#circuitbending — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #circuitbending, aggregated by home.social.
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The day’s tally:
❌ Broke my favorite glass😓 the one a friend gifted me, just the right size for water. It’s silly, but it stings.
✅ Bought a matte screen protector that mimics paper. Drawing’s back on the menu.
✅ Launched a new t-shirt design in my shop. Seeing it live? Pure joy.
Grief and progress, side by side. That’s how it goes, I guess.
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🕰️ Diving into the archives…
I just dug through my old SoundCloud account—some of these tracks are 15 years old. 😳 Decided to rescue what I could, so I can finally share them again.
Fun fact: Back in the day, I was a noise sound artist. Circuit-bent toys, glitchy keyboards, and pure sonic experimentation. Who knew?
Should I drop a few of these relics for old times’ sake? -
NiNicrU fetiches live (Reus - E·Plec Tarragona 2012)
https://youtu.be/ASMzzmtaz3kUna mica de nostàlgia televisiva a l’E·Plec del Laboratori Visual a Tarragona amb la col·laboració de Raped Twins. Aquella nit vam fer molts amics; per un moment vam creure ser el centre de l’univers.
https://ninicru.tumblr.com/info#fetiches #nini #collage #zapping #tv #streaming #records #recuerdos #memory #tv3 #hola #kiu #telepresencia #retro #computer #hack #lofi #multimedia #circuitbending #cacharrería #exploradores
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NiNicrU fetiches live (Reus - E·Plec Tarragona 2012)
https://youtu.be/ASMzzmtaz3kUna mica de nostàlgia televisiva a l’E·Plec del Laboratori Visual a Tarragona amb la col·laboració de Raped Twins. Aquella nit vam fer molts amics; per un moment vam creure ser el centre de l’univers.
https://ninicru.tumblr.com/info#fetiches #nini #collage #zapping #tv #streaming #records #recuerdos #memory #tv3 #hola #kiu #telepresencia #retro #computer #hack #lofi #multimedia #circuitbending #cacharrería #exploradores
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NiNicrU fetiches live (Reus - E·Plec Tarragona 2012)
https://youtu.be/ASMzzmtaz3kUna mica de nostàlgia televisiva a l’E·Plec del Laboratori Visual a Tarragona amb la col·laboració de Raped Twins. Aquella nit vam fer molts amics; per un moment vam creure ser el centre de l’univers.
https://ninicru.tumblr.com/info#fetiches #nini #collage #zapping #tv #streaming #records #recuerdos #memory #tv3 #hola #kiu #telepresencia #retro #computer #hack #lofi #multimedia #circuitbending #cacharrería #exploradores
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NiNicrU fetiches live (Reus - E·Plec Tarragona 2012)
https://youtu.be/ASMzzmtaz3kUna mica de nostàlgia televisiva a l’E·Plec del Laboratori Visual a Tarragona amb la col·laboració de Raped Twins. Aquella nit vam fer molts amics; per un moment vam creure ser el centre de l’univers.
https://ninicru.tumblr.com/info#fetiches #nini #collage #zapping #tv #streaming #records #recuerdos #memory #tv3 #hola #kiu #telepresencia #retro #computer #hack #lofi #multimedia #circuitbending #cacharrería #exploradores
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NiNicrU fetiches live (Reus - E·Plec Tarragona 2012)
https://youtu.be/ASMzzmtaz3kUna mica de nostàlgia televisiva a l’E·Plec del Laboratori Visual a Tarragona amb la col·laboració de Raped Twins. Aquella nit vam fer molts amics; per un moment vam creure ser el centre de l’univers.
https://ninicru.tumblr.com/info#fetiches #nini #collage #zapping #tv #streaming #records #recuerdos #memory #tv3 #hola #kiu #telepresencia #retro #computer #hack #lofi #multimedia #circuitbending #cacharrería #exploradores
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Yo Mastodon!
I’m Ctrl Freq - sound artist, circuit bender, instrument designer.
Creator of LSe, µ-LSe and numerous undocumented, half-finished projects :)
I also run DIY electronics workshops and travel around performing. Last but not least - producer of heavy and distorted broken electronic music (Breakcore, Tearout, Jungle, Dubstep)
#introduction #soundart #arduino #raspberrypi #experimentalmusic #diyelectronics #circuitbending #synthesizers #puredata #dubstep #jungle #breakcore
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I have been pretty busy with some neon production work, but I did manage to find time to document this sculpture I completed in 2023, The Wild One E, the fifth of big toy sculptures. I was in such a rush to get it out to a show in Chicago that I didn't get a chance to properly document it. You can see my first lil bit of clips thrown together here...
https://makertube.net/w/r7u795BiHUJp4LsK6Xh6Pp
I want to redo the photo shoot in a white wall room (I have one at home). I also want to get another camera flash.
I also pulled tubes with an old friend from college. We were glassblowing blow partners and now he blows glass full time here in Brooklyn. I had been wanting to pull some of these expensive colors with him and it was worth it.
Gotta mix up some phosphors to coat the tubes later. We used nearly full kilograms of color on each pull so the colors light filtering effects would be extra pronounced.#neon #glassblowing #sculpture #documenting #glass #nyc #brooklyn #art #circuitbending #tubing #color
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Achtung Achtung! #SaveTheDate das nächate Schalt Kreis Symposium findet vom 22.05.26 – 25.05.26 statt!
Mit viel Glück müssen wir dieses Jahr nicht in ein Zelt sondern haben insgesamt 270m² Halle zur Verfügung 🥳
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A #short #experimental #film i made.
https://vimeo.com/820055599
Feedback is welcome :)
I generated video sequences by #circuitbending then i cut them.
1st: Naiko 6004 electronic clock
2nd: Lexibook video game console
#artwork #videoart #art #circuitbend #pixelart #chance #chaos #unpredictable #glitch -
A #short #experimental #film i made.
https://vimeo.com/820055599
Feedback is welcome :)
I generated video sequences by #circuitbending then i cut them.
1st: Naiko 6004 electronic clock
2nd: Lexibook video game console
#artwork #videoart #art #circuitbend #pixelart #chance #chaos #unpredictable #glitch -
A #short #experimental #film i made.
https://vimeo.com/820055599
Feedback is welcome :)
I generated video sequences by #circuitbending then i cut them.
