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467 results for “BassCan”
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Right now, the RIAS Kammerchor Berlin and the Akamus perform #Cavalli #Monteverdi #Gabrieli and #Bassano in #Berlin https://www.worldconcerthall.com/en/schedule/the_rias_kammerchor_berlin_and_the_akamus_perform_cavalli_monteverdi_gabrieli_and_bassano_in_berlin/90687/ #wch
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In 25 minutes, the RIAS Kammerchor Berlin and the Akamus perform #Cavalli #Monteverdi #Gabrieli and #Bassano in #Berlin https://www.worldconcerthall.com/en/schedule/the_rias_kammerchor_berlin_and_the_akamus_perform_cavalli_monteverdi_gabrieli_and_bassano_in_berlin/90687/ #wch
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Today, the RIAS Kammerchor Berlin and the Akamus perform #Cavalli #Monteverdi #Gabrieli and #Bassano in #Berlin https://www.worldconcerthall.com/en/schedule/the_rias_kammerchor_berlin_and_the_akamus_perform_cavalli_monteverdi_gabrieli_and_bassano_in_berlin/90687/ #wch
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CW: Scientists in the Natural Applied Sciences - Long List to Scroll!
Scientists in the Natural Sciences - Applied Sciences
• Published (not necessarily in field)
Please Message for Additions, Deletions or Edits
Agricultural Science
Birge, Traci @TraciInFinland
Bommarco, Riccardo @bommarco
Cardinael, Rémi @remicardinael
Ehlers, Melf-Hinrich @Melf
ETH Zürich @crop_science_eth
Finger, Robert @robertfinger
Hepworth, Craig @floridafruitgeek
Kniss, Andrew R @AK
Lynch, Megan @ml
Malek, Žiga @zigamalek
Morris, Ed R @Edrmorris
Nordquist, Rebecca @renordquist
Parent, Essi @essi
Plieninger, Tobias @plieninger
Rodriguez, Carolina @CRodriguez
Schulze, Christoph @qris
Schwerdtner, Ulrike @UliSchwerdtnerBiophysics
Bagley, Bryce Allen @babagley
Batalha, Natalie M @nbatalha
Benedetti, Fabrizio @scienceFab
Bonsma-Fisher, Madeleine @mbonsma
Delpierre, Julien @JulienDelpierre
Dmitrieff, Serge @dmitrieff
Etienne, Jocelyn @jocelyn_etienne
Giorgino, Toni @giorginolab
Haase, Albrecht @neurophysics
Kennard, Andrew @askennard
Michieletto, Davide @dmichiel
Lew, Matthew D @lewlab
Meesters, Christian @rupdecat
Meyer, Carola @carbonwoman
Neher, Richard @richardneher
Plested, Andrew @andrewplested
Popescu, Gabriela K @PopStarLab
Rowland, David James @drdrowland
Sadoine, Mayuri @MayuriSadoine
Schwarz, Ulrich Sebastian @UlrichSchwarz
Tyka, Mike @mtyka
Wallace, Mark I @markianwallaceGitHub Biophysicists
Biotremology
López Díez, Juan José @TremonetaClimate Science
Brettschneider, Brian @Climatologist49
Campbell, Micheline @michcampbell
Cobb, Kim @coralsncaves
Gironella, Fritzi G @fagg
Gleick, Peter @petergleick
Gowan, Evan J @DrEvanGowan
Hawkins, Ed @ed_hawkins
Hayhoe, Katharine @kathhayhoe
Ilyina, Tatiana @TatianaIlyina
Karmalkar, Ambarish @akarma
Labe, Zach M @ZLabe
LeGrande, Allegra Nicole @atthenius
Marelle, Louis @louismarelle
Mottram, Ruth @Ruth_Mottram
Pollice, Robert @robpollice
Rahmstorf, Stefan @rahmstorf
Thoman Jr, Richard L @AlaskaWx
