#reverie — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #reverie, aggregated by home.social.
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Stiff Remains, Qiu Xiaofei, 2009
Really like this. Upside-down & the city has great architecture. Cool dark background. Some kind of experience here that I can relate to.
I don't know what it reads in Chinese, if anyone comes across this and knows, please share.
#art #upsideDown #restless #puzzle #reverie #dream #wornOut #lyfe
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Daydreaming on hooman's sleep wear.
Sleeping - so important!
#Mondog #hauvantai #Laika #ÄänislinnanLaika #koira #koirat #dog #dogs #hund #hundar #chien #chiens #dogstodon #DogsOfMastodon #daydream #daydreams #nap #naps #päiväunet #päiväuni #nokoset #torkut #tupplur #roupillon #rêverie
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Daydreaming on hooman's sleep wear.
Sleeping - so important!
#Mondog #hauvantai #Laika #ÄänislinnanLaika #koira #koirat #dog #dogs #hund #hundar #chien #chiens #dogstodon #DogsOfMastodon #daydream #daydreams #nap #naps #päiväunet #päiväuni #nokoset #torkut #tupplur #roupillon #rêverie
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Daydreaming on hooman's sleep wear.
Sleeping - so important!
#Mondog #hauvantai #Laika #ÄänislinnanLaika #koira #koirat #dog #dogs #hund #hundar #chien #chiens #dogstodon #DogsOfMastodon #daydream #daydreams #nap #naps #päiväunet #päiväuni #nokoset #torkut #tupplur #roupillon #rêverie
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Daydreaming on hooman's sleep wear.
Sleeping - so important!
#Mondog #hauvantai #Laika #ÄänislinnanLaika #koira #koirat #dog #dogs #hund #hundar #chien #chiens #dogstodon #DogsOfMastodon #daydream #daydreams #nap #naps #päiväunet #päiväuni #nokoset #torkut #tupplur #roupillon #rêverie
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Daydreaming on hooman's sleep wear.
Sleeping - so important!
#Mondog #hauvantai #Laika #ÄänislinnanLaika #koira #koirat #dog #dogs #hund #hundar #chien #chiens #dogstodon #DogsOfMastodon #daydream #daydreams #nap #naps #päiväunet #päiväuni #nokoset #torkut #tupplur #roupillon #rêverie
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Thought is the work of the intellect, reverie is its self-indulgence. To substitute day-dreaming for thought is to confuse a poison with a source of nourishment.
[La pensée est le labeur de l’intelligence, la rêverie en est la volupté. Remplacer la pensée par la rêverie, c’est confondre un poison avec une nourriture.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 4 “St. Denis,” Book 2 “Eponine,” ch. 1 (4.2.1) (1862) [tr. Denny (1976)]Sourcing, notes, other translations: wist.info/hugo-victor/1990/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #contemplation #daydreaming #intellect #mediation #mind #reverie #thinking #thought
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the Wave, Gustave Courbet
I had Mysterons by Portishead stuck in my head all day, and I struggled to find an image that matched the feel of that song. I found a few but I this is my favorite. I think it's the darkness of the hour, and the relentless crashing of waves, and the fading feeling of the sky.
All... for nothing...
It's like that sometimes. The colors in this are amazing. -
A measure of day-dreaming is a good thing, like a drug prudently used; it allays the sometimes virulent fever of the over-active mind, like a cool wind blowing through the brain to smooth the harshness of untrammelled thought; it bridges here and there the gaps, brings things into proportion and blunts the sharper angles. But too much submerges and drowns.
[Une certaine quantité de rêverie est bonne, comme un narcotique à dose discrète. Cela endort les fièvres, quelquefois dures, de l’intelligence en travail, et fait naître dans l’esprit une vapeur molle et fraîche qui corrige les contours trop âpres de la pensée pure, comble çà et là des lacunes et des intervalles, lie les ensembles et estompe les angles des idées. Mais trop de rêverie submerge et noie.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 4 “St. Denis,” Book 2 “Eponine,” ch. 1 (4.2.1) (1862) [tr. Denny (1976)]Sourcing, notes, other translations: wist.info/hugo-victor/77838/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #contemplation #daydream #relaxation #reverie #thought
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Après longue contemplation (il faisait doux cet après-midi), on dirait que c’est une #auroreboreale
#larivierealenvers #reverie #latetedanslesnuages #anamorphose #apeupres #photography #realismeabstrait #lightphotography #naturephotography
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By Dear Hollow
My relationship with Germany’s Bunsenburner grows with each release, and you could say it’s getting pretty serious, like a dark romantasy. I completely ripped third full-length Poise a new one which garnered the ire of mastermind Ben Krahl. But like any hate relationship that borders on masochistic, he saw the light and sent in follow-up Rituals – and our love blossomed. The act’s backbone lies in the fuzz and jam-sesh vibes of stoner metal, but with enough free jazz and crystalline ambiance to kill a full-grown elephant, it embraces the psychedelia in tasteful ways with instrumental prowess.