1st: Naiko 6004 electronic clock
2nd: Lexibook video game console
#artwork #videoart #art #circuitbend #pixelart #chance #chaos #unpredictable #glitch -
A #short #experimental #film i made.
https://vimeo.com/820055599
Feedback is welcome :)
I generated video sequences by #circuitbending then i cut them.
1st: Naiko 6004 electronic clock
2nd: Lexibook video game console
#artwork #videoart #art #circuitbend #pixelart #chance #chaos #unpredictable #glitch -
A #short #experimental #film i made.
https://vimeo.com/820055599
Feedback is welcome :)
I generated video sequences by #circuitbending then i cut them.
1st: Naiko 6004 electronic clock
2nd: Lexibook video game console
#artwork #videoart #art #circuitbend #pixelart #chance #chaos #unpredictable #glitch -
After yesterday's disappointment trying to circuit bend a G6 Thumb Camera, I had another go. This time it was much more successful, and I'm delighted to have circuit bent my first camera.
#CharmeraClone, #G6, #LoFi, #CircuitBending, #ToyCamera, -
After yesterday's disappointment trying to circuit bend a G6 Thumb Camera, I had another go. This time it was much more successful, and I'm delighted to have circuit bent my first camera.
#CharmeraClone, #G6, #LoFi, #CircuitBending, #ToyCamera, -
After yesterday's disappointment trying to circuit bend a G6 Thumb Camera, I had another go. This time it was much more successful, and I'm delighted to have circuit bent my first camera.
#CharmeraClone, #G6, #LoFi, #CircuitBending, #ToyCamera, -
After yesterday's disappointment trying to circuit bend a G6 Thumb Camera, I had another go. This time it was much more successful, and I'm delighted to have circuit bent my first camera.
#CharmeraClone, #G6, #LoFi, #CircuitBending, #ToyCamera, -
Noise Meetup: Radio Bending Workshop
Stadtwerkstatt Linz, Sunday, February 15 at 02:00 PM GMT+1
Would you like to hack a radio to make it a synthesizer?
NOISE TRANSMISSION DEVICE : Radio bending workshop with Francesco Zedde @fra.zedde
In this workshop, each participant will have the opportunity to create a basic “circuit bending” project.
We will provide radio kits which we will then hack to create surprising sounds. In the process, you will learn skills of upcycling an old radio and some old audio electronics and turn them into a music instrument.
If you have your own radio you’d like to hack, bring it along!
We will provide all necessary tools and parts.
Workshop fee: 30 EUR
When: 15.2. 2pm-7pm
Where: STWST / servus.at Klubraum
Kirchengasse 4, 4040 Linz
Please register: [email protected]https://kulturkarte.servus.at/event/noise-meetup-radio-bending-workshop
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Looking Ahead: My Intentions For 2026
About this time last year, I jotted down some intentions for 2025, ‘a few ideas of the things that I really want to do over the coming twelve months’. I did quite well with these: I resurrected a few old cameras, like the Kodak 1A and 3A folding cameras, and the Vest Pocket Kodak; I finally got to use the medium format half-frame beastie that’s the Bencini Koroll 2; and I actually used my only 127 film in the Purma Special on a 127 Day this year. I also tumbled down the rabbit hole that was the Rapid film system, which led to some great fun with colour emulsions, redscaling, and even trying some EBS photography, or exposing both sides of the emulsion, and of course I added a load more weird and wonderful cameras to my collection.
The only part of my ‘intentions’ for 2025 that I didn’t really get anywhere with was glitching; taking a perfectly good photograph in digital format and altering the data contained in it to produce a corrupted image. As a reminder, images can be glitched in a number of ways: with a Hex Editor, to alter details of individual pixels in an image; processing a digital photograph in a program not intended for editing image files; or using a script in a programming language to corrupt the file. This is known as databending, but there is also circuit bending, which either takes an image and corrupts it using a specially made image processor, or using a camera where the hardware within the camera has been physically altered so that the image saved to the card is corrupted.
A corrupted 3D image, taken with the Fujifilm W3 Real 3d stereo digital camera. The file has been databent by processing the file in the audio editing program Audacity.I already have one circuit bent camera, and also a couple of cameras with failing sensors that produce lovely glitchy images, but I’ve also recently obtained an old Digital8 video camera that I hope will allow me to use a circuit bent device called the Mismatcher Petite to corrupt digital images and videos. This year, I also picked up a scanner, the Epson Perfection v750 Pro flatbed scanner, and a little micro computer to use it with. Onto this computer I’ve loaded some of the programs and applications that I hope will aid me with databending and glitching.
The Mismatcher Petite, an image modification device the I’ll use in conjunction with the Sony Digital8 camera below.I’ve not forgotten film, of course, and although I’m not really in a position to soup and develop my own films, perhaps I can ‘glitch’ some instant film, or deliberately introduce light leaks to exposed 35mm and medium format film, for instance. Of course, there will always be new (to me) cameras to play with, and if last year is anything to go by, not all of these are light tight, and I have several rolls of expired film to use. With glitching, be it digital or film, you never quite know what result you’ll get, and that for me is what will make the coming year so exciting.
A digital image taken with an Olympus Pen E-PL1 and a homemade Deakinizer (a wide-angle effect lens held reversed over the lens). The image has been databent by processing the image in the audio editor, Audacity.If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#Adapters #AgfaRapid #Cassette #CircuitBending #Databending #Experimental #Expired #Glitch #Inspiration #Intentions #LoFi #Motivation #Rapid #VintageCamera
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Looking Ahead: My Intentions For 2026
About this time last year, I jotted down some intentions for 2025, ‘a few ideas of the things that I really want to do over the coming twelve months’. I did quite well with these: I resurrected a few old cameras, like the Kodak 1A and 3A folding cameras, and the Vest Pocket Kodak; I finally got to use the medium format half-frame beastie that’s the Bencini Koroll 2; and I actually used my only 127 film in the Purma Special on a 127 Day this year. I also tumbled down the rabbit hole that was the Rapid film system, which led to some great fun with colour emulsions, redscaling, and even trying some EBS photography, or exposing both sides of the emulsion, and of course I added a load more weird and wonderful cameras to my collection.
The only part of my ‘intentions’ for 2025 that I didn’t really get anywhere with was glitching; taking a perfectly good photograph in digital format and altering the data contained in it to produce a corrupted image. As a reminder, images can be glitched in a number of ways: with a Hex Editor, to alter details of individual pixels in an image; processing a digital photograph in a program not intended for editing image files; or using a script in a programming language to corrupt the file. This is known as databending, but there is also circuit bending, which either takes an image and corrupts it using a specially made image processor, or using a camera where the hardware within the camera has been physically altered so that the image saved to the card is corrupted.
