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1000 results for “underlap”
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⚗️ Molecular geometry is not just chemistry class. It determines drug activity, DNA stability, and enzyme function. Here is why shape is everything.
Molecular geometry is not abstract chemistry. It is the three-dimensional language that biology reads to decide what binds, what reacts, and what gets repaired.
💬 Which coordination geometry do you find most underappreciated in biological systems?
#Chemistry #MolecularBiology #StructuralChemistry #DrugDiscovery #AgingResearch #Longevity
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⚗️ Molecular geometry is not just chemistry class. It determines drug activity, DNA stability, and enzyme function. Here is why shape is everything.
Molecular geometry is not abstract chemistry. It is the three-dimensional language that biology reads to decide what binds, what reacts, and what gets repaired.
💬 Which coordination geometry do you find most underappreciated in biological systems?
#Chemistry #MolecularBiology #StructuralChemistry #DrugDiscovery #AgingResearch #Longevity
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⚗️ Molecular geometry is not just chemistry class. It determines drug activity, DNA stability, and enzyme function. Here is why shape is everything.
Molecular geometry is not abstract chemistry. It is the three-dimensional language that biology reads to decide what binds, what reacts, and what gets repaired.
💬 Which coordination geometry do you find most underappreciated in biological systems?
#Chemistry #MolecularBiology #StructuralChemistry #DrugDiscovery #AgingResearch #Longevity
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⚗️ Molecular geometry is not just chemistry class. It determines drug activity, DNA stability, and enzyme function. Here is why shape is everything.
Molecular geometry is not abstract chemistry. It is the three-dimensional language that biology reads to decide what binds, what reacts, and what gets repaired.
💬 Which coordination geometry do you find most underappreciated in biological systems?
#Chemistry #MolecularBiology #StructuralChemistry #DrugDiscovery #AgingResearch #Longevity
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⚗️ Molecular geometry is not just chemistry class. It determines drug activity, DNA stability, and enzyme function. Here is why shape is everything.
Molecular geometry is not abstract chemistry. It is the three-dimensional language that biology reads to decide what binds, what reacts, and what gets repaired.
💬 Which coordination geometry do you find most underappreciated in biological systems?
#Chemistry #MolecularBiology #StructuralChemistry #DrugDiscovery #AgingResearch #Longevity
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The #Batagay or #Batagaika crater in Siberia often referred to as the "Doorway to the Underworld" or the
"Gateway to Hell" is a
#permafrost #megaslump in Yakutia, Russia.Dimensions vary by source, but the site covers around 192 acres (78 hectares)
and stretches two thirds of a mile (one kilometer) in length.Logged of trees in the 1960s, its walls reach a depth of around 180 feet (55 meters)
and expose 650,000 years of geologic history.Since first spotted in the 1960s by surveillance satellites, the crater has grownfrom an insignificant gully to a massive depression at an accelerating rate.
According to Sarah Cadieux, Sr. Lecturer and Associate Director of Environmental Science of Rensselaer Polytechnic Institute,
the crater area increased by almost three times from 1991 to 2018.The Batagaika crater isn’t a crater at all,
it’s a #retrogressive #thaw #slump, a type of terrain called #thermokarst that occurs in areas underlain by permafrost.No longer cooled by forest cover, the slump has become a self-sustaining #feedback #loop,
a portion of the ecosystem which has tipped into a new state.This is not an isolated case, but rather a rapidly growing problem in the Arctic as
💥it warms three to four times the rate of the rest of the planet since 1979.Called Arctic or polar #amplification, this phenomenon is a well established fact measured by instruments,
confirmed in climate computer models,
and reinforced by paleoclimate records.Powerful anecdotal evidence occurred in the scorching heatwave of 2020 that saw the Russian town of Verkhoyansk
which lies north of the Arctic Circle hit a stunning 38° C (100.4° F) on June 20.2020 also saw overall temperatures in the Siberian basin rise to nearly 11° F above normal,
shocking scientists and releasing #ancient #methane
not from ancient organic material,
but from #limestone.Elevated methane in wetlands was expected, but not from #outgassing #rock.
A year later in 2021 Europe’s climate change service Copernicus Sentinel satellites recorded 118° F (48° C) in the Sakha Republic of Arctic Siberia,
and records continue to fall with temperatures over 100° F in 2023 as reported by CNN. -
Stuck in the Filter: November/December 2025’s Angry Misses By KenstrosityBrutal cold envelops the building as my minions scrape through ice and filthy slush to find even the smallest shard of metallic glimmer. With extensive budget cuts demanded by my exorbitant bonus schedule—as is my right as CEO of this filtration service—there was no room to purchase adequate gear and equipment for these harsher weathers. However, I did take up crocheting recently so each of my “employees” received a nice soft hat.
Hopefully, that will be enough to tide them over until the inclement weather passes and we return to normal temps. Until then, they have these rare finds to keep them warm, and so do you! REJOICE!
Kenstrosity’s Knightly Nightmare
AngelMaker // This Used to Be Heaven [November 20th, 2025 – Self Released]
I’ve been a fan of AngelMaker’s since their 2015 debut Dissentient. The grossly underrated and underappreciated Vancouver septet are a highly specialized deathcore infantry, with their lineup expanding steadily over their career in concert with their ever-increasing songwriting sophistication. Unlike the brutish and belligerent debut and follow-up AngelMaker, 2022’s Sanctum and new outing This Used to Be Heaven indulge in rich layering, near-neoclassical melodies, and dramatic atmosphere to complement AngelMaker’s trademark sense of swaggering groove. With early entries “Rich in Anguish” and “Haunter” establishing the strength of both sides of their sound, it always surprises me how AngelMaker successfully twist and gnarl their sound into shapes—whether it be hardcore, blackened, or melodic—I wasn’t anticipating (“Silken Hands,” “Relinquished,” “Nothing Left”). A rock-solid back half launched by the epic “The Omen” two-part suite brings these deviations from the expected into unity with the deathcore foundation I know AngelMaker so well for (“Malevolence Reigns,” “Altare Mortis”), and in doing so secure their status as one of the most reliably creative deathcore acts in the scene. Nothing here is going to change the minds of the fiercer deathcore detractors, but if your heart is open even just a crack, there’s a good chance This Used to Be Heaven will force themselves into it, if not entirely rip the whole thing asunder. My advice is simply to let it.
This Used To Be Heaven by AngelMaker
ClarkKent’s Sonic Symphonics
Brainblast // Colossus Suprema [November 11th, 2025 – Vmbrella]
A debut album five years in the making from a band formed in 2015, Colossus Suprema is the brainchild of Bogotá, Colombia’s Edd Jiménez. Jiménez turned his passion for and training in classical composition towards his symphonic progressive act, Brainblast. With Bach as an inspiration, Brainblast’s brand of technical death metal has the grandeur of Fleshgod Apocalypse, the speed of Archspire, and the virtuosity of concert musicians. Jiménez’s classical training shows — the compositions have an orchestral feel, only played at insane energy levels. The speed, the depth, and the breadth of the instrumentation are sure to leave you breathless. Nicholas Le Fou Wells (First Fragment) lays down relentless kitwork with jaw-dropping velocity, while Eetu Hernesmaa provides technical fretwork that’ll similarly leave you awestruck. He delivers sublime riffs on “Relentless Rise” and a surprising melodic lead that steals the show on “Unchain Your Soul.” Perhaps most prominent is the virtuoso play of the bass from Rich Gray (Annihilator) and Dominic Forest Lapointe (First Fragment) that is omnipresent and funky on each and every song. To top it all off is the piano (perhaps from Jiménez), giving the music some gravitas with the technical, concert-style playing. This record is just plain bonkers and tons of fun. Given this is the debut from a young musician, the idea that Brainblast has room to grow is plenty exciting.
