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  1. Gilded tendrils coil around the unicorn’s horn, its body pinned beneath the Virgin’s outstretched hand. Red glass, flashed over clear, casts the hunt in a luminous crimson glow—suggesting divine light as both veil and revelation.

    How does the layered glass alter the way the figures seem to move within the scene?
    #ClevelandMuseumofArt #StainedGlass #MedievalArt
    clevelandart.org/art/1954.149

  2. Gilded tendrils coil around the unicorn’s horn, its body pinned beneath the Virgin’s outstretched hand. Red glass, flashed over clear, casts the hunt in a luminous crimson glow—suggesting divine light as both veil and revelation.

    How does the layered glass alter the way the figures seem to move within the scene?
    #ClevelandMuseumofArt #StainedGlass #MedievalArt
    clevelandart.org/art/1954.149

  3. Gilded tendrils coil around the unicorn’s horn, its body pinned beneath the Virgin’s outstretched hand. Red glass, flashed over clear, casts the hunt in a luminous crimson glow—suggesting divine light as both veil and revelation.

    How does the layered glass alter the way the figures seem to move within the scene?
    #ClevelandMuseumofArt #StainedGlass #MedievalArt
    clevelandart.org/art/1954.149

  4. Water stag. ‘Fieschi Psalter’, Cambrai ca. 1290-1295. Baltimore, The Walters Art Museum, Walters Manuscript W.45, fol. 227v.
    #medieval #MedievalArt

  5. Water stag. ‘Fieschi Psalter’, Cambrai ca. 1290-1295. Baltimore, The Walters Art Museum, Walters Manuscript W.45, fol. 227v.
    #medieval #MedievalArt

  6. Water stag. ‘Fieschi Psalter’, Cambrai ca. 1290-1295. Baltimore, The Walters Art Museum, Walters Manuscript W.45, fol. 227v.
    #medieval #MedievalArt

  7. Water stag. ‘Fieschi Psalter’, Cambrai ca. 1290-1295. Baltimore, The Walters Art Museum, Walters Manuscript W.45, fol. 227v.
    #medieval #MedievalArt

  8. Water stag. ‘Fieschi Psalter’, Cambrai ca. 1290-1295. Baltimore, The Walters Art Museum, Walters Manuscript W.45, fol. 227v.
    #medieval #MedievalArt

  9. Come for the birding; stay for the resurrection...

    We took a trip to St George’s, Reichenau, where Ottonian frescoes show demons fleeing, storms falling silent, the sick restored—and Lazarus emerging from his grave.

    silencesandsounds.blogspot.com/

    #MedievalArt #Ottonian #Reichenau #frescoes #beauty #Catholic #blog #research #medieval

  10. Come for the birding; stay for the resurrection...

    We took a trip to St George’s, Reichenau, where Ottonian frescoes show demons fleeing, storms falling silent, the sick restored—and Lazarus emerging from his grave.

    silencesandsounds.blogspot.com/

    #MedievalArt #Ottonian #Reichenau #frescoes #beauty #Catholic #blog #research #medieval

  11. Come for the birding; stay for the resurrection...

    We took a trip to St George’s, Reichenau, where Ottonian frescoes show demons fleeing, storms falling silent, the sick restored—and Lazarus emerging from his grave.

    silencesandsounds.blogspot.com/

    #MedievalArt #Ottonian #Reichenau #frescoes #beauty #Catholic #blog #research #medieval

  12. Come for the birding; stay for the resurrection...

    We took a trip to St George’s, Reichenau, where Ottonian frescoes show demons fleeing, storms falling silent, the sick restored—and Lazarus emerging from his grave.

    silencesandsounds.blogspot.com/

    #MedievalArt #Ottonian #Reichenau #frescoes #beauty #Catholic #blog #research #medieval

  13. Come for the birding; stay for the resurrection...

    We took a trip to St George’s, Reichenau, where Ottonian frescoes show demons fleeing, storms falling silent, the sick restored—and Lazarus emerging from his grave.

    silencesandsounds.blogspot.com/

    #MedievalArt #Ottonian #Reichenau #frescoes #beauty #Catholic #blog #research #medieval

  14. Castor dicitur a castrando (the beaver’s self-castration). Bestiary, Salisbury 13th century. British Library, Harley 4751, fol. 9v.
    #medieval #MedievalArt