A corrupted 3D image, taken with the Fujifilm W3 Real 3d stereo digital camera. The file has been databent by processing the file in the audio editing program Audacity.I already have one circuit bent camera, and also a couple of cameras with failing sensors that produce lovely glitchy images, but I’ve also recently obtained an old Digital8 video camera that I hope will allow me to use a circuit bent device called the Mismatcher Petite to corrupt digital images and videos. This year, I also picked up a scanner, the Epson Perfection v750 Pro flatbed scanner, and a little micro computer to use it with. Onto this computer I’ve loaded some of the programs and applications that I hope will aid me with databending and glitching.
The Mismatcher Petite, an image modification device the I’ll use in conjunction with the Sony Digital8 camera below.I’ve not forgotten film, of course, and although I’m not really in a position to soup and develop my own films, perhaps I can ‘glitch’ some instant film, or deliberately introduce light leaks to exposed 35mm and medium format film, for instance. Of course, there will always be new (to me) cameras to play with, and if last year is anything to go by, not all of these are light tight, and I have several rolls of expired film to use. With glitching, be it digital or film, you never quite know what result you’ll get, and that for me is what will make the coming year so exciting.
A digital image taken with an Olympus Pen E-PL1 and a homemade Deakinizer (a wide-angle effect lens held reversed over the lens). The image has been databent by processing the image in the audio editor, Audacity.If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#Adapters #AgfaRapid #Cassette #CircuitBending #Databending #Experimental #Expired #Glitch #Inspiration #Intentions #LoFi #Motivation #Rapid #VintageCamera
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Looking Ahead: My Intentions For 2026
About this time last year, I jotted down some intentions for 2025, ‘a few ideas of the things that I really want to do over the coming twelve months’. I did quite well with these: I resurrected a few old cameras, like the Kodak 1A and 3A folding cameras, and the Vest Pocket Kodak; I finally got to use the medium format half-frame beastie that’s the Bencini Koroll 2; and I actually used my only 127 film in the Purma Special on a 127 Day this year. I also tumbled down the rabbit hole that was the Rapid film system, which led to some great fun with colour emulsions, redscaling, and even trying some EBS photography, or exposing both sides of the emulsion, and of course I added a load more weird and wonderful cameras to my collection.
The only part of my ‘intentions’ for 2025 that I didn’t really get anywhere with was glitching; taking a perfectly good photograph in digital format and altering the data contained in it to produce a corrupted image. As a reminder, images can be glitched in a number of ways: with a Hex Editor, to alter details of individual pixels in an image; processing a digital photograph in a program not intended for editing image files; or using a script in a programming language to corrupt the file. This is known as databending, but there is also circuit bending, which either takes an image and corrupts it using a specially made image processor, or using a camera where the hardware within the camera has been physically altered so that the image saved to the card is corrupted.
A corrupted 3D image, taken with the Fujifilm W3 Real 3d stereo digital camera. The file has been databent by processing the file in the audio editing program Audacity.I already have one circuit bent camera, and also a couple of cameras with failing sensors that produce lovely glitchy images, but I’ve also recently obtained an old Digital8 video camera that I hope will allow me to use a circuit bent device called the Mismatcher Petite to corrupt digital images and videos. This year, I also picked up a scanner, the Epson Perfection v750 Pro flatbed scanner, and a little micro computer to use it with. Onto this computer I’ve loaded some of the programs and applications that I hope will aid me with databending and glitching.
The Mismatcher Petite, an image modification device the I’ll use in conjunction with the Sony Digital8 camera below.I’ve not forgotten film, of course, and although I’m not really in a position to soup and develop my own films, perhaps I can ‘glitch’ some instant film, or deliberately introduce light leaks to exposed 35mm and medium format film, for instance. Of course, there will always be new (to me) cameras to play with, and if last year is anything to go by, not all of these are light tight, and I have several rolls of expired film to use. With glitching, be it digital or film, you never quite know what result you’ll get, and that for me is what will make the coming year so exciting.
A digital image taken with an Olympus Pen E-PL1 and a homemade Deakinizer (a wide-angle effect lens held reversed over the lens). The image has been databent by processing the image in the audio editor, Audacity.If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#Adapters #AgfaRapid #Cassette #CircuitBending #Databending #Experimental #Expired #Glitch #Inspiration #Intentions #LoFi #Motivation #Rapid #VintageCamera
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Looking Ahead: My Intentions For 2026
About this time last year, I jotted down some intentions for 2025, ‘a few ideas of the things that I really want to do over the coming twelve months’. I did quite well with these: I resurrected a few old cameras, like the Kodak 1A and 3A folding cameras, and the Vest Pocket Kodak; I finally got to use the medium format half-frame beastie that’s the Bencini Koroll 2; and I actually used my only 127 film in the Purma Special on a 127 Day this year. I also tumbled down the rabbit hole that was the Rapid film system, which led to some great fun with colour emulsions, redscaling, and even trying some EBS photography, or exposing both sides of the emulsion, and of course I added a load more weird and wonderful cameras to my collection.
The only part of my ‘intentions’ for 2025 that I didn’t really get anywhere with was glitching; taking a perfectly good photograph in digital format and altering the data contained in it to produce a corrupted image. As a reminder, images can be glitched in a number of ways: with a Hex Editor, to alter details of individual pixels in an image; processing a digital photograph in a program not intended for editing image files; or using a script in a programming language to corrupt the file. This is known as databending, but there is also circuit bending, which either takes an image and corrupts it using a specially made image processor, or using a camera where the hardware within the camera has been physically altered so that the image saved to the card is corrupted.
A corrupted 3D image, taken with the Fujifilm W3 Real 3d stereo digital camera. The file has been databent by processing the file in the audio editing program Audacity.I already have one circuit bent camera, and also a couple of cameras with failing sensors that produce lovely glitchy images, but I’ve also recently obtained an old Digital8 video camera that I hope will allow me to use a circuit bent device called the Mismatcher Petite to corrupt digital images and videos. This year, I also picked up a scanner, the Epson Perfection v750 Pro flatbed scanner, and a little micro computer to use it with. Onto this computer I’ve loaded some of the programs and applications that I hope will aid me with databending and glitching.
