#alchemy — Public Fediverse posts

Alchemy, experimentation, physical interactions and immersive puzzle design are at the heart of Dracula: The Disciple 🩸

Discover the dev vision behind this first-person Puzzle-Vania set inside Dracula’s cursed castle.

#Dracula #Puzzlegame #Gaming #Alchemy #Vampire

Alchemy, experimentation, physical interactions and immersive puzzle design are at the heart of Dracula: The Disciple 🩸

Discover the dev vision behind this first-person Puzzle-Vania set inside Dracula’s cursed castle.

#Dracula #Puzzlegame #Gaming #Alchemy #Vampire

Alchemy, experimentation, physical interactions and immersive puzzle design are at the heart of Dracula: The Disciple 🩸

Discover the dev vision behind this first-person Puzzle-Vania set inside Dracula’s cursed castle.

#Dracula #Puzzlegame #Gaming #Alchemy #Vampire

Alchemy, experimentation, physical interactions and immersive puzzle design are at the heart of Dracula: The Disciple 🩸

Discover the dev vision behind this first-person Puzzle-Vania set inside Dracula’s cursed castle.

#Dracula #Puzzlegame #Gaming #Alchemy #Vampire

Alchemy, experimentation, physical interactions and immersive puzzle design are at the heart of Dracula: The Disciple 🩸

Discover the dev vision behind this first-person Puzzle-Vania set inside Dracula’s cursed castle.

#Dracula #Puzzlegame #Gaming #Alchemy #Vampire

Just made a beat using Logic Pro's Alchemy's spectral image synthesis. A friend sent over some photos he took making shadows with a flashlight, and I imported them directly as spectral sources. Images 2 and 3 ended up giving me this glitchy flute sound with a sub bass underneath and a strange stereo image I didn't plan at all. Turned out way better than expected for a first go. #musicproduction #alchemy #sounddesign #beat #LogicPro

Just made a beat using Logic Pro's Alchemy's spectral image synthesis. A friend sent over some photos he took making shadows with a flashlight, and I imported them directly as spectral sources. Images 2 and 3 ended up giving me this glitchy flute sound with a sub bass underneath and a strange stereo image I didn't plan at all. Turned out way better than expected for a first go. #musicproduction #alchemy #sounddesign #beat #LogicPro

Just made a beat using Logic Pro's Alchemy's spectral image synthesis. A friend sent over some photos he took making shadows with a flashlight, and I imported them directly as spectral sources. Images 2 and 3 ended up giving me this glitchy flute sound with a sub bass underneath and a strange stereo image I didn't plan at all. Turned out way better than expected for a first go. #musicproduction #alchemy #sounddesign #beat #LogicPro

Just made a beat using Logic Pro's Alchemy's spectral image synthesis. A friend sent over some photos he took making shadows with a flashlight, and I imported them directly as spectral sources. Images 2 and 3 ended up giving me this glitchy flute sound with a sub bass underneath and a strange stereo image I didn't plan at all. Turned out way better than expected for a first go. #musicproduction #alchemy #sounddesign #beat #LogicPro

Just made a beat using Logic Pro's Alchemy's spectral image synthesis. A friend sent over some photos he took making shadows with a flashlight, and I imported them directly as spectral sources. Images 2 and 3 ended up giving me this glitchy flute sound with a sub bass underneath and a strange stereo image I didn't plan at all. Turned out way better than expected for a first go. #musicproduction #alchemy #sounddesign #beat #LogicPro

Dear Friends of ye olde Art of Elchemy,

As we may know:

1) Alchemy impoverished itself into Chemystery or was it the other way around?
2) What is the difference between synchronicity and perfection? Might it be attunement
3) Technology is taking all science and turning into AI Sith Magick. Tsk, tsk. Ah the Death Eaters are out in force and farce.
4) Assumptions, opinions and 'reality' bubbles are all part of the same people. Us!

#Alchemy #Perfection #Technology

:google_emoji_kitchen_skull_and_tulip_mashup: :cyber_hacking: :polyamory_pride_potion:

A primary source is a beautiful thing.

