#conniefrancis — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #conniefrancis, aggregated by home.social.
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Heartaches By the Number 🔣
#ConnieFrancis
https://www.youtube.com/watch?v=rjq8QAgZqo0 -
Where the Boys Are 👨👩👦👦
#ConnieFrancis
https://www.youtube.com/watch?v=sccTzpFfPaE -
My Heart Has A Mind Of Its Own ♥️
#ConnieFrancis
https://www.youtube.com/watch?v=S4XDywplh1o -
Everybody's Somebody's Fool 🧑
#ConnieFrancis
https://www.youtube.com/watch?v=GT0xaJllZws -
‘The Pitt’ Star Isa Briones Heading For Broadway’s ‘Just In Time’ As Connie Francis
#Casting #News #Broadway #ConnieFrancis #IsaBriones #JustInTimehttps://deadline.com/2026/03/isa-briones-broadway-just-in-time-the-pitt-1236749338/
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Heartaches By the Number 🔣
#ConnieFrancis
https://www.youtube.com/watch?v=6XTwzfsZYGQ -
@revivalrecords It may also be worth noting that the song was co-written by Neil Sedaka, who passed away a few days ago.
The Wikipedia article for this song has a nice account of how it ended up being recorded by Francis:
https://en.wikipedia.org/wiki/Stupid_Cupid
#NeilSedaka #HowardGreenfield #ConnieFrancis #StupidCupid #AldonMusic
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"Where the Boys Are" is a song written by #NeilSedaka and #HowardGreenfield. It was written for and first recorded by #ConnieFrancis, as the title track of the 1960 film of the same name in which she co-starred.
https://www.youtube.com/watch?v=Rk4ZKVKP7Vc -
God Bless America 🇯🇵
#ConnieFrancis
https://www.youtube.com/watch?v=h2aG5zlSMpI -
Lipstick on Your Collar ⚧
#ConnieFrancis
https://www.youtube.com/watch?v=V8x5cUFoDnU -
Everybody's Somebody's Fool 🥺
#ConnieFrancis
https://www.youtube.com/watch?v=S5U0pbKjMxQ -
#OnThisDay in 1937, #ConnieFrancis [Concetta Franconero], American singer ("Where the Boys Are", "Who's Sorry Now?"), and actress, born in Newark, New Jersey (d. 2025).
#HappyBirthday #RIP † -
My Heart Has A Mind Of Its Own
#ConnieFrancis
https://www.youtube.com/watch?v=vRMSayrdDok -
YouTube Reveals Korea’s Top 10 Most Popular Songs Of 2025
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Who's Sorry Now? 😟
#ConnieFrancis
https://www.youtube.com/watch?v=hF4lC1n1J54 -
"She Thinks I Still Care" is a #country song written by #DickeyLee and Steve Duffy. First popularized by #GeorgeJones, the song has been recorded by many artists, including #ConnieFrancis, #AnneMurray, #ElvisPresley and #PattyLoveless.
https://www.youtube.com/watch?v=HpLY4WyWAuY -
"Lipstick on Your Collar" is a song written by #BrillBuilding staff writers Edna Lewis (lyrics) and George Goehring (music) which was a 1959 hit single for #ConnieFrancis.