Van de Velde, Jorn @jornvdvClimatology
Barnes-Keoghan, Ian @ibk
Dupont, Claire @Cladupont
Lucht, Wolfgang @W_Lucht
Wagner, Gernot @gwagner@ClimateMigration Follows & boosts Climate Science experts
Engineering
Aldrich, Chris @chrisaldrich
Barba, Lorena A @labarba
Berry, Carlotta A @drcaberry
Ellison, Doug @doug_ellison
Gill, Kevin M @kevinmgill
Hale, Steven J @drstevenhale
Hashemi, Nicole @NicoleHashemi
Hulse, Daniel @Daniel_Hulse
Hurkat, Skand @skandhurkat
Kruger, Justin D @jdavidnet
Subramanian, R @subu_caps• AeroSpace Engineers
Cothern, Kyle @Risknc
Dubos, Gregory @astroptere
Ellison, Doug @doug_ellison
Hutt, Jason T @jathhutt• Chemical Engineers
Krawczyk, Paweł @kravietz
McNeill, V Faye @vfmcneill
Meekins, Benjamin H @meekinslab• Environmental Engineers
Haas, Charles @ProfCharlesHaas
Parent, Essi @essi
Scriven, David @David_Epithet
Walker-Franklin, Imari @calimari• Software Engineers
Brooker, Marc @marcbrooker
Emir, Burak @burakemir
Famelis, Michalis @mfamelis
Hubbard, Philip @philiphubbard
Mueller-Roemer, Johannes S @JSMuellerRoemer
Pavlic, Theodore P @tedpavlic
Ralph, Paul @paulralph
Sacerdote, David @dsacer
Santander-Vela, Juan de Dios @juandesant
Zaslavsky, David @diazona• Systems Engineers
Bean, Keri @PlanetaryKeri
Reck, Rebecca M @RebeccaEE
Santander-Vela, Juan de Dios @juandesant
Van Bossuyt, Douglas Lee @douglasvbFedi.Directory Engineering
Trunk EngineeringEnvironmental Science
Brander, Susanne M @smbrander
Büchau, Yann @nobodyinperson
Feldwick, Mark @MarkIngs
Glückler, Ramesh @rglueckler
Gusmão, Felipe @fgusmao
Hart-Davis, Damon @DamonHD
Jehn, Florian Ulrich @florianjehn
Jones, Oliver AH @Dr_Oli_Jones
Killam, Daniel @dantheclamman
Mann, Michael E @MichaelEMann
Manuel, Ivan Ruiz @IvanRManuel
McKinney, Zeke J @ZekeMD
Osborn, Mark @MicrobialLife
O'Shea, Bethany @DrBethRocks
Parent, Essi @essi
Pomeranz, Justin PZ @PZ_ecology
Pyle, Greg @gregpyle
Ruiz Manuel, Ivan @IvanRManuel
Sigmund, Gabriel @GabrielS
Sims, Kerry @DrKerryS
Sultana, Farhana @farhanasultana
Tate, Brandon K @brandontate
Torkelson, Jaclyn @DesertAndReef
Walker-Franklin, Imari @calimari
Weintraub, Michael N @mnweintraub
Zourek, Leonard @leonardzourekTrunk Environmentalists
Environmental Toxicology
Feldwick, Mark @MarkIngs
Hammer, Sjúrður @sjurdur
Pyle, Greg @gregpyle
Reichman, Suzie M @SuzieReichman
Whitehead, Andrew @andrewwhiteheadEpidemiology
Alwan, Nisreen A @nisreen
Bassani, Diego G @dgbassani
Bastian, Hilda @hildabast
Basu, Arindam @arinbasu1
Baxter, Nancy @enenbee
Bazaco, Michael @MCBazacoPhD
Bergstrom, Carl T @ct_bergstrom
Bolker, Ben @bbolker
Borrell, Luisa N @lborrell
Chiong, Winston @winstonchiong
D'Angelo, Nico @nicod
Fagherazzi, Guy @gfaghe
Feldman, Ryan @EMPoisonPharmD
Fontenelle, Leonardo Ferreira @lffontenelle
Funk, Sebastian @sbfnk
Ghafari, Mahan @mghafari
Gonsalves, Gregg @gregggonsalves
Handel, Andreas @andreashandel
Hernan, Miguel @MiguelHernan
Hill, Edward M @EdMHill
Hyde, Zoë @DrZoeHyde
Jamal, Alainna J @alainnajj
Kinney, Gregory L @mycotropic
Kline, David @DavidKline
