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#digitalarchiving — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #digitalarchiving, aggregated by home.social.

  1. Shortened links? Expand them and save the URLs

    by @beet_keeper

    Shortened links are a digital preservation and web archiving nightmare. You can imagine how they need to work:

    1. Create a unique short code for a given (target) URL (like a hash, but far far shorter)
    2. Pair the short code with your URL in a database.
    3. Create a redirect rule on the URL shortening server from the new source URL to the target URL.
    4. Send the shortened link to the caller, e.g. shortURL.com/123badf00d
    5. In-perpetuity: continue to pay for your domain; maintain the database; look after redirect rules during server migrations; ensure duplicate short-codes are not created.

    A URL-shortening business in five easy steps.

    But what does that mean for digital preservation?

    Continue reading “Shortened links? Expand them and save the URLs”


    #Code #Coding #cURL #digipres #DigitalArchiving #DigitalPreservation #httpreserve #httpreserveLinkstat #JC #linkstat #Paradata #WebArchives #webArchiving
  2. Shortened links? Expand them and save the URLs

    by @beet_keeper

    Shortened links are a digital preservation and web archiving nightmare. You can imagine how they need to work:

    Create a unique short code for a given (target) URL (like a hash, but far far shorter)

    Pair the short code with your URL in a database.

    Create a redirect rule on the URL shortening server from the new source URL to the target URL.

    Send the shortened link to the caller, e.g. shortURL.com/123badf00d

    In-perpetuity: continue to pay for your domain; maintain the database; look after redirect rules during server migrations; ensure duplicate short-codes are not created.

    A URL-shortening business in five easy steps.

    But what does that mean for digital preservation?


    #Code #Coding #cURL #digipres #DigitalArchiving #DigitalPreservation #httpreserve #httpreserveLinkstat #JC #linkstat #Paradata #WebArchives #webArchiving
  3. Shortened links? Expand them and save the URLs

    by @beet_keeper

    Shortened links are a digital preservation and web archiving nightmare. You can imagine how they need to work:

    Create a unique short code for a given (target) URL (like a hash, but far far shorter)

    Pair the hash with your URL in a database.

    Create a redirect rule on the URL shortening server from the new source URL to the target URL.

    Send the shortened link to the caller, e.g. shortURL.com/123badf00d

    In-perpetuity: continue to pay for your domain; maintain the database; look after redirect rules during server migrations; ensure duplicate short-codes are not created.

    A URL-shortening business in five easy steps.

    But what does that mean for digital preservation?


    #Code #Coding #cURL #digipres #DigitalArchiving #DigitalPreservation #httpreserve #httpreserveLinkstat #JC #linkstat #Paradata #WebArchives #webArchiving
  4. Shortened links? Expand them and save the URLs

    by @beet_keeper

    Shortened links are a digital preservation and web archiving nightmare. You can imagine how they need to work:

    Create a unique short code for a given (target) URL (like a hash, but far far shorter)

    Pair the hash with your URL in a database.

    Create a redirect rule on the URL shortening server from the new source URL to the target URL.

    Send the shortened link to the caller, e.g. shortURL.com/123badf00d

    In-perpetuity: continue to pay for your domain; maintain the database; look after redirect rules during server migrations; ensure duplicate short-codes are not created.

    A URL-shortening business in five easy steps.

    But what does that mean for digital preservation?


    #Code #Coding #cURL #digipres #DigitalArchiving #DigitalPreservation #httpreserve #httpreserveLinkstat #JC #linkstat #Paradata #WebArchives #webArchiving
  5. Shortened links? Expand them and save the URLs

    by @beet_keeper

    Shortened links are a digital preservation and web archiving nightmare. You can imagine how they need to work:

    Create a unique short code for a given (target) URL (like a hash, but far far shorter)

    Pair the hash with your URL in a database.

    Create a redirect rule on the URL shortening server from the new source URL to the target URL.