https://www.youtube.com/watch?v=rzu4TCKBsBg -
Mashable: How TikTok is rewriting the soundtrack of music discovery. “In the U.S., the song hit No. 1 on both TikTok’s Viral 50 and Top 50 charts and No. 67 on Spotify’s Global Top 100, where it has generated over 120 million Spotify streams, making it her most-streamed song to date. Before her passing in July, Francis said her newfound TikTok fame gave her a ‘new lease on life,’ and she […]
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Mashable: How TikTok is rewriting the soundtrack of music discovery. “In the U.S., the song hit No. 1 on both TikTok’s Viral 50 and Top 50 charts and No. 67 on Spotify’s Global Top 100, where it has generated over 120 million Spotify streams, making it her most-streamed song to date. Before her passing in July, Francis said her newfound TikTok fame gave her a ‘new lease on life,’ and she […]
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Mashable: How TikTok is rewriting the soundtrack of music discovery. “In the U.S., the song hit No. 1 on both TikTok’s Viral 50 and Top 50 charts and No. 67 on Spotify’s Global Top 100, where it has generated over 120 million Spotify streams, making it her most-streamed song to date. Before her passing in July, Francis said her newfound TikTok fame gave her a ‘new lease on life,’ and she […]
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Mashable: How TikTok is rewriting the soundtrack of music discovery. “In the U.S., the song hit No. 1 on both TikTok’s Viral 50 and Top 50 charts and No. 67 on Spotify’s Global Top 100, where it has generated over 120 million Spotify streams, making it her most-streamed song to date. Before her passing in July, Francis said her newfound TikTok fame gave her a ‘new lease on life,’ and she […]
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Mashable: How TikTok is rewriting the soundtrack of music discovery. “In the U.S., the song hit No. 1 on both TikTok’s Viral 50 and Top 50 charts and No. 67 on Spotify’s Global Top 100, where it has generated over 120 million Spotify streams, making it her most-streamed song to date. Before her passing in July, Francis said her newfound TikTok fame gave her a ‘new lease on life,’ and she […]
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In the Summer of His Years ♨
#ConnieFrancis
https://www.youtube.com/watch?v=u_kPWBp7ssY -
Everybody's Somebody's Fool 🥺
#ConnieFrancis
https://www.youtube.com/watch?v=iiDkSeoky6o -
Lipstick on Your Collar 👔
#ConnieFrancis
https://www.youtube.com/watch?v=gPaAqt8t1g4 -
"Where the Boys Are" is a song written by #NeilSedaka and #HowardGreenfield. It was written for and first recorded by #ConnieFrancis, as the title track of the 1960 film of the same name in which she co-starred.
https://www.youtube.com/watch?v=sccTzpFfPaE -
Connie Francis' "My Heart Has a Mind of Its Own" hit #1 on the Billboard Hot 100 on September 26, 1960 and spent two weeks at the top of the chart.
#Music, #ConnieFrancis, #60s, #60sMusic, #1960s, #1960sMusic
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Today's #TuneTuesday is #BrittleCold. Here's what I came up with:
Felice Taylor: It May Be Winter Outside (But In My Heart It’s Spring) (1967)
https://www.youtube.com/watch?v=OQwilsT7lFMThe Adorables: Deep Freeze (1964)
https://www.youtube.com/watch?v=Tt4zhycib6cConnie Francis: I'm Gonna Be Warm This Winter (1962)
https://www.youtube.com/watch?v=EPDzohv_VVoJim Reeves: The Blizzard (1961)
https://www.youtube.com/watch?v=x7bTFIXoKG8Dee Dee Warwick: Cold Night In Georgia (1971)
https://www.youtube.com/watch?v=00_3gJdfN9E#music #felicetaylor #adorables #conniefrancis #jimreeves #deedeewarwick
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Everybody's Somebody's Fool ♟
#ConnieFrancis
https://www.youtube.com/watch?v=iiDkSeoky6o -
Who's Sorry Now? 🔜
#ConnieFrancis
https://www.youtube.com/watch?v=5Ws60MDF7OY -
Heartaches By the Number 🔢
#ConnieFrancis
https://www.youtube.com/watch?v=rjq8QAgZqo0 -
In the Summer of His Years 🏓
#ConnieFrancis
https://www.youtube.com/watch?v=u_kPWBp7ssY -
Everybody's Somebody's Fool 🧑
#ConnieFrancis
https://www.youtube.com/watch?v=S5U0pbKjMxQ -
"She Thinks I Still Care" is a #country song written by #DickeyLee and Steve Duffy. First popularized by #GeorgeJones, the song has been recorded by many artists, including #ConnieFrancis, #AnneMurray, #ElvisPresley and #PattyLoveless.
https://www.youtube.com/watch?v=pE1QYlATnGo -
"Lipstick on Your Collar" is a song written by #BrillBuilding staff writers Edna Lewis (lyrics) and George Goehring (music) which was a 1959 hit single for #ConnieFrancis.