Kucharski, Adam @adamjkucharski
Ley, Sylvia @sylvialey
Meesters, Christian @rupdecat
Mekaru, Sumiko @Sumiko_Mekaru
Moss, Rob @rob_models
Murray, Eleanor J @epiellie
Newman, Kira L @KiraNewmanMDPhD
Pearce, Neil @nepearce
Peiper, Nicholas C @doctorpipes
Polis, Chelsea B @cbpolis
Salemi, Jason L @JasonSalemi
Schrom, John @johnschrom
Sesay, Cecirahim @cecirahim
Smith, Tara C @aetiology
Tennant, Peter WG @pwgtennant
Thelwall, Simon @simonthelwall
Tobin, Martin D @martin_tobin
Wakeham, David @wakehamAMR
Wallace, Katrine @EpidemiologistKat
Walsh, Michael @EpiDoctor• Genetic Epidemiology
Hodcroft, Emma @firefoxx66
Meesters, Christian @rupdecat
Retchless, Adam C @adamr
Tobin, Martin D @martin_tobin• Wildlife Epidemiology
Shriner, Susan A @SusanAShrinerFedi.Directory Epidemiology
Evolutionary Science
Albert, Victor A @PlantEvoGenomics
Anderson, Chris @c_n_anderson
Arnold, Sarah EJ @sejarnold
Aylward, Frank O @foaylward
Barber, Matthew F @bioBarber
Barker, Michael S @MikeBarker
Benham, Phred M @TheSaltySparrow
Bergstrom, Carl T @ct_bergstrom
Blazanin, Michael @mikeblazanin
Bolker, Ben @bbolker
Clarke, John T @jclarkepaleo
Constantinides, Bede @bede
Corman, Victor Max @vmcorman
Davison, Angus @snailman
Débarre, Florence @flodebarre
Delph, Lynda @LyndaDelph
Eisen, Jonathan @phylogenomics
Enquist, Brian J @bjenquist
Fisher, Diana O @Diana_mammalecology
Ghafari, Mahan @mghafari
Gogarten, Jan F @communities
Grau-Bové, Xavier @xgrau
Gregory, T Ryan @TRyanGregory
Hakala, Sanja @SanjaHakala
Hancock, John M @jmhancock
Hartberg, Yasha @yasha
Iwaniuk, N Andrew @brainsevolve
Jarochowska, Emilia @Emiliagnathus
Kane, Emily A @TheKaneLab
Katzourakis, Aris @ariskatzourakis
Kellie, Dax J @daxkellie
Kennard, Andrew @askennard
Knell, Robert J @robknell
Knudson, Alexander H @Knudson_H
Koene, Joris M @jkoene
Kovács, Ákos T @EvolvedBiofilm
Kristensen, Nadiah Pardede @nadiah
LeBoeuf, Adria @Adria
Leighton, Gavin M @GMcLeanLeighton
Lenski, Richard @RELenski
Louvel, Guillaume @GullumLuvl
Lukas, Dieter @DieterLukas
McCutcheon, John @mcsymbiont
Meuthen, Denis @DenisMeuthen
Moreau, Corrie S @CorrieMoreau
Neher, Richard @richardneher
Nelson, Chase W @chasewnelson
Osmond, Matthew @mmosmond
Ralph, Peter L @petrelharp
Schreiber, Sebastian @SebastianSchreiber
Ross-Ibarra, Jeffrey @jrossibarra
Schürch, Roger @schuemaa
Sheard, Catherine @sheardcat
Shropshire, Dylan J @ShropshireJD
Simon, Alexis @alxsim
Slotte, Tanja @tanjaslotte
Sponheimer, Matt @spon
Stajich, Jason @hyphaltip
Strepsipzerg, Max Aubry @StrepsipZerg
Szala, Anna @anna
Tzovaras, Bastian Greshake @gedankenstuecke
Vlieger, Leon @inqbiol
Warrington, Miya H @MiyaWarrington
White, Rhys Thomas @Rhys
Yoder, Jeremy B @jbyFedi.Directory Evolutionary Biology
FoodScience
Hammann, Simon @simonhammann
Kupferschmidt, Kai @kakapeGenomics
Albert, Victor A @PlantEvoGenomics
Aninta, Sabhrina Gita @sagitaninta
Bayer, Philipp @PhilippBayer
Benham, Phred M @TheSaltySparrow
Breitbart, Mya @virome_girl
Clare, Elizabeth L @ProfBatGirl
Coassin, Stefan @stncsn
Constantinides, Bede @bede
Davison, Angus @snailman