COLOSSUS SUPREMA by BRAINBLAST
Gods of Gaia // Escape the Wonderland [November 28th, 2025 – Self Released]
If you’ve been eagerly awaiting the next SepticFlesh release, Germany’s Gods of Gaia have got you covered. Founded in 2023 by Kevin Sierra Eifert, Gods of Gaia is made up of an anonymous collective from around the world, contributing to a dark, heavy, and aggressive form of symphonic metal. Their sophomore album, Escape the Wonderland, features a collection of death metal songs with plenty of orchestral arrangements that add a dramatic flair. Along with crushing riffs and thunderous blast beats, you’ll hear choral chants (“Escape the Wonderland,” “Burn for Me”), bits of piano (“What It Takes”), and plenty of cinematic symphonics. SepticFlesh is the obvious influence, but the grandiosity of Fleshgod Apocalypse flares up on cuts like the dramatic “Rise Up.” The front half is largely aggressive, with “What It Takes” taking the energy to thrash levels. The back half dials down the energy, even creeping to near doom on “Krieg in Mir,” but never pulls back on the heaviness. Cool as the symphonic elements are, the riffs, blast beats, and brutal vocal delivery are just as impressive. Make no mistake, this is melodic death metal above all else, with symphonic seasonings that elevate it a notch. Just the opposite of what the record title suggests, this is one wonderland you won’t want to escape.
Escape the Wonderland by Gods of Gaia
Grin Reaper’s Frozen Feast
Hounds of Bayanay // КЭМ [November 15, 2025 – Self Released]
Two-and-a-half years after dropping debut Legends of the North, Hounds of Bayanay returns with КЭМ to sate your eternal lust for folk metal.1 Blending heavy metal with folk instrumentation, specifically kyrympa2 and khomus,3 as well as throat singing, Hounds of Bayanay might sound like a Tengger Cavalry or The Hu knockoff, but you’ll do yourself a disservice by writing them off. Boldly enunciated, clarion cleans belt out in confident proclamations while grittier refrains and overtones resonate beneath, proffering assorted and engaging vocal stylings. Rather than dwelling overlong in strings and tribal chanting, the deft fusion of folk instruments with traditional metal defines Hounds’ sound and feels cohesively integrated on КЭМ, providing an intimate yet heavy backdrop to a hook-laden and alluringly replayable thirty-nine minutes. In addition to the eclectic folk influence, there’s a satisfying variety of songwriting from track to track, with “Ardaq,” “Cɯsqa:n,” and “Dɔʃɔrum” exemplifying the enticing synthesis of styles. More than anything else, Hounds of Bayanay embodies heart and fun, warming my chilly days with a well-executed platter of Eastern-influenced folk metal. Don’t skip this one, or the decision could hound you.
Blood Red Throne // Siltskin [December 05, 2025 – Soulseller Records]
I’m shoving up against the deadline to wedge this one in, but Blood Red Throne’s latest deserves a mention, and bulldozing is just the sort of thing you should do while listening to BRT’s brand of bludgeoning, pit-stomping romp. Back in December, the venerable Norwegian death metal act dropped twelfth album Siltskin, maintaining their prolific and consistent release schedule. In addition to their dependable output, BRT stays the course with pummeling, brutish pomp. In his coverage of Nonagon and Imperial Congregation, Doc Grier drums up comparisons to Old Man’s Child, Panzerchrist, and Hypocrisy, and while I’m not inclined to disagree on those points, I’ll add that Siltskin also harkens to Kill-era Cannibal Corpse in its slick coalition of mid-paced slammers, warp-speed blitzes, and fat ‘n’ frolicking bass. Add to that the sly, sticky melody from the likes of Sentenced’s North from Here (“Vestigial Remnants”), and you’ve got a recipe for a righteous forty-five-minute smash-a-thon. Blood Red Throne’s last few records have been among their best, which is an incredible feat for a band this far into their career. While Siltskin doesn’t surpass BRT’s high-water mark, it keeps up, and if you’re hungry for an aural beatdown, then Blood Red Throne would like to throw their crown into the ring for consideration.
Gotsu-Totsu-Kotsu // Immortality [December 17, 2025 – Bang the Head Records]
I am woefully late to the charms of Gotsu-Totsu-Kotsu, a Japanese death metal outfit prominently featuring slap ‘n’ pop bass. Had it not been for our trusty Flippered Friend, I might have continued this grievous injustice of ignorance, but thankfully, this is not the timeline to which I’m doomed. Immortality is Gotsu-Totsu-Kotsu’s seventh album, and those who enjoy the band’s previous work should remain satisfied. For new acolytes, Gotsu-Totsu-Kotsu grasps the rabid intensity of Vader and Krisiun and imbues it with a funky edge. Meaty bass rumbles and sprightly slapped accents, provided by bassist/vocalist Haruhisa Takahata, merge with Kouki Akita’s kit obliteration to establish a thunderous, unrelenting rhythm section. Atop the lower end’s heft, Keiichi Enjouji shreds and squeals with thrashy vigor and a keen understanding of melody. First proper track “Anima Immortalis” even includes gang intonations that work so well, I wish they were more prevalent across the album. The sum total of Gotsu-Totsu-Kotsu’s atmosphere is one of plucky exuberance that strikes with the force of a roundhouse kick to the dome. Had I discovered it sooner, Immortality would have qualified for a 2025 year-end honorable mention, as I haven’t been able to stop spinning it or the band’s prior releases.4 Though I’m still in the honeymoon phase, I expect this platter to live on in my listening, and recommend you not miss this GTK killer like I almost did.
Thus Spoke’s Random Revelations
The Algorithm // Recursive Infinity [November 21st, 2025 – Self Released]
I’ve been a fan of The Algorithm since the early days, back when their electronica-djent was almost twee in its experimental joy, spliced with light-hearted samples. Over the years, Rémi Gallego has tuned his flair for mesmeric, playful compositions to develop a richer, more streamlined sound. Recursive Infinity continues the recent upward trend Data Renaissance began. With riffs and rhythms the slickest since Brute Force, and melodies the brightest and most colourful since equally-prettily adorned Polymorphic Code, it’s a cyberpunk tour-de-force. The wildness is trained, chunky heaviness grounding magnetic melodies (“Race Condition,” “Mutex,” “By Design”), dense chugging transitioning seamlessly into techno (“Advanced Iteration Technique,” “Hollowing,” “Graceful Degradation), and adding bite to bubbly, candy-coloured soundscapes (“Rainbow Table,”). The skittering of breakbeats tempers synthwave (“Endless Iteration), and bright pulses wrap cascading electro-core (“Race Condition,” “Mutex”) and orchestral melodrama (“Recursive Infinity”). It’s often strongly reminiscent of some point in The Algorithm’s history, but everything is upgraded from charming to entrancing. This provides a new way to interpret Recursive Infinity: not just a reference to an endless loop in general, but to Boucle Infinie (Infinite Loop)—Remi’s other musical project—and by extension, The Algorithm themselves. Yet he is still experimenting, including vocoder vocals (“Endless Iteration,” “By Design”) for a surprisingly successful dark-Daft Punk vibe in slower, moodier moments. With nostalgic throwbacks transformed so beautifully, and the continued evolution, there’s simply no way I can ignore The Algorithm now. And neither should you.
