#soundart — Public Fediverse posts

Some of the drawings. Still in the process of hanging. Things might change.
#artexhibition #art #soundart #experimentalmusic #environment #ecology #acousticecology

Two of the soundmakers at the exhibition. Second image also shows one of the interactive sticks attached to the soundmakers.

#soundart #experimentalmusic #artexhibition #Glasgow

An exhibition of my drawings and found object soundmakers. 14th Sept - 2nd Oct.

Sound art performance (looper pedals and found objects) 5:00pm.

Level 5, St Andrews building, 11 Eldon st. University of Glasgow, G3 6NH.

#soundart #experimentalmusic #artexhibition #Glasgow

Giornata Mondiale dell’Ascolto

La Giornata Mondiale dell’Ascolto è una di quelle ricorrenze che sembrano semplici, ma in realtà aprono universi: suoni, silenzi, rumori che raccontano storie, città che respirano, persone che si rivelano. È la festa delle orecchie, ma anche del cuore.

Dal 2010, grazie al World Listening Project, il 18 luglio è dedicato a celebrare l’arte dell’ascolto in tutte le sue forme: ambientale, sociale, emotiva. Ogni anno un tema diverso invita a riflettere sul nostro rapporto con il paesaggio sonoro che ci circonda.

🎧 2026: “Echoes of Tomorrow”

Quest’anno il tema è futuristico e poetico: “Echoes of Tomorrow”, un invito a immaginare come i suoni di oggi influenzeranno il mondo di domani. Che traccia sonora stiamo lasciando alle generazioni future? E cosa succede se impariamo ad ascoltare con più attenzione?

Le iniziative del 2026 sono un piccolo concerto globale:

• Milano inaugura la prima Sound Marathon: 12 ore di ascolti guidati tra parchi, tram, mercati e cortili nascosti.
• A Londra, eco‑artisti registrano “le voci delle piante” con sensori bioacustici.
• In Canada, nasce Ear to the Future, una mappa sonora mondiale costruita dalle registrazioni inviate dagli ascoltatori.
• In Giappone, alcune aziende introducono la “pausa di ascolto consapevole”: cinque minuti di silenzio prima delle riunioni. Pare funzioni meglio del caffè.

🔍 Ma perché esistono due date diverse?

Se hai notato che Perfettamente Chic ha già pubblicato un altro articolo sulla Giornata dell’Ascolto il 21 ottobre, non è un errore: esistono due celebrazioni distinte, spesso confuse tra loro.

Ecco la differenza:

• 18 luglio – World Listening Day È la giornata ufficiale del World Listening Project, dedicata al paesaggio sonoro, alla bioacustica, all’ascolto dell’ambiente e alla consapevolezza sonora globale.
• 21 ottobre – World Day of Listening È una ricorrenza più recente, nata da iniziative educative e sociali che promuovono l’ascolto empatico, il dialogo, la comunicazione consapevole e la capacità di “sentire davvero” le persone. Non riguarda i suoni del mondo, ma le relazioni umane.

In pratica:

🎧 luglio ascolta il mondo, 💬 ottobre ascolta le persone.

E sì, esistono anche altre micro‑iniziative locali dedicate all’ascolto (festival, soundwalk day, listening labs), ma le due date principali sono queste.

🎙️ Curiosità chic che arricchiscono la storia

• Il primo World Listening Day del 2010 coinvolse più di 50 città in simultanea.
• Nel 2017 furono registrate le famose “dune che cantano” in Australia.
• Nel 2021 si scoprì che alcune tartarughe marine comunicano con micro‑vibrazioni.
• Nel 2024 Parigi dedicò una mostra ai “suoni perduti” della storia.

🧘‍♀️ Come partecipare oggi

• Spegni tutto per un minuto e ascolta la tua casa: ha una sinfonia segreta.
• Fai una mini soundwalk nel quartiere.
• Registra un suono che ami e condividilo.
• Oppure… ascolta davvero qualcuno. È rivoluzionario.