Eisen, Jonathan @phylogenomics
Fisher, Simon E @ProfSimonFisher
Friedberg, Iddo @iddux
Gebhard, Christian @basepair
Grau-Bové, Xavier @xgrau
Gregory, T Ryan @TRyanGregory
Guhlin, Joseph @josephguhlin
Gunter, Chris @girlscientist
Hamilton, Bruce A @bahome
Hancock, John M @jmhancock
Johnsson, Martin @mrtnj
Katzourakis, Aris @ariskatzourakis
Kieser, Silas @silask
Konda, Prathyusha @prats
Lenski, Richard @RELenski
Louvel, Guillaume @GullumLuvl
MacLean, Dan @danmaclean
McCutcheon, John @mcsymbiont
Mäklin, Tommi @themaklin
Maurizio, Paul L @paul
Meesters, Christian @rupdecat
Mutalik, Vivek K @vivek_mutalik
Neher, Richard @richardneher
Nelson, Chase W @chasewnelson
Pembleton, Luke W @lwpembleton
Phinney, Brett S @UCDProteomics
Porter, Teresita M @DNAdataPhile
Racimo, Fernando @FerRacimo
Ross-Ibarra, Jeffrey @jrossibarra
Salter, Susannah J @zannah_du
Schuster-Böckler Benjamin @bensb
Stajich, Jason @hyphaltip
Tobin, Martin D @martin_tobin
Viñuela, Ana @AnaVinuela
Vlieger, Leon @inqbiol
Walmarth, Phillip A @pwilmart
White, Rhys Thomas @Rhys
Yoder, Jeremy B @jby
Zakour, Nouri Ben @genomissGitHub Palaeogenomicists
Library & Information Systems
Brown, Leah @leahdriel
Chalifour, Joshua @owlyph
Cockett, Rowan @rowan
Costas Comesana, Rodrigo @rodrigocostas
DeRosa, Robin @actualham
Deschaine, Anne @aehdeschaine
Dudek, Jonathan @jo_dudek
Eickhoff, Carsten @carsten
Fedorak, Lisa @FedorakIndexing
Gerdes, Thomas @ThomasGerdes
Goldberg, Julie @Julie
Hauschke, Christian @hauschke
Hedreen, Rebecca @delibrarian
Horton, Laurence @laurencehorton
Karcher, Sebastian @adam42smith
Keegan, Brian C @bkeegan
Levine, Kendra K @kklevine
Macgregor, George @g3om4c
Monnin, Jenn @msjennmo
Nazarovets, Serhii @serhii
Nyhan, Kate @kdnyhan
Odell, Jere D @jaireeo
Ramshaw, Veronica @verolynne
Schomberg, Jessica @schomj
Seifried, Rebecca M @rmseifried
Shirazi, Roxanne @roxanneshirazi
University of Groningen Library @Bibliothecaris
Ward, Kestrel @KestrelSWard
Wuttke, Ulrike @uwuttke
Ziegler, Sophie @SophieTrunk Librarians
Medicine
Alwan, Nisreen A @nisreen
Argyropoulos, Christos @ChristosArgyrop
Bakke, Håkon Kvåle @BakkeHK
Barber, Carolyn @cbarbermd
Barnkob, Michael B @mikebarnkob
Basu, Arindam @arinbasu1
Baxter, Nancy @enenbee
Bhattacharyya, Roby @roby
Briscoe, Joshua @jcbriscoe
Casas Ciria, Francisco Javier @cientounero
Corman, Victor Max @vmcorman
Crystal, Ruth Ann @catchthebaby
Delaney, Brendan C @bcdelaney1
Feldman, Ryan @EMPoisonPharmD
Flores, Anthony R @pedIDDoc
Fontenelle, Leonardo Ferreira @lffontenelle
Funk, Sebastian @sbfnk
Gebhard, Christian @basepair
Halama, Niels @halama_immuno
Jamal, Alainna J @alainnajj
Johansen, Michael @mike_johansen
McKinney, Zeke J @ZekeMD
Mohr, Emma @Mohr_lab
Newman, Kira L @KiraNewmanMDPhD
Nguyễn, Bích-Mây @bicmay
Pollara, Gabriele @gpollara
Schwartz, Ilan S @GermHunterMD
Steinbach, Daniel @danielsteinbach
Stone, Judy @drjudystone
Tomasson, Michael H @tomasson
Topolsky, Ivan @dryak
Trebach, Joshua D @jtrebach• Critical Care
Barthélémy, Romain @rombarthelemyFedi.Directory Health and Medical
