#nightwish — Public Fediverse posts

59. #Nightwish - Yesterwynde, 2024.
"An Ocean Of Strange Islands"

https://youtu.be/I6iwrJjzkIY?si=zWY4gY_tlMHZDAyG

58. #Nightwish - Hvman. :||: Natvre, 2020.
"Music"

https://youtu.be/rwz7-h9LCDU?si=M4Eb0TCpAXEfPcuj

57. #Nightwish - Endless Forms Most Beautiful, 2015.
"Shudder Before the Beautiful"

https://youtu.be/nt9DBSFi4cM?si=dKzHKyLNrYy4yOMx

56. #Nightwish - Imaginaerum, 2011.
"Ghost River"

https://youtu.be/YaRYOb_C0Y8?si=PvcGPeZkCQclnsdR

55. #Nightwish - Dark Passion Play, 2007.
"The Poet and the Pendulum"

https://youtu.be/rVVTiG9UgnE?si=bBu1LIImx7BpA3Ph

54. #Nightwish - Once, 2004.
"Planet Hell"

https://youtu.be/Ce71ToVVxts?si=X3MeCS33kLyFswLQ

53. #Nightwish - Century Child, 2002.
"Ever Dream"

https://youtu.be/lXqncMe3wew?si=KVB7WzdqFY7LYjn7

52. #Nightwish - Wishmaster, 2000.
"Dead Boy's Poem"

https://youtu.be/Dm3k7lXNSa8?si=kxMZBxoRYsgFfPTw

51. #Nightwish - Oceanborn, 1998.
"Sacrament of Wilderness"

https://youtu.be/4giSbC9BQLs?si=UFiWZbb_kWyI-hm-

50. #Nightwish - Angels Fall First, 1997.
"Elvenpath"

https://youtu.be/GwKDj2YALVQ?si=G99uOzsrHtNYGlM2

For #throwbackThursday today I've chosen a #concert I've attended last year, of one my all time favourite singers, #TarjaTurunen and #MarkoHietala
Pictures were taken in Ljubljana and Zagreb venues, as I've attended both concerts, but right here features just her. Yes, they're some more edited, but that's how I wanted them.
Her music and music of her previous band has been an important part of my life.

#singer #photography #nightwish #tarja #symphonicmetal #photooftheday #pictureoftheday

For #throwbackThursday today I've chosen a #concert I've attended last year, of one my all time favourite singers, #TarjaTurunen and #MarkoHietala
Pictures were taken in Ljubljana and Zagreb venues, as I've attended both concerts, but right here features just her. Yes, they're some more edited, but that's how I wanted them.
Her music and music of her previous band has been an important part of my life.

#singer #photography #nightwish #tarja #symphonicmetal #photooftheday #pictureoftheday

For #throwbackThursday today I've chosen a #concert I've attended last year, of one my all time favourite singers, #TarjaTurunen and #MarkoHietala
Pictures were taken in Ljubljana and Zagreb venues, as I've attended both concerts, but right here features just her. Yes, they're some more edited, but that's how I wanted them.
Her music and music of her previous band has been an important part of my life.

#singer #photography #nightwish #tarja #symphonicmetal #photooftheday #pictureoftheday

For #throwbackThursday today I've chosen a #concert I've attended last year, of one my all time favourite singers, #TarjaTurunen and #MarkoHietala
Pictures were taken in Ljubljana and Zagreb venues, as I've attended both concerts, but right here features just her. Yes, they're some more edited, but that's how I wanted them.
Her music and music of her previous band has been an important part of my life.

#singer #photography #nightwish #tarja #symphonicmetal #photooftheday #pictureoftheday

For #throwbackThursday today I've chosen a #concert I've attended last year, of one my all time favourite singers, #TarjaTurunen and #MarkoHietala
Pictures were taken in Ljubljana and Zagreb venues, as I've attended both concerts, but right here features just her. Yes, they're some more edited, but that's how I wanted them.
Her music and music of her previous band has been an important part of my life.

#singer #photography #nightwish #tarja #symphonicmetal #photooftheday #pictureoftheday

https://www.europesays.com/fi/340537/ Ylen uutuussarja Kaamos: Suomalaisen metallimusiikin historia #AlexiLaiho #areena #dokumenttisarja #Entertainment #FI #Finland #Finnish #kaamos #lordi #MarkoHietala #MrLordi #Music #Musiikki #Nightwish #SuomalainenMetallimusiikki #Suomi #TarjaTurunen #teema #Teema&Fem #TuomasHolopainen #viihde #yle #YleAreena

Roughly a decade ago, I obsessively hunted and consumed anything and everything I could find that claimed to be symphonic metal. At some point, though, the genre appeared to become dominated by poppy acts who added keyboards more like an afterthought. But, as if to grant my foregone wish, Ledmotiv has emerged from Gothenburg, Sweden, to put the symphony back into symphonic metal. Captained by composer Viktor Hakan, The Ghost of Carrion was written as a holistic suite and recorded with an array of authentic orchestral instruments. Ledmotiv may be a small band now, but they have big dreams of playing in arenas someday. Given that this, their sophomore record, totals a whopping 75 minutes, their songs must be especially dazzling in order to prevail.

Luckily, Ledmotiv has the skills to make their lofty aspirations a reality. The basis of this mad science experiment is the buoyant rock operas of Avantasia mixed with ultra-catchy Ghost anthems. As reagents, we have the orchestral bombast of Nightwish and the borderline-Broadway theatricality of Ayreon or Scardust. To cap it all off, Nils Leufvenius sprinkles ample quantities of melodic guitar soloing that frequently flirt with power/prog metal territory. All in all, The Ghost of Carrion is very high in sugar, but also contains a great deal of substance, making it digestible without inducing a stomachache.

Although The Ghost of Carrion is a concept album, Ledmotiv keeps the focus where it belongs—on superb songcraft. It’s hard to overstate the importance of the elaborate orchestral compositions in making this so much richer than a collection of arena rock songs. I particularly love when these instruments are brought from a supporting role to the forefront. Oskar Valeberg’s elegant cello gets the spotlight in the intro of “Mother Opus” and a brief solo in “Eureka.” Elsewhere, Miguel Chamorro brings the heat with sizzling violin strings in “What Have I Missed?” that could send the Devil scuttling back to Georgia. Instead of depending on a star-studded cast of voice actors (as Ayreon does), Vide Bjerde’s charismatic and heartfelt performance propels things along with a wide vocal range. He really belts out his lines when it matters most, “For Fire to Behold” and “Eureka” being some of his standout performances. Spoken dialogue is, thankfully, minimal, only popping up a few times during the entire 75 minutes.

Such a long runtime affords many opportunities for things to go awry, but The Ghost of Carrion somehow stays squarely on the rails for the most part. Each of the ten tracks can stand alone, with no irksome intros or interludes. They are bound together by oft-recurring leitmotifs1 introduced early on in “Come to the Light.” Ballads are where many a metal album loses its footing, but Ledmotiv manages to make “Gem of Amber” just as musically enticing with poignant vocal and violin swells. “The Shadow and the Caster,” the nearly 15-minute centerpiece, is a rockin’ ride where each segment segues into the next, occasionally channeling the wacky energy of Queen’s “Bohemian Rhapsody.” Alas, Ledmotiv does finally begin running out of steam in “Be All, End All” and “Deep in the Cauldron,” both a tad more languid than The Ghost of Carrion needs to be as it crests the 1-hour mark.

Even so, it’s genuinely impressive that Ledmotiv was able to formulate as much stellar material as exists in The Ghost of Carrion. It’s also refreshing to encounter a concept album that largely lets the music do the talking. This is a veritable wellspring of creativity, a rare record that appeals to me just as much now as it would have if I had heard it ten years ago. Anyone else who isn’t afraid to feast on the aural equivalent of fluffy, decadent cheesecake should dive right in. It feels like the sky is the limit for Ledmotiv at this early stage of their career, and I’m eager to see how high they can soar.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: ledmotiv.bandcamp.com | facebook.com/Ledmotivofficial
Releases Worldwide: August 27th, 2026

Like a sailor’s call to the sea, I am routinely compelled to the sub-genre of symphonic metal in all of its be-corset-ed miscellany. Why? Maybe I need a break from dudes singing ugly for ladies singing pretty. Maybe falling for Seven Spires justified my continued curiosity in the style.1 Maybe I’ve never been as happy as I was discovering Imaginaerum in high school. Regardless, the call brought me now to the German symphonic group Coronatus and their new record, Dreadful Waters. Led by songwriter/drummer Mats Kurth, Coronatus features three singers in mezzo sopranos Leni Eitrich and Sabine Prechtel, and “rock vocals” by Nemesis, who also contributes to songwriting along with guitarist Harry Zeidler. Rounded out with bassist Simon Gutbrod and violinist Tine Jülich, Coronatus wrote Dreadful Waters with a focus on “merging mysticism, danger and the elemental force of water.” All good words, but does Dreadful Waters bring the strings to live up to them and, more importantly, can Coronatus meet my fix for symphonic metal?