🔗 Per approfondire le due anime dell’ascolto

• L’articolo dedicato al World Listening Day (18 luglio): 👉 https://perfettamentechic.com/2025/07/18/🌍-world-listening-day/
• L’articolo dedicato al World Day of Listening (21 ottobre): 👉 https://perfettamentechic.com/2025/10/21/world-day-of-listening/

Autore: Lynda Di Natale
Fonte: web
Immagine: AI

#SkotosOman

Noise experimentalist from Puerto Rico deconstructing sound since the Holocene year 2000 CE.

#Oklahoma #USA #Noise
#Experimental #HarshNoise
#SoundArt #UndergroundMusic #PuertoRico #Industrial #DarkAmbient #Interview #Music #Socialmedia #tv

https://owlripperrecordings.bandcamp.com/track/skotos-oman-have-you-ever-been-a-victim

#JohnOlson

Learning an instrument to only unlearn it is tough / pleasing as well.

#JohnOlson #WolfEyes #NoiseMusic
#HarshNoise #Experimental
#SoundArt #Indus #USA
#Michigan #AnnArbor #Interview #Music #Socialmedia #tv

https://www.youtube.com/watch?v=Q6DOG2xsfM0&list=RDwRjFTl92DSA&index=2

https://wolf-eyes.bandcamp.com/track/reapers-gong

https://www.youtube.com/watch?v=wRjFTl92DSA&list=RDwRjFTl92DSA&start_radio=1

https://www.youtube.com/watch?v=fGO9M0EWIB4&list=RDwRjFTl92DSA&index=3

JHK / Kiran Arora / Axiom / Stan K. / Blaahhnn

neverclub, Saturday, July 25 at 07:00 PM EDT

Initial Shock presents:

JHK (NY)
https://abhorrentafterdeath.bandcamp.com/album/diamonds-rust
Energetic harsh noise from NYC's premiere noise sound tech and one half of Ende Tymes festival. A Montreal return!

Kiran Arora (NY)
https://adhuman.bandcamp.com/album/virgin-forest
UK/US ex-pat applies surgical expertise to atmospheric, tonal computer music. "a film-like portrait of cryptic, nocturnal stillness"

Local support:

Axiom
https://axiominc.bandcamp.com/album/axiom-ii

Stan K.
https://itstinks.bandcamp.com/album/termite-trumpet

Blaahhnn
https://blaahhnn.bandcamp.com/album/an-awful-trip


July 25 2026
$15 PWYC
7PM
Neverclub
Initial Shock #22

https://montreal.askapunk.net/event/jhk-kiran-arora-axiom-stan-k-blaahhnn

(5) now imagine a monochrome supermarket.
entire aisles of identical packages.
rows of grayscale promises.
all stripped of urgency.

#mastodon #art #soundart #visualculture #perception #mediaart #waysOfSeeing #johnberger #barthes #semiotics #visualstudies #design #packaging #consumerculture #aesthetics #contemporaryart #criticaltheory #mediaecology #visualtheory #sensoryexperience #fooddesign #graphicdesign #soundstudies #culturaltheory #everydayaesthetics

Graphic design for the work was done by Fara Peluso. The publication is co-written and co-edited with Dr. Paul O’Neill @aswemaysink (artist and assistant professor at University of Galway). The artwork includes contributions from:

Mina Kim
Jamie Larnach
Dasom Lee
Megs Morley
Samantha Ndiwalana
Astrida Neimanis
Feline Schön
and @tunubesecamirio

#newocean #water #ai #aidatacenter #waterjustice #soundart #fieldrecording #artisticresearch #hydrofeminism #waterbodies 3/4

L.O.R.F.O.U – LOIN OV RIEN (6”)
#Experimental #SoundArt #antifolk #electroacoustic #hauntedmusic #improvisation #introvert #lathecut #noise #shitfolk #ultralowfi
CC BY-SA (#CreativeCommons Attribution Share Alike) #ccmusic
https://mmli.bandcamp.com/album/loin-ov-rien-6

https://soundcloud.com/paranoidtxt/paranoid-plugged-into-nothing

"Improvised mix of music from Finnish artists made for the event 'Plugged Into Nothing', held by the legendary Esa Ruoho (Lackluster) at the Rikhardinkadun Library in Helsinki, on the 8th of September 2025. This session was played there before the main set."