followlists.online Anaesthetist/Anesthesiologist Critical Care
followlists.online Infectious Diseases & #IDMastodon
followlists.online Medical AI
GitHub Medical AI
Trunk MedicineNeuroScience
Agrawal, Niket @niketagrawal
Aly, Mariam @mariam
Barbour, Boris @BorisBarbour
Bellec, Pierre @pierre_bellec
Brembs, Björn @brembs
Cardona, Albert @albertcardona
Case, Sami @samilcase
Chiong, Winston @winstonchiong
Desrochers, Theresa M @DesrochersLab
Duvelle, Éléonor @elduvelle_neuro
Elsilä, Lauri @laurielsila
Garside, Danny @da5nsy
Gellersen, Helena M @helenagellersen
Hall, Megan C @ScienceisWhere
Haun, Andrew M @amhaun
Hoffman, Kari L @karihoffman
Hofmann, Ulrich G @kraweel65
Hyseni, Fjola @fjola
Iwaniuk, N Andrew @brainsevolve
Jékely, Gáspár @jekely
John, Yohan J @DrYohanJohn
Kachlicka, Magdalena @mkachlicka
Kanev, Jacob @jkanev
Karashchuk, Lili @lili
Karmarkar, Uma R @uma_karma
Leterrier, Christophe @christlet
Lindsay, Grace W @Neurograce
Miller, Earl K @ekmiller
Moleman, Peter @MolemanPeter
Negwer, Moritz @moritz_negwer
Ngiam, William XQ @will_ngiam
Olsen, Rosanna @RosannaOlsen
O’Mara, Shane @shaneomara
Popescu, Gabriela K @PopStarLab
Schultz, Simon R @neuralengine
Seuntjens, Eve @EveSeuntjens
Sinha, Manisha @manisha
Sutterer, Matthew J @mjsutterer
Thakur, Dhananjay P @dhananjaythakur
Timberlake, Ben @ByBenTimberlake
van Bree, Sander @sandervanbree
Wu, Wayne @attninactionGitHub Neuroscience
Pharmacology
Bartos, Piia @piiabartos
Case, Sami @samilcase
Elsilä, Lauri @laurielsila
Faradilla, Meutia @meutiafaradilla
Feldman, Ryan @EMPoisonPharmD
Konrad, David @dbkonrad
Moleman, Peter @MolemanPeter
Rutz, Adriano @adafede
Wilkins, Justin J @justinwilkinsPharmacometrics
Smith, Mike K @MikeKSmith
Wilkins, Justin J @justinwilkinsPhysiology
Caspar, Kai R @nomascus
Glazier, Amelia @ameliaglazier
Hoffman, Kari L @karihoffman
Olson, Christopher R @ChristophROlson
Schumacher, Michael A @schumacher
Tomasson, Michael H @tomasson
Umbers, Kate DL @kateumbers
Wayne, Nancy L @nancylwaynePsychiatry
Anderson, Chase TM @ChaseTMAnderson
Briscoe, Joshua @jcbriscoe
Eckert, Anna-Lena @eckertal
Lam, Raymond W @DrRaymondLam
Lee, Kangjoo @kangjoolee
Reeder, Michael @admin
Turban, Jack L @jackturban
Urgelés, Diego @urgelesfollowlists.online Psychiatrists
Scientific Computing
Eickhoff, Carsten @carsten
Frost, Jarvist Moore @Jarvist
Jambor, Helena @helenajambor• Computational Biology
Andreani, Virgile @Armavica
Argyropoulos, Christos @ChristosArgyrop
Bahlai, Christie @cbahlai
Carpenter, Anne E @DrAnneCarpenter
Clark, Chase M @chasingmicrobes
Fagherazzi, Guy @gfaghe
Gatto, Laurent @lgatto
Gómez-Dans, José @jgomezdans
Hauck, Judith @jhauck
Hill, Edward M @EdMHill
Hoffman, Kari L @karihoffman
Hubbard, Philip @philiphubbard
Hyseni, Fjola @fjola
Jarosz, Wojciech @wjarosz
Jessen, Walter @wj
John, Yohan J @DrYohanJohn
Kanev, Jacob @jkanev
Kedzierska, Kasia Zofia @kzkedzierska
Kucharavy, Andrei @andrei_chiffa
Louvel, Guillaume @GullumLuvl
MaClean, Dan @danmaclean
Mendes, Pedro @gepasi
O'Donnell, Cian @cian
MacLean, Dan @danmaclean
