#mediaart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #mediaart, aggregated by home.social.
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Radiowellen zu Stimmen zu Rauschen zu Klang?„Signal“ von Paul Magee besteht aus 16 computergesteuerten Signalgeneratoren. Sie scannen lokale Rundfunkfrequenzen, zerlegen gefundene Stimmen in Frequenzanteile und setzen daraus einen neuen, ständig driftenden Klang zusammen. Verständlich, verzerrt, wieder verschwunden.
Zu sehen bei „HAUNTED“ in der Stadtwerkstatt Linz.🔗 https://haunted.stwst.at/
#HAUNTED #Stadtwerkstatt #SoundArt #MediaArt #ArsElectronica -
Assistant / Associate Professor (Tenure-Track) in Interactive Media at Nanyang Technological University, Singapore / Singapore #Jobs
#gameart #animation #transveraldesign #interactivemedia #digitalarts #mediaart
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In a shocking attempt to turn back the clock ⏳, #YouTube presents a 1943 masterpiece on not being a fool—because nothing screams modern wisdom like mid-20th century #propaganda 🎥. Just make sure to take breaks from laughing to read their 2025 terms and conditions, because who wouldn’t want a sneak peek at future bureaucracy? 📜🙄
https://www.youtube.com/watch?v=vGAqYNFQdZ4 #modernwisdom #termsandconditions #mediaart #HackerNews #ngated -
This week we lost avantgarde filmmaker Ken Jacobs, whose flickering experiments with film and light reinforced the lesson of variable media preservation: we keep things alive by keeping them moving.
https://blog.still-water.net/ken-jacobs-and-preserving-the-immaterial
#FilmPreservation #VariableMedia #MediaArt #FilmHistory #TimeBasedMedia #ArtConservation #MuseumStudies
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„Requiem for an Exit“ von Frode Oldereid & Thomas Kvam (NO) – ein vier Meter hoher Roboter, geprägt von einem hyperrealistisch projizierten Gesicht und KI-generierter Stimme. Die Arbeit stellt die Frage, ob Gewalt ein wiederkehrendes Muster der Menschheitsgeschichte ist.
Starke Arbeit! Dafür gab es den Prix Ars Electronica 2025 – Golden Nica in New Animation Art.
🔗 https://ars.electronica.art/aeblog/de/2025/07/07/worte-als-waffe/
#ArsElectronica #GoldenNica #RequiemForAnExit #MediaArt #NewAnimationArt #PrixArsElectronica
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„Requiem for an Exit“ von Frode Oldereid & Thomas Kvam (NO) – ein vier Meter hoher Roboter, geprägt von einem hyperrealistisch projizierten Gesicht und KI-generierter Stimme. Die Arbeit stellt die Frage, ob Gewalt ein wiederkehrendes Muster der Menschheitsgeschichte ist.
Starke Arbeit! Dafür gab es den Prix Ars Electronica 2025 – Golden Nica in New Animation Art.
🔗 https://ars.electronica.art/aeblog/de/2025/07/07/worte-als-waffe/
#ArsElectronica #GoldenNica #RequiemForAnExit #MediaArt #NewAnimationArt #PrixArsElectronica
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„Requiem for an Exit“ von Frode Oldereid & Thomas Kvam (NO) – ein vier Meter hoher Roboter, geprägt von einem hyperrealistisch projizierten Gesicht und KI-generierter Stimme. Die Arbeit stellt die Frage, ob Gewalt ein wiederkehrendes Muster der Menschheitsgeschichte ist.
Starke Arbeit! Dafür gab es den Prix Ars Electronica 2025 – Golden Nica in New Animation Art.
🔗 https://ars.electronica.art/aeblog/de/2025/07/07/worte-als-waffe/
#ArsElectronica #GoldenNica #RequiemForAnExit #MediaArt #NewAnimationArt #PrixArsElectronica
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„Requiem for an Exit“ von Frode Oldereid & Thomas Kvam (NO) – ein vier Meter hoher Roboter, geprägt von einem hyperrealistisch projizierten Gesicht und KI-generierter Stimme. Die Arbeit stellt die Frage, ob Gewalt ein wiederkehrendes Muster der Menschheitsgeschichte ist.
Starke Arbeit! Dafür gab es den Prix Ars Electronica 2025 – Golden Nica in New Animation Art.