#DJmixes #FinnishMusic #electronic #experimental #ambient #soundart #Helsinki #Finland #Kaukolampi #Verde #MarjaAhti #EsaRuoho #rihmasto #AleksiPerälä #PekkaPohjola #HLER #Nemesis #UtuLautturi #JuhaMattiRautiainen

https://soundcloud.com/paranoidtxt/paranoid-plugged-into-nothing

"Improvised mix of music from Finnish artists made for the event 'Plugged Into Nothing', held by the legendary Esa Ruoho (Lackluster) at the Rikhardinkadun Library in Helsinki, on the 8th of September 2025. This session was played there before the main set."

#DJmixes #FinnishMusic #electronic #experimental #ambient #soundart #Helsinki #Finland #Kaukolampi #Verde #MarjaAhti #EsaRuoho #rihmasto #AleksiPerälä #PekkaPohjola #HLER #Nemesis #UtuLautturi #JuhaMattiRautiainen

https://soundcloud.com/paranoidtxt/paranoid-plugged-into-nothing

"Improvised mix of music from Finnish artists made for the event 'Plugged Into Nothing', held by the legendary Esa Ruoho (Lackluster) at the Rikhardinkadun Library in Helsinki, on the 8th of September 2025. This session was played there before the main set."

#DJmixes #FinnishMusic #electronic #experimental #ambient #soundart #Helsinki #Finland #Kaukolampi #Verde #MarjaAhti #EsaRuoho #rihmasto #AleksiPerälä #PekkaPohjola #HLER #Nemesis #UtuLautturi #JuhaMattiRautiainen

„Micro Orchestrism“ – Hefe als musikalischer Kollaborateur 🍶🎶. In einem Prozess der Sake-Fermentation erzeugen mikrobielle Atemmuster Echtzeit-Klanglandschaften, die mit menschlichen Instrumenten verschmelzen. Eine Installation von Kaori Ogawa, Kaito Nakahori & Harpreet Sareen, die die Atmosphäre eines japanischen Teehaus musikalisch erstellt.

#ArsElectronica #MicroOrchestrism #SoundArt #Fermentation #BioArt #MediaArt #Linz #Sake

Rīdeō, ergo sum – I laugh, therefore I am (Preungesheim Edition)
Memory game with custom-built sound modules | various electronics, recordings of residents’ laughter | 100 x 100 cm

Created during his residency in the Fliegendes Künstler:innenzimmer (FlieKü) of the Crespo Foundation, Olsen’s work explores a simple yet profound question: What does a neighbourhood sound like if you only hear its laughter?

Armed with a microphone and ice cream vouchers, Olsen ventured through the parks, streets, courtyards, and local institutions of Preungesheim. Along the way, he collected the laughter of children, couples on park benches, a laughter yoga group, and even a former BMX champion from the 1980s.

The result is an interactive memory game: each module flip triggers a unique laughter sound bringing the community to life in playful, unexpected ways.

Special thanks to the Crespo Foundation, the FlieKü team, and everyone who laughed, contributed, or simply visited the exhibition.

More Infos: https://www.olsen.studio/rideo-ergo-sum/?lang=en

#soundart #interactiveart #communityvoices #preungesheim #memorygame #pelmanism #concentration #fliekü #fliegendeskünstlerinnenzimmer #crespofoundation #artandtechnology