Meesters, Christian @rupdecat
Mendes, Pedro @gepasi
Moore, Jason H @moorejh
Moss, Rob @rob_models
Ross, Noam @noamross
Scott, Eric R @LeafyEricScott
Sinha, Manisha @manisha
Stévant, Isabelle @IsabelleStevant
Stowell, Dan @danstowell
Viscownti, Alessia @alesssia
Winkler, Tilo @twinkler• Climate Modelling
Easterbrook, Steve @steve
Ilyina, Tatiana @TatianaIlyinaFedi.Directory Data Visualisation
Soil Science
Cardinael, Rémi @remicardinael
Moorberg, Colby J @ColbyDigsSoil
Schymanski, Stanislaus J @schymans
Schwerdtner, Ulrike @UliSchwerdtnerTaxonomy
Brabant, Craig @mutillidae
Brignoli, Gino @gino
De Vivo, Mattia @mdv
Hobern, Donald @dhobern
Musetti, Luciana @DrLu_Musetti
Plazi Species @plazi_speciesToxicology
Feldman, Ryan @EMPoisonPharmD
Trebach, Joshua D @jtrebachVeterinary Medicine
Firth, Clair @Buxton_Vienna
MacPhee, Daniel J @dmacphee
Mekaru, Sumiko @Sumiko_Mekaru
Nordquist, Rebecca @renordquist
van Vlie, Arnoud @dutchscientist
Voss, Sarah J @Sarah_J_Voss
Wakeham, David @wakehamAMRMore extensive lists on Mastodon can be found exploring the following
Fedi.Directory - Science & Humanities
find.sciences.social - Find Academics on Mastodon
GitHub - Academics on Mastodon Lists
TrueSciPhi - Curated science, philosophy, and mathematics lists covering podcasts, Mastodon, and Bluesky
Trunk - allows you to mass-follow a bunch of people(Click to access Formal, Natural (Life & Physical) & Social Sciences)
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Queen Victoria by Alexander Bassano, 1882 #iconomancy https://library.hrmtc.com/2026/05/12/queen-victoria-by-alexander-bassano-1882/
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Malmös simhoppare utan bassäng – eliten är i fara#malmö #simhopp #trelleborg #lund #landskrona
Malmös simhoppare utan bassäng – eliten är i fara -
Two northern gannets (Morus bassanus) on a sheer grassy slope above a rocky cliff on the Mykineshólmur island with Atlantic Ocean below them. Faroe Islands, North Atlantic, Kingdom of Denmark.
Featured in the 1000 VIEWS ON 1 IMAGE #FineArtAmerica group.
#BirdsOfMastodon #MasodonBirds #AYearForArt #FaroeIslands #Foroyar #birdwatching #AtlanticOcean #seabirds #birdsphotography
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Two northern gannets (Morus bassanus) on a sheer grassy slope above a rocky cliff on the Mykineshólmur island with Atlantic Ocean below them. Faroe Islands, North Atlantic, Kingdom of Denmark.
#BirdsOfMastodon #birdwatching #FaroeIslands #Foroyar #photography #BirdsPhotography #nature #wildlife #WildlifePhotography #NaturePhotography #AtlanticOcean #OceanLife
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People wonder why I feel the need to fight for shelters, and a broad range of houses. City Council LUPZ AGAIN stripped proposals to allow townhomes, duplexes, apartments, for fear of retaliation from Neighborhood Associations who are worried about "neighborhood character".
Bassan, Champine, and Grout can't understand why we have unhoused folks on our streets, yet they prevent change every step of the way.
