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#soundart — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #soundart, aggregated by home.social.

  1. Two of the soundmakers at the exhibition. Second image also shows one of the interactive sticks attached to the soundmakers.

    #soundart #experimentalmusic #artexhibition #Glasgow

  2. An exhibition of my drawings and found object soundmakers. 14th Sept - 2nd Oct.

    Sound art performance (looper pedals and found objects) 5:00pm.

    Level 5, St Andrews building, 11 Eldon st. University of Glasgow, G3 6NH.

    #soundart #experimentalmusic #artexhibition #Glasgow

  3. I know it's unlikely many people here could reach an arts festival in the South East of England next month but just in case...

    I have work in the Ramsgate Festival Of Sound this year, which is an audio/visual piece approx 15 mins long in the crypt of St. George's Church in the centre of the town. Essentially it's...

    "The geometry of Ramsgate under a microscope, dubbed up and spaced out under the watchful eye of mathematician/philosopher Alfred North Whitehead (born in Ramsgate, 1861).

    INPC creates unnerving textures with drum machines pulsing alongside local seagulls, reverberation and heavy bass, cut and paste to create an unsettling yet hypnotic atmosphere. Process and Reality sees Ramsgate in a state of tension, magnified and distorted, rendered in vivid colour: the beautiful becomes the absurd, encapsulated in a sea of paranoid noise.”

    More info here and if you're a Fedi friend, hit me up if you want to come to the preview on the Thursday night.

    https://www.tickettailor.com/events/ramsgatefestivalofsound1/2306685?date=2026-09-11

    #Music #SoundArt #FunnyNoises #Ramsgate #Seagulls #Dub #Electronica

  4. JHK / Kiran Arora / Axiom / Stan K. / Blaahhnn

    neverclub, Saturday, July 25 at 07:00 PM EDT

    Initial Shock presents:

    JHK (NY)
    https://abhorrentafterdeath.bandcamp.com/album/diamonds-rust
    Energetic harsh noise from NYC's premiere noise sound tech and one half of Ende Tymes festival. A Montreal return!

    Kiran Arora (NY)
    https://adhuman.bandcamp.com/album/virgin-forest
    UK/US ex-pat applies surgical expertise to atmospheric, tonal computer music. "a film-like portrait of cryptic, nocturnal stillness"

    Local support:

    Axiom
    https://axiominc.bandcamp.com/album/axiom-ii

    Stan K.
    https://itstinks.bandcamp.com/album/termite-trumpet

    Blaahhnn
    https://blaahhnn.bandcamp.com/album/an-awful-trip


    July 25 2026
    $15 PWYC
    7PM
    Neverclub
    Initial Shock #22

    montreal.askapunk.net/event/jh

  5. drift” – eine akustische Hybridwelt
    Am Sonntag d. 19.10.2025 9 pm, tauchen Anja Kreysing und EMERGE (Sascha Stadlmeier) live in die instabilen Frequenzen des Radios ein – unerwartete Narrative aus Melodie und Störung.
    Stadthaus Ulm & live @ Radio free FM in der Sondersendung entartet, 20–23 Uhr

    #KulturinUlm Hashtag#StadtUlm #StadthausUlm Hashtag#Drift #AnjaKreysing
    #EMERGE #RadioFreeFm #SoundArt #Experimental #RadioKunst #LiveMusic #Klangkunst #Improvisation @stadthaus_ulm @radio_freefm

  6. Ma pièce "le bruit de fond" sera diffusée du 18 septembre au 20 décembre à la Condition Publique à Roubaix dans le cadre des 10 ans de RAU à l'initiative de Groupe A.

    #exposition #artsonore #soundart #roubaix #thibaultjehanne #bruitdefond #exhibition #experimentalmusic #soundscape #artcontemporain #contemporaryart #conditionpublique #rau #groupea

  7. STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns

    The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.

    Of course nothing really is simple, so here are more details:

    WAVING:
    Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.

    MODULATING:
    Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.

    SOUNDSHAPING:
    the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.

    STARVING:
    The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.

    CONNECTING:
    STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.

    The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.

    metsn.tumblr.com/post/74556156

    #METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
    #asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE

  8. Available now from #METSÄÄN.

    DIRTY DRONE DELUGE - a shadow modulated 4step sequencer with delay/distortion

    This machine is named Dirty Drone Deluge, because the sequenzer is flooding the delay for a flood of sounds. It’s enclosure is a recycled drawer (25.5x16.5x9.5cm) of a wooden cabinet, painted in the ‘burnt out industry’ camo patterns in black and chrome. The panel is made of coarsely sanded plastique aluminum laminate with some stamped in function indicator letters.This METSÄÄN machine contains two sections: an extra noisy ECHOBLENDER delay/distortion (more on that in the ECHOBLENDER postings) and an 4-step sequencer. Each step has a FREQUENCY control, a RANGE toggle-switch (low/high) and a LDR (Light Dependent Resistor), that allows frequency control by throwing shade or shining light onto it (shadow=higher/light=lower). A SPEED control sets the sequencers tempo and another toggle-switch kills the sequencers signal to the ECHOBLENDER section. Furthermore there is an INPUT socket (6.3mm mono TS plug) for injecting external signals to the ECHOBLENDER, either passively mixing with the SEQUENZER section’s signal, when that is not switched off. The OUTPUT socket is also for 6.3mm mono TS plugs. Powered by standard 9V DC effect pedal power supplies (boss-style, negative pin inside). PSU is not included. Handmade by grm for METSÄÄN.