Whatever Coronatus is doing, Dreadful Waters sounds nice doing it. Oscillating between varying degrees of symphonic (“The Siren” and “Die Hexe und der Teufel”) and nautically inclined folk metals (“Southern Cross” and “A Seaman’s Yarn”), Dreadful Waters’ production and mix bring out the best in Coronatus’ instrumentation and give everything a rich openness. Guitars sound chunky and bold while taking on an auxiliary role to the violin and vocals, which are always warm and upfront. Coronatus’ mezzo sopranos bring your typical Tarja-era Nightwish operatics to “The Maelstrom” and “To the Reef!” while Nemesis’ “rock voice” means she brings a Jørn-like grizzled theatricality to her performances on “Dark Ice” and “The Ship’s Cook.” But what really stands out to me is Kurth’s drumming, which is more nuanced than the average symphonic drumming performance. The kick patterns on “Through the Brightest Blue”‘s chorus sound more like a Lamb of God drum track than Nightwish, and “To the Reef!” boasts a palpable jauntiness thanks to the percussion groove. Dreadful Waters is composed of many different pieces, so it’s nice that Coronatus got them all to sound good together.

But symphonic metal lives and dies on its vocalists, and while Coronatus’ singers are skilled musicians, their performances can feel awkward. Each vocalist often brings an almost comical level of warble to their voices, swinging tracks like “Southern Cross” and “A Seaman’s Yarn” towards the ridiculous. Nemesis in particular can overdo it, as her heavy, gravelly vibrato can at times chew the scenery. The mezzo soprano and “rock voice” stylings also sometimes stand at odds with each other, as on songs like “The Siren” and “Dark Ice,” they blend poorly and give off the impression that they weren’t in the studio at the same time. When Coroantus coalesce, like on the album highlight “The Ship’s Cook,” the result is a riveting blend of sophistication and grit that I could listen to all day, but moments like this are unfortunately rare on Dreadful Waters.

The slight vocal issues I see on Dreadful Waters may be a symptom of a larger issue on the album: the lukewarm songcraft. Coronatus’ songs mostly stick to either a slowburn or mid-paced stomp, featuring pretty folk melodies and pleasant orchestrations but little in the way of gripping hooks or powerful performances. Further, vocal melodies are usually played overly straight, throwing few unexpected turns or interesting intervals in favor of a fairly standard symphonic metal play sheet. This makes the more metal-friendly tracks like “The Maelstrom” and “The Siren” come off a bit tepid and, at Dreadful Waters’ worst, its ballads in “Southern Cross” and “Die Hexe und der Teufel” real slogs to get through. Only “The Ship’s Cook” excited me, and that’s because its power metal-adjacent vocal heroics and bouncy chorus melody embody what is woefully missing on much of Dreadful Waters: character.

Dreadful Waters neither sinks nor swims. Far from awful, this record’s shortcomings stem from not doing enough to stand out from the symphonic crowd or playing exceptionally well into its tropes. Less fairweather fans of symphonic metal than I may get more out of Coronatus’ style, but detractors of the style won’t be swayed from their haterdom by it either. Coronatus snagged a real winner with “The Ship’s Cook,” though, so I don’t foresee terrible sailing for the band in their future. But for meeting the need for big strings over my metal, Dreadful Waters doesn’t do it for me.



Rating: Disappointing
DR: 9 | Format Reviewed: 192 kbps MP3
Label: Massacre Records
Websites: facebook.com/coronatusofficial | coronatus.de
Releases Worldwide: January 23rd, 2026

Stuck in the Filter: October 2025’s Angry Misses

By Kenstrosity

They say it’s going to be a harsh winter this year. They always say that, and it’s almost never true, at least not from where I’ve set up camp. However, no matter the weather I am a harsh taskmaster, doling out grueling hours, no pay or benefits, and probably the worst coffee on the planet to my dutiful minions. It takes a special kind of person, motivated by pure unadulterated greed to ravenously scour the filter for dusty, almost-forgotten gems like they do.

But we are thankful for them for being exactly that! And we also benefit, in the form of quality(ish) chunks of glimmery, shimmery metal. BEHOLD!

Kenstrosity’s Riffy Representation

Xaoc // Repulsive Summoning [October 31, 2025 – Edgewood Arsenal Records]

Xaoc’s history is one of the more confusing I’ve encountered in my time writing for this blog. After breaking up in 2008, a new lineup spawned in 2022 to record and release Proxime Mortis from the ashes of songs written pre-breakup, supported by Edgewood Arsenal. At some point this year, two more members spawned in anticipation of this new slab Repulsive Summoning. But the band’s labeled as Split Up already on Metallum? I don’t understand what’s going on there, but at least I can say that Repulsive Summoning is a turbo banger! These riffs are bonkers, full of verve and swagger, brimming with groove and muscularity. A happy mix of Vomitory and Dormant Ordeal, this Virginian outfit know how to throw down. Highlights like “Ave Solva Coagula,” “Antima Samskara,” “The Great Perfected Ones,” and the entire “Degenerate Era” three-part suite reduce my body into a fine slurry by the grinding, vicious power of their riffs alone. But the rabid growls, ballistic percussion, and meaty guitar tones contain more than enough fuel to propel those riffs across this tight and thunderous 35-minute runtime. It’s a simple record, built to beat me down and leave me broken and bloodied, but it’s also an effortlessly memorable affair that leaves me wanting more despite the mounting medical bills. Don’t sleep on Xaoc!

Andy-War-Hall’s Succulent Surplus

Canvas of Silence // As the World Tree Fell [October 31st, 2025 – Rockshots Records]

Finnish symphonic metallers Canvas of Silence describe themselves as “prog-influenced chorus metal,” and that description goes far in outlining their debut As the World Tree Fell. Their core sound resembles a progged-out Nightwish moonlighting as a melodeath band, committing ludicrous bombast on symphonic-heavy cuts like “The Great Unknown” and “Wayfarer” amidst a sharp Gothenburg riff attack in “Watching the World Tree Fall” and “Drown.” Canvas of Silence mete out a balanced approach of light and dark sounds between Theocracyesque prog-power (“One With the Wind,” “Humanimal”) and Madder Mortem-like gothic twists (“Drown,” “Anthem for Ashes”), all reined in by the commanding vocal presence of singer Loimu Satakieli.1 Sitting somewhere between Anette Olzon (ex-Nightwish, The Dark Element) and Agnete Kierkevaag (Madder Mortem), her impassioned and heavily-layered singing turns As the World Tree Fell into a smörgåsbord of lush, catchy and anthemic tunes of an uplifting, sing-along nature. Optimism permeates As the World Tree Fell, felt at a fever pitch on the enormous choral bridge of “Humanimal” and the folky power metal jaunt of “One With the Wind.” Even on lyrically dark/mournful passages like “Wayfarer” and “Garden of the Fallen,” Canvas of Silence deliver soaring, hopeful crescendos that at times reach Fellowship levels of good cheer. Canvas of Silence can craft sincerely beautiful moments, and though As the World Tree Fell’s production can be sterile and overly loud2 I am nothing but excited to see what these Finns can cook up next.