Reverie, then, is a continued honing of Bunsenburner’s seemingly scattershot influences, reflecting the pedigree of its contributors.1 While the free jazz of Rituals is certainly present, it is anchored by much-improved fuzzy stoner riffage a la Poise, owing a certain “thinking man’s jam sesh” vibe – oxymoronic or not. Reverie simply feels like a better form of Poise altogether, that the riffs are in the spotlight, but all atmospheric elements shine in enacting a psychedelic shimmer that adds to the weight and teleports it otherworldly planes. It’s the best album Bunsenburner has made, but then again, they made a song named after me. So.
Reverie’s best qualities amp the accessibility. The grooves are tighter, the songs shorter to enhance the effect, and there are still riffs I can’t get out of my head since. There are covers aboard Reverie,2 but Bunsenburner’s sound is so organic it could as easily have been original. As always, Bunsenburner has never felt lacking in its entirely instrumental approach, and with a better track formula focusing on organic movements from riff to riff, the stoner-focused track shine (“Gleam of the Goddess,” “Trigger,” “Catfight,” “Bagbak”) with a renewed urgency that hits hard and fast and doesn’t overstay its welcome, not to mention its trademark atmospheric tricks (e.g. flute in “TORO,” nintendocore synth in “Bagbak”). The jam sesh chemistry feels more palpable here, owing to a fuzz that doesn’t overwhelm and a rich rhythmic tapestry that adds to the replay factor. The album is forty-four minutes, with thirteen tracks to its name – only a handful of songs exceed the three-minute mark, which adds to the conciseness and punch.
A stark departure from Poise, Bunsenburner isn’t all ballsy riffs. Experimental moments abound, like the two part “Letting Go (softly)” and “Letting Go (hardly),” which are in essence the same song with all its melodies and motifs but one feels like a crystalline post-rock song and the other a stoner metal riff-fest. Slower chuggy passages abound that add a sludgy swampiness to the sound (“Golden Shower,” “Triskaidekaphobie”), without dragging the sound into stagnancy. Longer tracks (“Ballade Four,” “Triskaidekaphobie”) balance the two approaches in thick stoner riffs that move smoothly into gentle plucking and back again, in places feeling a tad like a more stoner-oriented Hex-era Earth. The influences of classic guitar abuse reminiscent of psychedelic Jimi Hendrix is felt throughout (“Zodiac Shit,” “Golden Shower”), while bluesy southern rock melodic sensibilities rear Gothic and mysterious heads (“Waltz, alone,” “Ballade Four”). The most obvious remnant of Rituals’ free jazz is track eight, “Dear Hollow,” a minute-long gush of wailing noise, warbling synth, and punky blastbeats – obviously and objectively the best track Bunsenburner has ever released and likely ever will.
Bunsenburner continues to hone its skills. While it sacrifices a bit of the holistic cohesion of Rituals with its more riff-centric attack, Reverie feels more a redemption arc of Poise – its pieces, however disjointed they can feel, are done with stunning clarity, organicity, and power. The grooves hit harder, the atmosphere is more complementary, and the experimental flare is palpable without sacrificing the album cohesion. Its cover’s cuddly black metal kitten is playful homage to the act’s jam-seshing chemistry, although its experimental and atmospheric elements are more than meets the ear. Next time, make the song about me a little longer for a higher score, okay? Kisses!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook
Releases Worldwide: January 17th, 2025#2025 #30 #AmbientMetal #Bunsenburner #DoomMetal #Earth #FearMyThoughts #FreeJazz #GermanMetal #Jan25 #JimiHendrix #LongDistanceCalling #PostRock #Reverie #Review #Reviews #SelfRelease #SludgeMetal #SouthernRock #StonerMetal #Triptykon
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By Dear Hollow
My relationship with Germany’s Bunsenburner grows with each release, and you could say it’s getting pretty serious, like a dark romantasy. I completely ripped third full-length Poise a new one which garnered the ire of mastermind Ben Krahl. But like any hate relationship that borders on masochistic, he saw the light and sent in follow-up Rituals – and our love blossomed. The act’s backbone lies in the fuzz and jam-sesh vibes of stoner metal, but with enough free jazz and crystalline ambiance to kill a full-grown elephant, it embraces the psychedelia in tasteful ways with instrumental prowess.
