “Orange Opulence.” The more organ-like ambiance of “Violet Visions” feels like a stark departure into Skepticism territory, clashing. While the raw nature does Seven Chambers justice, the more melodic portions clash with the macabre atmosphere of its source material. This is a nitpick at best, but Poe’s work is often sonically captured in bleaker or more gothic stylings, such as symphonic black or death metal. Post-black is an odd choice for its source material, although Sepulchre by the Sea does well for what it’s worth.
Sepulchre by the Sea’s only glaring weakness is also its greatest strength: its rawness. While it adds a heavier edge rarely seen in this particular traditionally optimistic style, it also makes the series of movements feel rather stitched together haphazardly. The tonal differences through Shannon’s songwriting are unique, the performances are solid across the board, and every instrument is audible and singularly punishing. Hindered by excessive interludes and that rawness being a blessing and a curse, we land squarely in the middle. Seven Chambers is not bland and its creator, if nothing else, is loaded with spectacular promise.
Rating: 2.5/5.0
DR: 9 | Format Reviewed: PCM
Label: Self-Released
Website: facebook.com/sepulchrebytheseamusic | sepulchrebythesea.bandcamp.com
Releases Worldwide: August 2nd, 2024#25 #2024 #AmbientBlackMetal #AmbientNoise #AtmosphericBlackMetal #AuDessus #BlackMetal #BritishMetal #DeclineOfTheI #Envy #PostBlackMetal #Review #Reviews #SelfRelease #SepulchreByTheSea #SevenChambers #SoHideous
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Out now
The Burning Wheel of Ixion
By
Silent Subs
Experimental noise from Canada that threatens to level the land and flatten space with its heavy ambience and menacing drone.
#toaddoctor #experimentalmusic #drone #ambientnoise #silentsubs #newmusic #NewRelease
#muteantsounds #netlabel
https://muteantsoundsnetlabel.bandcamp.com/album/the-burning-wheel-of-ixion -
Out now
The Burning Wheel of Ixion
By
Silent Subs
Experimental noise from Canada that threatens to level the land and flatten space with its heavy ambience and menacing drone.
#toaddoctor #experimentalmusic #drone #ambientnoise #silentsubs #newmusic #NewRelease
#muteantsounds #netlabel
https://muteantsoundsnetlabel.bandcamp.com/album/the-burning-wheel-of-ixion -
Out now
The Burning Wheel of Ixion
By
Silent Subs
Experimental noise from Canada that threatens to level the land and flatten space with its heavy ambience and menacing drone.
#toaddoctor #experimentalmusic #drone #ambientnoise #silentsubs #newmusic #NewRelease
#muteantsounds #netlabel
https://muteantsoundsnetlabel.bandcamp.com/album/the-burning-wheel-of-ixion -
Noise Therapy: Session 080
This patch is a variation of one used for the BBBG track "Broken Simulator," from the album of the same name. The original patch used a randomized sample player as the sound source, where this one uses Befaco's Noise Plethora. Patch d/l link in video description.
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https://www.omgubuntu.co.uk/2024/04/blanket-ambient-noise-app-update-new-ui
the Blanket ambient sound app has released a new update with an overhauled UI, plus some updates to some of the noises as well
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Ambient noise for writing, with the usual mixers for rain and coffee shop, but what if you need to feel like you’re in the middle of a zombie vs medieval knights battle and they’re all being attacked by bees? Maybe throw in a volcano? No problem!