Spicie Forrest’s Punky Proferrings

Violent Testimony // Aggravate [October 17th, 2025 – Horror Pain Gore Death Productions]

Do you wish there was more grind in your life? Well, Cheyenne, Wyoming’s Violent Testimony just assumed you would. Combining the punky flair of Napalm Death with the lead foot ethos of early Pig Destroyer and Cattle Decapitation, debut LP Aggravate is 26 minutes of delicious grindy goodness. From the opening salvo of “God Complex Massacre” to the final detonations of “Hit N’ Run,” Violent Testimony shows absolutely no restraint. D.N.’s Gatling drums mow down everything in their path while T.W.’s serpentine bass clears the chaff and flattens any obstruction. Shrapnel propelled by N.Y.’s brutish, breakneck riffing can be seen burying itself in concrete walls, still quivering (“Rider in the Night,” “Psychotic Episode”). Caustic growls and vitriolic screams tear from T.W.’s throat at mach fuck (“Flashbang Celebration,” “Obligatory Manifestation of Infinite Grind”). With only two tracks exceeding the two-minute mark, Violent Testimony screams their piece with as much sound and fury as possible before moving on and picking their next bone with the system. This keeps Aggravate a lean, densely-packed offering. If you need to get pissed off right now and even the fastest death metal is too slow, Violent Testimony is all too happy to decimate the opposition with you.

Uaar // Galger og Brann [October 17th, 2025 – Fysisk Format Records]

Hailing from Oslo, Norway, crust outfit Uaar celebrates their tenth birthday by releasing their debut LP. Galger og Brann, which means “Gallows and Fire” in Norwegian, expands on the foundations laid by established acts like Skitsystem and Tragedy. With one foot firmly planted in black metal and the other in hardcore, Uaar unleashes a cacophony of rage unfettered. D-beats abound, courtesy of Truls Friesl Berg, creating a frantic, enraged atmosphere. Dag Schaug Carlsen’s blackened rasps are so cold they burn, matching the evil pall hanging over tracks like “Galeås” and “Den siste.” Post-flecked, Ancsty tendencies (“Alt Skal Brenne,” “Overalt”) peek through the feral hardcore riffage (“Håpet forsvinner”) of guitarists Erik Berg Friesl and Jon Schaug Carlsen, while bassist Stian S. Evensen provides the muscle to convince you these guys aren’t screwing around. Uaar is well-versed in their base genres, alternating between and mixing black metal and hardcore effortlessly. The occasional blues-tinged heavy metal lead—as in “Overalt” and “Dolken”—keep Galger og Brann from being a one-note affair. With a dearth of standout blackened hardcore releases this year, Uaar’s Galger og Brann is a welcome—if late—addition to the list.

Scorching Tomb // Ossuary [October 24th, 2025 – Time to Kill Records]

I’ll be honest, I’ve never considered Montreal, Canada, to be prime death metal territory. Luckily, Scorching Tomb doesn’t care what I think. Debut LP Ossuary is an aural violation born of Tren-induced hardcore aggression and filthy old school death metal. With a guitar tone (Philippe Lelbanc) like sandpaper and a bass like swallowing gravel (Miguel Lepage), Scorching Tomb plays in the same cesspools as Bloodgutter and Rotpit. We normally associate melted faces with guitar solos, but that honor belongs to whatever corrosive noises issue forth from vocalist Vincent Patrick Lajeunesse’s guts. Drummer Émile Savard loves a blast beat, often detonating them in short bursts to support an already bone-breaking assault (“Feel the Blade”). “Stalagmite3 Impalement” and “Sanctum of Bones (Ossuary)” are particularly savage, with tetanus-inflicting riffs and bloodthirsty screams threatening to drag you into the crypt to be used for meal prep. On “Skullcrush,” Sanguisugabogg’s Devin Swank perfectly matches Scorching Tomb’s vile depravity, cementing them as a promising new act in the scene. Ossuary is raging, muscle-bound, caveman death metal drowned in a vat of viscera and sewage, and it tastes incredible.

ClarkKent’s Gratifying Goodies

Sutratma // Adrift [October 3rd, 2025 – Self-Release]

While I didn’t purposely seek out more doom during my self-imposed month of picking only doom promos, Sutratma’s fifth full-length, Adrift, ranks as one of the better doom albums I listened to in November. This California four-piece has been writing funeral doom for 15 years, and it shows in their ability to craft effective melancholic slow-burns that strike a balance between melody and crushingly heavy. Adrift impresses straight out the gate with the piano-drenched “Wind and Sea.” This song nicely melds the sorrowful softness of the piano with punishing guitar riffs and impressive growls. Just like stalwarts My Dying Bride, Sutratma mixes growls with cleans, and Daniel Larios’s cleans effectively hit you right in the feels while the growls take on a more despairing note. There’s plenty of variety from song to song, with organs stealing the show on “Guiding Star” and a lovely melody on “The Great Bereaver” that builds up to a moving finale. Just like with Oromet, there’s a serenity to the music that is calming, and the skilled songwriting and musicianship lends a poignancy to it all. With the frenzy of list season upon us, it’s nice to have something like this to remind us that it’s okay to just slow down—even when an angry ape is berating you for more content.

Starer // Ancient Monuments and Modern Sadness [October 10th, 2025 – Fiadh Productions]

Josh Hines, the one man behind black metal project, Starer, has been very busy. Since forming Starer in 2020, he has released four EPs and now, with the release of Ancient Monuments and Modern Sadness, four LPs. I first became acquainted with this band on 2023’s Wind, Breeze, or Breath and was taken in by Hines’s aggressively atmospheric take on black metal. Ancient Monuments and Modern Sadness hits the ground running on “I Cry Your Mother’s Blood” with some aggressively catchy melodies. The aggression continues on “Il-Kantilena” with its icy riffs and pumping blast beats. Meanwhile, “The Field of Reeds” combines the black n’ roll of Fell Omen with the fuzzy reverb of atmoblack for a rollicking good time. Hines screams into the void as subdued symphonics add layers of melody, providing a surprising amount of depth to each song. Because of the frenetic pace, the 50-minute runtime flies right by, even as songs like “Song of the Harper” do their best to vary the tempo. For black metal, the production is lush and gorgeous, giving air to all instruments. The epic, ten-minute finale is the culmination of Hines’s ability to put together complex and compelling music that both excites by its aggression and dazzles with its atmospherics. Black metal fans should not miss this one.

Grin Reaper’s Haunted Harvest

Black Cross Hotel // Songs for Switches [October 31st, 2025 – Someoddpilot Records]

Three years after dropping their favorably reviewed debut Hex, keys-drenched and industrialized outfit Black Cross Hotel returns bearing Songs for Switches. 80s-inspired synths, mid-paced chugs, and dance-ready grooves pack neatly into forty-one minutes of grubby fun, sure to interest fans of Ministry and Killing Joke, or anyone with a predilection for leather. Where Hex boasted a wider assortment of tempos, Songs for Switches narrows its focus to mid-paced songs with a keener emphasis on keyboard melodies. Averting a direction that could have been limiting, Black Cross Hotel smartly sidesteps this by shaving down song lengths and arranging the tracks for optimal pacing. Individual moments across the album evoke Me and That Man (“Eyes from Nowhere”), Soulfly (“Blood Dance”), and Joy Division (“Typo”), casting an eclectic array of sounds into Mount Gloom to forge ten dangerously fun tracks. Though I liked the album at first listen, it took multiple spins for Songs for Switches’ distilled aesthetic to fully unfurl, and once it did, my appreciation redoubled. With a sinister atmosphere designed as much for pain as pleasure, Black Cross Hotel has readied your room for a night you won’t forget.

Miasmata // Subterrania [October 31st, 2025 – Naturmacht Productions]

Still hawking their distinctive blend of meloblack and heavy metal, Miasmata dropped sophomore platter Subterrania on what was one of the most congested release days of 2025.4 In addition to the recurring influences of Windir (“Die at the Right Time”) and Iron Maiden (the intro to “Subterrania” smacks of The X Factor), Subterrania adds a dollop of thrash into the mix. Opener “Those Who Cross the Flame” struts out with a punky riff that wouldn’t be out of place on an Anthrax record, while “Full of the Devil” tastes as much like Testament or Havok as Diamond Head. The beauty of Miasmata, both on debut Unlight: Songs of Earth and Atrophy and Subterrania, is one-man mastermind Mike Wilson’s aptitude to synthesize a mighty host of influences into a unique sonic palette all his own. As Sharky noted in Unlight’s review, Miasmata has a knack for remarkable restraint. Subterrania clocks under forty minutes, layering slithery riffs upon one another in a way that propels the music in constant motion, shifting and unfolding so organically that the album slips by before you realize it’s over (an especially impressive feat considering the self-titled closer’s near fourteen-minute runtime). If you missed Miasmata’s latest on release day, go rectify that. Don’t let Subterrania get lost to the underground.