PLAYHEAD Session am Donnerstag 12.9.2024 20 Uhr für alle Klangerzeuger mit Strom! (auch Toaster sind herzlich willkommen 😉) PLAYHEAD, das elektroFlux Micro-Festival! Black Box Eine Veranstaltung von elektroFlux / IMM von und mit #MichaelKolberg und #anjakreysing
alles in der Black Box, Münster #granularsynthesis #puredata #elektroflux #workshop #campday #experimental #eletronicmusic #electroacoustic #music #soundart #diy #initiative #improvisiertemusik #münster

proud to announce - PLAYHEAD, das elektroFlux Micro-Festival! Black Box Münster, Start: elektroFlux Camp-Day am Sonntag, 18.8. ab 11 Uhr Granularsynthese mit Pure Data, ein kostenloser Workshop für alle! Du brauchst nur einen transportablen Rechner mit macOS, Linux oder Windows. More infos in 1st comment! #granularsynthesis #puredata #elektroflux #workshop #campday #experimental #eletronicmusic #electroacoustic #music #soundart #diy #initiative #improvisiertemusik #münster

here's another demovideo of the STOCHASTIC ASYMMETRY + ECHOBLENDER (combo-can)

https://youtu.be/Dbvg8Zmx43M

More info here: https://metsn.tumblr.com

#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE #noisegear

STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns

The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.

Of course nothing really is simple, so here are more details:

WAVING:
Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.

MODULATING:
Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.

SOUNDSHAPING:
the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.

STARVING:
The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.

CONNECTING:
STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.

The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.

https://metsn.tumblr.com/post/745561561886851072

#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE

#residency #opencall #europe #creativeeurope #czechia beatiful location, nice people

SPECIAL MUSIC RESIDENCY FOR SANATORIUM SONORUM FESTIVAL

https://studiohrdinu.cz/en/production/cabin-studio-pecice-open-call-2024/

#cabinstudio #soundart #music #sanatoriumsonorum

My first friday on June this year, i was in the mega church near korean town in Tokyo.

‘Mode 2023’
It was an extraordinary 2 hours show.
I saw incredible sound artists with beatiful visualized gradient lighting work at 2th June

by 33-33
https://33-33.co/

#soundart #3333label #mode #RyuichiSakamoto #ambient #KaliMalone #organist #FUJIIIIIIIIIIITA

CD available now!

#composition #emerge #anjakreysing #text #geraldfiebig #photos #danpenschuck
#attenuationcircuit #collaborativecomposition #ressourcen #spokenword #granularsynthesis #contemporary #music #soundart #immersive #quadrophonia

https://emerge.bandcamp.com/album/ressourcen

Available now from #METSÄÄN.

DIRTY DRONE DELUGE - a shadow modulated 4step sequencer with delay/distortion

This machine is named Dirty Drone Deluge, because the sequenzer is flooding the delay for a flood of sounds. It’s enclosure is a recycled drawer (25.5x16.5x9.5cm) of a wooden cabinet, painted in the ‘burnt out industry’ camo patterns in black and chrome. The panel is made of coarsely sanded plastique aluminum laminate with some stamped in function indicator letters.This METSÄÄN machine contains two sections: an extra noisy ECHOBLENDER delay/distortion (more on that in the ECHOBLENDER postings) and an 4-step sequencer. Each step has a FREQUENCY control, a RANGE toggle-switch (low/high) and a LDR (Light Dependent Resistor), that allows frequency control by throwing shade or shining light onto it (shadow=higher/light=lower). A SPEED control sets the sequencers tempo and another toggle-switch kills the sequencers signal to the ECHOBLENDER section. Furthermore there is an INPUT socket (6.3mm mono TS plug) for injecting external signals to the ECHOBLENDER, either passively mixing with the SEQUENZER section’s signal, when that is not switched off. The OUTPUT socket is also for 6.3mm mono TS plugs. Powered by standard 9V DC effect pedal power supplies (boss-style, negative pin inside). PSU is not included. Handmade by grm for METSÄÄN.

https://metsn.tumblr.com/post/703619285934899200

#noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #sequenzer #delay #distortion #pedalboard #metsään #dirtydrone #soundgenerator #deluge #dirtydronedeluge

Available now from #METSÄÄN.

