#occultart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #occultart, aggregated by home.social.
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Book of Pleasure: The Psychology of Ecstacy : Austin Spare : 1913 : Free Download, Borrow, and Streaming : Internet Archive
THE BOOK OF PLEASURE (SELF-LOVE) by Austin Osman Spare is pure occult dynamite. In this short, fierce masterpiece, Spare tears down every rule of traditional magic and replaces it with something far more dangerous and effective: the raw power of self-love and the subconscious mind. Here you will discover the secret of sigils….a method so simple and potent that it has quietly revolutionized modern magic. Spare shows how to bypass the conscious mind, plant desire directly into the deep self, and watch reality bend. Strange, intense and unforgettable, this book does not merely teach magic… it is magic. Once you taste what Spare offers, ordinary occult books will never satisfy you again.
#TheAstralGallery #AustinOsmanSpare #SigilMagic #ChaosMagic #TheBookOfPleasure #OccultBooks #LeftHandPath #EsotericWisdom #Sigils #OccultArt #SelfLove #ZosKia
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Book of Pleasure: The Psychology of Ecstacy : Austin Spare : 1913 : Free Download, Borrow, and Streaming : Internet Archive
THE BOOK OF PLEASURE (SELF-LOVE) by Austin Osman Spare is pure occult dynamite. In this short, fierce masterpiece, Spare tears down every rule of traditional magic and replaces it with something far more dangerous and effective: the raw power of self-love and the subconscious mind. Here you will discover the secret of sigils….a method so simple and potent that it has quietly revolutionized modern magic. Spare shows how to bypass the conscious mind, plant desire directly into the deep self, and watch reality bend. Strange, intense and unforgettable, this book does not merely teach magic… it is magic. Once you taste what Spare offers, ordinary occult books will never satisfy you again.
#TheAstralGallery #AustinOsmanSpare #SigilMagic #ChaosMagic #TheBookOfPleasure #OccultBooks #LeftHandPath #EsotericWisdom #Sigils #OccultArt #SelfLove #ZosKia
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Book of Pleasure: The Psychology of Ecstacy : Austin Spare : 1913 : Free Download, Borrow, and Streaming : Internet Archive
THE BOOK OF PLEASURE (SELF-LOVE) by Austin Osman Spare is pure occult dynamite. In this short, fierce masterpiece, Spare tears down every rule of traditional magic and replaces it with something far more dangerous and effective: the raw power of self-love and the subconscious mind. Here you will discover the secret of sigils….a method so simple and potent that it has quietly revolutionized modern magic. Spare shows how to bypass the conscious mind, plant desire directly into the deep self, and watch reality bend. Strange, intense and unforgettable, this book does not merely teach magic… it is magic. Once you taste what Spare offers, ordinary occult books will never satisfy you again.
#TheAstralGallery #AustinOsmanSpare #SigilMagic #ChaosMagic #TheBookOfPleasure #OccultBooks #LeftHandPath #EsotericWisdom #Sigils #OccultArt #SelfLove #ZosKia
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Book of Pleasure: The Psychology of Ecstacy : Austin Spare : 1913 : Free Download, Borrow, and Streaming : Internet Archive
THE BOOK OF PLEASURE (SELF-LOVE) by Austin Osman Spare is pure occult dynamite. In this short, fierce masterpiece, Spare tears down every rule of traditional magic and replaces it with something far more dangerous and effective: the raw power of self-love and the subconscious mind. Here you will discover the secret of sigils….a method so simple and potent that it has quietly revolutionized modern magic. Spare shows how to bypass the conscious mind, plant desire directly into the deep self, and watch reality bend. Strange, intense and unforgettable, this book does not merely teach magic… it is magic. Once you taste what Spare offers, ordinary occult books will never satisfy you again.
#TheAstralGallery #AustinOsmanSpare #SigilMagic #ChaosMagic #TheBookOfPleasure #OccultBooks #LeftHandPath #EsotericWisdom #Sigils #OccultArt #SelfLove #ZosKia
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Book of Pleasure: The Psychology of Ecstacy : Austin Spare : 1913 : Free Download, Borrow, and Streaming : Internet Archive
THE BOOK OF PLEASURE (SELF-LOVE) by Austin Osman Spare is pure occult dynamite. In this short, fierce masterpiece, Spare tears down every rule of traditional magic and replaces it with something far more dangerous and effective: the raw power of self-love and the subconscious mind. Here you will discover the secret of sigils….a method so simple and potent that it has quietly revolutionized modern magic. Spare shows how to bypass the conscious mind, plant desire directly into the deep self, and watch reality bend. Strange, intense and unforgettable, this book does not merely teach magic… it is magic. Once you taste what Spare offers, ordinary occult books will never satisfy you again.