Dolphin Whisperer’s Autumnal Anomoly

夢遊病者 // РЛБ300119225 [October 28th, 2025 – Self Release]

As if plucked into lucidity from amidst a hazy, proggy machination, РЛБ30011922 steps into its narrative—an exploration of a beloved figure in its creator’s life, including sound clips describing the trials through which she persisted—with an entrancing stumble. Through an understated math rock lens, tight kit rhythms with a tension-building hi-hat clashes strut against a loud and leading bass voice across 37 minutes of fluid guitar textures. Whether it’s the chunky fusion reminiscent of Hackett-era Gordian Knot, the playful rhythmic post-rock that evokes a band like toe, or the fuzzed-out punctuation that tell a prog tale as ’70s King Crimson would, 夢遊病者, also known as Sleepwalker, makes their love of sound as clear as their love of РЛБ30011922’s inspiration. In a setting this free and detailed, not a single moment of this one-long-song opus passes by without taking a moment to focus on a given performer’s escalation in the drama of the movement. Wielding short guitar solos as segues into popping double-kick trots, spoken word exposition as pedal switch-up opportunities, all leading to a crescendo of bent and bluesy expression, 夢遊病者 succeeds in more than just holding an audience captive with their jammy and heartfelt statement. РЛБ30011922, like the shorter form releases that have graced these halls before, will have you coming back time and time again to explore its sentiments, which feel both traced from a dream yet rooted in rich, earthly tone pleasures.

Saunders’ Slinky Sneaks

Enragement // Extinguish All Existence [October 31st, 2025 – Transcending Obscurity]

The back end of 2025 has thrown down some delightfully vicious, chunkified, and straightforward death metal gems, courtesy of the likes of Depravity, Glorious Depravity and Terror Corpse. Not to be discounted, Finland’s Enragement dropped their own intense slab of brutal death on fourth LP, Extinguish All Existence. Cutting with any pleasantries, Enragement get down to business, slamming through a tight, burly collection of Americanized death, keenly treading a balance between thuggish beatdowns, chest-busting blasts, slammy, pig-squealing grooves, and more traditional, though deceptively diverse brutal death fare. Despite the certifiably crushing formula deployed, there is an air of accessibility, perhaps attributed to the clean but suitably beefy production job, bludgeoning, addictive grooves and sinister currents of atmospheric melody flowing through the album’s riff-centric veins. Thrashy, straightforward bursts of fury are tempered by more technical flourishes and an impressively versatile vocal assault. The likes of Devourment, Deeds of Flesh, Dawn of Demise and Benighted are perhaps fitting reference points, however, Enragement blast their own path of uncompromisingly heavy destruction.

Stephen Brodsky // Cut to the Core Vol. 1 [October 3rd, 2025 – Pax Aeturnum]

There are a couple of ways to broach this latest solo endeavor from lovable rogue and Cave In/Mutoid Man mastermind Stephen Brodsky. Brodsky delivers refreshed interpretations of various ’90s hardcore songs, reimagined in acoustic form. Those familiar with the original compositions will likely have fun dissecting and comparing the original anthems. While others, such as myself, largely unfamiliar with the originals, can enjoy these polished takes in their reimagined form, without comparison. Over the years, I have developed a strong connection with Brodsky’s works and come to appreciate his softer, acoustic flavorings. The likes of Snapcase, Converge, Texas is the Reason, Threadbare and By the Grace of God are some of the acts covered with typical style, zest, and emotion. Brodsky’s expressive and emotive delivery showcases both a loving appreciation of the material and deeper emotional connection that bleeds through the often darker, melancholic vibes of the acoustic constructions. The collection is remarkably consistent and infectious, highlighted by Brodsky’s crisp and soulful acoustic playing and distinctive singing voice on standout cuts, including “Windows” (Snapcase), “Benchwarmer” (Lincoln), “Fissures” (By the Grace of God), “Farewell Note to This City” (Converge), and “Voice” (Sense Field).

Soul Blind // Red Sky Mourning [October 10th, 2025 – Closed Casket Activities]

Riding a familiar wave of early ’00s alt-rock/metal and ’90s grungy nostalgia, New York’s Soul Blind emerge with sophomore LP, Red Sky Mourning. Although they tread dangerously close to overt derivation of prominent influences, including Alice in Chains, Deftones, and Helmet, Soul Blind manage to just stay afloat on their own terms. The dreamy melodies, chunky alt metal riffs, and soaring, Cantrell-esque vocal melodies cultivate some earwormy hooks and fuzzy, 90s/’00s feels. Soul Blind possess a knack for writing textured, mildly sludgy, infectious rock ditties, dabbling in shoegazing atmospherics, and sturdier alt metal territories along the way. Soul Blind relish in AIC inspired earworms (“Dyno,” “Hide Your Evil”), grittier, more aggressive alt metal fare (‘Billy,’ “New York Smoke”) and airy, indie pop-rock (“Thru the Haze”). Soul Blind have work to do to stand out from their influences and develop a more unique sound and robust character. However, the signs are positive for better things to come. Red Sky Mourning is a solid throwback album and handy companion piece to the equally nostalgia-inspired album from Bleed earlier in the year.

#2025 #Acoustic #Adrift #Aggravate #AliceInChains #AmericanMetal #AncientMonumentsAndModernSadness #Ancst #Anthrax #AsTheWorldTreeFell #AtmosphericBlackMetal #BlackCrossHotel #BlackMetal #Bleed #Bloodgutter #ByTheGraceOfGod #CanadianMetal #CanvasOfSilence #CattleDecapitation #CaveIn #ClosedCasketActivities #Converge #Crust #CutToTheCoreVol1 #DeathMetal #Deftones #Depravity #DiamondHead #DormantOrdeal #EdgewoodArsenalRecords #Enragement #ExtinguishAllExistence #FellOmen #Fellowship #FiadhProductions #FinnishMetal #FuneralDoom #FysiskFormatRecords #GalgerOgBrann #GloriousDepravity #GordianKnot #GrooveMetal #Grunge #HardRock #Hardcore #Havok #HeavyMetal #Helmet #HorrorPainGoreDeathProductions #IndependentRelease #IndustrialMetal #InternationalMetal #IronMaiden #JapaneseMetal #KillingJoke #KingCrimson #Lincoln #MadderMortem #MeAndThatMan #MelodicBlackMetal #Miasmata #Ministry #MutoidMan #MyDyingBride #NapalmDeath #NaturmachtProductions #NewZealandMetal #Nightwish #NorwegianMetal #Oct25 #Oromet #Ossuary #PaxAeternum #PigDestroyer #ProgressiveMetal #ProgressiveRock #RedSkyMourning #RepulsiveSummoning #Review #Reviews #RockshotsRecords #Rotpit #Sanguisugabogg #ScorchingTomb #SelfRelease #SelfReleased #SenseField #Skitsystem #Snapcase #SomeoddpilotReocrds #SongsForSwitches #SoulBlind #Soulfly #Starer #StephenBrodsky #StuckInTheFilter #StuckInTheFilter2025 #Subterrania #Sutratma #SymphonicMetal #TerrorCorpse #Testament #TexasIsTheReason #TheDarkElement #Theocracy #Threadbare #TimeToKillRecords #toe #Tragedy #TranscendingObsurityRecords #Uaar #ViolentTestimony #Vomitory #Windir #Xaoc #РЛБ30011922 #夢遊病者

#BirdsOnTheWing for today's #ThursdayFiveList

Korpiklaani - Crows Bring the Spring
https://song.link/i/1184711504

Symphony X - The Divine Wings of Tragedy
https://song.link/i/1197816595

Bathory - The Ravens
https://song.link/i/292516851

Ray Wylie Hubbard - Crows
https://song.link/i/1468205431

Nightwish - Know Why the Nightingale Sings
https://song.link/i/1669902972

#Korpiklaani #SymphonyX #Bathory #RayWylieHubbard #Nightwish

Kenstrosity’s Top Ten(ish) of 2024

By Kenstrosity

When I think back on this year, a year of unprecedented stress and struggle for this sponge, one predominant emotion rises above the rest. Gratitude. I went through hardships I couldn’t possibly have anticipated; watched as harrowing events, both global and domestic, rocked our world; and trudged through time-dilating frights that I only previously experienced in some of my worst nightmares. And yet, I persist! I found myself asking, once again, why I was spared a worse fate where others weren’t? What have I done in life to deserve the good fortune I’ve received? In time I’ve come to believe that understanding the why of it all isn’t always the most important part. In some ways, the pursuit of an answer to “why” even blinds us to more enriching lessons we can learn from the experiences we share, both mundane and extraordinary. These things teach us how to be human, how to grow, how to thrive, and how to come together as a community. So, for what must be the first time of my life, I stopped asking why anything happened, as tempting as that spiral always looked from outside. Instead, I spent all of my energy prioritizing the moment, experiencing it, allowing it to change me and mold me, and to be present in it not just for me, but for my friends, my family, and my neighbors.