Recursive Infinity by The Algorithm
Owlswald’s Holiday Scraps
Sun of the Suns // Entanglement [December 12th, 2025 – Scarlet Records]
Bands and labels take heed—We reserve December for two things: Listurnalia and celebrating another trip around the sun. It is not for releasing new music. Yet this blunder persists, ensuring we inevitably miss gems like Sun of the Suns’ sophomore effort, Entanglement.5 The record dropped just as the world was tuning out for the year, and it deserves much better. Building on the foundation of their 2021 debut, TIIT, the Italian trio has significantly beefed up their progressive death formula. Mixing tech-death articulation with deathcore brutality, Entanglement ensures fans of Fallujah will feel right at home with its effervescent clean melodies and crystalline textures. Francesca Paoli (Fleshgod Apocalypse) returns to provide another masterclass behind the kit with rapid-fire double-bass, blasts, and tom fills, while guitarists Marco Righetti and Ludovico Cioffi deliver cosmic shredding and radiant solos that are both technical and deliberate. While the early tracks lean into Fallujahian songcraft and Tesseract-style arpeggios, the album shines brightest late when the group largely sheds its stylistic orbit. “Please, Blackout My Eyes” pivots toward a majestic Aeternam vibe with ethereal tech-death incisiveness, while “One With the Sun” and “The Void Where Sound Ends Its Path” hit like a sledgehammer with Xenobiotic’s deathcore grooves. Though Luca Dave Scarlatti’s vocals lack differentiation, the sheer quality of the compositions carries the weight, proving Sun of the Suns are much more than mere clones.
Entanglement by Sun Of The Suns
#2025 #Aeternam #AngelMaker #Annihilator #Archspire #Bach #BangTheHeadRecords #BloodRedThrone #Brainblast #CannibalCorpse #ColombianMetal #ColossusSuprema #DaftPunk #DeathMetal #Deathcore #Dec25 #Djent #Entanglement #EscapeTheWonderland #ExperimentalMetal #Fallujah #FirstFragment #FleshgodApocalypse #FolkMetal #GermanMetal #GodsOfGaia #GotsuTotsuKotsu #HeavyMetal #HoundsOfBayanay #Hypocrisy #Immortality #ItalianMetal #JapaneseMetal #Krisiun #MelodicDeathMetal #NorwegianMetal #Nov25 #OldManSChild #Panzerchrist #ProgressiveDeathMetal #ProgressiveMetal #RecursiveInfinity #Review #Reviews #ScarletRecords #SelfRelease #SelfReleased #Sentenced #SepticFlesh #Siltskin #SoulsellerRecords #StuckInTheFilter #StuckInTheFilter2025 #SunOfTheSuns #SymphonicDeathMetal #SymphonicMetal #Synthwave #TechnicalDeathMetal #TenggerCavalry #TesseracT #TheAlgorithm #TheHu #ThisUsedToBeHeaven #Vader #Vmbrella #Xenobiotic #КЭМ -
Figures, In a Chalk Circle, 1985 on Twin/Tone
On this release, Figures was Jeff Waryan, Jay Peck, Steve Brantseg, and Steve Fjelstad. (There’s an earlier LP credited to Jeff Waryan solo that is titled Figures). Waryan was also in Fingerprints and supported many other area bands at the time.
An underappreciated Twin/Tone band from the 80s.
My copy—via Cheapo Records in Minneapolis MN—includes the original inner liner, on one side of which is the Twin/Tone catalog with their descriptions of various LPs – worth it just for that.
#1980s #1985 #CheapoRecords #Figures #JeffWaryan #MinneapolisMN #SteveBrantseg #SteveFjelstad #TwinTone #vinyl #vinylcollection #vinylfinds
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Figures, In a Chalk Circle, 1985 on Twin/Tone
On this release, Figures was Jeff Waryan, Jay Peck, Steve Brantseg, and Steve Fjelstad. (There’s an earlier LP credited to Jeff Waryan solo that is titled Figures). Waryan was also in Fingerprints and supported many other area bands at the time.
An underappreciated Twin/Tone band from the 80s.
My copy—via Cheapo Records in Minneapolis MN—includes the original inner liner, on one side of which is the Twin/Tone catalog with their descriptions of various LPs – worth it just for that.
#1980s #1985 #CheapoRecords #Figures #JeffWaryan #MinneapolisMN #SteveBrantseg #SteveFjelstad #TwinTone #vinyl #vinylcollection #vinylfinds
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The chaotic reality of contemporary AI labs
This was interesting from DeepMind’s Sholto Douglas about the reality of working in AI labs. They have billions of dollars flooding into them but they’re also scaling rapidly in a slightly chaotic way, working in ways that constantly throw up more things to explore than their existing capacity allows:
I also think that it’s underappreciated just how far from a perfect machine these labs are. It’s not like you have a thousand people optimizing the hell out of computer use and they’ve been trying as hard as they possibly can.
Everything at these labs, every single part of the model generation pipeline is the best effort pulled together under incredible time pressure, incredible constraints as these companies are rapidly growing, trying desperately to pull and upskill enough people to do the things that they need to do. I think it is best understood as with incredibly difficult prioritization problems.
It connects to something Mark Zuckerberg observed here:
What we basically found was that we were bottlenecked on compute to run tests, based on the number of hypotheses. It turns out, even with just the humans we have right now on the ads team, we already have more good ideas to test than we actually have either compute or, really, cohorts of people to test them with.
Even if you have three and a half billion people using your products, you still want each test to be statistically significant. It needs to have hundreds of thousands or millions of people. There’s only so much throughput you can get on testing through that. So we’re already at the point, even with just the people we have, that we can’t really test everything that we want.
#AILabs #bigTech #capitalism #corporations #DeepMind #investment #markZuckerberg #Meta #Research
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The chaotic reality of contemporary AI labs
This was interesting from DeepMind’s Sholto Douglas about the reality of working in AI labs. They have billions of dollars flooding into them but they’re also scaling rapidly in a slightly chaotic way, working in ways that constantly throw up more things to explore than their existing capacity allows:
I also think that it’s underappreciated just how far from a perfect machine these labs are. It’s not like you have a thousand people optimizing the hell out of computer use and they’ve been trying as hard as they possibly can.
Everything at these labs, every single part of the model generation pipeline is the best effort pulled together under incredible time pressure, incredible constraints as these companies are rapidly growing, trying desperately to pull and upskill enough people to do the things that they need to do. I think it is best understood as with incredibly difficult prioritization problems.