The Mismatcher Petite, an image modification device the I’ll use in conjunction with the Sony Digital8 camera below.I’ve not forgotten film, of course, and although I’m not really in a position to soup and develop my own films, perhaps I can ‘glitch’ some instant film, or deliberately introduce light leaks to exposed 35mm and medium format film, for instance. Of course, there will always be new (to me) cameras to play with, and if last year is anything to go by, not all of these are light tight, and I have several rolls of expired film to use. With glitching, be it digital or film, you never quite know what result you’ll get, and that for me is what will make the coming year so exciting.
A digital image taken with an Olympus Pen E-PL1 and a homemade Deakinizer (a wide-angle effect lens held reversed over the lens). The image has been databent by processing the image in the audio editor, Audacity.If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#Adapters #AgfaRapid #Cassette #CircuitBending #Databending #Experimental #Expired #Glitch #Inspiration #Intentions #LoFi #Motivation #Rapid #VintageCamera
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Looking Ahead: My Intentions For 2026
About this time last year, I jotted down some intentions for 2025, ‘a few ideas of the things that I really want to do over the coming twelve months’. I did quite well with these: I resurrected a few old cameras, like the Kodak 1A and 3A folding cameras, and the Vest Pocket Kodak; I finally got to use the medium format half-frame beastie that’s the Bencini Koroll 2; and I actually used my only 127 film in the Purma Special on a 127 Day this year. I also tumbled down the rabbit hole that was the Rapid film system, which led to some great fun with colour emulsions, redscaling, and even trying some EBS photography, or exposing both sides of the emulsion, and of course I added a load more weird and wonderful cameras to my collection.
The only part of my ‘intentions’ for 2025 that I didn’t really get anywhere with was glitching; taking a perfectly good photograph in digital format and altering the data contained in it to produce a corrupted image. As a reminder, images can be glitched in a number of ways: with a Hex Editor, to alter details of individual pixels in an image; processing a digital photograph in a program not intended for editing image files; or using a script in a programming language to corrupt the file. This is known as databending, but there is also circuit bending, which either takes an image and corrupts it using a specially made image processor, or using a camera where the hardware within the camera has been physically altered so that the image saved to the card is corrupted.
A corrupted 3D image, taken with the Fujifilm W3 Real 3d stereo digital camera. The file has been databent by processing the file in the audio editing program Audacity.I already have one circuit bent camera, and also a couple of cameras with failing sensors that produce lovely glitchy images, but I’ve also recently obtained an old Digital8 video camera that I hope will allow me to use a circuit bent device called the Mismatcher Petite to corrupt digital images and videos. This year, I also picked up a scanner, the Epson Perfection v750 Pro flatbed scanner, and a little micro computer to use it with. Onto this computer I’ve loaded some of the programs and applications that I hope will aid me with databending and glitching.
The Mismatcher Petite, an image modification device the I’ll use in conjunction with the Sony Digital8 camera below.I’ve not forgotten film, of course, and although I’m not really in a position to soup and develop my own films, perhaps I can ‘glitch’ some instant film, or deliberately introduce light leaks to exposed 35mm and medium format film, for instance. Of course, there will always be new (to me) cameras to play with, and if last year is anything to go by, not all of these are light tight, and I have several rolls of expired film to use. With glitching, be it digital or film, you never quite know what result you’ll get, and that for me is what will make the coming year so exciting.
A digital image taken with an Olympus Pen E-PL1 and a homemade Deakinizer (a wide-angle effect lens held reversed over the lens). The image has been databent by processing the image in the audio editor, Audacity.If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#Adapters #AgfaRapid #Cassette #CircuitBending #Databending #Experimental #Expired #Glitch #Inspiration #Intentions #LoFi #Motivation #Rapid #VintageCamera
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Filling The Gaps: The ’72MP, 4K Ultra HD’ Digital Scamera
This always happens to me: I had this urge (again) to try some circuit bending. This involves getting a cheap digital camera, taking it apart and poking some wires into the connectors on the sensor, which if done right can produce some lovely glitchy images, but if done wrong can wreck the camera, so it has to be a device that you don’t mind possibly losing.
The second-hand electrical discount store CEX (Computer Exchange) is an excellent source for cheap digicams. In addition to specific models, quite often they offer ‘generic’ digital cameras for just a few Euros, and whenever one of these appears on the website I am tempted to get it. The thing is, you don’t know what you’re going to get. It might be a no-name brand camera fit for the bin, or sometimes an absolute classic, like the mint condition Canon Powershot G5 that arrived for just 3€. The point being, although I always intend to get one of these cameras for circuit bending I always end up ‘falling in love’ with it, and not having the nerve to potentially destroy it.
Anyhow. Last weekend a 12MP ‘generic’ digital camera appeared on the CEX website for 10€. Normally, I would be reluctant to pay so much for a digicam, but this time I wanted some decent resolution and this seemed to fit the bill. When the package arrived, it was quite heavy, and I wondered if it might be a decent camera again, like something from the Canon Powershot range. Instead it was something even better; a ’72MP 4K Ultra HD’ Chinese made scamera.
It’s a real vlogging camera. See, it has a rotating screen and a cold shoe for the microphone (no input for it, though).I first noticed these appearing on reputable websites in Portugal like Worten and Fnac when I was looking for a decent resolution digital camera for myself a couple of years ago. At the time they were priced at well over 100€, although often as not were heavily discounted. It was obvious it was a scamera, though not as blatant as those 35mm ‘Cannon’ cameras that were around a while ago, cheap plastic fixed lens ‘SLRs’ with a lead weight in the bottom that made them heavier.
Advertised as a, ‘4K Digital Camera for Photography, 72MP Autofocus Vlogging Cameras for YouTube with 64GB SD Card and Battery, 18X Digital Zoom 2.8″ 270° Flip Screen Compact Travel Camera for Teens’, they would pop up in the ‘marketplace’ of these websites. When I can, I generally avoid the marketplace, since they’re often Chinese sites offloading tat at vastly inflated prices. And this was no different. It’s a terrible sounding description. That entry was from Amazon, where it’s on sale for $36, but I’m certainly not going to provide a link for it. No one deserves that.
