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Asamblea #arrancaLaFarma
Centro Comunitario Casino de Reina, sábado, 4 de noviembre, 17:30 CET
Ven a la nueva asamblea asamblea ABIERTA
El Ministerio a recibido nuestro dossier, ¿como queremos seguir?
Programación de actividades alrededor de la Farmacia Vecinal, ¿cómo vamos a reivindicar de manera lúdica este espacios para la participación?
Hemos abierto cuenta en Instagram, ¿qué queremos publicar?
¡Nos vemos el Miercoles 12M a las 18.30 !!!
Para dar la bienvenida a las personas nuevas os esperamos con unos minutos de antelación.
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Good morning, chums. Having got up with the sun whatever ludicrous time that was and then sorting out the house and kids, I ran to #ParkRun (about 3.5k) where we had a club takeover event, with banners and flags and cakes and a marquee and IT WAS DELIGHTFUL. Had about 850 runners and I was marshalling with a sweet kid who's doing his Duke of Edinburgh. Had a blast as per. Lovely crowd. What a lovely way to start a weekend. I then ran home again and am now HOT. Here is a picture of my goddamn face. No one likes their own pictures but I'm trying to be better at being accepting of myself, but I put a filter on it just to make it marginally more interesting. Huzzah! Have a good weekend or else.
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Stuck in the Filter: October 2025’s Angry Misses
By Kenstrosity
They say it’s going to be a harsh winter this year. They always say that, and it’s almost never true, at least not from where I’ve set up camp. However, no matter the weather I am a harsh taskmaster, doling out grueling hours, no pay or benefits, and probably the worst coffee on the planet to my dutiful minions. It takes a special kind of person, motivated by pure unadulterated greed to ravenously scour the filter for dusty, almost-forgotten gems like they do.
But we are thankful for them for being exactly that! And we also benefit, in the form of quality(ish) chunks of glimmery, shimmery metal. BEHOLD!
Kenstrosity’s Riffy Representation
Xaoc // Repulsive Summoning [October 31, 2025 – Edgewood Arsenal Records]
Xaoc’s history is one of the more confusing I’ve encountered in my time writing for this blog. After breaking up in 2008, a new lineup spawned in 2022 to record and release Proxime Mortis from the ashes of songs written pre-breakup, supported by Edgewood Arsenal. At some point this year, two more members spawned in anticipation of this new slab Repulsive Summoning. But the band’s labeled as Split Up already on Metallum? I don’t understand what’s going on there, but at least I can say that Repulsive Summoning is a turbo banger! These riffs are bonkers, full of verve and swagger, brimming with groove and muscularity. A happy mix of Vomitory and Dormant Ordeal, this Virginian outfit know how to throw down. Highlights like “Ave Solva Coagula,” “Antima Samskara,” “The Great Perfected Ones,” and the entire “Degenerate Era” three-part suite reduce my body into a fine slurry by the grinding, vicious power of their riffs alone. But the rabid growls, ballistic percussion, and meaty guitar tones contain more than enough fuel to propel those riffs across this tight and thunderous 35-minute runtime. It’s a simple record, built to beat me down and leave me broken and bloodied, but it’s also an effortlessly memorable affair that leaves me wanting more despite the mounting medical bills. Don’t sleep on Xaoc!
Andy-War-Hall’s Succulent Surplus
Canvas of Silence // As the World Tree Fell [October 31st, 2025 – Rockshots Records]
Finnish symphonic metallers Canvas of Silence describe themselves as “prog-influenced chorus metal,” and that description goes far in outlining their debut As the World Tree Fell. Their core sound resembles a progged-out Nightwish moonlighting as a melodeath band, committing ludicrous bombast on symphonic-heavy cuts like “The Great Unknown” and “Wayfarer” amidst a sharp Gothenburg riff attack in “Watching the World Tree Fall” and “Drown.” Canvas of Silence mete out a balanced approach of light and dark sounds between Theocracyesque prog-power (“One With the Wind,” “Humanimal”) and Madder Mortem-like gothic twists (“Drown,” “Anthem for Ashes”), all reined in by the commanding vocal presence of singer Loimu Satakieli.1 Sitting somewhere between Anette Olzon (ex-Nightwish, The Dark Element) and Agnete Kierkevaag (Madder Mortem), her impassioned and heavily-layered singing turns As the World Tree Fell into a smörgåsbord of lush, catchy and anthemic tunes of an uplifting, sing-along nature. Optimism permeates As the World Tree Fell, felt at a fever pitch on the enormous choral bridge of “Humanimal” and the folky power metal jaunt of “One With the Wind.” Even on lyrically dark/mournful passages like “Wayfarer” and “Garden of the Fallen,” Canvas of Silence deliver soaring, hopeful crescendos that at times reach Fellowship levels of good cheer. Canvas of Silence can craft sincerely beautiful moments, and though As the World Tree Fell’s production can be sterile and overly loud2 I am nothing but excited to see what these Finns can cook up next.
Spicie Forrest’s Punky Proferrings
Violent Testimony // Aggravate [October 17th, 2025 – Horror Pain Gore Death Productions]
Do you wish there was more grind in your life? Well, Cheyenne, Wyoming’s Violent Testimony just assumed you would. Combining the punky flair of Napalm Death with the lead foot ethos of early Pig Destroyer and Cattle Decapitation, debut LP Aggravate is 26 minutes of delicious grindy goodness. From the opening salvo of “God Complex Massacre” to the final detonations of “Hit N’ Run,” Violent Testimony shows absolutely no restraint. D.N.’s Gatling drums mow down everything in their path while T.W.’s serpentine bass clears the chaff and flattens any obstruction. Shrapnel propelled by N.Y.’s brutish, breakneck riffing can be seen burying itself in concrete walls, still quivering (“Rider in the Night,” “Psychotic Episode”). Caustic growls and vitriolic screams tear from T.W.’s throat at mach fuck (“Flashbang Celebration,” “Obligatory Manifestation of Infinite Grind”). With only two tracks exceeding the two-minute mark, Violent Testimony screams their piece with as much sound and fury as possible before moving on and picking their next bone with the system. This keeps Aggravate a lean, densely-packed offering. If you need to get pissed off right now and even the fastest death metal is too slow, Violent Testimony is all too happy to decimate the opposition with you.
Uaar // Galger og Brann [October 17th, 2025 – Fysisk Format Records]
Hailing from Oslo, Norway, crust outfit Uaar celebrates their tenth birthday by releasing their debut LP. Galger og Brann, which means “Gallows and Fire” in Norwegian, expands on the foundations laid by established acts like Skitsystem and Tragedy. With one foot firmly planted in black metal and the other in hardcore, Uaar unleashes a cacophony of rage unfettered. D-beats abound, courtesy of Truls Friesl Berg, creating a frantic, enraged atmosphere. Dag Schaug Carlsen’s blackened rasps are so cold they burn, matching the evil pall hanging over tracks like “Galeås” and “Den siste.” Post-flecked, Ancsty tendencies (“Alt Skal Brenne,” “Overalt”) peek through the feral hardcore riffage (“Håpet forsvinner”) of guitarists Erik Berg Friesl and Jon Schaug Carlsen, while bassist Stian S. Evensen provides the muscle to convince you these guys aren’t screwing around. Uaar is well-versed in their base genres, alternating between and mixing black metal and hardcore effortlessly. The occasional blues-tinged heavy metal lead—as in “Overalt” and “Dolken”—keep Galger og Brann from being a one-note affair. With a dearth of standout blackened hardcore releases this year, Uaar’s Galger og Brann is a welcome—if late—addition to the list.