    metsn.tumblr.com/post/70361928

    #noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #sequenzer #delay #distortion #pedalboard #metsään #dirtydrone #soundgenerator #deluge #dirtydronedeluge

  9. Available now from #METSÄÄN.

    DIRTY DRONE DELUGE - a shadow modulated 4step sequencer with delay/distortion

    This machine is named Dirty Drone Deluge, because the sequenzer is flooding the delay for a flood of sounds. It’s enclosure is a recycled drawer (25.5x16.5x9.5cm) of a wooden cabinet, painted in the ‘burnt out industry’ camo patterns in black and chrome. The panel is made of coarsely sanded plastique aluminum laminate with some stamped in function indicator letters.This METSÄÄN machine contains two sections: an extra noisy ECHOBLENDER delay/distortion (more on that in the ECHOBLENDER postings) and an 4-step sequencer. Each step has a FREQUENCY control, a RANGE toggle-switch (low/high) and a LDR (Light Dependent Resistor), that allows frequency control by throwing shade or shining light onto it (shadow=higher/light=lower). A SPEED control sets the sequencers tempo and another toggle-switch kills the sequencers signal to the ECHOBLENDER section. Furthermore there is an INPUT socket (6.3mm mono TS plug) for injecting external signals to the ECHOBLENDER, either passively mixing with the SEQUENZER section’s signal, when that is not switched off. The OUTPUT socket is also for 6.3mm mono TS plugs. Powered by standard 9V DC effect pedal power supplies (boss-style, negative pin inside). PSU is not included. Handmade by grm for METSÄÄN.

    metsn.tumblr.com/post/70361928

    #noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #sequenzer #delay #distortion #pedalboard #metsään #dirtydrone #soundgenerator #deluge #dirtydronedeluge

  10. Available soon. Stay detuned.

    This machine is named Dirty Drone Deluge, because the sequenzer is flooding the delay for a flood of sounds. It's enclosure is a recycled drawer (25.5x16.5x9.5cm) of a wooden cabinet, painted in the 'burnt out industry' camo patterns in black and chrome. The panel is made of coarsely sanded plastique aluminum laminate with some stamped in function indicator letters.This METSÄÄN machine contains two sections: an extra noisy ECHOBLENDER delay/distortion (more on that in the ECHOBLENDER postings) and an 4-step sequencer. Each step has a FREQUENCY control, a RANGE toggle-switch (low/high) and a LDR (LightDependendResistor), that allows frequency control by throwing shade or shining light onto it (shadow=higher/light=lower). A SPEED control sets the sequencers tempo and another toggle-switch kills the sequencers signal to the ECHOBLENDER section. Furthermore there is an INPUT socket (6.3mm mono TS plug) for injecting external signals to the ECHOBLENDER, either passively mixing with the SEQUENZER section's signal, when that is not switched off. The OUTPUT socket is also for 6.3mm mono TS plugs. Powered by standard 9V DC effect pedal power supplies (boss-style, negative pin inside). PSU is not included.

    #noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #sequenzer #delay #distortion #pedalboard #metsään #dirtydrone #soundgenerator #deluge #dirtydronedeluge

    youtu.be/2_ovzP2puw8

  11. Testing the new #METSÄÄN MACHINE the first #DirtyDroneDeluge with a light controlled 4 step sequencer running through an #Echoblender delay/distortion section. In this clip the output signal also runs through heavy reverb, the unnatural habitat of it's sound. Each step has individual frequency control and a toggle switch that selects two different ways of how the LDR (light dependent reaistor) affects the pitch of the step. A SPEED control makes it go fast or slow. The sequencer runs on an algorythm, that adds very slight variations to the flow. The machine runs on standard 9V DC pedal power supplies (boss-style, center negative). PSU not included. Abailable soon. DM if interested. Stay detuned.

    #noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade

    instagram.com/tv/ClrtdzAAGju

  12. New one off build in the making. 4 step sequencer (appreciator!) with light controlled frequency variations running through an echoblender distortion/delay. This machine is for real dirty oldschool sci-fi junk noise needs. Still have to try it with massive reverberation space clouds.

    ignore:
    #noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #synth #syntesizer #analogsynth #experiemntalelectronic #electronicmusic #experimentalmusicinstrument #sounddesign #sounddesigner #cinematicsound

  13. Here's my #introduction

    Professionally, a #musician #soundrecordist #soundengineer #composer #technician

    Studied #Jazz at #Leeds. PG in #Glitch at #Newcastle (2004). Also, #improv #experimentalmusic #failure

    Toured the world playing #bass with variety of #folk groups: Monster Ceilidh Band, Jez Lowe, Shona Mooney.

    Recently started PhD at #NewcastleUni exploring #underwater #soundart it's role in #freshwater #conservation. Loves a #hydrophone !

    #islander from #Jersey, now lives in #Durham

  14. stage @ klangzeitfestival, 30.9.2022 me, arranging my multichannel setup, looking very forward to perform our new composition 'Ressourcen' which is based on texts by Gerald Fiebig together with Sascha Stadlmeier for the very first time @ Klangzeit Münster, #GNM Gesellschaft für Neue Musik, #Musikhochschule #Münster

    facebook.com/events/s/klangzei
    #soundart #contemporarymusic #live #concert #klangzeit #festival #artificial #voices #granularsynthesis #hoerstueck #collaboration #composition