That toggle switch does nothing apart from reduce the resolution even further.In the hand the ’72M MEGA PIXELS’ scamera feels ‘plasticky’ and looks nothing like a quality camera should look. The camera can be turned on just by flipping the back open or, if the LCD screen is revealed, with an on/off button on the top. Incidentally, the red circled button is not the power button, that’s to record video. The shutter button is the big button on the top front, with the ‘zoom’ toggle. That does nothing, apart from digitally zoom the image. The ‘welcome’ screen is the tackiest opening screen I’ve ever seen, and the switch off screen is the same (‘bye bye’). The scamera beeps and chirps with a cheap-sounding tune, and the shutter sound is hopelessly synthetic.
Look at the built-in flash. It’s not got one flash symbol, but three. That flash must have the power of a thousand suns.Unfortunately, this 72MP camera doesn’t have interchangeable lenses. Or nearly any lens at all.The lens is amazing, and not in a good way. Described as, ‘5-axis stabilizer, 5K ultra HD, 3.95mm f1.8’, this lens looks like it’s a simple lens that projects straight onto a small sensor, like you’d get on a toy camera. Which I’m pretty sure it is. Although it says 5K on the lens, on the body the video resolution is described as 4K. I’ve not tested the video, or the sound quality, but I’m sure that it’s not either, at least not without a whole package of electronic jiggery-pokery. Which brings me to the claim of 72MP resolution. Is it? I suspect not.
Photograph of a garden globe light at the highest resolution of 72MP.If you take a typical 72MP image, the file size is 9856×7,392, or 72,855,552 pixels. But when you zoom in to that image it’s full of artifacts, so there’s certainly something going on there. I took a full frame image at 72MP, and a second at the lowest resolution offered by the scamera of 8MP. I zoomed each image to roughly the same size, and compared them. At 8MP, the zoomed image is ‘sharp-ish’, with details in the plaster and glass pieces in the globe. It’s still full of ‘rubbish’, mind you. At 72MP, which from a true 72MP you would expect to be filled with detail, it’s a mess. I suspect there’s been a lot of ‘upsampling’ going on here, where the software in the scamera interpolates and creates new pixels based on existing ones. This adds more pixels to make a much larger image but does not add any further resolution. So by my rough reckoning, this is at best an 8MP sensor. Truly, a scamera.
Photograph of the globe at 8MP resolution. The image was enlarged to show detail. This image is quite sharp.When the 72MP image is enlarged to the same magnification, clearly there is the loss of a lot of information.I took the scamera out and about during a trip to Oiã on a lovely sunny day, and here are the results. The images here have been resized to 1366 pixels at the longest edge, so there’s no 72MP here (not that there ever was, anyhow). The colours came out quite delightfully, actually, and I really liked how it appeared. I was very confused with the one image of the water tower, mind. This was taken in daytime but it looks like night. I did actually try to check out the infrared response of the scamera, and there was a horrible ‘hot spot’ in the middle of the image, so this may well be light reflecting in the lens.
An image of my favourite trees and well. Taken at 72MP resolution with a 720nm infrared filter.In conclusion, I finally got my hands on the 72MP digital scamera, a device I had been interested in learning about for a while. At 10€, it was still overpriced, and the scamera is truly a horrendous beast with absolutely zero appeal. Will I use it for circuit bending? Well, actually, although I was reluctant at first to do this, now I’m thinking that it might be a worthy contender. One of these days, I’m going to open it up, just to see what it’s like inside, and we’ll go from there.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow my WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline on Mastodon.
#cameraslscams #circuitbending #digicam #experimental #glitch #infrared #lofi2 #retro #scamera #toycamera #trashcam #upsampling
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Filling The Gaps: The ’72MP, 4K Ultra HD’ Digital Scamera
This always happens to me: I had this urge (again) to try some circuit bending. This involves getting a cheap digital camera, taking it apart and poking some wires into the connectors on the sensor, which if done right can produce some lovely glitchy images, but if done wrong can wreck the camera, so it has to be a device that you don’t mind possibly losing.
The second-hand electrical discount store CEX (Computer Exchange) is an excellent source for cheap digicams. In addition to specific models, quite often they offer ‘generic’ digital cameras for just a few Euros, and whenever one of these appears on the website I am tempted to get it. The thing is, you don’t know what you’re going to get. It might be a no-name brand camera fit for the bin, or sometimes an absolute classic, like the mint condition Canon Powershot G5 that arrived for just 3€. The point being, although I always intend to get one of these cameras for circuit bending I always end up ‘falling in love’ with it, and not having the nerve to potentially destroy it.
Anyhow. Last weekend a 12MP ‘generic’ digital camera appeared on the CEX website for 10€. Normally, I would be reluctant to pay so much for a digicam, but this time I wanted some decent resolution and this seemed to fit the bill. When the package arrived, it was quite heavy, and I wondered if it might be a decent camera again, like something from the Canon Powershot range. Instead it was something even better; a ’72MP 4K Ultra HD’ Chinese made scamera.
It’s a real vlogging camera. See, it has a rotating screen and a cold shoe for the microphone (no input for it, though).I first noticed these appearing on reputable websites in Portugal like Worten and Fnac when I was looking for a decent resolution digital camera for myself a couple of years ago. At the time they were priced at well over 100€, although often as not were heavily discounted. It was obvious it was a scamera, though not as blatant as those 35mm ‘Cannon’ cameras that were around a while ago, cheap plastic fixed lens ‘SLRs’ with a lead weight in the bottom that made them heavier.
Advertised as a, ‘4K Digital Camera for Photography, 72MP Autofocus Vlogging Cameras for YouTube with 64GB SD Card and Battery, 18X Digital Zoom 2.8″ 270° Flip Screen Compact Travel Camera for Teens’, they would pop up in the ‘marketplace’ of these websites. When I can, I generally avoid the marketplace, since they’re often Chinese sites offloading tat at vastly inflated prices. And this was no different. It’s a terrible sounding description. That entry was from Amazon, where it’s on sale for $36, but I’m certainly not going to provide a link for it. No one deserves that.
That toggle switch does nothing apart from reduce the resolution even further.In the hand the ’72M MEGA PIXELS’ scamera feels ‘plasticky’ and looks nothing like a quality camera should look. The camera can be turned on just by flipping the back open or, if the LCD screen is revealed, with an on/off button on the top. Incidentally, the red circled button is not the power button, that’s to record video. The shutter button is the big button on the top front, with the ‘zoom’ toggle. That does nothing, apart from digitally zoom the image. The ‘welcome’ screen is the tackiest opening screen I’ve ever seen, and the switch off screen is the same (‘bye bye’). The scamera beeps and chirps with a cheap-sounding tune, and the shutter sound is hopelessly synthetic.