Scorching Tomb // Ossuary [October 24th, 2025 – Time to Kill Records]
I’ll be honest, I’ve never considered Montreal, Canada, to be prime death metal territory. Luckily, Scorching Tomb doesn’t care what I think. Debut LP Ossuary is an aural violation born of Tren-induced hardcore aggression and filthy old school death metal. With a guitar tone (Philippe Lelbanc) like sandpaper and a bass like swallowing gravel (Miguel Lepage), Scorching Tomb plays in the same cesspools as Bloodgutter and Rotpit. We normally associate melted faces with guitar solos, but that honor belongs to whatever corrosive noises issue forth from vocalist Vincent Patrick Lajeunesse’s guts. Drummer Émile Savard loves a blast beat, often detonating them in short bursts to support an already bone-breaking assault (“Feel the Blade”). “Stalagmite3 Impalement” and “Sanctum of Bones (Ossuary)” are particularly savage, with tetanus-inflicting riffs and bloodthirsty screams threatening to drag you into the crypt to be used for meal prep. On “Skullcrush,” Sanguisugabogg’s Devin Swank perfectly matches Scorching Tomb’s vile depravity, cementing them as a promising new act in the scene. Ossuary is raging, muscle-bound, caveman death metal drowned in a vat of viscera and sewage, and it tastes incredible.
ClarkKent’s Gratifying Goodies
Sutratma // Adrift [October 3rd, 2025 – Self-Release]
While I didn’t purposely seek out more doom during my self-imposed month of picking only doom promos, Sutratma’s fifth full-length, Adrift, ranks as one of the better doom albums I listened to in November. This California four-piece has been writing funeral doom for 15 years, and it shows in their ability to craft effective melancholic slow-burns that strike a balance between melody and crushingly heavy. Adrift impresses straight out the gate with the piano-drenched “Wind and Sea.” This song nicely melds the sorrowful softness of the piano with punishing guitar riffs and impressive growls. Just like stalwarts My Dying Bride, Sutratma mixes growls with cleans, and Daniel Larios’s cleans effectively hit you right in the feels while the growls take on a more despairing note. There’s plenty of variety from song to song, with organs stealing the show on “Guiding Star” and a lovely melody on “The Great Bereaver” that builds up to a moving finale. Just like with Oromet, there’s a serenity to the music that is calming, and the skilled songwriting and musicianship lends a poignancy to it all. With the frenzy of list season upon us, it’s nice to have something like this to remind us that it’s okay to just slow down—even when an angry ape is berating you for more content.
Starer // Ancient Monuments and Modern Sadness [October 10th, 2025 – Fiadh Productions]
Josh Hines, the one man behind black metal project, Starer, has been very busy. Since forming Starer in 2020, he has released four EPs and now, with the release of Ancient Monuments and Modern Sadness, four LPs. I first became acquainted with this band on 2023’s Wind, Breeze, or Breath and was taken in by Hines’s aggressively atmospheric take on black metal. Ancient Monuments and Modern Sadness hits the ground running on “I Cry Your Mother’s Blood” with some aggressively catchy melodies. The aggression continues on “Il-Kantilena” with its icy riffs and pumping blast beats. Meanwhile, “The Field of Reeds” combines the black n’ roll of Fell Omen with the fuzzy reverb of atmoblack for a rollicking good time. Hines screams into the void as subdued symphonics add layers of melody, providing a surprising amount of depth to each song. Because of the frenetic pace, the 50-minute runtime flies right by, even as songs like “Song of the Harper” do their best to vary the tempo. For black metal, the production is lush and gorgeous, giving air to all instruments. The epic, ten-minute finale is the culmination of Hines’s ability to put together complex and compelling music that both excites by its aggression and dazzles with its atmospherics. Black metal fans should not miss this one.
Grin Reaper’s Haunted Harvest
Black Cross Hotel // Songs for Switches [October 31st, 2025 – Someoddpilot Records]
Three years after dropping their favorably reviewed debut Hex, keys-drenched and industrialized outfit Black Cross Hotel returns bearing Songs for Switches. 80s-inspired synths, mid-paced chugs, and dance-ready grooves pack neatly into forty-one minutes of grubby fun, sure to interest fans of Ministry and Killing Joke, or anyone with a predilection for leather. Where Hex boasted a wider assortment of tempos, Songs for Switches narrows its focus to mid-paced songs with a keener emphasis on keyboard melodies. Averting a direction that could have been limiting, Black Cross Hotel smartly sidesteps this by shaving down song lengths and arranging the tracks for optimal pacing. Individual moments across the album evoke Me and That Man (“Eyes from Nowhere”), Soulfly (“Blood Dance”), and Joy Division (“Typo”), casting an eclectic array of sounds into Mount Gloom to forge ten dangerously fun tracks. Though I liked the album at first listen, it took multiple spins for Songs for Switches’ distilled aesthetic to fully unfurl, and once it did, my appreciation redoubled. With a sinister atmosphere designed as much for pain as pleasure, Black Cross Hotel has readied your room for a night you won’t forget.
Miasmata // Subterrania [October 31st, 2025 – Naturmacht Productions]
Still hawking their distinctive blend of meloblack and heavy metal, Miasmata dropped sophomore platter Subterrania on what was one of the most congested release days of 2025.4 In addition to the recurring influences of Windir (“Die at the Right Time”) and Iron Maiden (the intro to “Subterrania” smacks of The X Factor), Subterrania adds a dollop of thrash into the mix. Opener “Those Who Cross the Flame” struts out with a punky riff that wouldn’t be out of place on an Anthrax record, while “Full of the Devil” tastes as much like Testament or Havok as Diamond Head. The beauty of Miasmata, both on debut Unlight: Songs of Earth and Atrophy and Subterrania, is one-man mastermind Mike Wilson’s aptitude to synthesize a mighty host of influences into a unique sonic palette all his own. As Sharky noted in Unlight’s review, Miasmata has a knack for remarkable restraint. Subterrania clocks under forty minutes, layering slithery riffs upon one another in a way that propels the music in constant motion, shifting and unfolding so organically that the album slips by before you realize it’s over (an especially impressive feat considering the self-titled closer’s near fourteen-minute runtime). If you missed Miasmata’s latest on release day, go rectify that. Don’t let Subterrania get lost to the underground.