Back to gratitude. More so this year than any other, I must express my deepest, most heartfelt gratitude for damn near everyone. When my roommate and I lost everything overnight, I felt completely and utterly overwhelmed by the response. Hands of friends, family, and community reached towards us, open to do whatever they could to help us up. AMG Himself, Steel Druhm, Sentynel, GardensTale, Twelve, Dolphin Whisperer, Maddog, Holdeneye, Cherd of Doom, Grymm, El Cuervo, Dr. Wvrm, Ferrous Beuller, Saunders, Eldritch Elitist, Doom_et_Al, Dear Hollow, Carcharodon, Felgund, Ferox, Thus Spoke, Iceberg, Mystikus Hugebeard, Itchy, the n00bs, a shit ton of Discord frens, all of my meatspace friends, Mom, Dad, my sister, some of my extended family, my work colleagues and acquaintances, random kind strangers, even Dr. A. N. Grier went above and beyond to help directly with our recovery. Every single member of staff here did whatever they could to give some relief, far beyond what I could’ve ever asked for, and it overwhelms my little heart to know they cared that deeply. My owlpal and great friend Rolderathis, writer and editor at Toilet ov Hell, unexpectedly swooped in via Discord to jump start our financial recovery by creating a crowdsourcing page for us—even as the admin for AMG planned to do the same. Instrumental to its dissemination and subsequent explosion,1 both AMG Himself and Steel Druhm made sure to aggressively spread the word via an official post on this very site, and in their own circles public and private. Friends and family did the same, to great effect. Toilet ov Hell even posted their own article, too, and I don’t even fucking write there. Incredible. My aunt and her husband helped us replace two full rooms worth of furniture without hesitation, and another close friend of mine provided yet another room’s worth on top of that. Our friends reached far and wide to find opportunities to get us shelter, food, essential items, and vital emotional support. FEMA did more than their part for us as well, and they continue to help us as we navigate the next stages of long-term recovery. My therapist stuck with me through the storm, helped carry me through some concerning emotional blockages shortly after, and continues to guide me now. The continuous waves of support and outreach blew me away, and motivated me to pay it forward in whatever way I was capable for those who were going through hell with us. I thank you all, from the bottom of my heart.

As if a hurricane wasn’t enough to bear, Mom was diagnosed with lung cancer just ten days after the storm hit. Still, there shined small silver linings that kept me going. It was caught very early, and she has already returned home after a resoundingly successful surgery, where they removed the tumor in block.2 As scary as the thought of losing my Mom right after everything else that’s happened was, I choose to emphasize the excellent treatment and attention to detail that allowed Mom to come home quickly and in decent health, all things considered. I choose to be with my family, to live in this moment through the pain, the fear, the uncertainty, so I can be there when the sun inevitably shines again, too. I want to extend a very special thanks to Dad, who remained constantly by Mom’s side and supported her through every stage of this development when I wasn’t able.

All of this merely scratches the surface of everything we’ve gone through in 2024. But we are still here!3 We are living the best we can, helping each other to survive, and perhaps soon to also thrive again. The sense of community I feel not just for my deeply wounded city, but also the people in my life, deepened significantly just in the last few months. These experiences have changed me, changed my outlook on life and on relationships. The fragility of life and the sheer power of the love that comes from the people in it sharpen my understanding of what’s really important. Life is about the people you have, the way you treat them, and how you conduct yourself in this world to try to improve it with your unique light, little by little. It’s about supporting your loved ones as they go through good times just as fiercely as when they go through hardship and change. It’s about growing every day into the very best version of yourself, and being there to witness and celebrate the same journey in those close to you. I understand that more today than ever before, and I am thankful that this lesson, above all else, is my takeaway from 2024.

It’s going to be a while before we can return home to AVL, but I’ve already returned full force to my home away from home, Angry Metal Guy! I’d like to thank Steel Druhm and AMG Himself again for keeping my spot warm for me and for being excellent taskmasters and blogrunners, to Sentynel for keeping things running smoothly on the back end and for being awesome in general at his job, to all the writers for continuously providing the internet with the best worst opinions on metal extant, and to Dr. A. N. Grier for deleting everything I’ve ever written so that nobody has to suffer my silly goofy ramblings.

With that said, everybody should probably snapshot this little Top Ten(ish) of mine before Grier deletes that, too. It looks mighty different to how it would’ve had the storm not happened, both because I couldn’t listen to any new music for a while and because the event itself ushered a sharp shift in my listening preferences. Regardless, I’m happy with my selections, and I fully expect the rest of you to rabble at my confounding omissions.4 Let it commence!

#ish. Elvellon // Ascending in Synergy – Elvellon holds a special place in my heart, and thanks to masterful songsmithing, Ascending in Synergy holds a well-deserved placement on my list. I simply haven’t been able to stop jamming it all year. Ascending in Synergy is everything I loved about metal when I first got into it, and it embodies much of what I love about metal today. It never hurts that the first eight songs are all megaton bangers. This record would have placed nearer the top if it weren’t for the monologue in the penultimate epic. Nonetheless, I love Ascending in Synergy.

#10. Madder Mortem // Old Eyes, New Heart – Ever since Marrow, Madder Mortem successfully won me over where every other album in their back catalog failed to resonate. I can’t explain what exactly it was that captured my adoration all of a sudden, but Old Eyes, New Heart has my heart just as Marrow did before it. Smart compositions, earnest delivery, crystalline lyrics, lush sound, this record has it all. I’d be a fool not to award it placement on this list.

#9. Oceans of Slumber // Where Gods Fear to Speak – Oceans of Slumber carved out an ever-evolving, fearlessly creative, and unique sound for themselves since their inception, but always seemed somewhat inconsistent with the quality of their songwriting. Not so on their magnum opus Where Gods Fear to Speak. Immense, cohesive, and richly layered with detail and compelling songwriting, Where Gods Fear to Speak feels like the culmination of their entire career, fully matured and refined to peak form.

#8. Sunburst // Manifesto – There was a point in time that I was confident Manifesto would top this list. That was largely due to sheer excitement that a new Sunburst album, which I never thought I would see in the first place, actually turned out to be great. Rich compositions, sharp hooks, and a masterful performance from everyone involved, Manifesto solidifies Sunburst as one of the best bands out of the Greek power metal scene. I just hope that I don’t have to wait another eight years for the next one!

#7. Scumbag // Homicide Cult – This record is simply unfair. I had my Top 10 all sorted out, and then some bottle-nosed bastard with a dorsal fin and a propensity for beating up smaller mammals on the wrong side of the sea had me check this out, with the promise of killer riffs by the main Noxis guitarist. That bastard was right, this record absolutely rips. There are so many unbelievably filthy, stank-face inducing riffs on Homicide Cult that I had to get plastic surgery to look like myself again. Otherwise, I’d look more like my rotted-out friend on the cover.

#6. Noxis // Violence Inherent in the System – Death metal this good hits me in a special place. While embodying all of the skullcrushing ways of olde, Violence Inherent in the System represents one of the most creative, smart, and well-produced records in modern death metal currently. And while my review helped spike the hype, it still feels a bit like Noxis are running further under the radar than they deserve. Coming out of absolute nowhere and dropping the best straight-up death metal of the year? Unreal.

#5. Feind // Ambulante Hirnamputation – Grind, and all of its hybrids, never once made it on my proper Top 10. I’ve written here for six years. That’s how powerful Feind’s Ambulante Hirnamputation truly is. Immense fun, more quality riffs stuffed into less than twenty minutes than some of the best records can fit into an hour, and cheeky to boot, Ambulante Hirnamputation proves that Feind mastered the grindset. Let’s hope this isn’t the last I get to hear of Feind.