#TheAstralGallery #AustinOsmanSpare #SigilMagic #ChaosMagic #TheBookOfPleasure #OccultBooks #LeftHandPath #EsotericWisdom #Sigils #OccultArt #SelfLove #ZosKia
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Left side: a 3D rendering of the owl I sculpted and rigged, positioned in a precise scene in which she is gripping a tiny mouse.
Right side: my attempt on getting back to doing digital 2D drawings (Sketchbook app on Android) after months of being a 3D playwright of sorts. I tried to draw a similar scene (the owl gripping the rat, but this time the owl is regal, perched on a throne while wearing a crown; also I tried to risk some handwritten Sumerian), without looking at the scene, drawing the whole piece solely from imagination (including the cuneiform symbols "𒀭𒊩𒆤𒇲"; at least I got these right).
Result: while I sort of afford doing depth and (to a certain extent) illumination, I still struggle with viewing perspective, despite me having been dealing with 3D perspective (Blender scenes) on a daily basis. The owl's head seems to be compressed or something (although I could've pruned some of the topmost part of the brow ridge and the bottom-most part of the chin, while also downscaling the beak a bit while bringing it slightly downwards). The Moon feels too forced into the scene? The foliage seems okayish for a pure brushwork (I used a "Foam" brush).
I could do these corrections if it weren't for the dozens of layers my drawing project involves.
Alt-text for the drawing: A regal owl perched on a red throne amidst a forest while delicately pinching a rat (holding him with thumb and index claws but delicately enough not to pierce through his skin). The owl's expression is calm and whispering (eyes slightly closed and relaxed, mouth discretely opened as if vocalizing something), contrasted with the rat's expression of utter fear and pledging (the rat has clasped hands while trying to look up at the owl, he's even urinating, as seen discretely dripping at the tip of his tail). The owl is wearing a golden crown (well, sort of, given how awfully I drew the crown) with a ruby gemstone and a Sumerian inscription (Dingir Munus Lil La, which means "Goddess Lilitu"). The background is comprised of a featureless grass, dangling green foliage and a crescent Moon next to the arm of the owl's throne.
#arsritualistemplii #drawing #owl #occult #occultart #digitaldrawings -
Left side: a 3D rendering of the owl I sculpted and rigged, positioned in a precise scene in which she is gripping a tiny mouse.
Right side: my attempt on getting back to doing digital 2D drawings (Sketchbook app on Android) after months of being a 3D playwright of sorts. I tried to draw a similar scene (the owl gripping the rat, but this time the owl is regal, perched on a throne while wearing a crown; also I tried to risk some handwritten Sumerian), without looking at the scene, drawing the whole piece solely from imagination (including the cuneiform symbols "𒀭𒊩𒆤𒇲"; at least I got these right).
Result: while I sort of afford doing depth and (to a certain extent) illumination, I still struggle with viewing perspective, despite me having been dealing with 3D perspective (Blender scenes) on a daily basis. The owl's head seems to be compressed or something (although I could've pruned some of the topmost part of the brow ridge and the bottom-most part of the chin, while also downscaling the beak a bit while bringing it slightly downwards). The Moon feels too forced into the scene? The foliage seems okayish for a pure brushwork (I used a "Foam" brush).
I could do these corrections if it weren't for the dozens of layers my drawing project involves.
Alt-text for the drawing: A regal owl perched on a red throne amidst a forest while delicately pinching a rat (holding him with thumb and index claws but delicately enough not to pierce through his skin). The owl's expression is calm and whispering (eyes slightly closed and relaxed, mouth discretely opened as if vocalizing something), contrasted with the rat's expression of utter fear and pledging (the rat has clasped hands while trying to look up at the owl, he's even urinating, as seen discretely dripping at the tip of his tail). The owl is wearing a golden crown (well, sort of, given how awfully I drew the crown) with a ruby gemstone and a Sumerian inscription (Dingir Munus Lil La, which means "Goddess Lilitu"). The background is comprised of a featureless grass, dangling green foliage and a crescent Moon next to the arm of the owl's throne.
#arsritualistemplii #drawing #owl #occult #occultart #digitaldrawings -
Left side: a 3D rendering of the owl I sculpted and rigged, positioned in a precise scene in which she is gripping a tiny mouse.
Right side: my attempt on getting back to doing digital 2D drawings (Sketchbook app on Android) after months of being a 3D playwright of sorts. I tried to draw a similar scene (the owl gripping the rat, but this time the owl is regal, perched on a throne while wearing a crown; also I tried to risk some handwritten Sumerian), without looking at the scene, drawing the whole piece solely from imagination (including the cuneiform symbols "𒀭𒊩𒆤𒇲"; at least I got these right).