Reverie, then, is a continued honing of Bunsenburner’s seemingly scattershot influences, reflecting the pedigree of its contributors.1 While the free jazz of Rituals is certainly present, it is anchored by much-improved fuzzy stoner riffage a la Poise, owing a certain “thinking man’s jam sesh” vibe – oxymoronic or not. Reverie simply feels like a better form of Poise altogether, that the riffs are in the spotlight, but all atmospheric elements shine in enacting a psychedelic shimmer that adds to the weight and teleports it otherworldly planes. It’s the best album Bunsenburner has made, but then again, they made a song named after me. So.
Reverie’s best qualities amp the accessibility. The grooves are tighter, the songs shorter to enhance the effect, and there are still riffs I can’t get out of my head since. There are covers aboard Reverie,2 but Bunsenburner’s sound is so organic it could as easily have been original. As always, Bunsenburner has never felt lacking in its entirely instrumental approach, and with a better track formula focusing on organic movements from riff to riff, the stoner-focused track shine (“Gleam of the Goddess,” “Trigger,” “Catfight,” “Bagbak”) with a renewed urgency that hits hard and fast and doesn’t overstay its welcome, not to mention its trademark atmospheric tricks (e.g. flute in “TORO,” nintendocore synth in “Bagbak”). The jam sesh chemistry feels more palpable here, owing to a fuzz that doesn’t overwhelm and a rich rhythmic tapestry that adds to the replay factor. The album is forty-four minutes, with thirteen tracks to its name – only a handful of songs exceed the three-minute mark, which adds to the conciseness and punch.
A stark departure from Poise, Bunsenburner isn’t all ballsy riffs. Experimental moments abound, like the two part “Letting Go (softly)” and “Letting Go (hardly),” which are in essence the same song with all its melodies and motifs but one feels like a crystalline post-rock song and the other a stoner metal riff-fest. Slower chuggy passages abound that add a sludgy swampiness to the sound (“Golden Shower,” “Triskaidekaphobie”), without dragging the sound into stagnancy. Longer tracks (“Ballade Four,” “Triskaidekaphobie”) balance the two approaches in thick stoner riffs that move smoothly into gentle plucking and back again, in places feeling a tad like a more stoner-oriented Hex-era Earth. The influences of classic guitar abuse reminiscent of psychedelic Jimi Hendrix is felt throughout (“Zodiac Shit,” “Golden Shower”), while bluesy southern rock melodic sensibilities rear Gothic and mysterious heads (“Waltz, alone,” “Ballade Four”). The most obvious remnant of Rituals’ free jazz is track eight, “Dear Hollow,” a minute-long gush of wailing noise, warbling synth, and punky blastbeats – obviously and objectively the best track Bunsenburner has ever released and likely ever will.
Bunsenburner continues to hone its skills. While it sacrifices a bit of the holistic cohesion of Rituals with its more riff-centric attack, Reverie feels more a redemption arc of Poise – its pieces, however disjointed they can feel, are done with stunning clarity, organicity, and power. The grooves hit harder, the atmosphere is more complementary, and the experimental flare is palpable without sacrificing the album cohesion. Its cover’s cuddly black metal kitten is playful homage to the act’s jam-seshing chemistry, although its experimental and atmospheric elements are more than meets the ear. Next time, make the song about me a little longer for a higher score, okay? Kisses!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook
Releases Worldwide: January 17th, 2025#2025 #30 #AmbientMetal #Bunsenburner #DoomMetal #Earth #FearMyThoughts #FreeJazz #GermanMetal #Jan25 #JimiHendrix #LongDistanceCalling #PostRock #Reverie #Review #Reviews #SelfRelease #SludgeMetal #SouthernRock #StonerMetal #Triptykon
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By Dear Hollow
My relationship with Germany’s Bunsenburner grows with each release, and you could say it’s getting pretty serious, like a dark romantasy. I completely ripped third full-length Poise a new one which garnered the ire of mastermind Ben Krahl. But like any hate relationship that borders on masochistic, he saw the light and sent in follow-up Rituals – and our love blossomed. The act’s backbone lies in the fuzz and jam-sesh vibes of stoner metal, but with enough free jazz and crystalline ambiance to kill a full-grown elephant, it embraces the psychedelia in tasteful ways with instrumental prowess.
Reverie, then, is a continued honing of Bunsenburner’s seemingly scattershot influences, reflecting the pedigree of its contributors.1 While the free jazz of Rituals is certainly present, it is anchored by much-improved fuzzy stoner riffage a la Poise, owing a certain “thinking man’s jam sesh” vibe – oxymoronic or not. Reverie simply feels like a better form of Poise altogether, that the riffs are in the spotlight, but all atmospheric elements shine in enacting a psychedelic shimmer that adds to the weight and teleports it otherworldly planes. It’s the best album Bunsenburner has made, but then again, they made a song named after me. So.
Reverie’s best qualities amp the accessibility. The grooves are tighter, the songs shorter to enhance the effect, and there are still riffs I can’t get out of my head since. There are covers aboard Reverie,2 but Bunsenburner’s sound is so organic it could as easily have been original. As always, Bunsenburner has never felt lacking in its entirely instrumental approach, and with a better track formula focusing on organic movements from riff to riff, the stoner-focused track shine (“Gleam of the Goddess,” “Trigger,” “Catfight,” “Bagbak”) with a renewed urgency that hits hard and fast and doesn’t overstay its welcome, not to mention its trademark atmospheric tricks (e.g. flute in “TORO,” nintendocore synth in “Bagbak”). The jam sesh chemistry feels more palpable here, owing to a fuzz that doesn’t overwhelm and a rich rhythmic tapestry that adds to the replay factor. The album is forty-four minutes, with thirteen tracks to its name – only a handful of songs exceed the three-minute mark, which adds to the conciseness and punch.
A stark departure from Poise, Bunsenburner isn’t all ballsy riffs. Experimental moments abound, like the two part “Letting Go (softly)” and “Letting Go (hardly),” which are in essence the same song with all its melodies and motifs but one feels like a crystalline post-rock song and the other a stoner metal riff-fest. Slower chuggy passages abound that add a sludgy swampiness to the sound (“Golden Shower,” “Triskaidekaphobie”), without dragging the sound into stagnancy. Longer tracks (“Ballade Four,” “Triskaidekaphobie”) balance the two approaches in thick stoner riffs that move smoothly into gentle plucking and back again, in places feeling a tad like a more stoner-oriented Hex-era Earth. The influences of classic guitar abuse reminiscent of psychedelic Jimi Hendrix is felt throughout (“Zodiac Shit,” “Golden Shower”), while bluesy southern rock melodic sensibilities rear Gothic and mysterious heads (“Waltz, alone,” “Ballade Four”). The most obvious remnant of Rituals’ free jazz is track eight, “Dear Hollow,” a minute-long gush of wailing noise, warbling synth, and punky blastbeats – obviously and objectively the best track Bunsenburner has ever released and likely ever will.
Bunsenburner continues to hone its skills. While it sacrifices a bit of the holistic cohesion of Rituals with its more riff-centric attack, Reverie feels more a redemption arc of Poise – its pieces, however disjointed they can feel, are done with stunning clarity, organicity, and power. The grooves hit harder, the atmosphere is more complementary, and the experimental flare is palpable without sacrificing the album cohesion. Its cover’s cuddly black metal kitten is playful homage to the act’s jam-seshing chemistry, although its experimental and atmospheric elements are more than meets the ear. Next time, make the song about me a little longer for a higher score, okay? Kisses!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook
Releases Worldwide: January 17th, 2025#2025 #30 #AmbientMetal #Bunsenburner #DoomMetal #Earth #FearMyThoughts #FreeJazz #GermanMetal #Jan25 #JimiHendrix #LongDistanceCalling #PostRock #Reverie #Review #Reviews #SelfRelease #SludgeMetal #SouthernRock #StonerMetal #Triptykon
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By Dear Hollow
My relationship with Germany’s Bunsenburner grows with each release, and you could say it’s getting pretty serious, like a dark romantasy. I completely ripped third full-length Poise a new one which garnered the ire of mastermind Ben Krahl. But like any hate relationship that borders on masochistic, he saw the light and sent in follow-up Rituals – and our love blossomed. The act’s backbone lies in the fuzz and jam-sesh vibes of stoner metal, but with enough free jazz and crystalline ambiance to kill a full-grown elephant, it embraces the psychedelia in tasteful ways with instrumental prowess.