  15. Castor dicitur a castrando (the beaver’s self-castration). Bestiary, Salisbury 13th century. British Library, Harley 4751, fol. 9v.
    #medieval #MedievalArt

  16. Castor dicitur a castrando (the beaver’s self-castration). Bestiary, Salisbury 13th century. British Library, Harley 4751, fol. 9v.
    #medieval #MedievalArt

  17. Castor dicitur a castrando (the beaver’s self-castration). Bestiary, Salisbury 13th century. British Library, Harley 4751, fol. 9v.
    #medieval #MedievalArt

  18. Castor dicitur a castrando (the beaver’s self-castration). Bestiary, Salisbury 13th century. British Library, Harley 4751, fol. 9v.
    #medieval #MedievalArt

  19. Last Judgment. ‘Spinola Hours’, Bruges and Ghent, ca. 1510-1520. LA, The J. Paul Getty Museum, Ms. Ludwig IX 18, fol. 16.5v
    #medieval #MedievalArt

  20. Last Judgment. ‘Spinola Hours’, Bruges and Ghent, ca. 1510-1520. LA, The J. Paul Getty Museum, Ms. Ludwig IX 18, fol. 16.5v
    #medieval #MedievalArt

  21. Last Judgment. ‘Spinola Hours’, Bruges and Ghent, ca. 1510-1520. LA, The J. Paul Getty Museum, Ms. Ludwig IX 18, fol. 16.5v
    #medieval #MedievalArt

  22. Last Judgment. ‘Spinola Hours’, Bruges and Ghent, ca. 1510-1520. LA, The J. Paul Getty Museum, Ms. Ludwig IX 18, fol. 16.5v
    #medieval #MedievalArt

  23. Last Judgment. ‘Spinola Hours’, Bruges and Ghent, ca. 1510-1520. LA, The J. Paul Getty Museum, Ms. Ludwig IX 18, fol. 16.5v
    #medieval #MedievalArt

  24. Tri dans le dossier [Illustrations vrac].
    Restons dans la même période, avec cet échange qui a l'air fort passionnant...
    #illustration #art #mastoart #enluminure #medievalart

  25. Tri dans le dossier [Illustrations vrac].
    Restons dans la même période, avec cet échange qui a l'air fort passionnant...
    #illustration #art #mastoart #enluminure #medievalart

  26. Tri dans le dossier [Illustrations vrac].
    Restons dans la même période, avec cet échange qui a l'air fort passionnant...
    #illustration #art #mastoart #enluminure #medievalart

  27. Tri dans le dossier [Illustrations vrac].
    Restons dans la même période, avec cet échange qui a l'air fort passionnant...
    #illustration #art #mastoart #enluminure #medievalart

  28. Tri dans le dossier [Illustrations vrac].
    Restons dans la même période, avec cet échange qui a l'air fort passionnant...
    #illustration #art #mastoart #enluminure #medievalart

  29. Tri dans le dossier [Illustrations vrac].
    C'est cadeau, ne me remerciez pas :blob_cat_peek_owo:
    #illustration #art #mastoart #enluminure #medievalart
    (on part sur un 'tit thread à dérouler 🧵 )

  30. Tri dans le dossier [Illustrations vrac].
    C'est cadeau, ne me remerciez pas :blob_cat_peek_owo:
    #illustration #art #mastoart #enluminure #medievalart
    (on part sur un 'tit thread à dérouler 🧵 )

  31. Tri dans le dossier [Illustrations vrac].
    C'est cadeau, ne me remerciez pas :blob_cat_peek_owo:
    #illustration #art #mastoart #enluminure #medievalart
    (on part sur un 'tit thread à dérouler 🧵 )

  32. Tri dans le dossier [Illustrations vrac].
    C'est cadeau, ne me remerciez pas :blob_cat_peek_owo:
    #illustration #art #mastoart #enluminure #medievalart
    (on part sur un 'tit thread à dérouler 🧵 )

  33. Tri dans le dossier [Illustrations vrac].
    C'est cadeau, ne me remerciez pas :blob_cat_peek_owo:
    #illustration #art #mastoart #enluminure #medievalart
    (on part sur un 'tit thread à dérouler 🧵 )

  34. Monkey and the bishop. Robert de Boron, L’Estoire de Merlin, Northern France ca. 1280-1290. Paris, BNF, Fr. 95, fol. 214r.
    #medieval #MedievalArt