https://www.youtube.com/watch?v=PKOVDQNelgo -
https://fineartamerica.com/featured/connie-francis-mauricio-sobalvarro.html #ConnieFrancis #PrettyLittleBaby #VintageMusic #60sMusic #RetroVibes #PopArt #MusicArt #VintagePop #ClassicHits #Nostalgia #PopCultureArt #RetroArt #60sNostalgia #VinylArt #MusicLovers #ArtAndMusic #VintageSinger #PopIcon #ConnieFrancisArt #WhereTheBoysAre #WhosSorryNow #StupidCupid #LipstickOnYourCollar #EverybodySomebodysFool #DontBreakTheHeart #MyHappiness #AmongMySouvenirs #ItalianFavorites #MusicNostalgia #RetroMusicArt #VintageStyle #60sPop #ArtisticVibes
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𝗭𝗮𝗻𝗴𝗲𝗿𝗲𝘀 𝗖𝗼𝗻𝗻𝗶𝗲 𝗙𝗿𝗮𝗻𝗰𝗶𝘀 (87) 𝗶𝗻 𝘇𝗶𝗲𝗸𝗲𝗻𝗵𝘂𝗶𝘀 𝗼𝗽𝗴𝗲𝗻𝗼𝗺𝗲𝗻
De Amerikaanse zangeres Connie Francis (87) is opgenomen in het ziekenhuis. Dat meldt de entertainmentsite TMZ.
https://www.rtl.nl/boulevard/artikel/5516687/zangeres-connie-francis-87-ziekenhuis-opgenomen
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La Torture des Ténèbres – V / The Lost Colony of Altar Vista [Things You Might Have Missed 2024]
By Dear Hollow
The breed of noise that courses through Ottawa one-woman act La Torture des Ténèbres is truly disorienting and off-putting,1 but it takes on a hypnotizing and triumphant quality when its curious blend of caustic and decadent settles into your bones. While 2016 debuts Acadian Nights and Choirs of Emptiness captured a predictable blend of raw black and spacefaring dark ambient, Civilization is the Tomb of Our Noble Gods found mastermind J.K. taking influence from classic science fiction and decopunk: raw black played as an accompaniment to Fritz Lang’s Metropolis, perhaps. With this breed of raw punishment, discernment is a spiritual gift – V praises a grand civilization, The Lost Colony of Altar Vista laments it. Viciously raw, relentlessly noisy, and painfully discordant, while also beautifully grandiose and subtly tragic, La Torture des Ténèbres offers decadence and venom as few can.
April’s V is the more straightforward of the 2024 releases, reflecting its grainy album art basking in a birds-eye view of the grand metropolis.2 There’s a robotic quality about V that pairs neatly with its predecessor IV – Memoirs of a Machine Girl, as La Torture des Ténèbres saturates the palette of relentless blasting, dense and raw tremolo tinnitus, and tortured wails and harrowing shrieks with grimy feedback, noise, industrial ambiance, and the act’s trademark flaying melodic sensibilities. Reverb-laden melodic interludes would seem to offer reprieve during the punishment, but their blaring distortion and clipping only drive the knife deeper with a shrill and warped quality, like ringing sirens during the calm before the storm. Inspired by the shimmering deceptively utopian and futuristic civilizations, the juxtaposition of the grandiosity of tomorrow (“Accelerated Degeneration Descent,” “Valley of the Unclean”) and the horrors of today (“Descent into Suburban Hellscape,” “Catalyst of Tomb Reconfiguration”) only heightens J.K.’s themes. Lyrics detail paranoia, sexual oppression, obsession, and horror, idolizing beautiful cities built atop the broken backs of the ugly. And despite its triumphant ambiance, V is one of the ugliest black metal albums of the year.
October’s The Lost Colony of Altar Vista is a more lonely and contemplative affair,3 reflected in its artwork of the same city at a grimmer low angle and in a filthier light. La Torture des Ténèbres’ punishing palette and caustic rawness remain largely the same, but the empty tinny melodies contrast to the decadent gloss of V. Paired with experimental samples stuttered from audio clipping and perverted by distortion,4 the tremolo-picked melodies atop subtle ambiance and silence are more abundant and dwell more in somber countenance (i.e. “The Reflection of the Moon in Her Skyline Eyes”), with more complete collapses of noise (“Allison”) and doomed piano (“The Axis of the Exaltation and the Fall of Venus”). The Lost Colony of Altar Vista basks in its forlornness, its relentless rawness a jagged and jaded vessel for fragile pain.