*

In my not so humble opinion, the finest uses of the Loop facility are those without `do' clauses.
Once I realized those are best viewed as if expressed in declarative style, I was no longer bothered by the "lack of parentheses".

Note that three years later Common Lisp specified `loop' while reserving forms with atoms in them, so it did specify enough for a REPL "in four".
(In REverse PoLish, of course;
WHOIS says that re.pl was created on 2000-03-14.)

#Alchemy
#CommonLisp
#DeclarativeProgramming
#DeclarativeProgrammingStyle
#Lisp
#Loop
#LoopFacility

@kentpitman @screwlisp

salvaged from the ruins of the potion palace after disastrous cross-marketing event with the arson club

#Bottles #Glass #Potion #Vials #Alchemy #Vintage #Antique #Rustic #Apothecary #Arrangement
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

on non-incendiary things: https://aieris.art/featured/salvaged-from-the-ruins-of-the-potion-palace-after-disastrous-coevent-with-the-arson-club-eris-and-ai.html

Another potter destination vacation in the making

Newly found kiln now believed to be from late 14th or early 15th century

https://www.bbc.com/news/articles/c0e73jyr8zpo?utm_source=firefox-newtab-en-us

Another great destination is Speculum Alchemiae in Prague, which has a Scooby Doo hidden staircase and a pair of secret underground kilns

http://www.alchemiae.cz/en

http://www.alchemiae.cz/en/node/70?width=null&height=null&title=Transmutac%C3%AD%20se%20naz%C3%BDv%C3%A1%20proces%20v%C3%BDroby%20zlata%20z%20jin%C3%BDch%20kov%C5%AF.%20%2A%2A%2A%20Transmutation%20is%20a%20process%20of%20creating%20a%20gold%20from%20other%20metals.&inline=true#colorbox-inline-1236248976

#potters #DestinationVacation #kiln #alchemy

Another potter destination vacation in the making

Newly found kiln now believed to be from late 14th or early 15th century

https://www.bbc.com/news/articles/c0e73jyr8zpo?utm_source=firefox-newtab-en-us

Another great destination is Speculum Alchemiae in Prague, which has a Scooby Doo hidden staircase and a pair of secret underground kilns

http://www.alchemiae.cz/en

http://www.alchemiae.cz/en/node/70?width=null&height=null&title=Transmutac%C3%AD%20se%20naz%C3%BDv%C3%A1%20proces%20v%C3%BDroby%20zlata%20z%20jin%C3%BDch%20kov%C5%AF.%20%2A%2A%2A%20Transmutation%20is%20a%20process%20of%20creating%20a%20gold%20from%20other%20metals.&inline=true#colorbox-inline-1236248976

#potters #DestinationVacation #kiln #alchemy

Another potter destination vacation in the making

Newly found kiln now believed to be from late 14th or early 15th century

https://www.bbc.com/news/articles/c0e73jyr8zpo?utm_source=firefox-newtab-en-us

Another great destination is Speculum Alchemiae in Prague, which has a Scooby Doo hidden staircase and a pair of secret underground kilns

http://www.alchemiae.cz/en

http://www.alchemiae.cz/en/node/70?width=null&height=null&title=Transmutac%C3%AD%20se%20naz%C3%BDv%C3%A1%20proces%20v%C3%BDroby%20zlata%20z%20jin%C3%BDch%20kov%C5%AF.%20%2A%2A%2A%20Transmutation%20is%20a%20process%20of%20creating%20a%20gold%20from%20other%20metals.&inline=true#colorbox-inline-1236248976

#potters #DestinationVacation #kiln #alchemy

Another potter destination vacation in the making

Newly found kiln now believed to be from late 14th or early 15th century

https://www.bbc.com/news/articles/c0e73jyr8zpo?utm_source=firefox-newtab-en-us

Another great destination is Speculum Alchemiae in Prague, which has a Scooby Doo hidden staircase and a pair of secret underground kilns

http://www.alchemiae.cz/en

http://www.alchemiae.cz/en/node/70?width=null&height=null&title=Transmutac%C3%AD%20se%20naz%C3%BDv%C3%A1%20proces%20v%C3%BDroby%20zlata%20z%20jin%C3%BDch%20kov%C5%AF.%20%2A%2A%2A%20Transmutation%20is%20a%20process%20of%20creating%20a%20gold%20from%20other%20metals.&inline=true#colorbox-inline-1236248976

#potters #DestinationVacation #kiln #alchemy

Another potter destination vacation in the making

Newly found kiln now believed to be from late 14th or early 15th century

https://www.bbc.com/news/articles/c0e73jyr8zpo?utm_source=firefox-newtab-en-us

Another great destination is Speculum Alchemiae in Prague, which has a Scooby Doo hidden staircase and a pair of secret underground kilns

http://www.alchemiae.cz/en

http://www.alchemiae.cz/en/node/70?width=null&height=null&title=Transmutac%C3%AD%20se%20naz%C3%BDv%C3%A1%20proces%20v%C3%BDroby%20zlata%20z%20jin%C3%BDch%20kov%C5%AF.%20%2A%2A%2A%20Transmutation%20is%20a%20process%20of%20creating%20a%20gold%20from%20other%20metals.&inline=true#colorbox-inline-1236248976

#potters #DestinationVacation #kiln #alchemy

📣 The demo of Corpus et Spiritus is now live on Steam!

You signed a pact with a demon, and it was a bad idea… Corpus et Spiritus is an alchemy deckbuilder where you gather rare metals and transform them into powerful cards and game-breaking talismans. Find the best combos and break out of the pact before your partner kills you!

🎮️ Play the demo on Steam! ✨

https://store.steampowered.com/app/4404470/Corpus_et_Spiritus_Demo/

#indiegame #indiedev #gaming #deckbuilder #roguelike #strategy #alchemy #indiegames

Click for more ⬇️
👀https://wallhaven.cc/w/47wd1y 👩‍🔧

#EdwardElric #FullmetalAlchemist #FMA #AlphonseElric #Anime #Action #Battle #Alchemy #Automail #Sparks #Intense #Dynamic #FightScene #Shonen #Fantasy #Gritty #AnimeArt #CharacterDesign #Determined #Explosive #3840x2160 #Wallhaven #WallpaperWednesday

Click for more ⬇️
👀https://wallhaven.cc/w/47wd1y 👩‍🔧

#EdwardElric #FullmetalAlchemist #FMA #AlphonseElric #Anime #Action #Battle #Alchemy #Automail #Sparks #Intense #Dynamic #FightScene #Shonen #Fantasy #Gritty #AnimeArt #CharacterDesign #Determined #Explosive #3840x2160 #Wallhaven #WallpaperWednesday

Special delivery from the Song!

https://piefed.social/c/historymemes/p/1968766/special-delivery-from-the-song

Special delivery from the Song!

https://piefed.social/c/historymemes/p/1968766/special-delivery-from-the-song

Special delivery from the Song!

https://piefed.social/c/historymemes/p/1968766/special-delivery-from-the-song

Special delivery from the Song!

https://piefed.social/c/historymemes/p/1968766/special-delivery-from-the-song

🧪✨ Oh, look! Scientists have finally cracked the decades-old enigma of gold creation like it's some kind of cosmic escape room. But let's be honest, we'll still be broke, because they haven't figured out how to actually make it rain gold yet. 💰🙄
https://www.sciencedaily.com/releases/2026/03/260313002633.htm #goldcreation #scienceinnovation #cosmicmystery #brokehumor #alchemy #HackerNews #ngated

From The Vessels of Hermes (ca. 1700).

Source: The Getty / Internet Archive

https://pdimagearchive.org/images/5e5eb8a5-af1c-4125-b69d-c52e13901e0b

#watercolours #symbolism #alchemy #hermes #esoteric #heraldry #knights #shields #art #publicdomain

Here comes another of my random "hey do I know any..." posts.

Hey, do I know anyone who knows about EXORCISTS?

And what about PILGRIMS?

Or PIRATES?

Or ALCHEMY?

It's for Writing the Occult, so they need to be comfortable presenting on Zoom (but will receive token pay for their efforts)

#academicchatter #academia #writers #writing #writingcommunity #books #religion #exorcism #pilgrims #pirates #alchemy

Illustration from the first volume of Robert Fludd's <i>Utriusque Cosmi <span class="special__no-break">. . .</span> Historia</i>, 1617. (1617) by Robert Fludd, from Utriusque Cosmi <span class="special__no-break">. . .</span> Historia
.

Source: The Getty / Internet Archive

Available to buy as a print.

https://pdimagearchive.org/images/a148815f-9c64-41a3-b4ab-93a4d81132c9

#halos #kabbala #astronomy #religion #mysticism #alchemy #celestial #radiance #art #publicdomain

No Injury to the Willing (ca. 1790) by Marcus Eugenius Bonacina, from Compendiolum de praeparatione auri potabilis veri.

Source: Beinecke Rare Book and Manuscript Library

https://pdimagearchive.org/images/577d8478-e396-433f-bb5b-d5ea7ebab92b

#chemistry #nudes #occultism #alchemy #serpents #shields #owls #art #publicdomain

Depending on which school of Islamic law you belong to, mind...

https://piefed.social/c/historymemes/p/1803708/depending-on-which-school-of-islamic-law-you-belong-to-mind

Mortar and pestle for grinding ingredients, Portugal, 16th century AD

https://piefed.social/c/historyartifacts/p/1782656/mortar-and-pestle-for-grinding-ingredients-portugal-16th-century-ad

A la Medicina Tradicional Mediterrània tot va de contraris.
o potser no són contraris. Sinó complementaris.
O, si ho pensem bé, són les dues coses alhora.
I d'aquesta forma, en són una de sola.

N'estem parlant aquests dies al curs d'introducció a la Medicina tradicional Mediterrània. Acabo d'habilitar el formulari d'inscripció que, per cert, des de fa mig any ja no és amb les eines enverinades de mr.google sinó amb les eines cooperatives de @femprocomuns perquè us pugueu anar apuntant a l'edició de juny.
https://jardidelesbruixes.cat/introduccio-a-la-medicina-tradicional-mediterrania/

#alchemy #alquimia #medicinatradicional #medicinatradicionalmediterrania #mediterrani #mediterraneo #medicinagrega #medicinagriega #solveetcoagula #naturopatia #medicinaholistica #einescooperatives

A la Medicina Tradicional Mediterrània tot va de contraris.
o potser no són contraris. Sinó complementaris.
O, si ho pensem bé, són les dues coses alhora.
I d'aquesta forma, en són una de sola.

N'estem parlant aquests dies al curs d'introducció a la Medicina tradicional Mediterrània. Acabo d'habilitar el formulari d'inscripció que, per cert, des de fa mig any ja no és amb les eines enverinades de mr.google sinó amb les eines cooperatives de @femprocomuns perquè us pugueu anar apuntant a l'edició de juny.
https://jardidelesbruixes.cat/introduccio-a-la-medicina-tradicional-mediterrania/

#alchemy #alquimia #medicinatradicional #medicinatradicionalmediterrania #mediterrani #mediterraneo #medicinagrega #medicinagriega #solveetcoagula #naturopatia #medicinaholistica #einescooperatives

A la Medicina Tradicional Mediterrània tot va de contraris.
o potser no són contraris. Sinó complementaris.
O, si ho pensem bé, són les dues coses alhora.
I d'aquesta forma, en són una de sola.