🔗 https://ars.electronica.art/aeblog/de/2025/07/07/worte-als-waffe/
#ArsElectronica #GoldenNica #RequiemForAnExit #MediaArt #NewAnimationArt #PrixArsElectronica
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„Requiem for an Exit“ von Frode Oldereid & Thomas Kvam (NO) – ein vier Meter hoher Roboter, geprägt von einem hyperrealistisch projizierten Gesicht und KI-generierter Stimme. Die Arbeit stellt die Frage, ob Gewalt ein wiederkehrendes Muster der Menschheitsgeschichte ist.
Starke Arbeit! Dafür gab es den Prix Ars Electronica 2025 – Golden Nica in New Animation Art.
🔗 https://ars.electronica.art/aeblog/de/2025/07/07/worte-als-waffe/
#ArsElectronica #GoldenNica #RequiemForAnExit #MediaArt #NewAnimationArt #PrixArsElectronica
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Just visited the „AI-Infused Arts“ exhibition curated by Dr. Karin Wimmer — showcasing student works from the Art and Multimedia program at LMU Munich.
The show explores how AI can expand creative practice, from being a collaborative tool to raising deep questions about authorship, originality, and ethics.
The results are inspiring, and a strong reminder of the complex role AI plays in shaping the future of art.
#DigitalArtSpace #ArtAndMultimediaLMU #AIArt #ArtEducation #MediaArt #LMUMunich
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#CallForArtists - must be #Indigenous & in #Canada.
Please boost this opportunity for #ArtistInResidence so those who qualify & are interested can apply.
#DARC #IndigenousResidency Program
Call for #MediaArt Applications
Deadline: June 30, 2025
Duration: October 1 – 31, 2025What Is the DARC Indigenous Residency Program?
Presented with the support of The Hnatyshyn Foundation, DARC’s Indigenous Residency is a one-month intensive on-site artist residency, offered to mid-career #Indigenous ( #FirstNations / #Inuit & #Métis) artists who are seeking to develop their current practice, experiment with a new medium, or continue an existing project.
Artists in residence are provided with access to DARC’s facilities, including the DARC Microcinema, Soundstage, Digital Edit Suite, and Recording Studio. Artists also have access to an array of audio-visual equipment and up to 16 hours of advisor time for the duration of their residency.
Following the residency, artists are expected to participate in an artist talk to discuss their practice and share works in progress or any completed projects from their residency.
Residency Support Includes:
Artist residency fee of $2,500;
Up to $4,000 in DARC equipment and facility waivers for the duration of the residency;
Access to DARC technical consultations;
An opportunity to present your work publicly through a screening, exhibition, or artist talk;
A fee of $520 for an artist talk or presentation of your work according to current CARFAC-RAAV fee schedule;
Honorarium for parking or transit for local artists;
A fee of $1504 (CARFAC-RAAV fee schedule) for an artistic advisor of your choosing or Indigenous advisor recommended by DARC for 16 hrs of consultation;
For artists who are not based in the Ottawa – Gatineau region: Up to $1500 housing subsidy
and up to $1750 in travel expenditures;
A full festival pass to the Asinabka Film & Media Arts Festival;
Ongoing support through membership at DARC following the completion of the residency, including free access to workshops for one year.Accessibility
DARC is an Accessible venue. All doors at DARC have accessibility buttons to press for automatic entry. DARC’s main entrance is located at 67 Nicholas Street which is fully wheelchair accessible. Elevator access is available from 9am – 11pm.
Who Can Apply?
Applications are open to Extended Access members of DARC who are seeking to expand their current practice, experiment with a new medium, or continue an existing project. Applicants who are not currently DARC members will be granted a free Extended Access membership, provided they agree to DARC’s membership agreement when applying.
How to Apply
Applications for Indigenous Residency are accepted through AMS (Arts Management System):
To learn more, contact:
[email protected]
(613) 238-7648Digital Arts Resource Centre (formerly SAW Video) is a not-for-profit, artist-run media art centre in Ottawa, Ontario that fosters the growth and development of artists through access to equipment, training, mentorship, and programming.
67 Nicholas Street
Ottawa, ON K1N 7B9
digitalartsresourcecentre.ca#Artists #ArtsOpportunity #ArtsCanada #NativeArtists #IndigenousArtists #Arts #NativeMastodon
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AKS-1 test shoot on polypan-f, with PO3-3 35mm lens
clearly the lens is not working correctly, was focused on infinity but this is the result. non-reflex is not good with this kind of thing.
now watching some russian guys on youtube doing diy repairs on this kind of camera...botched the developing as well, didn't load the Lomo tank properly, but doesnt matter as this would not be usable anyway
#diycinema #experimentalcinema #nosfeart #mediaart #sovietcinema #lomo #sovietlenses