#4. Brodequin // Harbinger of Woe – In contrast to grind, I almost always have a brutal death metal record on my Top 10. It’s a style that resonates with me very easily, and there’s never a shortage of it for my personal enjoyment. Brodequin won the day in a year chock full of great options, with the immensely accessible Harbinger of Woe. The sheer level of groove brimming from this torture chamber sends my booty into overdrive, and the thick, nasty production only serves to enhance the entire experience. There’s very little else I could ask for to sate my brutal death cravings.

#3. Iotunn // Kinship – It’s been a banner year for our friend Jon Aldará. Where Iotunn’s Access All Worlds interested, but did not woo, me, follow-up Kinship absolutely rocked my socks. Every single track is a celebration of epic, melodic, and deeply immersive extreme metal. Gorgeous compositions, ascendant guitar work, ridiculous replay value, and stellar vocals propelled Kinship way up on my list of favorite records at a blistering pace, leaving me revelling in an idyllic honeymoon period. Even after investing more time marinating in its wondrous environs, I’ve only fallen deeper and deeper in love with it. I just can’t imagine how Iotunn are going to top this.

#2. Replicant // Infinite Mortality – This is the year for records that floored me where their predecessors didn’t. Replicant’s Malignant Reality was enjoyable, but couldn’t touch my Top 10 in its year. Infinite Mortality, on the other hand, made a valiant bid for Album o’ the Year from the very first riff kicking “Acid Mirror” into the stratosphere. Hardcore-tinged technical death metal for fans of the discordant and the unorthodox, Infinite Mortality is supremely memorable not just for its sound, but for its infallible, hook-laden construction. Infinite Mortality may not be the only record of its kind released this year, but it’s without a doubt the greatest.

#1. Myrath // Karma – Hurricane Helene took my home. It changed the ecology, geology, and pedology of the entire Asheville region, likely for all time. But one thing it couldn’t take from me is my spirit, my drive to survive, and my determination to thrive. Even during a long period where access to music was a rare luxury, Karma remained at the forefront of my mind. It held me from giving up and reminded me of the strength that burgeoned not just in myself, but also in my friends, family, and greater community as we rebuilt our lives together. If there was ever a record released this year that embodies that spirit of triumph over adversity, it’s Myrath’s incredible Karma. It was always going to be high on this list, thanks to its insanely memorable songwriting and passionate performances of univerally great songs. However, it wasn’t until I personally resonated with its empowering message in the context of a devastating natural disaster that I knew this would be, unquestionably, my Album o’ the Year.

Honorable Mentions

• Amiensus // Reclamation Pt. II – Thoughtful, dynamic, and immersive, Reclamation Pt. II represents the pinnacle of what I like in progressive black metal.
• The Flaying // Ni dieu ni maître – Unsung melodic death metal heroes The Flaying offer up nonstop hooks and a crazy bass performance delivered at a feral pace.
• Hamferð // Men Guds hond er sterk – Empotionally compelling and monstrously heavy, Men Guds hond er sterk is death doom at its peak form.
• Khirki // Κ​υ​κ​ε​ώ​ν​α​ς – Massively dynamic hard rock that comes from the heart and the head, not the butt.
• Saidan // Visual Kill: The Blossoming of Psychotic Depravity – Fun, fast, ferocious, Visual Kill is an unqualified blast of killer hyper-melodic black metal.
• Unhallowed Deliverance // Of Spectres and Strife – Deathcore rarely offers this level of dynamics and quality in songwriting, and it hits like a runaway train full of unstable nuclear warheads.

Non-Metal Album o’ the Year

• Kali Uchis // Orquídeas – Simply put, this album is pure sex. Period.

EP o’ the Year

• Glassbone // Deaf to Suffering – Far and away the slimiest, crustiest, and bestest slam of the year. Absolute filth.

Song o’ the Year

• Elvellon – “A Vagabond’s Heart” – Easily my most listened to song of the year, “A Vagabond’s Heart” strikes a special chord in my spirit that embodies everything I used to love and everything I love today. Furthermore, it leaves me hopeful and excited for what the future holds. As a delightful bonus, it’s catchy as all get-out. I couldn’t ask for a better song to fit this slot.

Surprise o’ the Year:

• Nightwish // Yesterwynde – My original intent was to place this somewhere on my list proper, but the storm foiled that aspiration, as I rarely got to listen to any new music that came out in late September and pretty much all of October until it was way too late. But when I did get to spend time with Yesterwynde, it continually impressed me. Songs that felt novel and exciting, performances that brimmed with new life, and wonderful pacing from start to finish, Nightwish’s latest record feels like a return to form. I’m excited to follow them on this latest arc in their career.5

Disappointment o’ the Year:

• Vredehammer // God Slayer – The riffs are there, that’s for sure. But the album just doesn’t come together in a way that scratches my brain at all. Therefore, I had the most difficult time sitting through God Slayer. Shame, especially considering how much of a banger each of the previous two records were…

#2024 #Amiensus #Brodequin #Elvellon #Feind #Glassbone #Hamferð #Iotunn #KaliUchis #KenstrositySTopTenIshOf2024 #Khirki #MadderMortem #Myrath #Nightwish #Noxis #OceansOfSlumber #Replicant #Saidan #Scumbag #Sunburst #TheFlaying #UnhallowedDeliverance #Vredehammerð

Kenstrosity’s Top Ten(ish) of 2024

By Kenstrosity

When I think back on this year, a year of unprecedented stress and struggle for this sponge, one predominant emotion rises above the rest. Gratitude. I went through hardships I couldn’t possibly have anticipated; watched as harrowing events, both global and domestic, rocked our world; and trudged through time-dilating frights that I only previously experienced in some of my worst nightmares. And yet, I persist! I found myself asking, once again, why I was spared a worse fate where others weren’t? What have I done in life to deserve the good fortune I’ve received? In time I’ve come to believe that understanding the why of it all isn’t always the most important part. In some ways, the pursuit of an answer to “why” even blinds us to more enriching lessons we can learn from the experiences we share, both mundane and extraordinary. These things teach us how to be human, how to grow, how to thrive, and how to come together as a community. So, for what must be the first time of my life, I stopped asking why anything happened, as tempting as that spiral always looked from outside. Instead, I spent all of my energy prioritizing the moment, experiencing it, allowing it to change me and mold me, and to be present in it not just for me, but for my friends, my family, and my neighbors.

Back to gratitude. More so this year than any other, I must express my deepest, most heartfelt gratitude for damn near everyone. When my roommate and I lost everything overnight, I felt completely and utterly overwhelmed by the response. Hands of friends, family, and community reached towards us, open to do whatever they could to help us up. AMG Himself, Steel Druhm, Sentynel, GardensTale, Twelve, Dolphin Whisperer, Maddog, Holdeneye, Cherd of Doom, Grymm, El Cuervo, Dr. Wvrm, Ferrous Beuller, Saunders, Eldritch Elitist, Doom_et_Al, Dear Hollow, Carcharodon, Felgund, Ferox, Thus Spoke, Iceberg, Mystikus Hugebeard, Itchy, the n00bs, a shit ton of Discord frens, all of my meatspace friends, Mom, Dad, my sister, some of my extended family, my work colleagues and acquaintances, random kind strangers, even Dr. A. N. Grier went above and beyond to help directly with our recovery. Every single member of staff here did whatever they could to give some relief, far beyond what I could’ve ever asked for, and it overwhelms my little heart to know they cared that deeply. My owlpal and great friend Rolderathis, writer and editor at Toilet ov Hell, unexpectedly swooped in via Discord to jump start our financial recovery by creating a crowdsourcing page for us—even as the admin for AMG planned to do the same. Instrumental to its dissemination and subsequent explosion,1 both AMG Himself and Steel Druhm made sure to aggressively spread the word via an official post on this very site, and in their own circles public and private. Friends and family did the same, to great effect. Toilet ov Hell even posted their own article, too, and I don’t even fucking write there. Incredible. My aunt and her husband helped us replace two full rooms worth of furniture without hesitation, and another close friend of mine provided yet another room’s worth on top of that. Our friends reached far and wide to find opportunities to get us shelter, food, essential items, and vital emotional support. FEMA did more than their part for us as well, and they continue to help us as we navigate the next stages of long-term recovery. My therapist stuck with me through the storm, helped carry me through some concerning emotional blockages shortly after, and continues to guide me now. The continuous waves of support and outreach blew me away, and motivated me to pay it forward in whatever way I was capable for those who were going through hell with us. I thank you all, from the bottom of my heart.