V and The Lost Colony of Altar Vista showcase both sides of La Torture des Ténèbres, streamlined with a propensity for vicious noise and flaying rawness. It’s completely unforgiving, painfully harsh, and alienating to even the most hardened black metal fans. It’s jaggedly pieced, tracks cutting off abruptly and samples seeming to have no relevance to the sound, but every element adds to the themes of dissociation of both the beautiful glimmer and filthy underbelly of this metropolis. Truly a thin glossy mask atop a horrific face.
Tracks to Check Out: ”Descent Into Suburban Hellscape,” “Phantoms Over Altar Vista,” “Allison,” “Spectres Over Altar Vista”
#2024 #AmbientBlackMetal #AmbientNoise #BlackMetal #CanadianMetal #ConnieFrancis #IndependentRelease #JillianBanks #LaTortureDesTénèbres #Noise #RawBlackMetal #TheLostColonyOfAltarVista #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #V
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La Torture des Ténèbres – V / The Lost Colony of Altar Vista [Things You Might Have Missed 2024]
By Dear Hollow
The breed of noise that courses through Ottawa one-woman act La Torture des Ténèbres is truly disorienting and off-putting,1 but it takes on a hypnotizing and triumphant quality when its curious blend of caustic and decadent settles into your bones. While 2016 debuts Acadian Nights and Choirs of Emptiness captured a predictable blend of raw black and spacefaring dark ambient, Civilization is the Tomb of Our Noble Gods found mastermind J.K. taking influence from classic science fiction and decopunk: raw black played as an accompaniment to Fritz Lang’s Metropolis, perhaps. With this breed of raw punishment, discernment is a spiritual gift – V praises a grand civilization, The Lost Colony of Altar Vista laments it. Viciously raw, relentlessly noisy, and painfully discordant, while also beautifully grandiose and subtly tragic, La Torture des Ténèbres offers decadence and venom as few can.
April’s V is the more straightforward of the 2024 releases, reflecting its grainy album art basking in a birds-eye view of the grand metropolis.2 There’s a robotic quality about V that pairs neatly with its predecessor IV – Memoirs of a Machine Girl, as La Torture des Ténèbres saturates the palette of relentless blasting, dense and raw tremolo tinnitus, and tortured wails and harrowing shrieks with grimy feedback, noise, industrial ambiance, and the act’s trademark flaying melodic sensibilities. Reverb-laden melodic interludes would seem to offer reprieve during the punishment, but their blaring distortion and clipping only drive the knife deeper with a shrill and warped quality, like ringing sirens during the calm before the storm. Inspired by the shimmering deceptively utopian and futuristic civilizations, the juxtaposition of the grandiosity of tomorrow (“Accelerated Degeneration Descent,” “Valley of the Unclean”) and the horrors of today (“Descent into Suburban Hellscape,” “Catalyst of Tomb Reconfiguration”) only heightens J.K.’s themes. Lyrics detail paranoia, sexual oppression, obsession, and horror, idolizing beautiful cities built atop the broken backs of the ugly. And despite its triumphant ambiance, V is one of the ugliest black metal albums of the year.
October’s The Lost Colony of Altar Vista is a more lonely and contemplative affair,3 reflected in its artwork of the same city at a grimmer low angle and in a filthier light. La Torture des Ténèbres’ punishing palette and caustic rawness remain largely the same, but the empty tinny melodies contrast to the decadent gloss of V. Paired with experimental samples stuttered from audio clipping and perverted by distortion,4 the tremolo-picked melodies atop subtle ambiance and silence are more abundant and dwell more in somber countenance (i.e. “The Reflection of the Moon in Her Skyline Eyes”), with more complete collapses of noise (“Allison”) and doomed piano (“The Axis of the Exaltation and the Fall of Venus”). The Lost Colony of Altar Vista basks in its forlornness, its relentless rawness a jagged and jaded vessel for fragile pain.
V and The Lost Colony of Altar Vista showcase both sides of La Torture des Ténèbres, streamlined with a propensity for vicious noise and flaying rawness. It’s completely unforgiving, painfully harsh, and alienating to even the most hardened black metal fans. It’s jaggedly pieced, tracks cutting off abruptly and samples seeming to have no relevance to the sound, but every element adds to the themes of dissociation of both the beautiful glimmer and filthy underbelly of this metropolis. Truly a thin glossy mask atop a horrific face.