Dolphin Whisperer’s Autumnal Anomoly
夢遊病者 // РЛБ300119225 [October 28th, 2025 – Self Release]
As if plucked into lucidity from amidst a hazy, proggy machination, РЛБ30011922 steps into its narrative—an exploration of a beloved figure in its creator’s life, including sound clips describing the trials through which she persisted—with an entrancing stumble. Through an understated math rock lens, tight kit rhythms with a tension-building hi-hat clashes strut against a loud and leading bass voice across 37 minutes of fluid guitar textures. Whether it’s the chunky fusion reminiscent of Hackett-era Gordian Knot, the playful rhythmic post-rock that evokes a band like toe, or the fuzzed-out punctuation that tell a prog tale as ’70s King Crimson would, 夢遊病者, also known as Sleepwalker, makes their love of sound as clear as their love of РЛБ30011922’s inspiration. In a setting this free and detailed, not a single moment of this one-long-song opus passes by without taking a moment to focus on a given performer’s escalation in the drama of the movement. Wielding short guitar solos as segues into popping double-kick trots, spoken word exposition as pedal switch-up opportunities, all leading to a crescendo of bent and bluesy expression, 夢遊病者 succeeds in more than just holding an audience captive with their jammy and heartfelt statement. РЛБ30011922, like the shorter form releases that have graced these halls before, will have you coming back time and time again to explore its sentiments, which feel both traced from a dream yet rooted in rich, earthly tone pleasures.
Saunders’ Slinky Sneaks
Enragement // Extinguish All Existence [October 31st, 2025 – Transcending Obscurity]
The back end of 2025 has thrown down some delightfully vicious, chunkified, and straightforward death metal gems, courtesy of the likes of Depravity, Glorious Depravity and Terror Corpse. Not to be discounted, Finland’s Enragement dropped their own intense slab of brutal death on fourth LP, Extinguish All Existence. Cutting with any pleasantries, Enragement get down to business, slamming through a tight, burly collection of Americanized death, keenly treading a balance between thuggish beatdowns, chest-busting blasts, slammy, pig-squealing grooves, and more traditional, though deceptively diverse brutal death fare. Despite the certifiably crushing formula deployed, there is an air of accessibility, perhaps attributed to the clean but suitably beefy production job, bludgeoning, addictive grooves and sinister currents of atmospheric melody flowing through the album’s riff-centric veins. Thrashy, straightforward bursts of fury are tempered by more technical flourishes and an impressively versatile vocal assault. The likes of Devourment, Deeds of Flesh, Dawn of Demise and Benighted are perhaps fitting reference points, however, Enragement blast their own path of uncompromisingly heavy destruction.
Stephen Brodsky // Cut to the Core Vol. 1 [October 3rd, 2025 – Pax Aeturnum]
There are a couple of ways to broach this latest solo endeavor from lovable rogue and Cave In/Mutoid Man mastermind Stephen Brodsky. Brodsky delivers refreshed interpretations of various ’90s hardcore songs, reimagined in acoustic form. Those familiar with the original compositions will likely have fun dissecting and comparing the original anthems. While others, such as myself, largely unfamiliar with the originals, can enjoy these polished takes in their reimagined form, without comparison. Over the years, I have developed a strong connection with Brodsky’s works and come to appreciate his softer, acoustic flavorings. The likes of Snapcase, Converge, Texas is the Reason, Threadbare and By the Grace of God are some of the acts covered with typical style, zest, and emotion. Brodsky’s expressive and emotive delivery showcases both a loving appreciation of the material and deeper emotional connection that bleeds through the often darker, melancholic vibes of the acoustic constructions. The collection is remarkably consistent and infectious, highlighted by Brodsky’s crisp and soulful acoustic playing and distinctive singing voice on standout cuts, including “Windows” (Snapcase), “Benchwarmer” (Lincoln), “Fissures” (By the Grace of God), “Farewell Note to This City” (Converge), and “Voice” (Sense Field).
Soul Blind // Red Sky Mourning [October 10th, 2025 – Closed Casket Activities]
Riding a familiar wave of early ’00s alt-rock/metal and ’90s grungy nostalgia, New York’s Soul Blind emerge with sophomore LP, Red Sky Mourning. Although they tread dangerously close to overt derivation of prominent influences, including Alice in Chains, Deftones, and Helmet, Soul Blind manage to just stay afloat on their own terms. The dreamy melodies, chunky alt metal riffs, and soaring, Cantrell-esque vocal melodies cultivate some earwormy hooks and fuzzy, 90s/’00s feels. Soul Blind possess a knack for writing textured, mildly sludgy, infectious rock ditties, dabbling in shoegazing atmospherics, and sturdier alt metal territories along the way. Soul Blind relish in AIC inspired earworms (“Dyno,” “Hide Your Evil”), grittier, more aggressive alt metal fare (‘Billy,’ “New York Smoke”) and airy, indie pop-rock (“Thru the Haze”). Soul Blind have work to do to stand out from their influences and develop a more unique sound and robust character. However, the signs are positive for better things to come. Red Sky Mourning is a solid throwback album and handy companion piece to the equally nostalgia-inspired album from Bleed earlier in the year.
#2025 #Acoustic #Adrift #Aggravate #AliceInChains #AmericanMetal #AncientMonumentsAndModernSadness #Ancst #Anthrax #AsTheWorldTreeFell #AtmosphericBlackMetal #BlackCrossHotel #BlackMetal #Bleed #Bloodgutter #ByTheGraceOfGod #CanadianMetal #CanvasOfSilence #CattleDecapitation #CaveIn #ClosedCasketActivities #Converge #Crust #CutToTheCoreVol1 #DeathMetal #Deftones #Depravity #DiamondHead #DormantOrdeal #EdgewoodArsenalRecords #Enragement #ExtinguishAllExistence #FellOmen #Fellowship #FiadhProductions #FinnishMetal #FuneralDoom #FysiskFormatRecords #GalgerOgBrann #GloriousDepravity #GordianKnot #GrooveMetal #Grunge #HardRock #Hardcore #Havok #HeavyMetal #Helmet #HorrorPainGoreDeathProductions #IndependentRelease #IndustrialMetal #InternationalMetal #IronMaiden #JapaneseMetal #KillingJoke #KingCrimson #Lincoln #MadderMortem #MeAndThatMan #MelodicBlackMetal #Miasmata #Ministry #MutoidMan #MyDyingBride #NapalmDeath #NaturmachtProductions #NewZealandMetal #Nightwish #NorwegianMetal #Oct25 #Oromet #Ossuary #PaxAeternum #PigDestroyer #ProgressiveMetal #ProgressiveRock #RedSkyMourning #RepulsiveSummoning #Review #Reviews #RockshotsRecords #Rotpit #Sanguisugabogg #ScorchingTomb #SelfRelease #SelfReleased #SenseField #Skitsystem #Snapcase #SomeoddpilotReocrds #SongsForSwitches #SoulBlind #Soulfly #Starer #StephenBrodsky #StuckInTheFilter #StuckInTheFilter2025 #Subterrania #Sutratma #SymphonicMetal #TerrorCorpse #Testament #TexasIsTheReason #TheDarkElement #Theocracy #Threadbare #TimeToKillRecords #toe #Tragedy #TranscendingObsurityRecords #Uaar #ViolentTestimony #Vomitory #Windir #Xaoc #РЛБ30011922 #夢遊病者
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L’année dernière, @MoritzBrouhaha nous a raconté l’histoire du standard informatique Unicode, utilisé par tout le monde à travers le globe dans nos communications quotidiennes. Visionnez ou revisionnez sa conférence en ligne.
https://www.paris-web.fr/2025/conference/a-la-decouverte-du-monde-au-travers-de-lunicode
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@jupiter_rowland @danie10 @thenexusofprivacy @mikedev
Okay first I should state that I've never actually said that masto isn't a solid and capable platform. It is, but at a severe cost - the design of masto, notwithstanding the insistence on maintaining a historically lackluster feature set when compared with almost any other Fediverse software, is such that it really isn't built for #DeSoc - it really strives to be some sort of unachievable ideal for the monolithic silo model.