#AILabs #bigTech #capitalism #corporations #investment #Research
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The chaotic reality of contemporary AI labs
This was interesting from DeepMind’s Sholto Douglas about the reality of working in AI labs. They have billions of dollars flooding into them but they’re also scaling rapidly in a slightly chaotic way, working in ways that constantly throw up more things to explore than their existing capacity allows:
I also think that it’s underappreciated just how far from a perfect machine these labs are. It’s not like you have a thousand people optimizing the hell out of computer use and they’ve been trying as hard as they possibly can.
Everything at these labs, every single part of the model generation pipeline is the best effort pulled together under incredible time pressure, incredible constraints as these companies are rapidly growing, trying desperately to pull and upskill enough people to do the things that they need to do. I think it is best understood as with incredibly difficult prioritization problems.
#AILabs #bigTech #capitalism #corporations #investment #Research
-
The chaotic reality of contemporary AI labs
This was interesting from DeepMind’s Sholto Douglas about the reality of working in AI labs. They have billions of dollars flooding into them but they’re also scaling rapidly in a slightly chaotic way, working in ways that constantly throw up more things to explore than their existing capacity allows:
I also think that it’s underappreciated just how far from a perfect machine these labs are. It’s not like you have a thousand people optimizing the hell out of computer use and they’ve been trying as hard as they possibly can.
Everything at these labs, every single part of the model generation pipeline is the best effort pulled together under incredible time pressure, incredible constraints as these companies are rapidly growing, trying desperately to pull and upskill enough people to do the things that they need to do. I think it is best understood as with incredibly difficult prioritization problems.
It connects to something Mark Zuckerberg observed here:
What we basically found was that we were bottlenecked on compute to run tests, based on the number of hypotheses. It turns out, even with just the humans we have right now on the ads team, we already have more good ideas to test than we actually have either compute or, really, cohorts of people to test them with.
Even if you have three and a half billion people using your products, you still want each test to be statistically significant. It needs to have hundreds of thousands or millions of people. There’s only so much throughput you can get on testing through that. So we’re already at the point, even with just the people we have, that we can’t really test everything that we want.
#AILabs #bigTech #capitalism #corporations #DeepMind #investment #markZuckerberg #Meta #Research
-
The chaotic reality of contemporary AI labs
This was interesting from DeepMind’s Sholto Douglas about the reality of working in AI labs. They have billions of dollars flooding into them but they’re also scaling rapidly in a slightly chaotic way, working in ways that constantly throw up more things to explore than their existing capacity allows:
I also think that it’s underappreciated just how far from a perfect machine these labs are. It’s not like you have a thousand people optimizing the hell out of computer use and they’ve been trying as hard as they possibly can.
Everything at these labs, every single part of the model generation pipeline is the best effort pulled together under incredible time pressure, incredible constraints as these companies are rapidly growing, trying desperately to pull and upskill enough people to do the things that they need to do. I think it is best understood as with incredibly difficult prioritization problems.
It connects to something Mark Zuckerberg observed here:
What we basically found was that we were bottlenecked on compute to run tests, based on the number of hypotheses. It turns out, even with just the humans we have right now on the ads team, we already have more good ideas to test than we actually have either compute or, really, cohorts of people to test them with.
Even if you have three and a half billion people using your products, you still want each test to be statistically significant. It needs to have hundreds of thousands or millions of people. There’s only so much throughput you can get on testing through that. So we’re already at the point, even with just the people we have, that we can’t really test everything that we want.
#AILabs #bigTech #capitalism #corporations #DeepMind #investment #markZuckerberg #Meta #Research
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[Перевод] Продираемся сквозь сети в Kubernetes: Load-Balance, BGP, IPVS и все такое прочее
Привет, Хабр! Мы в команде Nova Container Platform сделали перевод статьи для тех, кто хочет разобраться, как строить сети в Kubernetes. Делюсь им, надеюсь, вам будет полезно. В мире Kubernetes мы каждый день слышим, как ipvs сравнивают с iptables, или, скажем, pureLB с metalLB, или же виртуальную топологию (overlay) с физической (underlay), или Nodeport с Loadbalance, и т.д. Сейчас я вам все растолкую.
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Stuck in the Filter: November/December 2025’s Angry Misses By KenstrosityBrutal cold envelops the building as my minions scrape through ice and filthy slush to find even the smallest shard of metallic glimmer. With extensive budget cuts demanded by my exorbitant bonus schedule—as is my right as CEO of this filtration service—there was no room to purchase adequate gear and equipment for these harsher weathers. However, I did take up crocheting recently so each of my “employees” received a nice soft hat.
Hopefully, that will be enough to tide them over until the inclement weather passes and we return to normal temps. Until then, they have these rare finds to keep them warm, and so do you! REJOICE!
Kenstrosity’s Knightly Nightmare
AngelMaker // This Used to Be Heaven [November 20th, 2025 – Self Released]
I’ve been a fan of AngelMaker’s since their 2015 debut Dissentient. The grossly underrated and underappreciated Vancouver septet are a highly specialized deathcore infantry, with their lineup expanding steadily over their career in concert with their ever-increasing songwriting sophistication. Unlike the brutish and belligerent debut and follow-up AngelMaker, 2022’s Sanctum and new outing This Used to Be Heaven indulge in rich layering, near-neoclassical melodies, and dramatic atmosphere to complement AngelMaker’s trademark sense of swaggering groove. With early entries “Rich in Anguish” and “Haunter” establishing the strength of both sides of their sound, it always surprises me how AngelMaker successfully twist and gnarl their sound into shapes—whether it be hardcore, blackened, or melodic—I wasn’t anticipating (“Silken Hands,” “Relinquished,” “Nothing Left”). A rock-solid back half launched by the epic “The Omen” two-part suite brings these deviations from the expected into unity with the deathcore foundation I know AngelMaker so well for (“Malevolence Reigns,” “Altare Mortis”), and in doing so secure their status as one of the most reliably creative deathcore acts in the scene. Nothing here is going to change the minds of the fiercer deathcore detractors, but if your heart is open even just a crack, there’s a good chance This Used to Be Heaven will force themselves into it, if not entirely rip the whole thing asunder. My advice is simply to let it.
This Used To Be Heaven by AngelMaker
ClarkKent’s Sonic Symphonics
Brainblast // Colossus Suprema [November 11th, 2025 – Vmbrella]
A debut album five years in the making from a band formed in 2015, Colossus Suprema is the brainchild of Bogotá, Colombia’s Edd Jiménez. Jiménez turned his passion for and training in classical composition towards his symphonic progressive act, Brainblast. With Bach as an inspiration, Brainblast’s brand of technical death metal has the grandeur of Fleshgod Apocalypse, the speed of Archspire, and the virtuosity of concert musicians. Jiménez’s classical training shows — the compositions have an orchestral feel, only played at insane energy levels. The speed, the depth, and the breadth of the instrumentation are sure to leave you breathless. Nicholas Le Fou Wells (First Fragment) lays down relentless kitwork with jaw-dropping velocity, while Eetu Hernesmaa provides technical fretwork that’ll similarly leave you awestruck. He delivers sublime riffs on “Relentless Rise” and a surprising melodic lead that steals the show on “Unchain Your Soul.” Perhaps most prominent is the virtuoso play of the bass from Rich Gray (Annihilator) and Dominic Forest Lapointe (First Fragment) that is omnipresent and funky on each and every song. To top it all off is the piano (perhaps from Jiménez), giving the music some gravitas with the technical, concert-style playing. This record is just plain bonkers and tons of fun. Given this is the debut from a young musician, the idea that Brainblast has room to grow is plenty exciting.