    Send the shortened link to the caller, e.g. shortURL.com/123badf00d

    In-perpetuity: continue to pay for your domain; maintain the database; look after redirect rules during server migrations; ensure duplicate short-codes are not created.

    A URL-shortening business in five easy steps.

    But what does that mean for digital preservation?


    #Code #Coding #cURL #digipres #DigitalArchiving #DigitalPreservation #httpreserve #httpreserveLinkstat #JC #linkstat #Paradata #WebArchives #webArchiving
  6. Vanderbilt University: University of Ottawa, Vanderbilt forge new partnership on Indigenous digital archives and mobile history research. “The University of Ottawa (uOttawa) and Vanderbilt University are working together to advance Indigenous-led knowledge preservation and research through a new international agreement. uOttawa has signed a new memorandum of understanding with Vanderbilt, […]

    https://rbfirehose.com/2026/06/11/vanderbilt-university-university-of-ottawa-vanderbilt-forge-new-partnership-on-indigenous-digital-archives-and-mobile-history-research/
  7. Vanderbilt University: University of Ottawa, Vanderbilt forge new partnership on Indigenous digital archives and mobile history research. “The University of Ottawa (uOttawa) and Vanderbilt University are working together to advance Indigenous-led knowledge preservation and research through a new international agreement. uOttawa has signed a new memorandum of understanding with Vanderbilt, […]

    https://rbfirehose.com/2026/06/11/vanderbilt-university-university-of-ottawa-vanderbilt-forge-new-partnership-on-indigenous-digital-archives-and-mobile-history-research/
  8. Maintenance begins at creation, so why are we not creating better?

    by @beet_keeper

    The beats are the same. You work for government, or academia (lets face it, that’s probably where 90% of the work is) you have a deliverable; you save it; you print to PDF; you store it on an institutional repository with some metadata (or Zenodo, OSF or equivalent) and its done.

    There’s a small chance that it’s FAIR (Findable, Accessible, Interoperable, Reusable) right? It has metadata that can be discovered by an audience looking for it and can be indexed by search engines. The data is potentially accessible if published correctly. They’re not particularly interoperable or easily converted, and PDFs aren’t really designed for reuse, even if tools like Apache Tika help ease the burden of extracting artifacts. It’s just a PDF, why are we even talking about FAIR? There begins a story…

    The beats are the same, yet, we work in digital preservation, our backgrounds are in GLAM or software, why do we want to shoot ourselves in the foot? Why are we not using our skills to create better?


    #Archives #BetterPoster #ContinuumModel #createToMaintain #digipres #DigitalArchiving #DigitalContunuity #digitalLiteracy #DigitalPreservation #FAIR #FileFormats #GLAM #informationRecordsMangagement #NationalDigitalStewardshipAlliance #NDSA #OpenAccess #OpenData #PDF #RDM #ResearchDataLifecycle #RIM
  9. Maintenance begins at creation, so why are we not creating better?

    by @beet_keeper

    The beats are the same. You work for government, or academia (lets face it, that’s probably where 90% of the work is) you have a deliverable; you save it; you print to PDF; you store it on an institutional repository with some metadata (or Zenodo, OSF or equivalent) and its done.

    There’s a small chance that it’s FAIR (Findable, Accessible, Interoperable, Reusable) right? It has metadata that can be discovered by an audience looking for it and can be indexed by search engines. The data is potentially accessible if published correctly. They’re not particularly interoperable or easily converted, and PDFs aren’t really designed for reuse, even if tools like Apache Tika help ease the burden of extracting artifacts. It’s just a PDF, why are we even talking about FAIR? There begins a story…

    The beats are the same, yet, we work in digital preservation, our backgrounds are in GLAM or software, why do we want to shoot ourselves in the foot? Why are we not using our skills to create better?


    #Archives #BetterPoster #ContinuumModel #createToMaintain #digipres #DigitalArchiving #DigitalContunuity #digitalLiteracy #DigitalPreservation #FAIR #FileFormats #GLAM #informationRecordsMangagement #NationalDigitalStewardshipAlliance #NDSA #OpenAccess #OpenData #PDF #RDM #ResearchDataLifecycle #RIM
  10. Digital dark times: Salaries in digital preservation

    by @beet_keeper

    The Serpentine is one of the world’s most renowned art galleries. Their exhibitions as varied as Gerhard Richter, Damien Hirst, and Marina Abramović. They don’t hold a permanent collection, instead, they provide a space for temporary collections and an annual pavilion, the pavilion designed by luminaries such as Zaha Hadid, Frank Gehry, and Ai Weiwei.

    Given a recent job posting it looks like they are looking at maintaining their memory better and branching out into digital preservation.

    Here’s the kicker — its salary band is GBP 35,000 to GBP 38,000. So it must be an entry level position, especially in London, right?

    Well, let’s see what they want you to do for that price tag…


    #Archives #Art #artGalleries #artHistory #ArtsCouncilEngland #career #digipres #DigitalArchiving #DigitalHumanities #DigitalPreservation #digitalPreservationIsPeople #dpip #earlyCareer #employment #GLAM #jobPostings #london #outreach #salaries #Serpentine #SerpentineGalleries #SerpentineGallery
  11. Digital dark times: Salaries in digital preservation

    by @beet_keeper

    The Serpentine is one of the world’s most renowned art galleries. Their exhibitions as varied as Gerhard Richter, Damien Hirst, and Marina Abramović. They don’t hold a permanent collection, instead, they provide a space for temporary collections and an annual pavilion, the pavilion designed by luminaries such as Zaha Hadid, Frank Gehry, and Ai Weiwei.

    Given a recent job posting it looks like they are looking at maintaining their memory better and branching out into digital preservation.

    Here’s the kicker — its salary band is GBP 35,000 to GBP 38,000. So it must be an entry level position, especially in London, right?

    Well, let’s see what they want you to do for that price tag…


    #Archives #Art #artGalleries #artHistory #ArtsCouncilEngland #career #digipres #DigitalArchiving #DigitalHumanities #DigitalPreservation #digitalPreservationIsPeople #dpip #earlyCareer #employment #GLAM #jobPostings #london #outreach #salaries #Serpentine #SerpentineGalleries #SerpentineGallery
  12. Digital dark times: Salaries in digital preservation

    by @beet_keeper

    The Serpentine is one of the world’s most renowned art galleries. Their exhibitions as varied as Gerhard Richter, Damien Hirst, and Marina Abramović. They don’t hold a permanent collection, instead, they provide a space for temporary collections and an annual pavilion, the pavilion designed by luminaries such as Zaha Hadid, Frank Gehry, and Ai Weiwei.

    Given a recent job posting it looks like they are looking at maintaining their memory better and branching out into digital preservation.

    Here’s the kicker — its salary band is GBP 35,000 to GBP 38,000. So it must be an entry level position, especially in London, right?

    Well, let’s see what they want you to do for that price tag…

    Continue reading “Digital dark times: Salaries in digital preservation”


    #Archives #Art #artGalleries #artHistory #ArtsCouncilEngland #career #digipres #DigitalArchiving #DigitalHumanities #DigitalPreservation #digitalPreservationIsPeople #dpip #earlyCareer #employment #GLAM #jobPostings #london #outreach #salaries #Serpentine #SerpentineGalleries #SerpentineGallery
  13. Digital dark times: Salaries in digital preservation

    by @beet_keeper

    The Serpentine is one of the world’s most renowned art galleries. Their exhibitions as varied as Gerhard Richter, Damien Hirst, and Marina Abramović. They don’t hold a permanent collection, instead, they provide a space for temporary collections and an annual pavilion, the pavilion designed by luminaries such as Zaha Hadid, Frank Gehry, and Ai Weiwei.

    Given a recent job posting it looks like they are looking at maintaining their memory better and branching out into digital preservation.

    Here’s the kicker — its salary band is GBP 35,000 to GBP 38,000. So it must be an entry level position, especially in London, right?

    Well, let’s see what they want you to do for that price tag…


    #Archives #Art #artGalleries #artHistory #ArtsCouncilEngland #career #digipres #DigitalArchiving #DigitalHumanities #DigitalPreservation #digitalPreservationIsPeople #dpip #earlyCareer #employment #GLAM #jobPostings #london #outreach #salaries #Serpentine #SerpentineGalleries #SerpentineGallery
  14. Digital dark times: Salaries in digital preservation

    by @beet_keeper

    The Serpentine is one of the world’s most renowned art galleries. Their exhibitions as varied as Gerhard Richter, Damien Hirst, and Marina Abramović. They don’t hold a permanent collection, instead, they provide a space for temporary collections and an annual pavilion, the pavilion designed by luminaries such as Zaha Hadid, Frank Gehry, and Ai Weiwei.

    Given a recent job posting it looks like they are looking at maintaining their memory better and branching out into digital preservation.

    Here’s the kicker — its salary band is GBP 35,000 to GBP 38,000. So it must be an entry level position, especially in London, right?

    Well, let’s see what they want you to do for that price tag…


    #Archives #Art #artGalleries #artHistory #ArtsCouncilEngland #career #digipres #DigitalArchiving #DigitalHumanities #DigitalPreservation #digitalPreservationIsPeople #dpip #earlyCareer #employment #GLAM #jobPostings #london #outreach #salaries #Serpentine #SerpentineGalleries #SerpentineGallery
  15. Densho: Building the Densho Digital Repository: Three Decades of Digital Preservation. “How did Densho’s digital archives begin, and how have they evolved over nearly three decades? Densho Archives Director Caitlin Oiye Coon traces the journey from the creation of Densho’s first ‘Digital Archive’ in 1998 to today’s ‘Densho Digital Repository,’ highlighting the people, technologies, and […]

    https://rbfirehose.com/2026/03/11/building-the-densho-digital-repository-three-decades-of-digital-preservation-densho/
  16. Densho: Building the Densho Digital Repository: Three Decades of Digital Preservation. “How did Densho’s digital archives begin, and how have they evolved over nearly three decades? Densho Archives Director Caitlin Oiye Coon traces the journey from the creation of Densho’s first ‘Digital Archive’ in 1998 to today’s ‘Densho Digital Repository,’ highlighting the people, technologies, and […]

    https://rbfirehose.com/2026/03/11/building-the-densho-digital-repository-three-decades-of-digital-preservation-densho/
  17. Densho: Building the Densho Digital Repository: Three Decades of Digital Preservation. “How did Densho’s digital archives begin, and how have they evolved over nearly three decades? Densho Archives Director Caitlin Oiye Coon traces the journey from the creation of Densho’s first ‘Digital Archive’ in 1998 to today’s ‘Densho Digital Repository,’ highlighting the people, technologies, and […]

    https://rbfirehose.com/2026/03/11/building-the-densho-digital-repository-three-decades-of-digital-preservation-densho/
  18. Densho: Building the Densho Digital Repository: Three Decades of Digital Preservation. “How did Densho’s digital archives begin, and how have they evolved over nearly three decades? Densho Archives Director Caitlin Oiye Coon traces the journey from the creation of Densho’s first ‘Digital Archive’ in 1998 to today’s ‘Densho Digital Repository,’ highlighting the people, technologies, and […]

    https://rbfirehose.com/2026/03/11/building-the-densho-digital-repository-three-decades-of-digital-preservation-densho/
  19. Revisiting bsdiff as a tool for digital preservation


    by @beet_keeper

    I introduced bsdiff in a blog in 2014. bsdiff compares the differences between two files, e.g. broken_file_a and corrected_file_b and creates a patch that can be applied to broken_file_a to generate a byte-for-byte match for corrected_file_b.

    On the face of it, in an archive, we probably only care about corrected_file_2 and so why would we care about a technology that patches a broken file?

    In all of the use-cases we can imagine the primary reasons are cost savings and removing redundancy in file storage or transmission of digital information. In one very special case we can record the difference between broken_file_a and corrected_file_b and give users a totally objective method of recreating corrected_file_b from broken_file_a providing 100% verifiable proof of the migration pathway taken between the two files.

    #ac3 #Archives #audio #audiovisual #Audit #authenticity #av #Bash #bsdiff #checksums #Code4Lib #corruption #corruptionIndex #digipres #DigitalArchiving #DigitalForensics #digitalLiteracy #DigitalPreservation #DigitalStorage #diplomatics #FileFormats #flac #glitch #glitchAudio #GlitchArt #integrity #mp3 #PreservationAnalysis #PreservationMetadata #provenance #sensitivityIndex #Storage #wav

  20. Indicator: The Indicator Guide to tools for capturing webpages and social media content. “We tested 11 tools ranging from full-featured continuous capture apps to one-off screenshot extensions for grabbing long webpages.”

    https://rbfirehose.com/2025/09/23/indicator-the-indicator-guide-to-tools-for-capturing-webpages-and-social-media-content/

  21. ⚡️Linkwarden: The Self-Hosted Bookmark Manager That Solved a Problem I Didn’t Know I Had

    Thank you, Linux Unplugged and Jupiter Broadcasting @ironicbadger, for introducing me to Linkwarden—a FOSS gem that will change how I save, share, and preserve the web.

    Like many of you, I’ve been using browser bookmarks for years. I’d save articles, tutorials, and interesting links, only to find them gone when I finally got around to reading them. Link rot is real, and it’s frustrating. But until I heard about Linkwarden linkwarden.app/ on Linux Unplugged jupiterbroadcasting.com/, I didn’t realize how much I needed a better solution.

    I used to think, “Browser bookmarks are fine,” and honestly, backing them up manually from time to time isn’t a real trouble—just a slight inconvenience. My problem is that I experience massive link rot when looking into two-year-old links, often with interesting subjects on small sites—they are often just gone when I want to recall them. The problem is that saving the link isn’t saving any of the information.

    But Linkwarden @linkwarden isn’t just another bookmark manager—it’s a preservation powerhouse, a collaborative hub, and a self-hosted dream. And thanks to the folks at Jupiter Broadcasting, I now understand why it’s a game-changer.

    I haven’t started hosting it yet, but I definitely will, and I hope some of you out there will find it useful too.
    Thanks to @daniel31x13 for making a awesome tool :heart_cyber: ⚡️.
    ---
    • Linkwarden github.com/linkwarden/linkwarden —  Self-hosted collaborative bookmark manager to collect, read, annotate, and fully preserve what matters, all in one place.
    • Announcing Linkwarden 2.11 blog.linkwarden.app/releases/2.11
    • Linkwarden Browser Extension github.com/linkwarden/browser-extension

    @[email protected] @selfhosting @[email protected] @selfhost #OpenSourceSoftware #TechForGood #Linkwarden #SelfHosted #FOSS #OpenSource #WebPreservation #Fediverse #LinuxUnplugged #SaveTheWeb #NoMore404 #TechCommunity #DigitalArchiving #LinkRot #PrivacyFirst #BookmarkManager #Bookmark

  22. ⚡️Linkwarden: The Self-Hosted Bookmark Manager That Solved a Problem I Didn’t Know I Had

    Thank you, Linux Unplugged and Jupiter Broadcasting @ironicbadger, for introducing me to Linkwarden—a FOSS gem that will change how I save, share, and preserve the web.

    Like many of you, I’ve been using browser bookmarks for years. I’d save articles, tutorials, and interesting links, only to find them gone when I finally got around to reading them. Link rot is real, and it’s frustrating. But until I heard about Linkwarden linkwarden.app/ on Linux Unplugged jupiterbroadcasting.com/, I didn’t realize how much I needed a better solution.