N'estem parlant aquests dies al curs d'introducció a la Medicina tradicional Mediterrània. Acabo d'habilitar el formulari d'inscripció que, per cert, des de fa mig any ja no és amb les eines enverinades de mr.google sinó amb les eines cooperatives de @femprocomuns perquè us pugueu anar apuntant a l'edició de juny.
https://jardidelesbruixes.cat/introduccio-a-la-medicina-tradicional-mediterrania/

#alchemy #alquimia #medicinatradicional #medicinatradicionalmediterrania #mediterrani #mediterraneo #medicinagrega #medicinagriega #solveetcoagula #naturopatia #medicinaholistica #einescooperatives

A la Medicina Tradicional Mediterrània tot va de contraris.
o potser no són contraris. Sinó complementaris.
O, si ho pensem bé, són les dues coses alhora.
I d'aquesta forma, en són una de sola.

N'estem parlant aquests dies al curs d'introducció a la Medicina tradicional Mediterrània. Acabo d'habilitar el formulari d'inscripció que, per cert, des de fa mig any ja no és amb les eines enverinades de mr.google sinó amb les eines cooperatives de @femprocomuns perquè us pugueu anar apuntant a l'edició de juny.
https://jardidelesbruixes.cat/introduccio-a-la-medicina-tradicional-mediterrania/

#alchemy #alquimia #medicinatradicional #medicinatradicionalmediterrania #mediterrani #mediterraneo #medicinagrega #medicinagriega #solveetcoagula #naturopatia #medicinaholistica #einescooperatives

A la Medicina Tradicional Mediterrània tot va de contraris.
o potser no són contraris. Sinó complementaris.
O, si ho pensem bé, són les dues coses alhora.
I d'aquesta forma, en són una de sola.

N'estem parlant aquests dies al curs d'introducció a la Medicina tradicional Mediterrània. Acabo d'habilitar el formulari d'inscripció que, per cert, des de fa mig any ja no és amb les eines enverinades de mr.google sinó amb les eines cooperatives de @femprocomuns perquè us pugueu anar apuntant a l'edició de juny.
https://jardidelesbruixes.cat/introduccio-a-la-medicina-tradicional-mediterrania/

#alchemy #alquimia #medicinatradicional #medicinatradicionalmediterrania #mediterrani #mediterraneo #medicinagrega #medicinagriega #solveetcoagula #naturopatia #medicinaholistica #einescooperatives

If your outer life mirrors your inner order, what change would shift both at once? #LawOfCorrespondence #AsAboveSoBelow #AncientWisdom #Hermeticism #Plato #Plotinus #SacredGeometry #Alchemy #InnerOrder #Balance #SelfStudy #AncientAndAlive
https://spiritulality.stayingalive.in/inspiring-harmony/the-law-of-correspondence.html

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Chasing grails, philosopher’s stones, and time-travel dials makes bad cinema and worse history — a reminder that sometimes the real story is more interesting than the legend.
#History #Mythology #Archaeology #Film #PopCulture #CriticalThinking #IndianaJones #HolyGrail #Alchemy #MovieReview
https://pablohoneyfish.wordpress.com/2026/02/07/the-ontological-drift-of-sacred-artifacts-from-medieval-philology-to-cinematic-pseudo-history/

If thought shapes form, which ideas in your life deserve more care today? If mind shapes form, how careful are we with our daily thoughts?
Which ideas deserve more respect in your life? #Hermeticism #HermesTrismegistus #AncientWisdom #Alexandria #CorpusHermeticum #PrincipleOfMind #Platonism #Iamblichus #Plotinus #Renaissance #MarsilioFicino #GiordanoBruno #Alchemy #HistoryOfScience #MindAndMatter #PersonalAgency #LivingWisdom
https://medium.com/@skmohindroo9/the-8th-hermetic-principle-bef82fd8d33e

Physicists Have Achieved Quantum “Alchemy” by Exciting Electrons to High-Energy States

A promising—and powerful—new engineering breakthrough could soon enable researchers to alter the properties of materials by exciting electrons…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Physics #alchemy #Electrons #Excitons #Floqueteffects #Science #Semiconductors
https://www.newsbeep.com/us/421787/