COLOSSUS SUPREMA by BRAINBLAST
Gods of Gaia // Escape the Wonderland [November 28th, 2025 – Self Released]
If you’ve been eagerly awaiting the next SepticFlesh release, Germany’s Gods of Gaia have got you covered. Founded in 2023 by Kevin Sierra Eifert, Gods of Gaia is made up of an anonymous collective from around the world, contributing to a dark, heavy, and aggressive form of symphonic metal. Their sophomore album, Escape the Wonderland, features a collection of death metal songs with plenty of orchestral arrangements that add a dramatic flair. Along with crushing riffs and thunderous blast beats, you’ll hear choral chants (“Escape the Wonderland,” “Burn for Me”), bits of piano (“What It Takes”), and plenty of cinematic symphonics. SepticFlesh is the obvious influence, but the grandiosity of Fleshgod Apocalypse flares up on cuts like the dramatic “Rise Up.” The front half is largely aggressive, with “What It Takes” taking the energy to thrash levels. The back half dials down the energy, even creeping to near doom on “Krieg in Mir,” but never pulls back on the heaviness. Cool as the symphonic elements are, the riffs, blast beats, and brutal vocal delivery are just as impressive. Make no mistake, this is melodic death metal above all else, with symphonic seasonings that elevate it a notch. Just the opposite of what the record title suggests, this is one wonderland you won’t want to escape.
Escape the Wonderland by Gods of Gaia
Grin Reaper’s Frozen Feast
Hounds of Bayanay // КЭМ [November 15, 2025 – Self Released]
Two-and-a-half years after dropping debut Legends of the North, Hounds of Bayanay returns with КЭМ to sate your eternal lust for folk metal.1 Blending heavy metal with folk instrumentation, specifically kyrympa2 and khomus,3 as well as throat singing, Hounds of Bayanay might sound like a Tengger Cavalry or The Hu knockoff, but you’ll do yourself a disservice by writing them off. Boldly enunciated, clarion cleans belt out in confident proclamations while grittier refrains and overtones resonate beneath, proffering assorted and engaging vocal stylings. Rather than dwelling overlong in strings and tribal chanting, the deft fusion of folk instruments with traditional metal defines Hounds’ sound and feels cohesively integrated on КЭМ, providing an intimate yet heavy backdrop to a hook-laden and alluringly replayable thirty-nine minutes. In addition to the eclectic folk influence, there’s a satisfying variety of songwriting from track to track, with “Ardaq,” “Cɯsqa:n,” and “Dɔʃɔrum” exemplifying the enticing synthesis of styles. More than anything else, Hounds of Bayanay embodies heart and fun, warming my chilly days with a well-executed platter of Eastern-influenced folk metal. Don’t skip this one, or the decision could hound you.
Blood Red Throne // Siltskin [December 05, 2025 – Soulseller Records]
I’m shoving up against the deadline to wedge this one in, but Blood Red Throne’s latest deserves a mention, and bulldozing is just the sort of thing you should do while listening to BRT’s brand of bludgeoning, pit-stomping romp. Back in December, the venerable Norwegian death metal act dropped twelfth album Siltskin, maintaining their prolific and consistent release schedule. In addition to their dependable output, BRT stays the course with pummeling, brutish pomp. In his coverage of Nonagon and Imperial Congregation, Doc Grier drums up comparisons to Old Man’s Child, Panzerchrist, and Hypocrisy, and while I’m not inclined to disagree on those points, I’ll add that Siltskin also harkens to Kill-era Cannibal Corpse in its slick coalition of mid-paced slammers, warp-speed blitzes, and fat ‘n’ frolicking bass. Add to that the sly, sticky melody from the likes of Sentenced’s North from Here (“Vestigial Remnants”), and you’ve got a recipe for a righteous forty-five-minute smash-a-thon. Blood Red Throne’s last few records have been among their best, which is an incredible feat for a band this far into their career. While Siltskin doesn’t surpass BRT’s high-water mark, it keeps up, and if you’re hungry for an aural beatdown, then Blood Red Throne would like to throw their crown into the ring for consideration.
Gotsu-Totsu-Kotsu // Immortality [December 17, 2025 – Bang the Head Records]
I am woefully late to the charms of Gotsu-Totsu-Kotsu, a Japanese death metal outfit prominently featuring slap ‘n’ pop bass. Had it not been for our trusty Flippered Friend, I might have continued this grievous injustice of ignorance, but thankfully, this is not the timeline to which I’m doomed. Immortality is Gotsu-Totsu-Kotsu’s seventh album, and those who enjoy the band’s previous work should remain satisfied. For new acolytes, Gotsu-Totsu-Kotsu grasps the rabid intensity of Vader and Krisiun and imbues it with a funky edge. Meaty bass rumbles and sprightly slapped accents, provided by bassist/vocalist Haruhisa Takahata, merge with Kouki Akita’s kit obliteration to establish a thunderous, unrelenting rhythm section. Atop the lower end’s heft, Keiichi Enjouji shreds and squeals with thrashy vigor and a keen understanding of melody. First proper track “Anima Immortalis” even includes gang intonations that work so well, I wish they were more prevalent across the album. The sum total of Gotsu-Totsu-Kotsu’s atmosphere is one of plucky exuberance that strikes with the force of a roundhouse kick to the dome. Had I discovered it sooner, Immortality would have qualified for a 2025 year-end honorable mention, as I haven’t been able to stop spinning it or the band’s prior releases.4 Though I’m still in the honeymoon phase, I expect this platter to live on in my listening, and recommend you not miss this GTK killer like I almost did.
Thus Spoke’s Random Revelations
The Algorithm // Recursive Infinity [November 21st, 2025 – Self Released]
I’ve been a fan of The Algorithm since the early days, back when their electronica-djent was almost twee in its experimental joy, spliced with light-hearted samples. Over the years, Rémi Gallego has tuned his flair for mesmeric, playful compositions to develop a richer, more streamlined sound. Recursive Infinity continues the recent upward trend Data Renaissance began. With riffs and rhythms the slickest since Brute Force, and melodies the brightest and most colourful since equally-prettily adorned Polymorphic Code, it’s a cyberpunk tour-de-force. The wildness is trained, chunky heaviness grounding magnetic melodies (“Race Condition,” “Mutex,” “By Design”), dense chugging transitioning seamlessly into techno (“Advanced Iteration Technique,” “Hollowing,” “Graceful Degradation), and adding bite to bubbly, candy-coloured soundscapes (“Rainbow Table,”). The skittering of breakbeats tempers synthwave (“Endless Iteration), and bright pulses wrap cascading electro-core (“Race Condition,” “Mutex”) and orchestral melodrama (“Recursive Infinity”). It’s often strongly reminiscent of some point in The Algorithm’s history, but everything is upgraded from charming to entrancing. This provides a new way to interpret Recursive Infinity: not just a reference to an endless loop in general, but to Boucle Infinie (Infinite Loop)—Remi’s other musical project—and by extension, The Algorithm themselves. Yet he is still experimenting, including vocoder vocals (“Endless Iteration,” “By Design”) for a surprisingly successful dark-Daft Punk vibe in slower, moodier moments. With nostalgic throwbacks transformed so beautifully, and the continued evolution, there’s simply no way I can ignore The Algorithm now. And neither should you.
Recursive Infinity by The Algorithm
Owlswald’s Holiday Scraps
Sun of the Suns // Entanglement [December 12th, 2025 – Scarlet Records]
Bands and labels take heed—We reserve December for two things: Listurnalia and celebrating another trip around the sun. It is not for releasing new music. Yet this blunder persists, ensuring we inevitably miss gems like Sun of the Suns’ sophomore effort, Entanglement.5 The record dropped just as the world was tuning out for the year, and it deserves much better. Building on the foundation of their 2021 debut, TIIT, the Italian trio has significantly beefed up their progressive death formula. Mixing tech-death articulation with deathcore brutality, Entanglement ensures fans of Fallujah will feel right at home with its effervescent clean melodies and crystalline textures. Francesca Paoli (Fleshgod Apocalypse) returns to provide another masterclass behind the kit with rapid-fire double-bass, blasts, and tom fills, while guitarists Marco Righetti and Ludovico Cioffi deliver cosmic shredding and radiant solos that are both technical and deliberate. While the early tracks lean into Fallujahian songcraft and Tesseract-style arpeggios, the album shines brightest late when the group largely sheds its stylistic orbit. “Please, Blackout My Eyes” pivots toward a majestic Aeternam vibe with ethereal tech-death incisiveness, while “One With the Sun” and “The Void Where Sound Ends Its Path” hit like a sledgehammer with Xenobiotic’s deathcore grooves. Though Luca Dave Scarlatti’s vocals lack differentiation, the sheer quality of the compositions carries the weight, proving Sun of the Suns are much more than mere clones.
Entanglement by Sun Of The Suns
#2025 #Aeternam #AngelMaker #Annihilator #Archspire #Bach #BangTheHeadRecords #BloodRedThrone #Brainblast #CannibalCorpse #ColombianMetal #ColossusSuprema #DaftPunk #DeathMetal #Deathcore #Dec25 #Djent #Entanglement #EscapeTheWonderland #ExperimentalMetal #Fallujah #FirstFragment #FleshgodApocalypse #FolkMetal #GermanMetal #GodsOfGaia #GotsuTotsuKotsu #HeavyMetal #HoundsOfBayanay #Hypocrisy #Immortality #ItalianMetal #JapaneseMetal #Krisiun #MelodicDeathMetal #NorwegianMetal #Nov25 #OldManSChild #Panzerchrist #ProgressiveDeathMetal #ProgressiveMetal #RecursiveInfinity #Review #Reviews #ScarletRecords #SelfRelease #SelfReleased #Sentenced #SepticFlesh #Siltskin #SoulsellerRecords #StuckInTheFilter #StuckInTheFilter2025 #SunOfTheSuns #SymphonicDeathMetal #SymphonicMetal #Synthwave #TechnicalDeathMetal #TenggerCavalry #TesseracT #TheAlgorithm #TheHu #ThisUsedToBeHeaven #Vader #Vmbrella #Xenobiotic #КЭМ -
Coinfecting #viruses obstruct each other's cell invasion https://phys.org/news/2024-08-coinfecting-viruses-obstruct-cell-invasion.html Paper: https://www.cell.com/current-biology/abstract/S0960-9822(24)00675-4
When there were more #phages attached to the surface of the cell, relatively fewer of them were able to enter... the first stage of infection, #phage entry, is an important step that was previously underappreciated... the coinfecting phages were impeding each other's entry by perturbing the #electrophysiology of the cell.
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Dropout TV spun out another one of their game changers into its own thing: Crowd Control, where the comedians do crowd work with a crowd with moderately uncomfortable backstories.
I'll be honest that I didn't understand trigger warnings when I first encountered them. I appreciate their existence now. I also think it goes underappreciated that you can also use them to find some really freaky s*** if that's what you feel like watching in a night. This episode has a trigger warning list that almost engaged the scroll bar on my phone, and I was like "... Hell yeah."
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@nadel @cogneurophys
Thanks for doing this! I love this series almost as much as the sight of you following white tie dress code (!!)At the risk of seeming sycophantic, as a grad student I always appreciated your encyclopedic knowledge esp. "there's nothing new under the sun" earlier work that warrants more recognition, or historical details, a la https://onlinelibrary.wiley.com/doi/10.1002/hipo.23027
So I'd love to hear underappreciated or unsung heroes, esp. to counteract the Matthew effect.
more hashtag fun #episodicmemory #contextmemory #neuroanatomy #memory #neuroscience #predictiveCoding #navigation
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One of our #NGISargassoInnovators is creating secure #dataspaces. 🛜 🔐
SeEDS, or Secure and Efficient Data Spaces, is implementing a flexible, efficient & secure data space over the NDN architecture, offering self-sovereign, trustworthy & privacy-preserving data sharing, while taking advantage of the advanced communication paradigms offered by the underlay NDN network.
Teamed by Athens University of Economics and Business 🇬🇷 & University of Memphis 🇺🇸
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Extremely excited that Spouseperson @rblemberg is a Le Guin prize finalist!!
Doubly so that it is the Birdverse short story collection from Fairwood, I feel like this book has gone a bit underappreciated with RB's other books being out this year, BUT IT IS SO GOOD and I am so happy.
#Fantasy #SFF #SpeculativeFiction #LeGuin #LeGuinPrize #RBLemberg #Birdverse #ShortStories #Bookstodon @bookstodon @shortsff #ShortSFF #Fairwood #Mazeldon #JewishAuthors #TransLit
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All those biome-specific papers I see that start out by claiming to be "the biggest" or "the most biodiverse" or "the most threatened" or some other thing of global importance, when we have yet to accurately define and map the #biomes on Earth, are getting beyond tedious.
That said, I have to add that #GrassyBiomes are grossly underappreciated compared to #Forests.
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Chemical exposure from ultra-#ProcessedFoods may contribute to health issues
Shannon Kelleher, May 16, 2025
"Toxic synthetic chemicals that migrate into ultra-processed foods from packaging, processing equipment and other sources may explain why these foods are so bad for our health, according to a new review article.
"In addition to the foods’ poor nutritional value, these chemicals represent an 'underappreciated and understudied' explanation for the link between ultra-processed foods and health problems such as obesity and other chronic diseases, the authors conclude in the article, published Friday in the journal Nature Medicine.
" 'The more (ultra-)processed a foodstuff, the greater its burden of synthetic chemicals generally is,; the authors wrote.
"Ultra-processed foods such as #candies, #HotDogs and #PackagedSoups are industrially made and contain many added ingredients not found in home kitchens, such as #stabilizers and added colors and flavors.