No one but me seems to site this nowadays, but masto doesn't even really shine with respect to cost in terms of system resources and stability until you approach the 20,000 user account mark. What? Why would you do that? Back when these stats were being bandied about, Pleroma was showcasing its new #Gopher protocol (browsing) support, and reminding people that it felt perfectly at home on an #rPi. No such claim was ever made for masto, lolz. That doesn't mean that the other platforms aren't just as capable of scaling vertically... but... why? Who's going to foot the bill? Who's going to manage all of those un-vetted people creating accounts on your machines? Why would someone bother with that in the first place?
Community? Nope - there's no sense of community on masto servers, and I'll get to that later. Because you want to create your own private Idaho? Probably.
mastodon.socialis one of, if not the, largest deprecated monolithic silos existing in the Fediverse today. Why? What possible benefit could be derived by driving a million people into a single funnel under the auspices of telling them that they're escaping that very same model? It's ludicrous.No matter what happens in the short term, Eugen is assured of his parachute and comfortable retirement fund, except for the part where he forgot to have his new significant other sign a pre-nup - that might dash his net worth later, but that's another consideration entirely. I hope his marriage is actually a long and fruitful one that lasts forever, he's not a bad guy, he's just been courted and corrupted by the "Ooh shiney" phenomenon of financial entrapments that come with relative success in the media and pop culture.
The reason masto needs to be hard forked (several times, IMO) is not to create a better masto that will lend itself to DeSoc, #smolweb, and self-hosting on people's home networks, but rather, to further dilute the trademark, and especially the brand, effectively killing it if possible, supplanting it with Fediverse instead. People like to bounce around that term inclusivity, well, this accomplishes that.
Forks of masto aren't going to create a better masto. No way. Sure, some improvements on this one, other features on that one, but dilution of the brand until it is only as significant as any other deserving Fediverse platform is and should be the ultimate goal. It's not well suited, architecturally for horizontal scaling anyway, unless you don't mind throwing all those system resources at it that could better serve you elsewhere with something like #GoToSocial or one of the #Misskey and #Pleroma family fork members.
True leaders in the Fediverse will initially be those platforms that have planned ahead and accommodate other DeSoc protocols, arguably Fediverse protocols, at this time, #Diaspora, #OStatus, #Nomad, #Zot, and even others that some #Fedizens turn their noses up at, like #nostr and #Bluesky's #ATP. #ActivityPub is NOT the end-all, be-all for the future. It is the golden calf of today, and just as others that have come before, it will morph and evolve or be obviated by others that will be plugged into the platforms currently running it - #Friendica, #Hubzilla, and Streams are prime examples of this, and Friendica especially, considering it's the only extant original member of the Fediverse for all intents and purposes. One could say that Friendica is the #Slackware of the Fediverse, lolz.
With respect to Friendica in particular, but also Hubzilla and others that have arrived at this obvious conclusion, ActivityPub is merely the major vehicle by which it communicates with other decentralized social communications systems on the Internet. I don't think it has ever lost sight of that, like another of its contemporaries, #GNU_Social did.
Hemming large masses of people onto a single (and at this time appearing to be) and open walled garden has the immediate effect of control over large swaths of population - you can say this, but not that. You can think this, but not that. You can be this, but not that. You can believe this, but not that - under penalty of excommunication.
In reality, we don't have strong friendships with our neighbors - that's why we have fences. We wave to them and say hi, call the cops when they're on vacation and see someone suspicious lurking about their property. That's about the extent of being a neighbor. We invite our friends and coworkers over for BBQ's and to swim in our pools, not so much our neighbors.
The current masto social architecture is the antithesis of that, and so is it's physical architecture - put all the lobsters in the same pot of boiling water. Turn on and off their ability to speak all at once. Force them en masse to endure advertising blitzes (Oh, mark my word that's coming) decided upon by the server admin. It's like Baba O'Reilly by The Who - "Meet the new boss, Same as the old boss".
That's not the promise of Fediverse. it's the antonym.
masto also hinders innovation, attempting to define, dictate even, what should and should not be available - Nomadic identity is but one emerging facet of what is fracturing the masto monopolistic initiative - and that's a good thing, because with the help of FEPs, already, others are adopting various cooperative models for this as well, but discussing that now, and here, at this time, is more of a tangent so I'll get back to the point.
Jupiter:
> That's why people still fork Mastodon to add features that are available just about everywhere else.Indeed it is, and why it has managed to enjoy a reasonable level of notoriety. There's also the wholly undeserved notion of community that actually, in direct opposition to, masto has continually sought to break and in a very big way, break.
There are certainly platforms (mostly forumware) that curate a sense of community, but those days are largely past. Whether it was #gplus, #Myspace, #Faceplant, #InstaSPAM, or #Twitter; because just as it is in real life, #COMMUNITY is that which you define for yourself through your connections - your follows and those who choose to follow your account. The biggest failures in the Fediverse that I've personally observed are those that seek to localize, geographically or by shared interest, a monolithic ivory tower of sameness and similarity amongst people.
I felt so awful for one guy who, so enthusiastically upon discovering the Fediverse, started registering domain names corresponding to several states, thinking that he would be successful in launching a geographically oriented family of masto based servers tending to the shared interests of people by offering them a place to congregate. He quickly discovered the fatal flaw in his model, but was stuck with hefty data center bills to maintain all these masto servers that were largely uninhabited.
Trying to get rid of your masto subscribers when you figure out that you need to egress from it is not an easy task without disenfranchising your user base. I know, because a few years back, not long after
@Gledarchived his #mastodo fork and urged everyone to adopt Pleroma instead, I face the daunting task of trying to convince my user base to migrate elsewhere - it took more than a year to accomplish!Danie:
> thing is though there are also many existing alternatives to Mastodon already on the Fediverse, so why fork it?In a nutshell, because it serves to, at the very least, dilute the masto brand, and more likely kill it. It has served its purpose and now that it has been exposed as a vehicle antithetical to #DeSoc, it's time to deprecate it.
My introduction to the #Fediverse occurred when I stumbled upon an earlier incarnation of #Friendica, started looking at #Red_Matrix, and discovered that the monolithic model, if not having been shown the door, had at least been handed its hat.