Result: while I sort of afford doing depth and (to a certain extent) illumination, I still struggle with viewing perspective, despite me having been dealing with 3D perspective (Blender scenes) on a daily basis. The owl's head seems to be compressed or something (although I could've pruned some of the topmost part of the brow ridge and the bottom-most part of the chin, while also downscaling the beak a bit while bringing it slightly downwards). The Moon feels too forced into the scene? The foliage seems okayish for a pure brushwork (I used a "Foam" brush).
I could do these corrections if it weren't for the dozens of layers my drawing project involves.
Alt-text for the drawing: A regal owl perched on a red throne amidst a forest while delicately pinching a rat (holding him with thumb and index claws but delicately enough not to pierce through his skin). The owl's expression is calm and whispering (eyes slightly closed and relaxed, mouth discretely opened as if vocalizing something), contrasted with the rat's expression of utter fear and pledging (the rat has clasped hands while trying to look up at the owl, he's even urinating, as seen discretely dripping at the tip of his tail). The owl is wearing a golden crown (well, sort of, given how awfully I drew the crown) with a ruby gemstone and a Sumerian inscription (Dingir Munus Lil La, which means "Goddess Lilitu"). The background is comprised of a featureless grass, dangling green foliage and a crescent Moon next to the arm of the owl's throne.
#arsritualistemplii #drawing #owl #occult #occultart #digitaldrawings -
Left side: a 3D rendering of the owl I sculpted and rigged, positioned in a precise scene in which she is gripping a tiny mouse.
Right side: my attempt on getting back to doing digital 2D drawings (Sketchbook app on Android) after months of being a 3D playwright of sorts. I tried to draw a similar scene (the owl gripping the rat, but this time the owl is regal, perched on a throne while wearing a crown; also I tried to risk some handwritten Sumerian), without looking at the scene, drawing the whole piece solely from imagination (including the cuneiform symbols "𒀭𒊩𒆤𒇲"; at least I got these right).
Result: while I sort of afford doing depth and (to a certain extent) illumination, I still struggle with viewing perspective, despite me having been dealing with 3D perspective (Blender scenes) on a daily basis. The owl's head seems to be compressed or something (although I could've pruned some of the topmost part of the brow ridge and the bottom-most part of the chin, while also downscaling the beak a bit while bringing it slightly downwards). The Moon feels too forced into the scene? The foliage seems okayish for a pure brushwork (I used a "Foam" brush).
I could do these corrections if it weren't for the dozens of layers my drawing project involves.
Alt-text for the drawing: A regal owl perched on a red throne amidst a forest while delicately pinching a rat (holding him with thumb and index claws but delicately enough not to pierce through his skin). The owl's expression is calm and whispering (eyes slightly closed and relaxed, mouth discretely opened as if vocalizing something), contrasted with the rat's expression of utter fear and pledging (the rat has clasped hands while trying to look up at the owl, he's even urinating, as seen discretely dripping at the tip of his tail). The owl is wearing a golden crown (well, sort of, given how awfully I drew the crown) with a ruby gemstone and a Sumerian inscription (Dingir Munus Lil La, which means "Goddess Lilitu"). The background is comprised of a featureless grass, dangling green foliage and a crescent Moon next to the arm of the owl's throne.
#arsritualistemplii #drawing #owl #occult #occultart #digitaldrawings -
Left side: a 3D rendering of the owl I sculpted and rigged, positioned in a precise scene in which she is gripping a tiny mouse.
Right side: my attempt on getting back to doing digital 2D drawings (Sketchbook app on Android) after months of being a 3D playwright of sorts. I tried to draw a similar scene (the owl gripping the rat, but this time the owl is regal, perched on a throne while wearing a crown; also I tried to risk some handwritten Sumerian), without looking at the scene, drawing the whole piece solely from imagination (including the cuneiform symbols "𒀭𒊩𒆤𒇲"; at least I got these right).
Result: while I sort of afford doing depth and (to a certain extent) illumination, I still struggle with viewing perspective, despite me having been dealing with 3D perspective (Blender scenes) on a daily basis. The owl's head seems to be compressed or something (although I could've pruned some of the topmost part of the brow ridge and the bottom-most part of the chin, while also downscaling the beak a bit while bringing it slightly downwards). The Moon feels too forced into the scene? The foliage seems okayish for a pure brushwork (I used a "Foam" brush).
I could do these corrections if it weren't for the dozens of layers my drawing project involves.