As if a hurricane wasn’t enough to bear, Mom was diagnosed with lung cancer just ten days after the storm hit. Still, there shined small silver linings that kept me going. It was caught very early, and she has already returned home after a resoundingly successful surgery, where they removed the tumor in block.2 As scary as the thought of losing my Mom right after everything else that’s happened was, I choose to emphasize the excellent treatment and attention to detail that allowed Mom to come home quickly and in decent health, all things considered. I choose to be with my family, to live in this moment through the pain, the fear, the uncertainty, so I can be there when the sun inevitably shines again, too. I want to extend a very special thanks to Dad, who remained constantly by Mom’s side and supported her through every stage of this development when I wasn’t able.

All of this merely scratches the surface of everything we’ve gone through in 2024. But we are still here!3 We are living the best we can, helping each other to survive, and perhaps soon to also thrive again. The sense of community I feel not just for my deeply wounded city, but also the people in my life, deepened significantly just in the last few months. These experiences have changed me, changed my outlook on life and on relationships. The fragility of life and the sheer power of the love that comes from the people in it sharpen my understanding of what’s really important. Life is about the people you have, the way you treat them, and how you conduct yourself in this world to try to improve it with your unique light, little by little. It’s about supporting your loved ones as they go through good times just as fiercely as when they go through hardship and change. It’s about growing every day into the very best version of yourself, and being there to witness and celebrate the same journey in those close to you. I understand that more today than ever before, and I am thankful that this lesson, above all else, is my takeaway from 2024.

It’s going to be a while before we can return home to AVL, but I’ve already returned full force to my home away from home, Angry Metal Guy! I’d like to thank Steel Druhm and AMG Himself again for keeping my spot warm for me and for being excellent taskmasters and blogrunners, to Sentynel for keeping things running smoothly on the back end and for being awesome in general at his job, to all the writers for continuously providing the internet with the best worst opinions on metal extant, and to Dr. A. N. Grier for deleting everything I’ve ever written so that nobody has to suffer my silly goofy ramblings.

With that said, everybody should probably snapshot this little Top Ten(ish) of mine before Grier deletes that, too. It looks mighty different to how it would’ve had the storm not happened, both because I couldn’t listen to any new music for a while and because the event itself ushered a sharp shift in my listening preferences. Regardless, I’m happy with my selections, and I fully expect the rest of you to rabble at my confounding omissions.4 Let it commence!

#ish. Elvellon // Ascending in Synergy – Elvellon holds a special place in my heart, and thanks to masterful songsmithing, Ascending in Synergy holds a well-deserved placement on my list. I simply haven’t been able to stop jamming it all year. Ascending in Synergy is everything I loved about metal when I first got into it, and it embodies much of what I love about metal today. It never hurts that the first eight songs are all megaton bangers. This record would have placed nearer the top if it weren’t for the monologue in the penultimate epic. Nonetheless, I love Ascending in Synergy.

#10. Madder Mortem // Old Eyes, New Heart – Ever since Marrow, Madder Mortem successfully won me over where every other album in their back catalog failed to resonate. I can’t explain what exactly it was that captured my adoration all of a sudden, but Old Eyes, New Heart has my heart just as Marrow did before it. Smart compositions, earnest delivery, crystalline lyrics, lush sound, this record has it all. I’d be a fool not to award it placement on this list.

#9. Oceans of Slumber // Where Gods Fear to Speak – Oceans of Slumber carved out an ever-evolving, fearlessly creative, and unique sound for themselves since their inception, but always seemed somewhat inconsistent with the quality of their songwriting. Not so on their magnum opus Where Gods Fear to Speak. Immense, cohesive, and richly layered with detail and compelling songwriting, Where Gods Fear to Speak feels like the culmination of their entire career, fully matured and refined to peak form.

#8. Sunburst // Manifesto – There was a point in time that I was confident Manifesto would top this list. That was largely due to sheer excitement that a new Sunburst album, which I never thought I would see in the first place, actually turned out to be great. Rich compositions, sharp hooks, and a masterful performance from everyone involved, Manifesto solidifies Sunburst as one of the best bands out of the Greek power metal scene. I just hope that I don’t have to wait another eight years for the next one!

#7. Scumbag // Homicide Cult – This record is simply unfair. I had my Top 10 all sorted out, and then some bottle-nosed bastard with a dorsal fin and a propensity for beating up smaller mammals on the wrong side of the sea had me check this out, with the promise of killer riffs by the main Noxis guitarist. That bastard was right, this record absolutely rips. There are so many unbelievably filthy, stank-face inducing riffs on Homicide Cult that I had to get plastic surgery to look like myself again. Otherwise, I’d look more like my rotted-out friend on the cover.

#6. Noxis // Violence Inherent in the System – Death metal this good hits me in a special place. While embodying all of the skullcrushing ways of olde, Violence Inherent in the System represents one of the most creative, smart, and well-produced records in modern death metal currently. And while my review helped spike the hype, it still feels a bit like Noxis are running further under the radar than they deserve. Coming out of absolute nowhere and dropping the best straight-up death metal of the year? Unreal.

#5. Feind // Ambulante Hirnamputation – Grind, and all of its hybrids, never once made it on my proper Top 10. I’ve written here for six years. That’s how powerful Feind’s Ambulante Hirnamputation truly is. Immense fun, more quality riffs stuffed into less than twenty minutes than some of the best records can fit into an hour, and cheeky to boot, Ambulante Hirnamputation proves that Feind mastered the grindset. Let’s hope this isn’t the last I get to hear of Feind.

#4. Brodequin // Harbinger of Woe – In contrast to grind, I almost always have a brutal death metal record on my Top 10. It’s a style that resonates with me very easily, and there’s never a shortage of it for my personal enjoyment. Brodequin won the day in a year chock full of great options, with the immensely accessible Harbinger of Woe. The sheer level of groove brimming from this torture chamber sends my booty into overdrive, and the thick, nasty production only serves to enhance the entire experience. There’s very little else I could ask for to sate my brutal death cravings.

#3. Iotunn // Kinship – It’s been a banner year for our friend Jon Aldará. Where Iotunn’s Access All Worlds interested, but did not woo, me, follow-up Kinship absolutely rocked my socks. Every single track is a celebration of epic, melodic, and deeply immersive extreme metal. Gorgeous compositions, ascendant guitar work, ridiculous replay value, and stellar vocals propelled Kinship way up on my list of favorite records at a blistering pace, leaving me revelling in an idyllic honeymoon period. Even after investing more time marinating in its wondrous environs, I’ve only fallen deeper and deeper in love with it. I just can’t imagine how Iotunn are going to top this.

#2. Replicant // Infinite Mortality – This is the year for records that floored me where their predecessors didn’t. Replicant’s Malignant Reality was enjoyable, but couldn’t touch my Top 10 in its year. Infinite Mortality, on the other hand, made a valiant bid for Album o’ the Year from the very first riff kicking “Acid Mirror” into the stratosphere. Hardcore-tinged technical death metal for fans of the discordant and the unorthodox, Infinite Mortality is supremely memorable not just for its sound, but for its infallible, hook-laden construction. Infinite Mortality may not be the only record of its kind released this year, but it’s without a doubt the greatest.

#1. Myrath // Karma – Hurricane Helene took my home. It changed the ecology, geology, and pedology of the entire Asheville region, likely for all time. But one thing it couldn’t take from me is my spirit, my drive to survive, and my determination to thrive. Even during a long period where access to music was a rare luxury, Karma remained at the forefront of my mind. It held me from giving up and reminded me of the strength that burgeoned not just in myself, but also in my friends, family, and greater community as we rebuilt our lives together. If there was ever a record released this year that embodies that spirit of triumph over adversity, it’s Myrath’s incredible Karma. It was always going to be high on this list, thanks to its insanely memorable songwriting and passionate performances of univerally great songs. However, it wasn’t until I personally resonated with its empowering message in the context of a devastating natural disaster that I knew this would be, unquestionably, my Album o’ the Year.