The problem at that time, was the effect of Prettiness, and of course, UX. Friendica wasn't too bad in that latter sense, when compared to that of Faceplant, but it sure didn't even come close to being as pretty as Faceplant - or even Myspace, which had only recently fallen into the abyss. That's changed A LOT, even in just the past year, with respect to Friendica and Hubzilla - they're much more intuitive for a layperson parachuting to the ground after jumping from the cesspit over at Faceplant.
I think that more than anything, not being pretty enough for the subjugated chattel coming from Twitter and Faceplant, was the most difficult thing for onboarders to embrace. Mike placed all of his focus on functionality and forward thinking vision with respect to what these and later efforts could provide the masses, but the "prettification" was left to others who didn't step up for the challenge for many years. I'm all for features six-ways to Sunday, but I also feel that many things need to be hidden from the landing page a new user sees upon account creation - the very basics they expect should be there, akin to those available in the deprecated monolithic space; users expect this, but they don't yet know they not only want, but really need all of these other feature sets too, yet some things should left, IMO, to be discovered later by the user.
And in my conversations years ago with Mike, I gleaned as much from him [paraphrased, of course]: "Here's this really bitchen gift for the masses, it does all this kewl stuff, now I leave it up to others to make it pretty" (and with a sense of coherency that these former subjugated chattel can initially get their heads around). Putting all that stuff right in their face was awe inspiring, but foreboding at the same time for many.
Well, finally, people are making it pretty :) And they're also moving much of the overwhelming busy-ness elsewhere in the UI. As a result, there's been an explosion of adoption - not even primarily from former masto folks either.
I'd like to touch on the notion of community one more time in closing. It might be convenient for n00bie onboarders to glean a bit about how a particular platform functions, but just like in your own neighborhood where you live, you make friends elsewhere mostly - at work, at functions of the hobbies you engage in, with friends you meet at the grocery store or libraries, and the beaches or on hiking or 4x4 weekend excursions. It's the same way in the Fediverse, you make your friends through connections here and there through people you discover along the way, and 99% of them ARE NOT on your particular server instance.
They don't need to be either, because this is the Fediverse :)
⛵
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NIE DA SIĘ GO NIE LUBIĆ 😂
Kacper, pozostań sobą i nigdy się nie zmieniaj 😂
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NIE DA SIĘ GO NIE LUBIĆ 😂
Kacper, pozostań sobą i nigdy się nie zmieniaj 😂
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Why should a failure to block something amount to a tacit approval? To me, that is an argument from silence, a fallacy, and this war of choice in Iran remains unauthorized by Congress (see https://reason.com/2026/04/16/congress-declines-again-to-rein-in-trumps-iran-war/). Even more ludicrous is why Congress—who decides on which wars to wage—requires a two-thirds majority to overrule a president's veto on a war powers resolution (see INS v. Chadha).
#executiveOverreach #foreignPolicy #Iran #IranWar #TrumpAdministration #USCongress #WarPowers
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cornhole
The following article appeared in the online news site the Baltimore Banner on 23 March 2026:
Putting aside the fact that this headline is a wonderful example of the infinite expressiveness of language—expressing a thought that no one would ever have imagined prior to reading it—its use of cornhole is remarkable, for that word is an apparent violator of Gresham’s Law as applied to language—that “bad” meanings will drive out “good” ones. For cornhole is both a noun referring to a wholesome beanbag game, played by children and serious adult competitors alike, and a verb meaning to engage in anal intercourse.
Cornhole is not a case where the sexual sense of the word is restricted to a niche discourse community, so that those who participate in the beanbag game are unaware of its carnal meaning. The sexual sense is much older than the ludic sense and is well known to the wider public. In my own case, I was familiar with the sexual sense long before I learned of the game, which was when I first moved to Texas in 2016, and one of my students proudly admitted, to my confusion and surprise, that they enjoyed cornhole.
The game has recently made an appearance on the HBO series DTF St. Louis, where the protagonists get to know one another over a game of cornhole in the first episode; the episode is even titled “Cornhole.” But despite the sexual theme and plot of the series, in the show the game is simply a game. No one makes a crack about the sexual meaning of cornhole and there are no obvious double entendres involving it. While the writers must have been aware of the double meaning, there is no indication that is the case from watching the show. Cornhole is just about the most innocent aspect of the series.
As the setting for DTF St. Louis indicates, the game of cornhole is especially popular in middle America, apparently less so on the coasts. For those unfamiliar, it is played with a raised and tilted board that has a hole cut in it, and players attempt to toss beanbags into the hole. There is an American Cornhole Association, founded in 2005, that claims to be the “governing body for the sport of cornhole,” but its website seems to exist mainly to sell cornhole-related products. The rival American Cornhole League was founded in 2015; its website, while it also sells merchandise as a side hustle, focuses on organizing and promoting tournaments. And there is even a World Cornhole Organization that has held a Cornhole World Cup competition since 2023.
Equipment for the game of cornhole. Michael Rivera, 2015. Wikimedia Commons. CC BY 4.0The game is first described in an 1883 patent under the name Parlor Quoits, the name cornhole being much more recent. That later name is only reliably attested to in the twenty-first century, although it may be a few decades older. I found the following classified ad in the Cleveland, Ohio Plain Dealer from 4 March 1979:
ANYONE KNOWING WHEREABOUTS of Mary Oriti of Parma, cabinet cornhole expert, please call Chuck at [phone number].
Putting aside the mystery of what happened to Mary, I can’t tell whether or not cabinet cornhole is a reference to the game. I’m reasonably confident that it doesn’t refer to the sex act, although it’s not beyond the realm of possibility that Chuck and Mary were into non-vanilla sex.
The earliest clear reference to the game of cornhole is in another Ohio classified ad, this one from 13 July 2001 in the Cincinnati Post:
CORNHOLE—Beanbag style yard game fun/safe for all $50 [phone number].
The Oxford English Dictionary has a first usage citation from 2002, so it’s a good assumption that the name of the game was becoming well established during the opening years of this century.
The sexual sense, on the other hand, dates to over a century ago. The gay slang verb to cornhole is recorded in academic literature in Edward Kempf’s 1920 Psychopathology:
He said the “boys call me chicken and kid me about cornholing me (sodomy) and they call me shitpot.” He was very suspicious of everyone and reluctant to tell me about his case. He was having auditory hallucinations and other vivid sensory disturbances. When asked, using his phrase, if he had been “cornholed,” he said not unless they had “chloroformed” him. He believed that this might have occurred. He admitted having had such sexual relations with his brother when a boy.
And J. E. Lighter’s Historical Dictionary of American Slang cites Henry N. Cary’s Sexual Vocabulary, a typescript from c. 1920, as glossing the noun cornhole as the “anus.” So it’s pretty clear that the sexual sense was in oral circulation in the opening years of the last century.
While the term started out as gay slang at the start of the twentieth century, by century’s end it had become generally familiar to heterosexuals, making its way into mainstream entertainment in the 1990s. The MTV animated series Beavis and Butt-Head featured an alter-ego of Beavis named Cornholio; that is Beavis with his t-shirt pulled over his head and saying things like “I am Cornholio, I need TP for my bunghole.” Cornholio made his debut in season 4, episode 29, “Generation in Crisis,” which aired 14 July 1994.