Look at the built-in flash. It’s not got one flash symbol, but three. That flash must have the power of a thousand suns.Unfortunately, this 72MP camera doesn’t have interchangeable lenses. Or nearly any lens at all.The lens is amazing, and not in a good way. Described as, ‘5-axis stabilizer, 5K ultra HD, 3.95mm f1.8’, this lens looks like it’s a simple lens that projects straight onto a small sensor, like you’d get on a toy camera. Which I’m pretty sure it is. Although it says 5K on the lens, on the body the video resolution is described as 4K. I’ve not tested the video, or the sound quality, but I’m sure that it’s not either, at least not without a whole package of electronic jiggery-pokery. Which brings me to the claim of 72MP resolution. Is it? I suspect not.
Photograph of a garden globe light at the highest resolution of 72MP.If you take a typical 72MP image, the file size is 9856×7,392, or 72,855,552 pixels. But when you zoom in to that image it’s full of artifacts, so there’s certainly something going on there. I took a full frame image at 72MP, and a second at the lowest resolution offered by the scamera of 8MP. I zoomed each image to roughly the same size, and compared them. At 8MP, the zoomed image is ‘sharp-ish’, with details in the plaster and glass pieces in the globe. It’s still full of ‘rubbish’, mind you. At 72MP, which from a true 72MP you would expect to be filled with detail, it’s a mess. I suspect there’s been a lot of ‘upsampling’ going on here, where the software in the scamera interpolates and creates new pixels based on existing ones. This adds more pixels to make a much larger image but does not add any further resolution. So by my rough reckoning, this is at best an 8MP sensor. Truly, a scamera.
Photograph of the globe at 8MP resolution. The image was enlarged to show detail. This image is quite sharp.When the 72MP image is enlarged to the same magnification, clearly there is the loss of a lot of information.I took the scamera out and about during a trip to Oiã on a lovely sunny day, and here are the results. The images here have been resized to 1366 pixels at the longest edge, so there’s no 72MP here (not that there ever was, anyhow). The colours came out quite delightfully, actually, and I really liked how it appeared. I was very confused with the one image of the water tower, mind. This was taken in daytime but it looks like night. I did actually try to check out the infrared response of the scamera, and there was a horrible ‘hot spot’ in the middle of the image, so this may well be light reflecting in the lens.
An image of my favourite trees and well. Taken at 72MP resolution with a 720nm infrared filter.In conclusion, I finally got my hands on the 72MP digital scamera, a device I had been interested in learning about for a while. At 10€, it was still overpriced, and the scamera is truly a horrendous beast with absolutely zero appeal. Will I use it for circuit bending? Well, actually, although I was reluctant at first to do this, now I’m thinking that it might be a worthy contender. One of these days, I’m going to open it up, just to see what it’s like inside, and we’ll go from there.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow my WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline on Mastodon.
#cameraslscams #circuitbending #digicam #experimental #glitch #infrared #lofi2 #retro #scamera #toycamera #trashcam #upsampling
-
Filling The Gaps: The ’72MP, 4K Ultra HD’ Digital Scamera
This always happens to me: I had this urge (again) to try some circuit bending. This involves getting a cheap digital camera, taking it apart and poking some wires into the connectors on the sensor, which if done right can produce some lovely glitchy images, but if done wrong can wreck the camera, so it has to be a device that you don’t mind possibly losing.
The second-hand electrical discount store CEX (Computer Exchange) is an excellent source for cheap digicams. In addition to specific models, quite often they offer ‘generic’ digital cameras for just a few Euros, and whenever one of these appears on the website I am tempted to get it. The thing is, you don’t know what you’re going to get. It might be a no-name brand camera fit for the bin, or sometimes an absolute classic, like the mint condition Canon Powershot G5 that arrived for just 3€. The point being, although I always intend to get one of these cameras for circuit bending I always end up ‘falling in love’ with it, and not having the nerve to potentially destroy it.
Anyhow. Last weekend a 12MP ‘generic’ digital camera appeared on the CEX website for 10€. Normally, I would be reluctant to pay so much for a digicam, but this time I wanted some decent resolution and this seemed to fit the bill. When the package arrived, it was quite heavy, and I wondered if it might be a decent camera again, like something from the Canon Powershot range. Instead it was something even better; a ’72MP 4K Ultra HD’ Chinese made scamera.
It’s a real vlogging camera. See, it has a rotating screen and a cold shoe for the microphone (no input for it, though).I first noticed these appearing on reputable websites in Portugal like Worten and Fnac when I was looking for a decent resolution digital camera for myself a couple of years ago. At the time they were priced at well over 100€, although often as not were heavily discounted. It was obvious it was a scamera, though not as blatant as those 35mm ‘Cannon’ cameras that were around a while ago, cheap plastic fixed lens ‘SLRs’ with a lead weight in the bottom that made them heavier.
Advertised as a, ‘4K Digital Camera for Photography, 72MP Autofocus Vlogging Cameras for YouTube with 64GB SD Card and Battery, 18X Digital Zoom 2.8″ 270° Flip Screen Compact Travel Camera for Teens’, they would pop up in the ‘marketplace’ of these websites. When I can, I generally avoid the marketplace, since they’re often Chinese sites offloading tat at vastly inflated prices. And this was no different. It’s a terrible sounding description. That entry was from Amazon, where it’s on sale for $36, but I’m certainly not going to provide a link for it. No one deserves that.
That toggle switch does nothing apart from reduce the resolution even further.In the hand the ’72M MEGA PIXELS’ scamera feels ‘plasticky’ and looks nothing like a quality camera should look. The camera can be turned on just by flipping the back open or, if the LCD screen is revealed, with an on/off button on the top. Incidentally, the red circled button is not the power button, that’s to record video. The shutter button is the big button on the top front, with the ‘zoom’ toggle. That does nothing, apart from digitally zoom the image. The ‘welcome’ screen is the tackiest opening screen I’ve ever seen, and the switch off screen is the same (‘bye bye’). The scamera beeps and chirps with a cheap-sounding tune, and the shutter sound is hopelessly synthetic.