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Common Murres (Uria aalge) and a Northern Gannet (Morus bassanus)
#Murres #Gannet #BirdsOfMastodon #ArtWithOpenSource #Darktable #CCBYSA #Bird #Birds #BirdPhotography #Animal #Animals #AnimalPhotography #Nature #NaturePhotography #Wildlife #WildlifePhotography #Photo #Photography
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Cathedral Candlelight in Cork
A beautiful brass candle stand in St Fin Barre’s Cathedral, Cork. When Helios was on display in the Cathedral, I visited there with Blarney Photography Club and took the opportunity to photograph other parts of the cathedral’s artistic heritage.
The inscription above reads, “Ní mar is toil liomsa, ach mar is toil leatsa”, which roughly translates as, “Not as I will, but as you will”. A reference to the Biblical quote, “Not my will, but thy will be done”.
St Fin Barre’s Cathedral, completed in 1879, is the Church of Ireland cathedral of Cork and is renowned for its French Gothic Revival architecture and exceptional craftsmanship. The cathedral contains numerous examples of fine metalwork, woodcarving, and stained glass, much of it created by Irish artisans.
Apertureƒ/8CameraILCE-7RM5Focal length23mmISO640Shutter speed1/6s#2025 #BlarneyPhotographyClub #brassCandlesticks #cathedralInterior #churchCandles #Cork #CorkCathedral #GaelicInscription #Ireland #IrishChristianity #IrishLanguage #Photo #Photography #prayerCandles #religiousArt #sacredSpace #SaintFinBarreSCathedral #SonyA7RV #StFinBarreSCathedral #StainedGlass #votiveCandles
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Queen Victoria by Alexander Bassano, 1882 https://library.hrmtc.com/2026/05/12/queen-victoria-by-alexander-bassano-1882/ #hermeneuticon #iconomancy #QueenVictoria -
Also, just got a new bass - V2 of my Elrick SLC signature bass, and this time it's headless. Had to get bikes in there too, obviously 😂
#bass #elrick #solobass #headless #bassandbikes -
By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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Baby's Got Blue Eyes
Gannets typically take 4 or 5 years to gain their full adult white plumage
Morus bassanus
Northern Gannet#Birds #BirdWatching #Twitching #Nature #BirdsOfMastodon
#Bird #Photo #Photography #BirdPhotography #Gannet #Yorkshire #Bempton #BemptonCliffs #RSPB -
Bonnie & Clyde
Morus bassanus
Northern Gannet#Birds #BirdWatching #Twitching #Nature #BirdsOfMastodon
#Bird #Photo #Photography #BirdPhotography #Gannet #Yorkshire #Bempton #BemptonCliffs #RSPB -
When they won't let you in the builders merchants, you have to get your nesting materials wherever you can
Morus bassanus
Northern Gannet#Birds #BirdWatching #Twitching #Nature #BirdsOfMastodon
#Bird #Photo #Photography #BirdPhotography #Gannet #Yorkshire #Bempton #BemptonCliffs #RSPB -
A lesson from the UK in the 90’s: it’s generally a bad idea for the authorities to make protestors out of people who own sound systems 😂
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Raveolution in Tbilisi, Georgia
Rustaveli Avenue is blocked, Dj's playing music. Tbilisi is bassianized ) Thousands protest last nights raids
#bassiani #bassianiprotest #Tbilisi #Georgia #Gieglieng #Vril
https://twitter.com/Tutasay/status/995331991544451072 -
I korridoren mellan omklädningsrummen och bassängen finns en massa fina djur i trä på väggen. Bassängen har också ett perfekt konstverk i trä, ett stiliserat fjällandskap med en stor sol.
Många barn kommer hit och badar. Här är ett exempel på perfekt offentlig gestaltning för att göra det ombonat och fint. Två ugglor, en hare, en räv osv på vägen in till bassängen. Man blir glad.
#offentligkonst #konst -
Maybe I really should offer BadScan™ as a service for March. That could be kind of amusing 😜
#MARCHintosh #RetroComputing #ImageWriter -
It messed up a few times, but I feel like that’s appropriate.
BadScan™
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#GiorgioBassani: il giardino di #Micol | #Letteratura | #RaiCultura #ilgiardinodeifinzicontini
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#GiorgioBassani: il giardino di #Micol | #Letteratura | #RaiCultura #ilgiardinodeifinzicontini
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#GiorgioBassani: il giardino di #Micol | #Letteratura | #RaiCultura #ilgiardinodeifinzicontini