CornholioAnd the sitcom Arrested Development (S1E3, “Bringing Up Buster,” 16 November 2003) contained a conversation between Lucille Bluth, played by the inimitable Jessica Walter, and her son Michael about her other son, Buster, with a line that will forever live rent free in my head:
LUCILLE: Everyone’s laughing and riding and cornholing except Buster.
https://www.youtube.com/watch?v=LntVJf9UG3g
Jason Bateman, who plays Michael, is also one of the stars of DTF St. Louis.
The cornholing double entendre in the Arrested Development scene doesn’t involve the beanbag game. It is playing off another trope in the show, the “Cornballer,” a defective deep fryer for balls of corn meal that burned the hands of anyone who tried to use it. Still the word’s use on the show demonstrates that the sexual sense was well established enough to be a joke on network television at the same time the game of cornhole was rising in popularity.
As to the etymology of the anal intercourse sense, that, like the origin of most slang terms, is more guesswork than fact. There is a literal sense of cornhole, meaning a hole in which a corn seed is planted, that dates to the seventeenth century. It seems likely that the sense of an anus came from this, and the verb from this anatomical sense. The origin of the name of the game is less mysterious, although it too is not known with absolute certainty—the bags were originally filled with dry corn kernels and the hole, obviously, refers to the target hole in the board.
And while the game of cornhole is played in earnest, I would not be entirely surprised if the name was coined as a kind of inside joke, with full knowledge of the carnal sense, a case of Middle America “owning the libs” on the coasts and enjoying the shocked looks on their faces when they hear the name of the game for the first time.
Sources:
Classified Ad. Cincinnati Post (Ohio), 13 July 2001, 12C/10. Readex: America’s Historical Newspapers.
Classified ad. Plain Dealer (Cleveland, Ohio), 4 March 1979, Section 7, 1/1. Readex: America’s Historical Newspapers.
“Cornholio.” Beavis and Butt-Head Wiki. Accessed 25 March 2026. Fandom.com.
Green’s Dictionary of Slang, accessed 24 March 2026, s.v. cornhole, n., cornhole, v.
Kempf, Edward J. Psychopathology. St. Louis: C. V. Mosby, 1920, 676. HathiTrust Digital Library.
Lighter, J. E. Historical Dictionary of American Slang, vol. 1 of 2. New York: Random House, 1994, s.v. cornhole, n.
Oxford English Dictionary Online, September 2021, s.v. cornhole, n., cornhole, v.; June 2021, s.v. beanbag, n.
#analSex #ArrestedDevelopment #BeavisButthead #cornhole #popCulture -
CW: I know this is old news from 2025 BUT I MUST REDIRECT YOUR ATTENTION TO THIS FOR THOSE NOT IN THE KNOW! (US and European politics, Newsmax)
Look. Remember #Newsmax? That conservative news network in America? Well. Apparently I just now discovered this:
"#NewsmaxBalkans, the media partner of the American TV network Newsmax, is already present in #BosniaAndHerzegovina, #Montenegro, and #NorthMacedonia. With the launch of newsmaxbalkans.al in #Albania, its presence across the #Balkans is now complete.
Newsmax Balkans also has correspondents in Washington, Brussels, Chicago, and Munich, as well as a network of reporters across #Serbia.
Newsmax Balkans is the fastest-growing media company in this part of #Europe, and after Albania, expansion is planned to Central and Eastern European countries – #Poland, the #CzechRepublic, #Slovakia, #Hungary, #Romania, and #Bulgaria."
And also they want to make it so that they eventually expand to not just all of the Balkans but ALL OF EUROPE! (They are apparently planning to launch operations in #Poland this year?) This is NUTS! https://newsmaxbalkans.com/english/vesti/25681/christopher-ruddy-and-vladimir-lucic-present-newsmax-balkans-expansion-plan/vest
For context: https://en.wikipedia.org/wiki/Newsmax
How I know this? They have a YouTube channel! Where they are already influencing their target audience! https://www.youtube.com/channel/UCLwCfOjZDvGpNxagHt2eo7A
(If any info is incorrect or incomplete, feel free to fact check me in the comments)
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Este es el estado actual de las instalaciones de la explanada de Miguel Hernández en el distrito de Puente de Vallecas
- La rampa de bajada y subida aledaña al acceso al Metro y al Centro ambulatorio de Federica Montseny tiene boquetes con los que cualquiera se puede tropezar, dado que se llega a ver la ferralla y que obstaculizan el paso a personas con movilidad reducida.
- Una de las mesas de Ping-Pong lleva rota desde hace meses y no se ha sustituido a pesar de las múltiples quejas.
- Pintaron las paredes para intentar tapar los graffitis que había con distintas tonalidades de grises y el resultado es una amalgama de tonos y suciedad, tras que la pintura usada se haya deteriorado. Se ha solicitado en repetidas ocasiones que se realice algún tipo de intervención artística en los murales, como se ha realizado en otros puntos de Madrid para rejuvenecer y dar vida a este espacio deportivo y lúdico.
- El parque infantil está totalmente descuidado con malas hierbas, suciedad, columpios deteriorados y sin árboles o lonas que hagan sombra para reducir la temperatura de la zona.
- Desagües sin rejillas y obstruidos por basura y la flora salvaje que ha proliferado. Rejillas rotas en los muros de ventilación del parking y de la estación del metro.
- Peligro de derrumbe de uno de los muros de la caseta o edificio multiusos de Parques y Jardines ubicado en el número 12 de la calle León Felipe. Según los trabajadores y comerciantes de la zona, esta dotación corre riesgo de derrumbe y está en desuso desde hace tiempo, dado que el suelo se está hundiendo y se están fracturando los muros del recinto.Con esta publicación, trasladamos esta queja vecinal a la Junta Municipal de Puente de Vallecas, a su concejal presidente Ángel Niño y al Ayuntamiento de Madrid para que hagan su labor ante todos estos desperfectos y que al igual que en otros distritos y barrios "céntricos", se inviertan las correspondientes partidas presupuestarias para subsanar cada uno de estos casos.
Todos estos asuntos ya han sido comunicados en repetidas ocasiones por parte de la Asociación de Vecinas y Vecinos Palomeras Sureste y no se está actuando en la zona desde hace dos años, para ser exactos, desde Octubre de 2022 cuando pintaron de forma "chapucera" todos los muros de la explanada:
#Impuestos #Inversión #Mantenimiento #Deterioro #Barrio #Denuncia #Vecinal #BarrioRicoBarrioPobre #Política #PuentedeVallecas
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Este es el estado actual de las instalaciones de la explanada de Miguel Hernández en el distrito de Puente de Vallecas
- La rampa de bajada y subida aledaña al acceso al Metro y al Centro ambulatorio de Federica Montseny tiene boquetes con los que cualquiera se puede tropezar, dado que se llega a ver la ferralla y que obstaculizan el paso a personas con movilidad reducida.
- Una de las mesas de Ping-Pong lleva rota desde hace meses y no se ha sustituido a pesar de las múltiples quejas.