Tracks to Check Out: ”Descent Into Suburban Hellscape,” “Phantoms Over Altar Vista,” “Allison,” “Spectres Over Altar Vista”
#2024 #AmbientBlackMetal #AmbientNoise #BlackMetal #CanadianMetal #ConnieFrancis #IndependentRelease #JillianBanks #LaTortureDesTénèbres #Noise #RawBlackMetal #TheLostColonyOfAltarVista #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #V
-
La Torture des Ténèbres – V / The Lost Colony of Altar Vista [Things You Might Have Missed 2024]
By Dear Hollow
The breed of noise that courses through Ottawa one-woman act La Torture des Ténèbres is truly disorienting and off-putting,1 but it takes on a hypnotizing and triumphant quality when its curious blend of caustic and decadent settles into your bones. While 2016 debuts Acadian Nights and Choirs of Emptiness captured a predictable blend of raw black and spacefaring dark ambient, Civilization is the Tomb of Our Noble Gods found mastermind J.K. taking influence from classic science fiction and decopunk: raw black played as an accompaniment to Fritz Lang’s Metropolis, perhaps. With this breed of raw punishment, discernment is a spiritual gift – V praises a grand civilization, The Lost Colony of Altar Vista laments it. Viciously raw, relentlessly noisy, and painfully discordant, while also beautifully grandiose and subtly tragic, La Torture des Ténèbres offers decadence and venom as few can.
April’s V is the more straightforward of the 2024 releases, reflecting its grainy album art basking in a birds-eye view of the grand metropolis.2 There’s a robotic quality about V that pairs neatly with its predecessor IV – Memoirs of a Machine Girl, as La Torture des Ténèbres saturates the palette of relentless blasting, dense and raw tremolo tinnitus, and tortured wails and harrowing shrieks with grimy feedback, noise, industrial ambiance, and the act’s trademark flaying melodic sensibilities. Reverb-laden melodic interludes would seem to offer reprieve during the punishment, but their blaring distortion and clipping only drive the knife deeper with a shrill and warped quality, like ringing sirens during the calm before the storm. Inspired by the shimmering deceptively utopian and futuristic civilizations, the juxtaposition of the grandiosity of tomorrow (“Accelerated Degeneration Descent,” “Valley of the Unclean”) and the horrors of today (“Descent into Suburban Hellscape,” “Catalyst of Tomb Reconfiguration”) only heightens J.K.’s themes. Lyrics detail paranoia, sexual oppression, obsession, and horror, idolizing beautiful cities built atop the broken backs of the ugly. And despite its triumphant ambiance, V is one of the ugliest black metal albums of the year.
October’s The Lost Colony of Altar Vista is a more lonely and contemplative affair,3 reflected in its artwork of the same city at a grimmer low angle and in a filthier light. La Torture des Ténèbres’ punishing palette and caustic rawness remain largely the same, but the empty tinny melodies contrast to the decadent gloss of V. Paired with experimental samples stuttered from audio clipping and perverted by distortion,4 the tremolo-picked melodies atop subtle ambiance and silence are more abundant and dwell more in somber countenance (i.e. “The Reflection of the Moon in Her Skyline Eyes”), with more complete collapses of noise (“Allison”) and doomed piano (“The Axis of the Exaltation and the Fall of Venus”). The Lost Colony of Altar Vista basks in its forlornness, its relentless rawness a jagged and jaded vessel for fragile pain.
V and The Lost Colony of Altar Vista showcase both sides of La Torture des Ténèbres, streamlined with a propensity for vicious noise and flaying rawness. It’s completely unforgiving, painfully harsh, and alienating to even the most hardened black metal fans. It’s jaggedly pieced, tracks cutting off abruptly and samples seeming to have no relevance to the sound, but every element adds to the themes of dissociation of both the beautiful glimmer and filthy underbelly of this metropolis. Truly a thin glossy mask atop a horrific face.
Tracks to Check Out: ”Descent Into Suburban Hellscape,” “Phantoms Over Altar Vista,” “Allison,” “Spectres Over Altar Vista”
#2024 #AmbientBlackMetal #AmbientNoise #BlackMetal #CanadianMetal #ConnieFrancis #IndependentRelease #JillianBanks #LaTortureDesTénèbres #Noise #RawBlackMetal #TheLostColonyOfAltarVista #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #V