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#illuminatedmanuscript — Public Fediverse posts

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  1. From the Apocalypse of 1313 manuscript, illuminated by Colin Chadelve
    Bibliothèque nationale de France, MS Fr. 13096
    #art #illuminatedmanuscript
    Via: portail.biblissima.fr/ark:/430

  2. From the Apocalypse of 1313 manuscript, illuminated by Colin Chadelve
    Bibliothèque nationale de France, MS Fr. 13096
    #art #illuminatedmanuscript
    Via: portail.biblissima.fr/ark:/430

  3. From the Apocalypse of 1313 manuscript, illuminated by Colin Chadelve
    Bibliothèque nationale de France, MS Fr. 13096
    #art #illuminatedmanuscript
    Via: portail.biblissima.fr/ark:/430

  4. From the Apocalypse of 1313 manuscript, illuminated by Colin Chadelve
    Bibliothèque nationale de France, MS Fr. 13096
    #art #illuminatedmanuscript
    Via: portail.biblissima.fr/ark:/430

  5. From the Apocalypse of 1313 manuscript, illuminated by Colin Chadelve
    Bibliothèque nationale de France, MS Fr. 13096
    #art #illuminatedmanuscript
    Via: portail.biblissima.fr/ark:/430

  6. Fall of the Rebel Angels
    ‘Hours of Gian Galeazzo Visconti’, late 14th century
    Illuminators: Giovannino dei Grassi and Luchino Belbello da Pavia
    #art #illuminatedmanuscript #angels #demons
    Via: en.wikipedia.org/wiki/Hours_of

  7. Fall of the Rebel Angels
    ‘Hours of Gian Galeazzo Visconti’, late 14th century
    Illuminators: Giovannino dei Grassi and Luchino Belbello da Pavia
    #art #illuminatedmanuscript #angels #demons
    Via: en.wikipedia.org/wiki/Hours_of

  8. Fall of the Rebel Angels
    ‘Hours of Gian Galeazzo Visconti’, late 14th century
    Illuminators: Giovannino dei Grassi and Luchino Belbello da Pavia
    #art #illuminatedmanuscript #angels #demons
    Via: en.wikipedia.org/wiki/Hours_of

  9. Fall of the Rebel Angels
    ‘Hours of Gian Galeazzo Visconti’, late 14th century
    Illuminators: Giovannino dei Grassi and Luchino Belbello da Pavia
    #art #illuminatedmanuscript #angels #demons
    Via: en.wikipedia.org/wiki/Hours_of

  10. Fall of the Rebel Angels
    ‘Hours of Gian Galeazzo Visconti’, late 14th century
    Illuminators: Giovannino dei Grassi and Luchino Belbello da Pavia
    #art #illuminatedmanuscript #angels #demons
    Via: en.wikipedia.org/wiki/Hours_of

  11. Illustration from 'The Luttrell Psalter', c.1321-35
    British Library, Add. 42130, f.63
    #art #illuminatedmanuscript

  12. Illustration from 'The Luttrell Psalter', c.1321-35
    British Library, Add. 42130, f.63
    #art #illuminatedmanuscript

  13. Illustration from 'The Luttrell Psalter', c.1321-35
    British Library, Add. 42130, f.63
    #art #illuminatedmanuscript

  14. Illustration from 'The Luttrell Psalter', c.1321-35
    British Library, Add. 42130, f.63
    #art #illuminatedmanuscript

  15. Albertus Magnus introduces the quadrupeds
    ‘De animalibus’, mid 14th century
    Bibliothèque Nationale de France, lat. 16169
    #art #illuminatedmanuscript #animals #animalart
    Via: archivesetmanuscrits.bnf.fr/ar

  16. Albertus Magnus introduces the quadrupeds
    ‘De animalibus’, mid 14th century
    Bibliothèque Nationale de France, lat. 16169
    #art #illuminatedmanuscript #animals #animalart
    Via: archivesetmanuscrits.bnf.fr/ar

  17. Albertus Magnus introduces the quadrupeds
    ‘De animalibus’, mid 14th century
    Bibliothèque Nationale de France, lat. 16169
    #art #illuminatedmanuscript #animals #animalart
    Via: archivesetmanuscrits.bnf.fr/ar

  18. Albertus Magnus introduces the quadrupeds
    ‘De animalibus’, mid 14th century
    Bibliothèque Nationale de France, lat. 16169
    #art #illuminatedmanuscript #animals #animalart
    Via: archivesetmanuscrits.bnf.fr/ar

  19. Janus figure from the ‘Fécamp Psalter’ (northern France, c.1180-1185). Hague, KB 76 F 13, fol. 1v
    #art #illuminatedmanuscript

  20. Janus figure from the ‘Fécamp Psalter’ (northern France, c.1180-1185). Hague, KB 76 F 13, fol. 1v
    #art #illuminatedmanuscript

  21. Janus figure from the ‘Fécamp Psalter’ (northern France, c.1180-1185). Hague, KB 76 F 13, fol. 1v
    #art #illuminatedmanuscript

  22. Janus figure from the ‘Fécamp Psalter’ (northern France, c.1180-1185). Hague, KB 76 F 13, fol. 1v
    #art #illuminatedmanuscript

  23. #FotoVorschlag

    “Mittelalterlich” / Medieval

    The illuminated manuscript “Lancelot du Lac” (Lancelot of the Lake), recounting the exploits of that knight, seen here defeating an opponent. Written in Old French in the Late Middle Ages, circa 1310-1315 (although its binding was made in the 1800s), on display at the Morgan Library in NYC. I’ve shared a closeup of one page before, but here’s a better view of the whole spread.

    #photography #museum #illuminatedmanuscript #medieval

  24. #FotoVorschlag

    “Mittelalterlich” / Medieval

    The illuminated manuscript “Lancelot du Lac” (Lancelot of the Lake), recounting the exploits of that knight, seen here defeating an opponent. Written in Old French in the Late Middle Ages, circa 1310-1315 (although its binding was made in the 1800s), on display at the Morgan Library in NYC. I’ve shared a closeup of one page before, but here’s a better view of the whole spread.

    #photography #museum #illuminatedmanuscript #medieval

  25. #FotoVorschlag

    “Mittelalterlich” / Medieval

    The illuminated manuscript “Lancelot du Lac” (Lancelot of the Lake), recounting the exploits of that knight, seen here defeating an opponent. Written in Old French in the Late Middle Ages, circa 1310-1315 (although its binding was made in the 1800s), on display at the Morgan Library in NYC. I’ve shared a closeup of one page before, but here’s a better view of the whole spread.

    #photography #museum #illuminatedmanuscript #medieval

  26. #FotoVorschlag

    “Mittelalterlich” / Medieval

    The illuminated manuscript “Lancelot du Lac” (Lancelot of the Lake), recounting the exploits of that knight, seen here defeating an opponent. Written in Old French in the Late Middle Ages, circa 1310-1315 (although its binding was made in the 1800s), on display at the Morgan Library in NYC. I’ve shared a closeup of one page before, but here’s a better view of the whole spread.

    #photography #museum #illuminatedmanuscript #medieval

  27. #FotoVorschlag

    “Mittelalterlich” / Medieval

    The illuminated manuscript “Lancelot du Lac” (Lancelot of the Lake), recounting the exploits of that knight, seen here defeating an opponent. Written in Old French in the Late Middle Ages, circa 1310-1315 (although its binding was made in the 1800s), on display at the Morgan Library in NYC. I’ve shared a closeup of one page before, but here’s a better view of the whole spread.

    #photography #museum #illuminatedmanuscript #medieval

  28. ‘Danse macabre des hommes’, 1500-1510
    Enlumineur: Maître de la Chronique scandaleuse
    Bibliothèque nationale de France, Département des Manuscrits, Français 995
    #art #death #illuminatedmanuscript
    Via: gallica.bnf.fr/ark:/12148/btv1

  29. ‘Danse macabre des hommes’, 1500-1510
    Enlumineur: Maître de la Chronique scandaleuse
    Bibliothèque nationale de France, Département des Manuscrits, Français 995
    #art #death #illuminatedmanuscript
    Via: gallica.bnf.fr/ark:/12148/btv1

  30. ‘Danse macabre des hommes’, 1500-1510
    Enlumineur: Maître de la Chronique scandaleuse
    Bibliothèque nationale de France, Département des Manuscrits, Français 995
    #art #death #illuminatedmanuscript
    Via: gallica.bnf.fr/ark:/12148/btv1

  31. ‘Danse macabre des hommes’, 1500-1510
    Enlumineur: Maître de la Chronique scandaleuse
    Bibliothèque nationale de France, Département des Manuscrits, Français 995
    #art #death #illuminatedmanuscript
    Via: gallica.bnf.fr/ark:/12148/btv1

  32. Personification of arithmetics in the album of Hans Ludwig Pfinzig von Henfenfeld, 1580-1625
    SBB, Msc.Hist.176, fol. 78r
    #art #illuminatedmanuscript
    Via: staatsbibliothek-bamberg.de/en

  33. Personification of arithmetics in the album of Hans Ludwig Pfinzig von Henfenfeld, 1580-1625
    SBB, Msc.Hist.176, fol. 78r
    #art #illuminatedmanuscript
    Via: staatsbibliothek-bamberg.de/en

  34. Personification of arithmetics in the album of Hans Ludwig Pfinzig von Henfenfeld, 1580-1625
    SBB, Msc.Hist.176, fol. 78r
    #art #illuminatedmanuscript
    Via: staatsbibliothek-bamberg.de/en

  35. Personification of arithmetics in the album of Hans Ludwig Pfinzig von Henfenfeld, 1580-1625
    SBB, Msc.Hist.176, fol. 78r
    #art #illuminatedmanuscript
    Via: staatsbibliothek-bamberg.de/en

  36. Personification of arithmetics in the album of Hans Ludwig Pfinzig von Henfenfeld, 1580-1625
    SBB, Msc.Hist.176, fol. 78r
    #art #illuminatedmanuscript
    Via: staatsbibliothek-bamberg.de/en

  37. An exquisite glimpse into premodern Burma, this illuminated manuscript encapsulates Buddhist ordination rites with its lavish calligraphy and vibrant celestial beings. How does the intricate design reflect the spiritual essence of the text?
    #ClevelandArt #BuddhistArt #IlluminatedManuscript
    clevelandart.org/art/1945.172.

  38. An exquisite glimpse into premodern Burma, this illuminated manuscript encapsulates Buddhist ordination rites with its lavish calligraphy and vibrant celestial beings. How does the intricate design reflect the spiritual essence of the text?
    #ClevelandArt #BuddhistArt #IlluminatedManuscript
    clevelandart.org/art/1945.172.

  39. An exquisite glimpse into premodern Burma, this illuminated manuscript encapsulates Buddhist ordination rites with its lavish calligraphy and vibrant celestial beings. How does the intricate design reflect the spiritual essence of the text?
    #ClevelandArt #BuddhistArt #IlluminatedManuscript
    clevelandart.org/art/1945.172.

  40. An exquisite glimpse into premodern Burma, this illuminated manuscript encapsulates Buddhist ordination rites with its lavish calligraphy and vibrant celestial beings. How does the intricate design reflect the spiritual essence of the text?
    #ClevelandArt #BuddhistArt #IlluminatedManuscript
    clevelandart.org/art/1945.172.

  41. I recently finished reading Richard Wollheim's "Painting As An Art".

    I found much of it stimulating in the close attention paid to particular pictures and thought provoking with regard to his theory of "seeing in" as the way to understand our perception of paintings.

    On the other hand, his use of psychoanalytic theory left me with questions.

    Surprisingly, his use of this theory reminded of some recent reading of mine in evolutionary psychology. Both Wollheim and the evolutionary psychologists stress the significance of a common human nature and are inclined to downplay the importance of systems of symbols or culture in general.

    I do think that a substantive concept of human nature makes sense, and I am open to the possibility of evolutionary psychology and psychoanalytical theory contributing to an understanding of of human nature.

    Altogether less agreeable to me is the tendency of these theories to smuggle in a social ontology in which culture is merely the creation of atomized individuals. One can believe in the evolved nature of the mind and allow for the possibility of certain kinds of psychic forces at work in the individual without denying the importance, still less the existence, of social facts. Thinking about languages as at once learned and used by individuals but also existing as entities external to those individuals is helpful here.

    Image: The Construction of the Tower of Babel -- Folio xvii, The Bedford Book of Hours -- 1423 - 30 - The British Library.

    #Wollheim #RichardWollheim #PaintingAsAnArt #EvolutionaryPsychology #Psychoanalysis #SocialOntology #Art #Philosophy #IlluminatedManuscript #BookOfHours #BedfordBBookOfHours #15thCenturyArt #TowerOfBabel

  42. I recently finished reading Richard Wollheim's "Painting As An Art".

    I found much of it stimulating in the close attention paid to particular pictures and thought provoking with regard to his theory of "seeing in" as the way to understand our perception of paintings.

    On the other hand, his use of psychoanalytic theory left me with questions.

    Surprisingly, his use of this theory reminded of some recent reading of mine in evolutionary psychology. Both Wollheim and the evolutionary psychologists stress the significance of a common human nature and are inclined to downplay the importance of systems of symbols or culture in general.

    I do think that a substantive concept of human nature makes sense, and I am open to the possibility of evolutionary psychology and psychoanalytical theory contributing to an understanding of of human nature.

    Altogether less agreeable to me is the tendency of these theories to smuggle in a social ontology in which culture is merely the creation of atomized individuals. One can believe in the evolved nature of the mind and allow for the possibility of certain kinds of psychic forces at work in the individual without denying the importance, still less the existence, of social facts. Thinking about languages as at once learned and used by individuals but also existing as entities external to those individuals is helpful here.

    Image: The Construction of the Tower of Babel -- Folio xvii, The Bedford Book of Hours -- 1423 - 30 - The British Library.

    #Wollheim #RichardWollheim #PaintingAsAnArt #EvolutionaryPsychology #Psychoanalysis #SocialOntology #Art #Philosophy #IlluminatedManuscript #BookOfHours #BedfordBBookOfHours #15thCenturyArt #TowerOfBabel