Look at the built-in flash. It’s not got one flash symbol, but three. That flash must have the power of a thousand suns.Unfortunately, this 72MP camera doesn’t have interchangeable lenses. Or nearly any lens at all.The lens is amazing, and not in a good way. Described as, ‘5-axis stabilizer, 5K ultra HD, 3.95mm f1.8’, this lens looks like it’s a simple lens that projects straight onto a small sensor, like you’d get on a toy camera. Which I’m pretty sure it is. Although it says 5K on the lens, on the body the video resolution is described as 4K. I’ve not tested the video, or the sound quality, but I’m sure that it’s not either, at least not without a whole package of electronic jiggery-pokery. Which brings me to the claim of 72MP resolution. Is it? I suspect not.
Photograph of a garden globe light at the highest resolution of 72MP.If you take a typical 72MP image, the file size is 9856×7,392, or 72,855,552 pixels. But when you zoom in to that image it’s full of artifacts, so there’s certainly something going on there. I took a full frame image at 72MP, and a second at the lowest resolution offered by the scamera of 8MP. I zoomed each image to roughly the same size, and compared them. At 8MP, the zoomed image is ‘sharp-ish’, with details in the plaster and glass pieces in the globe. It’s still full of ‘rubbish’, mind you. At 72MP, which from a true 72MP you would expect to be filled with detail, it’s a mess. I suspect there’s been a lot of ‘upsampling’ going on here, where the software in the scamera interpolates and creates new pixels based on existing ones. This adds more pixels to make a much larger image but does not add any further resolution. So by my rough reckoning, this is at best an 8MP sensor. Truly, a scamera.
Photograph of the globe at 8MP resolution. The image was enlarged to show detail. This image is quite sharp.When the 72MP image is enlarged to the same magnification, clearly there is the loss of a lot of information.I took the scamera out and about during a trip to Oiã on a lovely sunny day, and here are the results. The images here have been resized to 1366 pixels at the longest edge, so there’s no 72MP here (not that there ever was, anyhow). The colours came out quite delightfully, actually, and I really liked how it appeared. I was very confused with the one image of the water tower, mind. This was taken in daytime but it looks like night. I did actually try to check out the infrared response of the scamera, and there was a horrible ‘hot spot’ in the middle of the image, so this may well be light reflecting in the lens.
An image of my favourite trees and well. Taken at 72MP resolution with a 720nm infrared filter.In conclusion, I finally got my hands on the 72MP digital scamera, a device I had been interested in learning about for a while. At 10€, it was still overpriced, and the scamera is truly a horrendous beast with absolutely zero appeal. Will I use it for circuit bending? Well, actually, although I was reluctant at first to do this, now I’m thinking that it might be a worthy contender. One of these days, I’m going to open it up, just to see what it’s like inside, and we’ll go from there.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow my WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline on Mastodon.
#cameraslscams #circuitbending #digicam #experimental #glitch #infrared #lofi2 #retro #scamera #toycamera #trashcam #upsampling
-
Filling The Gaps: The ’72MP, 4K Ultra HD’ Digital Scamera
This always happens to me: I had this urge (again) to try some circuit bending. This involves getting a cheap digital camera, taking it apart and poking some wires into the connectors on the sensor, which if done right can produce some lovely glitchy images, but if done wrong can wreck the camera, so it has to be a device that you don’t mind possibly losing.
The second-hand electrical discount store CEX (Computer Exchange) is an excellent source for cheap digicams. In addition to specific models, quite often they offer ‘generic’ digital cameras for just a few Euros, and whenever one of these appears on the website I am tempted to get it. The thing is, you don’t know what you’re going to get. It might be a no-name brand camera fit for the bin, or sometimes an absolute classic, like the mint condition Canon Powershot G5 that arrived for just 3€. The point being, although I always intend to get one of these cameras for circuit bending I always end up ‘falling in love’ with it, and not having the nerve to potentially destroy it.
Anyhow. Last weekend a 12MP ‘generic’ digital camera appeared on the CEX website for 10€. Normally, I would be reluctant to pay so much for a digicam, but this time I wanted some decent resolution and this seemed to fit the bill. When the package arrived, it was quite heavy, and I wondered if it might be a decent camera again, like something from the Canon Powershot range. Instead it was something even better; a ’72MP 4K Ultra HD’ Chinese made scamera.
It’s a real vlogging camera. See, it has a rotating screen and a cold shoe for the microphone (no input for it, though).I first noticed these appearing on reputable websites in Portugal like Worten and Fnac when I was looking for a decent resolution digital camera for myself a couple of years ago. At the time they were priced at well over 100€, although often as not were heavily discounted. It was obvious it was a scamera, though not as blatant as those 35mm ‘Cannon’ cameras that were around a while ago, cheap plastic fixed lens ‘SLRs’ with a lead weight in the bottom that made them heavier.
Advertised as a, ‘4K Digital Camera for Photography, 72MP Autofocus Vlogging Cameras for YouTube with 64GB SD Card and Battery, 18X Digital Zoom 2.8″ 270° Flip Screen Compact Travel Camera for Teens’, they would pop up in the ‘marketplace’ of these websites. When I can, I generally avoid the marketplace, since they’re often Chinese sites offloading tat at vastly inflated prices. And this was no different. It’s a terrible sounding description. That entry was from Amazon, where it’s on sale for $36, but I’m certainly not going to provide a link for it. No one deserves that.
That toggle switch does nothing apart from reduce the resolution even further.In the hand the ’72M MEGA PIXELS’ scamera feels ‘plasticky’ and looks nothing like a quality camera should look. The camera can be turned on just by flipping the back open or, if the LCD screen is revealed, with an on/off button on the top. Incidentally, the red circled button is not the power button, that’s to record video. The shutter button is the big button on the top front, with the ‘zoom’ toggle. That does nothing, apart from digitally zoom the image. The ‘welcome’ screen is the tackiest opening screen I’ve ever seen, and the switch off screen is the same (‘bye bye’). The scamera beeps and chirps with a cheap-sounding tune, and the shutter sound is hopelessly synthetic.
Look at the built-in flash. It’s not got one flash symbol, but three. That flash must have the power of a thousand suns.Unfortunately, this 72MP camera doesn’t have interchangeable lenses. Or nearly any lens at all.The lens is amazing, and not in a good way. Described as, ‘5-axis stabilizer, 5K ultra HD, 3.95mm f1.8’, this lens looks like it’s a simple lens that projects straight onto a small sensor, like you’d get on a toy camera. Which I’m pretty sure it is. Although it says 5K on the lens, on the body the video resolution is described as 4K. I’ve not tested the video, or the sound quality, but I’m sure that it’s not either, at least not without a whole package of electronic jiggery-pokery. Which brings me to the claim of 72MP resolution. Is it? I suspect not.