    I used to think, “Browser bookmarks are fine,” and honestly, backing them up manually from time to time isn’t a real trouble—just a slight inconvenience. My problem is that I experience massive link rot when looking into two-year-old links, often with interesting subjects on small sites—they are often just gone when I want to recall them. The problem is that saving the link isn’t saving any of the information.

    But Linkwarden @linkwarden isn’t just another bookmark manager—it’s a preservation powerhouse, a collaborative hub, and a self-hosted dream. And thanks to the folks at Jupiter Broadcasting, I now understand why it’s a game-changer.

    I haven’t started hosting it yet, but I definitely will, and I hope some of you out there will find it useful too.
    Thanks to @daniel31x13 for making a awesome tool :heart_cyber: ⚡️.
    ---
    • Linkwarden github.com/linkwarden/linkwarden —  Self-hosted collaborative bookmark manager to collect, read, annotate, and fully preserve what matters, all in one place.
    • Announcing Linkwarden 2.11 blog.linkwarden.app/releases/2.11
    • Linkwarden Browser Extension github.com/linkwarden/browser-extension

    @[email protected] @selfhosting @[email protected] @selfhost #OpenSourceSoftware #TechForGood #Linkwarden #SelfHosted #FOSS #OpenSource #WebPreservation #Fediverse #LinuxUnplugged #SaveTheWeb #NoMore404 #TechCommunity #DigitalArchiving #LinkRot #PrivacyFirst #BookmarkManager #Bookmark

  23. The sensitivity index: Corrupting Y2K


    by @beet_keeper

    In December I asked “What will you bitflip today?” Not long after, Johan’s (@bitsgalore) Digtial Dark Age Crew released its long lost hidden single Y2K — well, I couldn’t resist corrupting it.

    Fixity is an interesting property enabled by digital technologies. Checksums allow us to demonstrate mathematically that a file has not been changed. An often cited definition of fixity is:

    Fixity, in the preservation sense, means the assurance that a digital file has remained unchanged, i.e. fixed — Bailey (2014)

    It’s very much linked to the concept of integrity. A UNESCO definition of which:

    The state of being whole, uncorrupted and free of unauthorized and undocumented changes.

    Integrity is massively important these days. It gives us the guarantees we need that digital objects we work with aren’t harboring their own sinister secrets in the form of malware and other potentially damaging payloads.

    These values are contingent on bit-level preservation, the field of digital preservation largely assumes this; that we will be able to look after our content without losing information. As feasible as this may be these days, what happens if we lose some information? Where does authenticity come into play?

    Through corrupting Y2K, I took time to reflect on integrity versus authenticity, as well as create some interesting glitched outputs. I also uncovered what may be the first audio that reveals what the Millennium Bug itself may have sounded like! Keen to hear it? Read on to find out more.

    #ac3 #Archives #audio #audiovisual #authenticity #av #Bash #checksums #Code4Lib #corruption #corruptionIndex #digipres #DigitalArchiving #digitalLiteracy #DigitalPreservation #diplomatics #FileFormats #flac #glitch #GlitchArt #glitchaudio #integrity #mp3 #sensitivityIndex #wav

  24. The sensitivity index: Corrupting Y2K


    by @beet_keeper

    In December I asked “What will you bitflip today?” Not long after, Johan’s (@bitsgalore) Digtial Dark Age Crew released its long lost hidden single Y2K — well, I couldn’t resist corrupting it.

    Fixity is an interesting property enabled by digital technologies. Checksums allow us to demonstrate mathematically that a file has not been changed. An often cited definition of fixity is:

    Fixity, in the preservation sense, means the assurance that a digital file has remained unchanged, i.e. fixed — Bailey (2014)

    It’s very much linked to the concept of integrity. A UNESCO definition of which:

    The state of being whole, uncorrupted and free of unauthorized and undocumented changes.

    Integrity is massively important these days. It gives us the guarantees we need that digital objects we work with aren’t harboring their own sinister secrets in the form of malware and other potentially damaging payloads.