Alt-text for the drawing: A regal owl perched on a red throne amidst a forest while delicately pinching a rat (holding him with thumb and index claws but delicately enough not to pierce through his skin). The owl's expression is calm and whispering (eyes slightly closed and relaxed, mouth discretely opened as if vocalizing something), contrasted with the rat's expression of utter fear and pledging (the rat has clasped hands while trying to look up at the owl, he's even urinating, as seen discretely dripping at the tip of his tail). The owl is wearing a golden crown (well, sort of, given how awfully I drew the crown) with a ruby gemstone and a Sumerian inscription (Dingir Munus Lil La, which means "Goddess Lilitu"). The background is comprised of a featureless grass, dangling green foliage and a crescent Moon next to the arm of the owl's throne.
#arsritualistemplii #drawing #owl #occult #occultart #digitaldrawings -
Stumbled upon this meme on another platform. Went all the way to decode it by seeking each hieroglyph individually on Wiktionary, which led me to dozens of Wiktionary tabs opened until I finally got to translate what Sekhmet said:
#meme #occultart #egyptian #egyptiangoddess #sekhmetSekhmet a-n-g-r-y -
From now on, I'm going to try and make use of the hashtag #ArsRitualisTemplii on my posts to distinguish those related to the stuff I create (be it poetry and storytelling, ciphered messages and puzzles, ritualistic invocations/conjuring/summoning calls, code projects and snippets, digital and handmade drawings, memes, 3D modeling, anything my restless mind conjures into existence from actual spiritual channeling) from other kinds of posts.
Every post of mine containing the hashtag #ArsRitualisTemplii, including this very one I'm writing, contains gnosis-induced artistic expressions.
Trivia: "Ars ritualis templii", which is Latin for "ritualistic art of the temple", is purposefully coined after the acrostic "art", making it almost like a recursive acronym.
#art #drawings #digitaldrawings #occultart -
From now on, I'm going to try and make use of the hashtag #ArsRitualisTemplii on my posts to distinguish those related to the stuff I create (be it poetry and storytelling, ciphered messages and puzzles, ritualistic invocations/conjuring/summoning calls, code projects and snippets, digital and handmade drawings, memes, 3D modeling, anything my restless mind conjures into existence from actual spiritual channeling) from other kinds of posts.
Every post of mine containing the hashtag #ArsRitualisTemplii, including this very one I'm writing, contains gnosis-induced artistic expressions.
Trivia: "Ars ritualis templii", which is Latin for "ritualistic art of the temple", is purposefully coined after the acrostic "art", making it almost like a recursive acronym.
#art #drawings #digitaldrawings #occultart -
From now on, I'm going to try and make use of the hashtag #ArsRitualisTemplii on my posts to distinguish those related to the stuff I create (be it poetry and storytelling, ciphered messages and puzzles, ritualistic invocations/conjuring/summoning calls, code projects and snippets, digital and handmade drawings, memes, 3D modeling, anything my restless mind conjures into existence from actual spiritual channeling) from other kinds of posts.
Every post of mine containing the hashtag #ArsRitualisTemplii, including this very one I'm writing, contains gnosis-induced artistic expressions.
Trivia: "Ars ritualis templii", which is Latin for "ritualistic art of the temple", is purposefully coined after the acrostic "art", making it almost like a recursive acronym.
#art #drawings #digitaldrawings #occultart -
From now on, I'm going to try and make use of the hashtag #ArsRitualisTemplii on my posts to distinguish those related to the stuff I create (be it poetry and storytelling, ciphered messages and puzzles, ritualistic invocations/conjuring/summoning calls, code projects and snippets, digital and handmade drawings, memes, 3D modeling, anything my restless mind conjures into existence from actual spiritual channeling) from other kinds of posts.
Every post of mine containing the hashtag #ArsRitualisTemplii, including this very one I'm writing, contains gnosis-induced artistic expressions.
Trivia: "Ars ritualis templii", which is Latin for "ritualistic art of the temple", is purposefully coined after the acrostic "art", making it almost like a recursive acronym.
#art #drawings #digitaldrawings #occultart -
From now on, I'm going to try and make use of the hashtag #ArsRitualisTemplii on my posts to distinguish those related to the stuff I create (be it poetry and storytelling, ciphered messages and puzzles, ritualistic invocations/conjuring/summoning calls, code projects and snippets, digital and handmade drawings, memes, 3D modeling, anything my restless mind conjures into existence from actual spiritual channeling) from other kinds of posts.
Every post of mine containing the hashtag #ArsRitualisTemplii, including this very one I'm writing, contains gnosis-induced artistic expressions.
Trivia: "Ars ritualis templii", which is Latin for "ritualistic art of the temple", is purposefully coined after the acrostic "art", making it almost like a recursive acronym.
#art #drawings #digitaldrawings #occultart