DIRTY DRONE DELUGE - a shadow modulated 4step sequencer with delay/distortion

This machine is named Dirty Drone Deluge, because the sequenzer is flooding the delay for a flood of sounds. It’s enclosure is a recycled drawer (25.5x16.5x9.5cm) of a wooden cabinet, painted in the ‘burnt out industry’ camo patterns in black and chrome. The panel is made of coarsely sanded plastique aluminum laminate with some stamped in function indicator letters.This METSÄÄN machine contains two sections: an extra noisy ECHOBLENDER delay/distortion (more on that in the ECHOBLENDER postings) and an 4-step sequencer. Each step has a FREQUENCY control, a RANGE toggle-switch (low/high) and a LDR (Light Dependent Resistor), that allows frequency control by throwing shade or shining light onto it (shadow=higher/light=lower). A SPEED control sets the sequencers tempo and another toggle-switch kills the sequencers signal to the ECHOBLENDER section. Furthermore there is an INPUT socket (6.3mm mono TS plug) for injecting external signals to the ECHOBLENDER, either passively mixing with the SEQUENZER section’s signal, when that is not switched off. The OUTPUT socket is also for 6.3mm mono TS plugs. Powered by standard 9V DC effect pedal power supplies (boss-style, negative pin inside). PSU is not included. Handmade by grm for METSÄÄN.

https://metsn.tumblr.com/post/703619285934899200

#noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #sequenzer #delay #distortion #pedalboard #metsään #dirtydrone #soundgenerator #deluge #dirtydronedeluge

Available soon. Stay detuned.

This machine is named Dirty Drone Deluge, because the sequenzer is flooding the delay for a flood of sounds. It's enclosure is a recycled drawer (25.5x16.5x9.5cm) of a wooden cabinet, painted in the 'burnt out industry' camo patterns in black and chrome. The panel is made of coarsely sanded plastique aluminum laminate with some stamped in function indicator letters.This METSÄÄN machine contains two sections: an extra noisy ECHOBLENDER delay/distortion (more on that in the ECHOBLENDER postings) and an 4-step sequencer. Each step has a FREQUENCY control, a RANGE toggle-switch (low/high) and a LDR (LightDependendResistor), that allows frequency control by throwing shade or shining light onto it (shadow=higher/light=lower). A SPEED control sets the sequencers tempo and another toggle-switch kills the sequencers signal to the ECHOBLENDER section. Furthermore there is an INPUT socket (6.3mm mono TS plug) for injecting external signals to the ECHOBLENDER, either passively mixing with the SEQUENZER section's signal, when that is not switched off. The OUTPUT socket is also for 6.3mm mono TS plugs. Powered by standard 9V DC effect pedal power supplies (boss-style, negative pin inside). PSU is not included.

#noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #sequenzer #delay #distortion #pedalboard #metsään #dirtydrone #soundgenerator #deluge #dirtydronedeluge

https://youtu.be/2_ovzP2puw8

Testing the new #METSÄÄN MACHINE the first #DirtyDroneDeluge with a light controlled 4 step sequencer running through an #Echoblender delay/distortion section. In this clip the output signal also runs through heavy reverb, the unnatural habitat of it's sound. Each step has individual frequency control and a toggle switch that selects two different ways of how the LDR (light dependent reaistor) affects the pitch of the step. A SPEED control makes it go fast or slow. The sequencer runs on an algorythm, that adds very slight variations to the flow. The machine runs on standard 9V DC pedal power supplies (boss-style, center negative). PSU not included. Abailable soon. DM if interested. Stay detuned.

#noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade

https://www.instagram.com/tv/ClrtdzAAGju

New one off build in the making. 4 step sequencer (appreciator!) with light controlled frequency variations running through an echoblender distortion/delay. This machine is for real dirty oldschool sci-fi junk noise needs. Still have to try it with massive reverberation space clouds.

ignore:
#noisesynth #dronesynth #dronebox #noisebox #dirtydrone #noiseart #soundart #soundobject #soundsculpture #soundbox #thismachinekillsfascists #handmade #synth #syntesizer #analogsynth #experiemntalelectronic #electronicmusic #experimentalmusicinstrument #sounddesign #sounddesigner #cinematicsound