Reverie, then, is a continued honing of Bunsenburner’s seemingly scattershot influences, reflecting the pedigree of its contributors.1 While the free jazz of Rituals is certainly present, it is anchored by much-improved fuzzy stoner riffage a la Poise, owing a certain “thinking man’s jam sesh” vibe – oxymoronic or not. Reverie simply feels like a better form of Poise altogether, that the riffs are in the spotlight, but all atmospheric elements shine in enacting a psychedelic shimmer that adds to the weight and teleports it otherworldly planes. It’s the best album Bunsenburner has made, but then again, they made a song named after me. So.
Reverie’s best qualities amp the accessibility. The grooves are tighter, the songs shorter to enhance the effect, and there are still riffs I can’t get out of my head since. There are covers aboard Reverie,2 but Bunsenburner’s sound is so organic it could as easily have been original. As always, Bunsenburner has never felt lacking in its entirely instrumental approach, and with a better track formula focusing on organic movements from riff to riff, the stoner-focused track shine (“Gleam of the Goddess,” “Trigger,” “Catfight,” “Bagbak”) with a renewed urgency that hits hard and fast and doesn’t overstay its welcome, not to mention its trademark atmospheric tricks (e.g. flute in “TORO,” nintendocore synth in “Bagbak”). The jam sesh chemistry feels more palpable here, owing to a fuzz that doesn’t overwhelm and a rich rhythmic tapestry that adds to the replay factor. The album is forty-four minutes, with thirteen tracks to its name – only a handful of songs exceed the three-minute mark, which adds to the conciseness and punch.
A stark departure from Poise, Bunsenburner isn’t all ballsy riffs. Experimental moments abound, like the two part “Letting Go (softly)” and “Letting Go (hardly),” which are in essence the same song with all its melodies and motifs but one feels like a crystalline post-rock song and the other a stoner metal riff-fest. Slower chuggy passages abound that add a sludgy swampiness to the sound (“Golden Shower,” “Triskaidekaphobie”), without dragging the sound into stagnancy. Longer tracks (“Ballade Four,” “Triskaidekaphobie”) balance the two approaches in thick stoner riffs that move smoothly into gentle plucking and back again, in places feeling a tad like a more stoner-oriented Hex-era Earth. The influences of classic guitar abuse reminiscent of psychedelic Jimi Hendrix is felt throughout (“Zodiac Shit,” “Golden Shower”), while bluesy southern rock melodic sensibilities rear Gothic and mysterious heads (“Waltz, alone,” “Ballade Four”). The most obvious remnant of Rituals’ free jazz is track eight, “Dear Hollow,” a minute-long gush of wailing noise, warbling synth, and punky blastbeats – obviously and objectively the best track Bunsenburner has ever released and likely ever will.