  35. Monkey and the bishop. Robert de Boron, L’Estoire de Merlin, Northern France ca. 1280-1290. Paris, BNF, Fr. 95, fol. 214r.
    #medieval #MedievalArt

  36. Monkey and the bishop. Robert de Boron, L’Estoire de Merlin, Northern France ca. 1280-1290. Paris, BNF, Fr. 95, fol. 214r.
    #medieval #MedievalArt

  37. Monkey and the bishop. Robert de Boron, L’Estoire de Merlin, Northern France ca. 1280-1290. Paris, BNF, Fr. 95, fol. 214r.
    #medieval #MedievalArt

  38. Monkey and the bishop. Robert de Boron, L’Estoire de Merlin, Northern France ca. 1280-1290. Paris, BNF, Fr. 95, fol. 214r.
    #medieval #MedievalArt

  39. Grinning cat. Conrad of Megenberg, ‘Buch der Natur’, Germany ca. 1434. Strasbourg, Bibliothèque nationale et universitaire, Ms.2.264, fol. 85r.
    #medieval #MedievalArt

  40. Grinning cat. Conrad of Megenberg, ‘Buch der Natur’, Germany ca. 1434. Strasbourg, Bibliothèque nationale et universitaire, Ms.2.264, fol. 85r.
    #medieval #MedievalArt

  41. Grinning cat. Conrad of Megenberg, ‘Buch der Natur’, Germany ca. 1434. Strasbourg, Bibliothèque nationale et universitaire, Ms.2.264, fol. 85r.
    #medieval #MedievalArt

  42. Grinning cat. Conrad of Megenberg, ‘Buch der Natur’, Germany ca. 1434. Strasbourg, Bibliothèque nationale et universitaire, Ms.2.264, fol. 85r.
    #medieval #MedievalArt

  43. Grinning cat. Conrad of Megenberg, ‘Buch der Natur’, Germany ca. 1434. Strasbourg, Bibliothèque nationale et universitaire, Ms.2.264, fol. 85r.
    #medieval #MedievalArt

  44. Bonnacon and his fire fart. ‘The Ashmole Bestiary’, England 13th century. Bodleian Library, MS. Ashmole 1511, fol. 18r.
    #medieval #MedievalArt

  45. Bonnacon and his fire fart. ‘The Ashmole Bestiary’, England 13th century. Bodleian Library, MS. Ashmole 1511, fol. 18r.
    #medieval #MedievalArt

  46. Bonnacon and his fire fart. ‘The Ashmole Bestiary’, England 13th century. Bodleian Library, MS. Ashmole 1511, fol. 18r.
    #medieval #MedievalArt

  47. Bonnacon and his fire fart. ‘The Ashmole Bestiary’, England 13th century. Bodleian Library, MS. Ashmole 1511, fol. 18r.
    #medieval #MedievalArt

  48. Bonnacon and his fire fart. ‘The Ashmole Bestiary’, England 13th century. Bodleian Library, MS. Ashmole 1511, fol. 18r.
    #medieval #MedievalArt

  49. #Peacock wings. Anjou Bible, Naples ca. 1340. Universiteitsbibliotheek Leuven, Cod. 1, fol. 262r.
    #medieval #MedievalArt

  50. #Peacock wings. Anjou Bible, Naples ca. 1340. Universiteitsbibliotheek Leuven, Cod. 1, fol. 262r.
    #medieval #MedievalArt

  51. #Peacock wings. Anjou Bible, Naples ca. 1340. Universiteitsbibliotheek Leuven, Cod. 1, fol. 262r.
    #medieval #MedievalArt

  52. #Peacock wings. Anjou Bible, Naples ca. 1340. Universiteitsbibliotheek Leuven, Cod. 1, fol. 262r.
    #medieval #MedievalArt

  53. #Peacock wings. Anjou Bible, Naples ca. 1340. Universiteitsbibliotheek Leuven, Cod. 1, fol. 262r.
    #medieval #MedievalArt

  54. Furries. Jacobus de Teramo, ‘Litigatio Christi cum Belial’ (German translation of 'Consolatio peccatorum, seu Processus Luciferi contra Jesum Christum’), Germany 1461. München, Bayerische Staatsbibliothek, Cgm 48, fol. 132r.
    #medieval #MedievalArt