- Pintaron las paredes para intentar tapar los graffitis que había con distintas tonalidades de grises y el resultado es una amalgama de tonos y suciedad, tras que la pintura usada se haya deteriorado. Se ha solicitado en repetidas ocasiones que se realice algún tipo de intervención artística en los murales, como se ha realizado en otros puntos de Madrid para rejuvenecer y dar vida a este espacio deportivo y lúdico.
- El parque infantil está totalmente descuidado con malas hierbas, suciedad, columpios deteriorados y sin árboles o lonas que hagan sombra para reducir la temperatura de la zona.
- Desagües sin rejillas y obstruidos por basura y la flora salvaje que ha proliferado. Rejillas rotas en los muros de ventilación del parking y de la estación del metro.
- Peligro de derrumbe de uno de los muros de la caseta o edificio multiusos de Parques y Jardines ubicado en el número 12 de la calle León Felipe. Según los trabajadores y comerciantes de la zona, esta dotación corre riesgo de derrumbe y está en desuso desde hace tiempo, dado que el suelo se está hundiendo y se están fracturando los muros del recinto.Con esta publicación, trasladamos esta queja vecinal a la Junta Municipal de Puente de Vallecas, a su concejal presidente Ángel Niño y al Ayuntamiento de Madrid para que hagan su labor ante todos estos desperfectos y que al igual que en otros distritos y barrios "céntricos", se inviertan las correspondientes partidas presupuestarias para subsanar cada uno de estos casos.
Todos estos asuntos ya han sido comunicados en repetidas ocasiones por parte de la Asociación de Vecinas y Vecinos Palomeras Sureste y no se está actuando en la zona desde hace dos años, para ser exactos, desde Octubre de 2022 cuando pintaron de forma "chapucera" todos los muros de la explanada:
#Impuestos #Inversión #Mantenimiento #Deterioro #Barrio #Denuncia #Vecinal #BarrioRicoBarrioPobre #Política #PuentedeVallecas
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"A huge amount of the economy is driven by people who are, simply put, highly suggestible. That is to say that it is very, very easy to get them excited and willing to spend money."
Read more by Nikhil Suresh @ludicity: https://ludic.mataroa.blog/blog/brainwash-an-executive-today/
#executives #saas #scams #leads #AIBubble #impression #marketing #consulting #pitching #decisionMakers #deciding #leaders #bias #leadership #power #decisionMaking #dominance #psychopaths #buying #money #Microsoft #agenticAI
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We Dallas sports fans have a unique appreciation for how frustrating it is to be at the mercy of a stubborn octogenarian billionaire. We have endured a long, sports drought.
Fellow Americans: Get ready for more of this ludicrousness under the leadership of another stubborn octogenarian billionaire.
CeeDee Lamb throws shade after losing ball in sun as Jerry Jones bristles over stadium criticism
#Dallas #DallasCowboys #JerryJones #SkyMirror #NFL #ATTStadium #SolarPower
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(3/4) And people #studied in #medical #research were long mostly #men, so some #diseases in #women go #undiagnosed and #untreated because sometimes diseases in women present differently than they do in men. https://beta.elsevier.com/promotions/clinician-of-the-future-education-edition
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(3/4) And people #studied in #medical #research were long mostly #men, so some #diseases in #women go #undiagnosed and #untreated because sometimes diseases in women present differently than they do in men. https://beta.elsevier.com/promotions/clinician-of-the-future-education-edition
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(3/4) And people #studied in #medical #research were long mostly #men, so some #diseases in #women go #undiagnosed and #untreated because sometimes diseases in women present differently than they do in men. https://beta.elsevier.com/promotions/clinician-of-the-future-education-edition
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(3/4) And people #studied in #medical #research were long mostly #men, so some #diseases in #women go #undiagnosed and #untreated because sometimes diseases in women present differently than they do in men. https://beta.elsevier.com/promotions/clinician-of-the-future-education-edition
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(3/4) And people #studied in #medical #research were long mostly #men, so some #diseases in #women go #undiagnosed and #untreated because sometimes diseases in women present differently than they do in men. https://beta.elsevier.com/promotions/clinician-of-the-future-education-edition
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Nietzsche ens diu que l'home és l'únic animal capaç de fer promeses (deutes). Però el preu d'aquesta capacitat ha estat la creació d'una superestructura moral que utilitza la por i el deute per domesticar la voluntat de poder de les societats.
7/8
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Coincidències puntuals: La Xina
L'únic punt on hi ha ha una certa alineació és en la percepció de la Xina com a rival estratègic.
Tant RAND com MAGA coincideixen que Pequín és el principal repte geopolític, tot i que els mètodes per abordar-lo (aranzels unilaterals vs. aliances regionals) segueixen sent motiu de disputa.
6/7
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Adapted
canderbywin.rbfrom 2007-08 intocanwolveswin.rbfor 2025-26 and, given the current table and remaining fixtures, my script predicts that no, they cannot win the Premier League this season. Best it reckons they can do (going off my “X should win if condition Y” predicates) is 68 points in 6th. Which, given P16 PT2 is LUDICROUSLY GOOD.It will not happen. But it might.
Code and readme at https://git.rjp.is/rjp/canXwin
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When Visibility Becomes Vulnerability: The Kidnapping of Influencer “La Nicholette” and the New Risks of Digital Fame in Mexico
#InfluencerSafety
#MexicoSecurity
#DigitalFame
#Sinaloa
#lanicholette
#OrganizedCrimehttps://eng.harbouchanews.com/2026/01/when-visibility-becomes-vulnerability.html
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Oh, you think you have good #memory? Try playing this #game based on the #Unicode #RIS (#RegionalIndicatorSymbols), featuring 258 pairs: #uniFlags
http://uniflags.oblomov.eu/I bet it doesn't even fit in your screen.
If you care about how I got to this one, there's a little bit of history here:
http://wok.oblomov.eu/mathesis/six-cm-per-flag/
http://wok.oblomov.eu/ludica/uniflags/What's you best run? Mine so far has been 892 turns with 1150 pairs revealed.
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XXXVI Día Infantil y Juvenil de Vallecas 🎉 7 de Junio de 2025
El sábado 7 de Junio, los peques, jóvenes y mayores de Vallecas tomarán la calle Payaso Fofó para jugar y divertirse en la trigésima sexta edición del Día Infantil y Juvenil de Vallecas.
Una jornada festiva organizada por la Coordinadora Infantil y Juvenil de Tiempo Libre de Vallecas y en la que todo el mundo está invitado a participar, jugar, bailar, aprender, convivir y disfrutar, haciendo que la calle se convierta en un espacio lúdico.
Para conocer todos los horarios y actividades de esta edición, pulsar en el siguiente enlace y podréis leer la noticia completa en nuestra web:
https://www.portalvallecas.es/xxxvi-dia-infantil-y-juvenil-de-vallecas-7-de-junio-de-2025/
#DíaInfantilyJuvenil #DIJVallecas #Actividades #Baile #Batukada #Bomberos #Capoeira #Circense #Zancos #Charanga #Espuma #Familia #Fiesta #Juegos #Madres #Música #Niñas #Niños #Ocio #Padres #Peques #Samba #Talleres #Colectivos #Voluntarios #Vallecas #Vallekas
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XXXVI Día Infantil y Juvenil de Vallecas 🎉 7 de Junio de 2025
El sábado 7 de Junio, los peques, jóvenes y mayores de Vallecas tomarán la calle Payaso Fofó para jugar y divertirse en la trigésima sexta edición del Día Infantil y Juvenil de Vallecas.