    These values are contingent on bit-level preservation, the field of digital preservation largely assumes this; that we will be able to look after our content without losing information. As feasible as this may be these days, what happens if we lose some information? Where does authenticity come into play?

    Through corrupting Y2K, I took time to reflect on integrity versus authenticity, as well as create some interesting glitched outputs. I also uncovered what may be the first audio that reveals what the Millennium Bug itself may have sounded like! Keen to hear it? Read on to find out more.

    #ac3 #Archives #audio #audiovisual #authenticity #av #Bash #checksums #Code4Lib #corruption #corruptionIndex #digipres #DigitalArchiving #digitalLiteracy #DigitalPreservation #diplomatics #FileFormats #flac #glitch #GlitchArt #glitchaudio #integrity #mp3 #sensitivityIndex #wav

  25. "Disproportionately, the datasets that are no longer accessible through the portal come from the Department of Energy, the National Oceanic and Atmospheric Administration, the Department of the Interior, NASA, and the Environmental Protection Agency. But determining what is actually gone and what has simply moved or is backed up elsewhere by the government is a manual task, and it's too early to say for sure what is gone and what may have been renamed or updated with a newer version.

    This is because data.gov doesn’t always host the data that it is indexing. Sometimes the data is hosted directly on data.gov, but other times it links to an individual agency’s website, where the data is actually hosted. This means archiving and analyzing data.gov is not straightforward.

    “Some of [the entries link to] actual data,” Cushman told 404 Media. “And some of them link to a landing page [where the data is hosted]. And the question is—when things are disappearing, is it the data it points to that is gone? Or is it just the index to it that’s gone?”"

    404media.co/archivists-work-to

    #USA #Trump #DigitalArchiving #DataGov #OpenData #OpenGovernment

  26. "Disproportionately, the datasets that are no longer accessible through the portal come from the Department of Energy, the National Oceanic and Atmospheric Administration, the Department of the Interior, NASA, and the Environmental Protection Agency. But determining what is actually gone and what has simply moved or is backed up elsewhere by the government is a manual task, and it's too early to say for sure what is gone and what may have been renamed or updated with a newer version.

    This is because data.gov doesn’t always host the data that it is indexing. Sometimes the data is hosted directly on data.gov, but other times it links to an individual agency’s website, where the data is actually hosted. This means archiving and analyzing data.gov is not straightforward.

    “Some of [the entries link to] actual data,” Cushman told 404 Media. “And some of them link to a landing page [where the data is hosted]. And the question is—when things are disappearing, is it the data it points to that is gone? Or is it just the index to it that’s gone?”"

    404media.co/archivists-work-to

    #USA #Trump #DigitalArchiving #DataGov #OpenData #OpenGovernment

  27. What will you bitflip today?


    by @beet_keeper

    I want to let you into a secret: I enjoy corruption. Corrupting digital objects leads to undefined behavior (C++’s definition is fun). And flipping bits in objects can tell us something both about the fragility, and robustness of our digital files and the applications that work with them.

    I had a pull-request for bitflip accepted the other day. Bitflip is by Antoine Grondin and is a simple utility for flipping bits in digital files. I wrote in my COPTR entry for it that it reminds me of shotGun by Manfred Thaller. The utility is exceptionally easy to use (and of course update and maintain written in Golang) and has some nice features for flipping individual bits or a uniform percentage of bits across a digital file.

    My pull-request was a simple one updating Goreleaser and its GitHub workflow to provide binaries for Windows and FreeBSD. I only needed to use Windows for a short amount of time thankfully, but it’s an environment I believe is prevalent for a lot of digital preservationists in corporate IT environments.

    Bitflip is a useful utility to improve your testing of digital preservation systems, or simply for outreach, but let’s have a quick look at it in action.

    #Archive30 #Archives #Art #Binary #bitflip #bitrot #Code #Coding #digipres #digital #DigitalArchiving #digitalLiteracy #DigitalPreservation #FileFormats #GenerativeArt #GlitchArt #outreach #Ravensburger #SomethingFun #Vagabond