Photograph of a garden globe light at the highest resolution of 72MP.If you take a typical 72MP image, the file size is 9856×7,392, or 72,855,552 pixels. But when you zoom in to that image it’s full of artifacts, so there’s certainly something going on there. I took a full frame image at 72MP, and a second at the lowest resolution offered by the scamera of 8MP. I zoomed each image to roughly the same size, and compared them. At 8MP, the zoomed image is ‘sharp-ish’, with details in the plaster and glass pieces in the globe. It’s still full of ‘rubbish’, mind you. At 72MP, which from a true 72MP you would expect to be filled with detail, it’s a mess. I suspect there’s been a lot of ‘upsampling’ going on here, where the software in the scamera interpolates and creates new pixels based on existing ones. This adds more pixels to make a much larger image but does not add any further resolution. So by my rough reckoning, this is at best an 8MP sensor. Truly, a scamera.
Photograph of the globe at 8MP resolution. The image was enlarged to show detail. This image is quite sharp.When the 72MP image is enlarged to the same magnification, clearly there is the loss of a lot of information.I took the scamera out and about during a trip to Oiã on a lovely sunny day, and here are the results. The images here have been resized to 1366 pixels at the longest edge, so there’s no 72MP here (not that there ever was, anyhow). The colours came out quite delightfully, actually, and I really liked how it appeared. I was very confused with the one image of the water tower, mind. This was taken in daytime but it looks like night. I did actually try to check out the infrared response of the scamera, and there was a horrible ‘hot spot’ in the middle of the image, so this may well be light reflecting in the lens.
An image of my favourite trees and well. Taken at 72MP resolution with a 720nm infrared filter.In conclusion, I finally got my hands on the 72MP digital scamera, a device I had been interested in learning about for a while. At 10€, it was still overpriced, and the scamera is truly a horrendous beast with absolutely zero appeal. Will I use it for circuit bending? Well, actually, although I was reluctant at first to do this, now I’m thinking that it might be a worthy contender. One of these days, I’m going to open it up, just to see what it’s like inside, and we’ll go from there.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow my WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline on Mastodon.
#retro #infrared #digicam #experimental #glitch #toycamera #circuitbending #lofi2 #upsampling #cameraslscams #scamera #trashcam
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We keep messing around with a homie. Our first attempt at circuit-bending a toy camera 😼
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Kitchen Motors by Crash Course in Science.
The best circuit bending punk band I know
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bent // broken 2025: virtual fest schedule:
https://bentbrokenfest.wordpress.com/bent-broken-2025-virtual-fest-schedule/
#circuitbending festival starting in ~7 hours (if I can convert time zones correctly) -
A colour photograph taken with an Olympus Pen E-PL2 mirrorless camera and glitched with the Mismatcher Petite from @freedomenterprise.pt .
#MismatcherPetite, #FreedomEnterprise, #GlitchArt, #CircuitBend, #GlitchAesthetic, #Trippy, #Glitchy, #CircuitBending, #Digicam, #Glitch, #Vintage, #Retro, #Experimental, #Psychedelic, #ToyCamera, #Abstract,
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A colour photograph taken with an Olympus Pen E-PL2 mirrorless camera and glitched with the Mismatcher Petite from @freedomenterprise.pt .
#MismatcherPetite, #FreedomEnterprise, #GlitchArt, #CircuitBend, #GlitchAesthetic, #Trippy, #Glitchy, #CircuitBending, #Digicam, #Glitch, #Vintage, #Retro, #Experimental, #Psychedelic, #ToyCamera, #Abstract,
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A colour photograph taken with an Olympus Pen E-PL2 mirrorless camera and glitched with the Mismatcher Petite from @freedomenterprise.pt .
#MismatcherPetite, #FreedomEnterprise, #GlitchArt, #CircuitBend, #GlitchAesthetic, #Trippy, #Glitchy, #CircuitBending, #Digicam, #Glitch, #Vintage, #Retro, #Experimental, #Psychedelic, #ToyCamera, #Abstract,
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A colour photograph taken with an Olympus Pen E-PL2 mirrorless camera and glitched with the Mismatcher Petite from @freedomenterprise.pt .
#MismatcherPetite, #FreedomEnterprise, #GlitchArt, #CircuitBend, #GlitchAesthetic, #Trippy, #Glitchy, #CircuitBending, #Digicam, #Glitch, #Vintage, #Retro, #Experimental, #Psychedelic, #ToyCamera, #Abstract,
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A colour photograph taken with an Olympus Pen E-PL2 mirrorless camera and glitched with the Mismatcher Petite from @freedomenterprise.pt .
#MismatcherPetite, #FreedomEnterprise, #GlitchArt, #CircuitBend, #GlitchAesthetic, #Trippy, #Glitchy, #CircuitBending, #Digicam, #Glitch, #Vintage, #Retro, #Experimental, #Psychedelic, #ToyCamera, #Abstract,
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Save the date:
Circuit Control 2025
08.09.2025 – 14.09.2025The #soldering spectacle #Festival in #Dresden.
#diy #noise #electronic #mediaart #hacking #maker #circuitbending #circuitcontrol
Check videos and photo impressions of the past years at https://www.circuit-control.de/?lang=en
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analog glitched self portraits, no post processing
#glitch #bloodglitch #selfportrait #art #mastoart #rca #circuitbending
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analog glitched self portraits, no post processing
#glitch #bloodglitch #selfportrait #art #mastoart #rca #circuitbending
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analog glitched self portraits, no post processing
#glitch #bloodglitch #selfportrait #art #mastoart #rca #circuitbending
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analog glitched self portraits, no post processing
#glitch #bloodglitch #selfportrait #art #mastoart #rca #circuitbending
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analog glitched self portraits, no post processing
#glitch #bloodglitch #selfportrait #art #mastoart #rca #circuitbending
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Logosamphia – Marginal Imperialism / Arrogant Impoverishment
#Electronic #Omnichord #Persian #Rotterdam #ambient #chipcore #circuitbending #experimental #jazzstandards #minimalism #neopolka #Wrocław
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://istotne-nagr.bandcamp.com/album/marginal-imperialism-arrogant-impoverishment