Una jornada festiva organizada por la Coordinadora Infantil y Juvenil de Tiempo Libre de Vallecas y en la que todo el mundo está invitado a participar, jugar, bailar, aprender, convivir y disfrutar, haciendo que la calle se convierta en un espacio lúdico.
Para conocer todos los horarios y actividades de esta edición, pulsar en el siguiente enlace y podréis leer la noticia completa en nuestra web:
https://www.portalvallecas.es/xxxvi-dia-infantil-y-juvenil-de-vallecas-7-de-junio-de-2025/
#DíaInfantilyJuvenil #DIJVallecas #Actividades #Baile #Batukada #Bomberos #Capoeira #Circense #Zancos #Charanga #Espuma #Familia #Fiesta #Juegos #Madres #Música #Niñas #Niños #Ocio #Padres #Peques #Samba #Talleres #Colectivos #Voluntarios #Vallecas #Vallekas
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XXXV Día Infantil y Juvenil de Vallecas 🎉 1 de Junio de 2024
El sábado 1 de Junio, los peques, jóvenes y mayores de Vallecas tomarán la calle Payaso Fofó para jugar y divertirse en la trigésima quinta edición del Día Infantil y Juvenil de Vallecas.
Una jornada festiva organizada por la Coordinadora Infantil y Juvenil de Tiempo Libre de Vallecas y en la que todo el mundo está invitado a participar, jugar, bailar, aprender, convivir y disfrutar, haciendo que la calle se convierta en un espacio lúdico.
Para conocer todos los horarios y actividades de esta edición, pulsar en el siguiente enlace y podréis leer la noticia completa en nuestra web:
https://www.portalvallecas.es/xxxv-dia-infantil-y-juvenil-de-vallecas-1-de-junio-de-2024/
#DíaInfantilyJuvenil #DIJVallecas #Actividades #Baile #Batukada #Bomberos #Capoeira #Circense #Zancos #Charanga #Espuma #Familia #Fiesta #Juegos #Madres #Música #Niñas #Niños #Ocio #Padres #Peques #Samba #Talleres #Colectivos #Voluntarios #Vallecas #Vallekas
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XXXV Día Infantil y Juvenil de Vallecas 🎉 1 de Junio de 2024
El sábado 1 de Junio, los peques, jóvenes y mayores de Vallecas tomarán la calle Payaso Fofó para jugar y divertirse en la trigésima quinta edición del Día Infantil y Juvenil de Vallecas.
Una jornada festiva organizada por la Coordinadora Infantil y Juvenil de Tiempo Libre de Vallecas y en la que todo el mundo está invitado a participar, jugar, bailar, aprender, convivir y disfrutar, haciendo que la calle se convierta en un espacio lúdico.
Para conocer todos los horarios y actividades de esta edición, pulsar en el siguiente enlace y podréis leer la noticia completa en nuestra web:
https://www.portalvallecas.es/xxxv-dia-infantil-y-juvenil-de-vallecas-1-de-junio-de-2024/
#DíaInfantilyJuvenil #DIJVallecas #Actividades #Baile #Batukada #Bomberos #Capoeira #Circense #Zancos #Charanga #Espuma #Familia #Fiesta #Juegos #Madres #Música #Niñas #Niños #Ocio #Padres #Peques #Samba #Talleres #Colectivos #Voluntarios #Vallecas #Vallekas
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XXXIV Día Infantil y Juvenil de Vallecas 🎉 3 de Junio de 2023
El próximo sábado 3 de Junio, los peques, jóvenes y mayores de Vallecas tomarán la calle Payaso Fofó para jugar y divertirse en la trigésima cuarta edición del Día Infantil y Juvenil de Vallecas.
Una jornada festiva organizada por la Coordinadora Infantil y Juvenil de Tiempo Libre de Vallecas y en la que todo el mundo está invitado a participar, jugar, bailar, aprender, convivir y disfrutar, haciendo que la calle se convierta en un espacio lúdico.
Además, en esta edición, se conmemora el centenario del nacimiento del vallecano Don Alfonso Aragón Bermúdez, más conocido por su nombre artístico el ‘Payaso Fofó‘, miembro de los célebres Los payasos de la tele y cuyo apodo da nombre a una de las calles más célebres de Vallecas. Por dicho motivo, el lema de esta edición hace un guiño a este artista con la frase «¡A tapar la calle! Había una vez, un circo…».
Para conocer todos los horarios y actividades de esta edición, pulsar en el siguiente enlace y podréis leer la noticia completa en nuestra web:
https://www.portalvallecas.es/xxxiv-dia-infantil-y-juvenil-de-vallecas-3-de-junio-de-2023
#DíaInfantilyJuvenil #DIJVallecas #Actividades #Baile #Batukada #Bomberos #Capoeira #Circense #Zancos #Charanga #Espuma #Familia #Fiesta #Juegos #Madres #Música #Niñas #Niños #Ocio #Padres #Peques #Samba #Talleres #Colectivos #Voluntarios #Vallecas #Vallekas
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XXXIV Día Infantil y Juvenil de Vallecas 🎉 3 de Junio de 2023
El próximo sábado 3 de Junio, los peques, jóvenes y mayores de Vallecas tomarán la calle Payaso Fofó para jugar y divertirse en la trigésima cuarta edición del Día Infantil y Juvenil de Vallecas.
Una jornada festiva organizada por la Coordinadora Infantil y Juvenil de Tiempo Libre de Vallecas y en la que todo el mundo está invitado a participar, jugar, bailar, aprender, convivir y disfrutar, haciendo que la calle se convierta en un espacio lúdico.
Además, en esta edición, se conmemora el centenario del nacimiento del vallecano Don Alfonso Aragón Bermúdez, más conocido por su nombre artístico el ‘Payaso Fofó‘, miembro de los célebres Los payasos de la tele y cuyo apodo da nombre a una de las calles más célebres de Vallecas. Por dicho motivo, el lema de esta edición hace un guiño a este artista con la frase «¡A tapar la calle! Había una vez, un circo…».
Para conocer todos los horarios y actividades de esta edición, pulsar en el siguiente enlace y podréis leer la noticia completa en nuestra web:
https://www.portalvallecas.es/xxxiv-dia-infantil-y-juvenil-de-vallecas-3-de-junio-de-2023
#DíaInfantilyJuvenil #DIJVallecas #Actividades #Baile #Batukada #Bomberos #Capoeira #Circense #Zancos #Charanga #Espuma #Familia #Fiesta #Juegos #Madres #Música #Niñas #Niños #Ocio #Padres #Peques #Samba #Talleres #Colectivos #Voluntarios #Vallecas #Vallekas