Bunsenburner continues to hone its skills. While it sacrifices a bit of the holistic cohesion of Rituals with its more riff-centric attack, Reverie feels more a redemption arc of Poise – its pieces, however disjointed they can feel, are done with stunning clarity, organicity, and power. The grooves hit harder, the atmosphere is more complementary, and the experimental flare is palpable without sacrificing the album cohesion. Its cover’s cuddly black metal kitten is playful homage to the act’s jam-seshing chemistry, although its experimental and atmospheric elements are more than meets the ear. Next time, make the song about me a little longer for a higher score, okay? Kisses!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook
Releases Worldwide: January 17th, 2025Show 2 footnotes
- Norman Lonhard of Triptykon and guitarist Martin Fischer of Fear My Thoughts and Long Distance Calling, as well as jazz guitarist Flo Möbes and avant-garde guitarist Philipp Schlotter. ↩
- “Ballade Four” by Tosco Tango Quartet, “Zodiac Shit” by Flying Lotus. ↩
#2025 #30 #AmbientMetal #Bunsenburner #DoomMetal #Earth #FearMyThoughts #FreeJazz #GermanMetal #Jan25 #JimiHendrix #LongDistanceCalling #PostRock #Reverie #Review #Reviews #SelfRelease #SludgeMetal #SouthernRock #StonerMetal #Triptykon
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REVERIE – Kapitel I
– Sprung –
Ein Schleier aus feuchtkaltem Nebel fährt sanft über Jonas Gesicht. Seine Augen öffnen sich langsam und versuchen, die tiefgraue Masse vor ihm scharf zustellen. In dem Moment, als er die dichte Wand aus Wolken vor sich erkennt, bleibt sein Herz stehen. Jona wird klar, dass er in dieser Sekunde an der Spitze einer ins Nichts führenden Brücke steht und das Gleichgewicht verliert. Aus Reflex reißt er seine Arme nach vorne, um die Balance wiederzufinden. Sie sind ungewöhnlich schwer und bewegen sich zudem ungewohnt langsam. Jede Mühe ist vergebens. Jona spürt wie sich sein linker Fuß noch an dem spröden Gestein festgreifen will, aber schließlich verliert er den Halt.
https://www.dorn-art.de/reverie/sprung/
#3dart #3dmodeling #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Sprung #Symbiozän #Traum #Träumer
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REVERIE – Kapitel I
– Sprung –
Ein Schleier aus feuchtkaltem Nebel fährt sanft über Jonas Gesicht. Seine Augen öffnen sich langsam und versuchen, die tiefgraue Masse vor ihm scharf zustellen. In dem Moment, als er die dichte Wand aus Wolken vor sich erkennt, bleibt sein Herz stehen. Jona wird klar, dass er in dieser Sekunde an der Spitze einer ins Nichts führenden Brücke steht und das Gleichgewicht verliert. Aus Reflex reißt er seine Arme nach vorne, um die Balance wiederzufinden. Sie sind ungewöhnlich schwer und bewegen sich zudem ungewohnt langsam. Jede Mühe ist vergebens. Jona spürt wie sich sein linker Fuß noch an dem spröden Gestein festgreifen will, aber schließlich verliert er den Halt.
https://www.dorn-art.de/reverie/sprung/
#3dart #3dmodeling #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Sprung #Symbiozän #Traum #Träumer
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REVERIE – Kapitel I
– Sprung –
Ein Schleier aus feuchtkaltem Nebel fährt sanft über Jonas Gesicht. Seine Augen öffnen sich langsam und versuchen, die tiefgraue Masse vor ihm scharf zustellen. In dem Moment, als er die dichte Wand aus Wolken vor sich erkennt, bleibt sein Herz stehen. Jona wird klar, dass er in dieser Sekunde an der Spitze einer ins Nichts führenden Brücke steht und das Gleichgewicht verliert. Aus Reflex reißt er seine Arme nach vorne, um die Balance wiederzufinden. Sie sind ungewöhnlich schwer und bewegen sich zudem ungewohnt langsam. Jede Mühe ist vergebens. Jona spürt wie sich sein linker Fuß noch an dem spröden Gestein festgreifen will, aber schließlich verliert er den Halt.