"Thousands of harmful substances including #bisphenols (such as #BPA), #phthalates, #microplastics (tiny plastic particles) and per- and polyfluoroalkyl substances (#PFAS) can leach into industrially produced foods during production, as well as from containers in which the foods are stored and while heating them up before they are eaten, according to the article. Emerging research suggests that even the 'normal and intended use' of plastic materials that come into contact with foods along their journey to our plates can contaminate these products, the authors wrote.
"Research increasingly shows that some of the same synthetic chemicals found in ultra-processed foods, as well as drinking water and other sources, are prevalent in our bodies. About 98% of the US population has PFAS in their blood, while microplastics and even smaller plastic particles (nanoplastics) accumulate in 'just about every portion of your body…no organ is spared, really,' Dr. Sanjay Rajagopalan, director of the Cardiovascular Research Institute at Case Western Reserve University, said during a May 15 webinar hosted by the group Beyond Plastics. Plastic particles have been found in everything from the placenta to the brain, lungs and heart, he said.
"In a 2024 study, Rajagopalan and colleagues found a link between microplastics in the arteries and risks for heart attacks and strokes.
" 'The particles looked quite nasty,' he said. 'They were jagged particles with sharp edges, very similar to cholesterol.' "
#ProcessedFood #PlasticFoodContainers #PlasticWrap #Preservatives #FoodSafety #ToxicChemicals #FoodIsLife #FoodDeserts #GrowYourOwn #CommunityGardens #EatFresh #DowChemical
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As I write this, the most recent big move by Matt Mullenweg in his ongoing dispute with WP Engine was to abuse his position to seize control of a WP Engine owned plugin, justifying this act with a security fix. This justification might, under other circumstances, be believable. For example, if WP Engine weren’t actively releasing security fixes.
Now, as I wrote on a Hacker News thread, I’d been staying out of this drama. It wasn’t my fight, I wasn’t deeply familiar with the lore of the players involved, etc.
BUT! This specific tactic that Mullenweg employed happens to step on the toes of some underappreciated work I had done from 2016 to 2019 to try to mitigate supply chain attacks against WordPress. Thus, my HN comment about it.
Mullenweg’s behavior also calls into question the trustworthiness of WordPress not just as a hosting platform (WP.com, which hosts this website), but also the open source community (WP.org).
The vulnerability here is best demonstrated in the form of a shitpost:
“Matt” here is Mullenweg.I do not have a crystal ball that tells me the future, so whatever happens next is uncertain and entirely determined by the will of the WordPress community.
Even before I decided it was appropriate to chime in on this topic, or had really even paid attention to it, I had been hearing rumors of a hard-fork. And that maybe the right answer, but it could be excruciating for WordPress users if that happens.
Regardless of whether a hard-fork happens (or the WordPress community shifts sufficient power away from Mullenweg and Automattic), this vulnerability cannot continue if WordPress is to continue to be a trustworthy open source project.
Since this is a cryptography-focused blog, I’d like to examine ways that the WordPress community could build governance mechanisms to mitigate the risk of one man’s ego.
Revisit Code-Signing
The core code, as well as any plugins and themes, should be signed by a secret key controlled by the developer that publishes said code. There should be a secure public key infrastructure for ensuring that it’s difficult for the infrastructure operators to surreptitiously replace a package or public key without possessing one of those secret keys.
I had previously begun work on a proposal to solve this problem for the PHP community, and in turn, WordPress. However, my solution (called Gossamer) wasn’t designed with GDPR (specifically, the Right to be Forgotten) in mind.
Today, I’m aware of SigStore, which has gotten a lot of traction with other programming language ecosystems.
Additionally, there is an ongoing proposal for an authority-free PKI for the Fediverse that appears to take GDPR into consideration (though that’s more of an analysis for lawyers than cryptography experts to debate).
I think, at the intersection of both systems, there is a way to build a secure PKI where the developer maintains the keys as part of the normal course of operation.
Break-Glass Security with FROST
However, even with code-signing where the developers own their own keys, there is always a risk of a developer going rogue, or getting totally owned up.
Ideally, we’d want to mitigate that risk without reintroducing the single point of vulnerability that exists today. And we’d want to do it without a ton of protocol complexity visible to users (above what they’d already need to accept to have secure code signing in place).
Fortunately, cryptographers already built the tool we would need: Threshold Signatures.
From RFC 9591, we could use FROST(Ed25519, SHA-512) to require a threshold quorum (say, 3) of high-trust entities (for which there would be, for example, 5) to share a piece of an Ed25519 secret key. Cryptographers often call these t-of-N (in this example, 3-of-5) thresholds. The specific values for t and N vary a lot for different threat models.
When a quorum of entities do coordinate, they can produce a signature for a valid protocol message to revoke a developer’s access to the system, thus allowing a hostile takeover. However, it’s not possible for them to coordinate without their activity being publicly visible to the entire community.
The best part about FROST(Ed25519, SHA-512) is that it doesn’t require any code changes for signature verification. It spits out a valid Ed25519 signature, which you can check with just libsodium (or sodium_compat).
Closing Thoughts
If your threat model doesn’t include leadership’s inflated ego, or the corruption of social, political, and economic power, you aren’t building trustworthy software.
Promises and intentions don’t matter here. Mechanisms do.
Whatever the WordPress community decides is their best move forward (hard forks are the nuclear option, naturally), the end result cannot be replacing one tyrant with another.
The root cause isn’t that Mullenweg is particularly evil, it’s that a large chunk of websites are beholden to only his whims (whether they realized it or not).
One can only make decisions that affects millions of lives and thousands of employees (though significantly fewer today than when this drama began) for so long before an outcome like this occurs.
Edit of XKCDIf you aren’t immune to propaganda, you aren’t immune to the corruption of power, either.
But if you architect your systems (governance and technological) to not place all this power solely in the hands of one unelected nerd, you mitigate the risk by design.
(Yes, you do invite a different set of problems, such as decision paralysis and inertia. But given WordPress’s glacial pace of minimum PHP version bumps over its lifetime, I don’t think that’s actually a new risk.)
With all that said, whatever the WordPress community decides is best for them, I’m here to help.
https://scottarc.blog/2024/10/14/trust-rules-everything-around-me/
#AdvancedCustomFields #arrogance #automaticUpdates #Automattic #codeSigning #cybersecurity #ego #MattMullenweg #news #PKI #pluginSecurity #powerCorrupts #SecureCustomFields #security #softwareGovernance #supplyChain #supplyChainSecurity #supplyChainSecurity #technology #threatModels #trust #WordPress #WPEngine
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10 Underrated Sci-Fi Series on Netflix You Need to Discover – Screen Rant
From article… From article…Sci-fi has long been a staple of Netflix’s catalog, with original series like Stranger Things and Dark serving as flagship genre-defining hits. The platform has also bolstered its library with licensed titles such as Resident Alien and The Lazarus Project, proving its ability to offer both globally beloved series and lesser-known cult favorites. Few streaming services can rival Netflix’s sci-fi credentials.
The only downside to having such heavy-hitting, culture-shaping shows on the platform is that plenty of others inevitably slip through the cracks. While subscribers flock to the biggest names in the genre, there are dozens of excellent sci-fi shows on Netflix that remain underappreciated. Some are international productions with niche followings, while others never got the mainstream recognition they deserved despite strong critical acclaim.