https://www.dorn-art.de/reverie/sprung/
#3dart #3dmodeling #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Sprung #Symbiozän #Traum #Träumer
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In den letzten Jahren ist die Nacht für Jona zu einem sicheren Hafen der Ruhe geworden. Geradezu ein Zufluchtsort vor der wachsenden Solastalgie, den sich duellierenden Kriegsmeldungen und den Berichten über den Klimanotstand, die ihn dazu bringen, sich zu fragen, wie es zu all dem kommen konnte. „Ist es nicht das Ziel intelligenten Lebens, Strategien zu entwickeln, um das eigene Überleben zu sichern? Zumindest hat Darwin dies mal so ähnlich formuliert.“ grummelte Jona in den leeren Raum während er langsam in seinem angegrautem Pyjama auf der Bettkante zusammensackte. „Wenn er miterlebt hätte, was wir als Menschheit gerade veranstalten, hätte er seine Definition wohl noch einmal überdacht.“ beendete er seinen inneren Monolog und warf noch einen letzten Blick durch das Fenster zur gelb-grün strahlenden Leuchtreklame auf dem gegenüberliegenden Flachdach. Das darauf abgebildete Logo einer Brauerei erhellte sein Schlafzimmer ausreichend stark, dass er auf eine Nachtlampe verzichten konnte. Es war allerdings auch der Grund, weshalb er sich die zentralgelegene 1-Zimmer-Wohnung mit seinem Bioingenieurs-Gehalt gerade so leisten konnte. Zwar zahlte seine Firma überdurchschnittlich gut, aber die Lebenskosten sind seit dem Krieg in Osteuropa unverhältnismässig in die Höhe geschossen. Jona ließ sich ins Bett fallen, schloss seine müden Augen und atmete ein letztes Mal tief aus.
https://www.dorn-art.de/reverie/solastalgia/
#3dart #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Symbiozän #Traum #Träumer
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In den letzten Jahren ist die Nacht für Jona zu einem sicheren Hafen der Ruhe geworden. Geradezu ein Zufluchtsort vor der wachsenden Solastalgie, den sich duellierenden Kriegsmeldungen und den Berichten über den Klimanotstand, die ihn dazu bringen, sich zu fragen, wie es zu all dem kommen konnte. „Ist es nicht das Ziel intelligenten Lebens, Strategien zu entwickeln, um das eigene Überleben zu sichern? Zumindest hat Darwin dies mal so ähnlich formuliert.“ grummelte Jona in den leeren Raum während er langsam in seinem angegrautem Pyjama auf der Bettkante zusammensackte. „Wenn er miterlebt hätte, was wir als Menschheit gerade veranstalten, hätte er seine Definition wohl noch einmal überdacht.“ beendete er seinen inneren Monolog und warf noch einen letzten Blick durch das Fenster zur gelb-grün strahlenden Leuchtreklame auf dem gegenüberliegenden Flachdach. Das darauf abgebildete Logo einer Brauerei erhellte sein Schlafzimmer ausreichend stark, dass er auf eine Nachtlampe verzichten konnte. Es war allerdings auch der Grund, weshalb er sich die zentralgelegene 1-Zimmer-Wohnung mit seinem Bioingenieurs-Gehalt gerade so leisten konnte. Zwar zahlte seine Firma überdurchschnittlich gut, aber die Lebenskosten sind seit dem Krieg in Osteuropa unverhältnismässig in die Höhe geschossen. Jona ließ sich ins Bett fallen, schloss seine müden Augen und atmete ein letztes Mal tief aus.
https://www.dorn-art.de/reverie/solastalgia/
#3dart #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Symbiozän #Traum #Träumer
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In den letzten Jahren ist die Nacht für Jona zu einem sicheren Hafen der Ruhe geworden. Geradezu ein Zufluchtsort vor der wachsenden Solastalgie, den sich duellierenden Kriegsmeldungen und den Berichten über den Klimanotstand, die ihn dazu bringen, sich zu fragen, wie es zu all dem kommen konnte. „Ist es nicht das Ziel intelligenten Lebens, Strategien zu entwickeln, um das eigene Überleben zu sichern? Zumindest hat Darwin dies mal so ähnlich formuliert.“ grummelte Jona in den leeren Raum während er langsam in seinem angegrautem Pyjama auf der Bettkante zusammensackte. „Wenn er miterlebt hätte, was wir als Menschheit gerade veranstalten, hätte er seine Definition wohl noch einmal überdacht.“ beendete er seinen inneren Monolog und warf noch einen letzten Blick durch das Fenster zur gelb-grün strahlenden Leuchtreklame auf dem gegenüberliegenden Flachdach. Das darauf abgebildete Logo einer Brauerei erhellte sein Schlafzimmer ausreichend stark, dass er auf eine Nachtlampe verzichten konnte. Es war allerdings auch der Grund, weshalb er sich die zentralgelegene 1-Zimmer-Wohnung mit seinem Bioingenieurs-Gehalt gerade so leisten konnte. Zwar zahlte seine Firma überdurchschnittlich gut, aber die Lebenskosten sind seit dem Krieg in Osteuropa unverhältnismässig in die Höhe geschossen. Jona ließ sich ins Bett fallen, schloss seine müden Augen und atmete ein letztes Mal tief aus.
https://www.dorn-art.de/reverie/solastalgia/
#3dart #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Symbiozän #Traum #Träumer
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In den letzten Jahren ist die Nacht für Jona zu einem sicheren Hafen der Ruhe geworden. Geradezu ein Zufluchtsort vor der wachsenden Solastalgie, den sich duellierenden Kriegsmeldungen und den Berichten über den Klimanotstand, die ihn dazu bringen, sich zu fragen, wie es zu all dem kommen konnte. „Ist es nicht das Ziel intelligenten Lebens, Strategien zu entwickeln, um das eigene Überleben zu sichern? Zumindest hat Darwin dies mal so ähnlich formuliert.“ grummelte Jona in den leeren Raum während er langsam in seinem angegrautem Pyjama auf der Bettkante zusammensackte. „Wenn er miterlebt hätte, was wir als Menschheit gerade veranstalten, hätte er seine Definition wohl noch einmal überdacht.“ beendete er seinen inneren Monolog und warf noch einen letzten Blick durch das Fenster zur gelb-grün strahlenden Leuchtreklame auf dem gegenüberliegenden Flachdach. Das darauf abgebildete Logo einer Brauerei erhellte sein Schlafzimmer ausreichend stark, dass er auf eine Nachtlampe verzichten konnte. Es war allerdings auch der Grund, weshalb er sich die zentralgelegene 1-Zimmer-Wohnung mit seinem Bioingenieurs-Gehalt gerade so leisten konnte. Zwar zahlte seine Firma überdurchschnittlich gut, aber die Lebenskosten sind seit dem Krieg in Osteuropa unverhältnismässig in die Höhe geschossen. Jona ließ sich ins Bett fallen, schloss seine müden Augen und atmete ein letztes Mal tief aus.
https://www.dorn-art.de/reverie/solastalgia/
#3dart #art #blender #Fantasy #fantasyart #fantasynovel #graphicnovel #illustration #Jona #mastoart #novel #reverie #solastalgia #solastalgie #Symbiozän #Traum #Träumer
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Next Fest Showcase 12/30/23
I heard everyone here likes indie games.The games in this video:
00:18 Choo Choo Survivor (Steam)
1:49 Reverie (Steam)
3:09 Spell Disk (Steam)
6:10 Cataclismo (Steam)
10:35
https://setsideb.com/next-fest-showcase-12-30-23/
#indiedevshowcase #indies #cataclismo #choochoosurvivor #cusineer #cyberknights #finalknight #indie #indiegameshowcase #lovux #moonlightpulse #nextfest #reverie #satgat #spelldisk #steam -
Reverie (1893) by Charles-Amable Lenoir (French artist, lived 1860-1926). Deep reflection / dreamlike contemplation.
#Victorian #VictorianEra #Reverie #CharlesAmableLenoir #FrenchArtist #Reflection #Window #Romantic #Lovers #dreamlike #contemplation #Nightime
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The leg #tattoo is finished! Inspired by #AlphonseMucha's "#Reverie" and includes dice and meeples to represent my #gaming hobby.
Last tattoo for a while until finances balance enough to support a new one.
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Good evening #mastodonart #mastophoto
#LakeTyrrell #astrolandscape is a #beautiful #stargazing #experience 5 hour #drive from #melbourne #australia
#photography
#landscape
#nightphotography
#milkyway
#longexposure
#treesofmastodon
#afterdark
#potd2023
#photooftheday
#picoftheday
#photographyisart
#roentare
#reverie -
Dittico
Dittico
di
Susanna Sinigaglia
Book is a Book is a Book
Trickster-p
&
Sogno 3: la camera degli specchi
Reverie
Ho voluto abbinare queste due performance perché presentano alcune analog
https://www.labottegadelbarbieri.org/dittico/
#bottegadelbarbieri #labottegadelbarbieri
#Articoli #Alice #Bianconiglio #book #CristinaGalbiati #libro #oggetto #pagine #Reverie #scaletta #sguardo #sogno #spazio #specchi.maschera #SusannaSinigaglia #tempo #Trickster-p #Valcamonica #voce-guida