These underrated gems absolutely must not be missed by sci-fi fans. These obscure sci-fi TV shows on Netflix deliver gripping stories, inventive concepts, and fascinating world-building. Each one proves that sometimes the best discoveries on the platform aren’t the chart-topping blockbusters, but the hidden treasures waiting just beneath the surface.
10 Tribes Of Europa (2021)
A Post-Apocalyptic Future Divided By Warring Factions
From article…Set in the year 2074, the German sci-fi show Tribes of Europa imagines a fractured continent following a mysterious global disaster. Europe is split into competing microstates, with tribes battling for power and survival. The story of Tribes of Europa follows siblings Kiano (Emilio Sakraya), Liv (Henriette Confurius), and Elja (David Ali Rashed), whose lives change after they stumble upon a powerful cube that could reshape the future.
What makes the series so compelling is its mix of post-apocalyptic grit with a distinctly European flavor. The show isn’t afraid to explore sociopolitical allegories, mirroring real-world tensions in its portrayal of fractured unity and tribalism. At the same time, it delivers high-stakes battles, striking visuals, and unique world-building that set it apart from other dystopian dramas.
Despite its strong concept, Tribes of Europa never became a breakout hit, overshadowed by bigger Netflix sci-fi offerings. Still, its ambitious scope and imaginative setting make it one of the obscure sci-fi TV shows on Netflix most worth uncovering.
Continue/Read Original Article Here: 10 Underrated Sci-Fi Series on Netflix You Need to Discover
#2025 #Film #Films #Libraries #Movies #Netflix #SciFi #ScienceFiction #ScreenRant #series #Technology #UnitedStates
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#TheMetalDogArticleList
#ThePit
The Overlooked 1989 Masterpiece By A Heavy Metal Institution
At the end of the 1980s, one of metal's most important bands released a mid-career masterpiece. Nobody seemed to notice.https://www.wearethepit.com/2024/02/the-overlooked-1989-masterpiece-by-a-heavy-metal-institution/
#Overlooked1989Masterpiece
#HeavyMetalInstitution
#UnderratedGem
#ClassicAlbum
#MetalLegends
#HiddenGem
#MustListen
#HeavyMetalHistory
#CultClassic
#UnderappreciatedGem -
#TheMetalDogArticleList
#ThePit
The Memphis Rap Crew Beloved By Metalheads Everywhere
This Memphis, Tennessee rap group are not just big among rap fans, but they are also heavily enjoyed among metalheads.https://www.wearethepit.com/2024/01/the-memphis-rap-crew-beloved-by-metalheads-everywhere/
#memphisrap #metalheads #music #hiphop #rap #crossover #underground #cultclassic #influential #innovative #iconic #collaboration #fusion #heavy #lyrics #beats #underdog #underappreciated
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Randomly getting nostalgic about Microsoft Bob this morning... If you search for Microsoft Bob on YouTube you'll get results like "Was it really that bad?" "Just how bad WAS it?"
Hot take: it was amazing! It's so underappreciated! But it seems like it was obviously for kids (my brother and I LOVED it) with all of the fun house decorating and secret doors and passwords... kids love that shit. It was just marketed wrong. #retro #1990s #90s #90sComputing #HomeComputing
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The #Batagay or #Batagaika crater in Siberia often referred to as the "Doorway to the Underworld" or the
"Gateway to Hell" is a
#permafrost #megaslump in Yakutia, Russia.Dimensions vary by source, but the site covers around 192 acres (78 hectares)
and stretches two thirds of a mile (one kilometer) in length.Logged of trees in the 1960s, its walls reach a depth of around 180 feet (55 meters)
and expose 650,000 years of geologic history.Since first spotted in the 1960s by surveillance satellites, the crater has grownfrom an insignificant gully to a massive depression at an accelerating rate.
According to Sarah Cadieux, Sr. Lecturer and Associate Director of Environmental Science of Rensselaer Polytechnic Institute,
the crater area increased by almost three times from 1991 to 2018.The Batagaika crater isn’t a crater at all,
it’s a #retrogressive #thaw #slump, a type of terrain called #thermokarst that occurs in areas underlain by permafrost.No longer cooled by forest cover, the slump has become a self-sustaining #feedback #loop,
a portion of the ecosystem which has tipped into a new state.This is not an isolated case, but rather a rapidly growing problem in the Arctic as
💥it warms three to four times the rate of the rest of the planet since 1979.Called Arctic or polar #amplification, this phenomenon is a well established fact measured by instruments,
confirmed in climate computer models,
and reinforced by paleoclimate records.Powerful anecdotal evidence occurred in the scorching heatwave of 2020 that saw the Russian town of Verkhoyansk
which lies north of the Arctic Circle hit a stunning 38° C (100.4° F) on June 20.2020 also saw overall temperatures in the Siberian basin rise to nearly 11° F above normal,
shocking scientists and releasing #ancient #methane
not from ancient organic material,
but from #limestone.Elevated methane in wetlands was expected, but not from #outgassing #rock.
A year later in 2021 Europe’s climate change service Copernicus Sentinel satellites recorded 118° F (48° C) in the Sakha Republic of Arctic Siberia,
and records continue to fall with temperatures over 100° F in 2023 as reported by CNN. -
The #Batagay or #Batagaika crater in Siberia often referred to as the "Doorway to the Underworld" or the
"Gateway to Hell" is a
#permafrost #megaslump in Yakutia, Russia.Dimensions vary by source, but the site covers around 192 acres (78 hectares)
and stretches two thirds of a mile (one kilometer) in length.Logged of trees in the 1960s, its walls reach a depth of around 180 feet (55 meters)
and expose 650,000 years of geologic history.Since first spotted in the 1960s by surveillance satellites, the crater has grownfrom an insignificant gully to a massive depression at an accelerating rate.
According to Sarah Cadieux, Sr. Lecturer and Associate Director of Environmental Science of Rensselaer Polytechnic Institute,
the crater area increased by almost three times from 1991 to 2018.The Batagaika crater isn’t a crater at all,
it’s a #retrogressive #thaw #slump, a type of terrain called #thermokarst that occurs in areas underlain by permafrost.No longer cooled by forest cover, the slump has become a self-sustaining #feedback #loop,
a portion of the ecosystem which has tipped into a new state.This is not an isolated case, but rather a rapidly growing problem in the Arctic as
💥it warms three to four times the rate of the rest of the planet since 1979.Called Arctic or polar #amplification, this phenomenon is a well established fact measured by instruments,
confirmed in climate computer models,
and reinforced by paleoclimate records.Powerful anecdotal evidence occurred in the scorching heatwave of 2020 that saw the Russian town of Verkhoyansk
which lies north of the Arctic Circle hit a stunning 38° C (100.4° F) on June 20.2020 also saw overall temperatures in the Siberian basin rise to nearly 11° F above normal,
shocking scientists and releasing #ancient #methane
not from ancient organic material,
but from #limestone.Elevated methane in wetlands was expected, but not from #outgassing #rock.
A year later in 2021 Europe’s climate change service Copernicus Sentinel satellites recorded 118° F (48° C) in the Sakha Republic of Arctic Siberia,
and records continue to fall with temperatures over 100° F in 2023 as reported by CNN.