Honorable Mentions

• Amiensus // Reclamation Pt. II – Thoughtful, dynamic, and immersive, Reclamation Pt. II represents the pinnacle of what I like in progressive black metal.
• The Flaying // Ni dieu ni maître – Unsung melodic death metal heroes The Flaying offer up nonstop hooks and a crazy bass performance delivered at a feral pace.
• Hamferð // Men Guds hond er sterk – Empotionally compelling and monstrously heavy, Men Guds hond er sterk is death doom at its peak form.
• Khirki // Κ​υ​κ​ε​ώ​ν​α​ς – Massively dynamic hard rock that comes from the heart and the head, not the butt.
• Saidan // Visual Kill: The Blossoming of Psychotic Depravity – Fun, fast, ferocious, Visual Kill is an unqualified blast of killer hyper-melodic black metal.
• Unhallowed Deliverance // Of Spectres and Strife – Deathcore rarely offers this level of dynamics and quality in songwriting, and it hits like a runaway train full of unstable nuclear warheads.

Non-Metal Album o’ the Year

• Kali Uchis // Orquídeas – Simply put, this album is pure sex. Period.

EP o’ the Year

• Glassbone // Deaf to Suffering – Far and away the slimiest, crustiest, and bestest slam of the year. Absolute filth.

Song o’ the Year

• Elvellon – “A Vagabond’s Heart” – Easily my most listened to song of the year, “A Vagabond’s Heart” strikes a special chord in my spirit that embodies everything I used to love and everything I love today. Furthermore, it leaves me hopeful and excited for what the future holds. As a delightful bonus, it’s catchy as all get-out. I couldn’t ask for a better song to fit this slot.

Surprise o’ the Year:

• Nightwish // Yesterwynde – My original intent was to place this somewhere on my list proper, but the storm foiled that aspiration, as I rarely got to listen to any new music that came out in late September and pretty much all of October until it was way too late. But when I did get to spend time with Yesterwynde, it continually impressed me. Songs that felt novel and exciting, performances that brimmed with new life, and wonderful pacing from start to finish, Nightwish’s latest record feels like a return to form. I’m excited to follow them on this latest arc in their career.5

Disappointment o’ the Year:

• Vredehammer // God Slayer – The riffs are there, that’s for sure. But the album just doesn’t come together in a way that scratches my brain at all. Therefore, I had the most difficult time sitting through God Slayer. Shame, especially considering how much of a banger each of the previous two records were…

#2024 #Amiensus #Brodequin #Elvellon #Feind #Glassbone #Hamferð #Iotunn #KaliUchis #KenstrositySTopTenIshOf2024 #Khirki #MadderMortem #Myrath #Nightwish #Noxis #OceansOfSlumber #Replicant #Saidan #Scumbag #Sunburst #TheFlaying #UnhallowedDeliverance #Vredehammerð

Kenstrosity’s Top Ten(ish) of 2024

By Kenstrosity

When I think back on this year, a year of unprecedented stress and struggle for this sponge, one predominant emotion rises above the rest. Gratitude. I went through hardships I couldn’t possibly have anticipated; watched as harrowing events, both global and domestic, rocked our world; and trudged through time-dilating frights that I only previously experienced in some of my worst nightmares. And yet, I persist! I found myself asking, once again, why I was spared a worse fate where others weren’t? What have I done in life to deserve the good fortune I’ve received? In time I’ve come to believe that understanding the why of it all isn’t always the most important part. In some ways, the pursuit of an answer to “why” even blinds us to more enriching lessons we can learn from the experiences we share, both mundane and extraordinary. These things teach us how to be human, how to grow, how to thrive, and how to come together as a community. So, for what must be the first time of my life, I stopped asking why anything happened, as tempting as that spiral always looked from outside. Instead, I spent all of my energy prioritizing the moment, experiencing it, allowing it to change me and mold me, and to be present in it not just for me, but for my friends, my family, and my neighbors.

Back to gratitude. More so this year than any other, I must express my deepest, most heartfelt gratitude for damn near everyone. When my roommate and I lost everything overnight, I felt completely and utterly overwhelmed by the response. Hands of friends, family, and community reached towards us, open to do whatever they could to help us up. AMG Himself, Steel Druhm, Sentynel, GardensTale, Twelve, Dolphin Whisperer, Maddog, Holdeneye, Cherd of Doom, Grymm, El Cuervo, Dr. Wvrm, Ferrous Beuller, Saunders, Eldritch Elitist, Doom_et_Al, Dear Hollow, Carcharodon, Felgund, Ferox, Thus Spoke, Iceberg, Mystikus Hugebeard, Itchy, the n00bs, a shit ton of Discord frens, all of my meatspace friends, Mom, Dad, my sister, some of my extended family, my work colleagues and acquaintances, random kind strangers, even Dr. A. N. Grier went above and beyond to help directly with our recovery. Every single member of staff here did whatever they could to give some relief, far beyond what I could’ve ever asked for, and it overwhelms my little heart to know they cared that deeply. My owlpal and great friend Rolderathis, writer and editor at Toilet ov Hell, unexpectedly swooped in via Discord to jump start our financial recovery by creating a crowdsourcing page for us—even as the admin for AMG planned to do the same. Instrumental to its dissemination and subsequent explosion,1 both AMG Himself and Steel Druhm made sure to aggressively spread the word via an official post on this very site, and in their own circles public and private. Friends and family did the same, to great effect. Toilet ov Hell even posted their own article, too, and I don’t even fucking write there. Incredible. My aunt and her husband helped us replace two full rooms worth of furniture without hesitation, and another close friend of mine provided yet another room’s worth on top of that. Our friends reached far and wide to find opportunities to get us shelter, food, essential items, and vital emotional support. FEMA did more than their part for us as well, and they continue to help us as we navigate the next stages of long-term recovery. My therapist stuck with me through the storm, helped carry me through some concerning emotional blockages shortly after, and continues to guide me now. The continuous waves of support and outreach blew me away, and motivated me to pay it forward in whatever way I was capable for those who were going through hell with us. I thank you all, from the bottom of my heart.

As if a hurricane wasn’t enough to bear, Mom was diagnosed with lung cancer just ten days after the storm hit. Still, there shined small silver linings that kept me going. It was caught very early, and she has already returned home after a resoundingly successful surgery, where they removed the tumor in block.2 As scary as the thought of losing my Mom right after everything else that’s happened was, I choose to emphasize the excellent treatment and attention to detail that allowed Mom to come home quickly and in decent health, all things considered. I choose to be with my family, to live in this moment through the pain, the fear, the uncertainty, so I can be there when the sun inevitably shines again, too. I want to extend a very special thanks to Dad, who remained constantly by Mom’s side and supported her through every stage of this development when I wasn’t able.

All of this merely scratches the surface of everything we’ve gone through in 2024. But we are still here!3 We are living the best we can, helping each other to survive, and perhaps soon to also thrive again. The sense of community I feel not just for my deeply wounded city, but also the people in my life, deepened significantly just in the last few months. These experiences have changed me, changed my outlook on life and on relationships. The fragility of life and the sheer power of the love that comes from the people in it sharpen my understanding of what’s really important. Life is about the people you have, the way you treat them, and how you conduct yourself in this world to try to improve it with your unique light, little by little. It’s about supporting your loved ones as they go through good times just as fiercely as when they go through hardship and change. It’s about growing every day into the very best version of yourself, and being there to witness and celebrate the same journey in those close to you. I understand that more today than ever before, and I am thankful that this lesson, above all else, is my takeaway from 2024.

It’s going to be a while before we can return home to AVL, but I’ve already returned full force to my home away from home, Angry Metal Guy! I’d like to thank Steel Druhm and AMG Himself again for keeping my spot warm for me and for being excellent taskmasters and blogrunners, to Sentynel for keeping things running smoothly on the back end and for being awesome in general at his job, to all the writers for continuously providing the internet with the best worst opinions on metal extant, and to Dr. A. N. Grier for deleting everything I’ve ever written so that nobody has to suffer my silly goofy ramblings.

With that said, everybody should probably snapshot this little Top Ten(ish) of mine before Grier deletes that, too. It looks mighty different to how it would’ve had the storm not happened, both because I couldn’t listen to any new music for a while and because the event itself ushered a sharp shift in my listening preferences. Regardless, I’m happy with my selections, and I fully expect the rest of you to rabble at my confounding omissions.4 Let it commence!

#ish. Elvellon // Ascending in Synergy – Elvellon holds a special place in my heart, and thanks to masterful songsmithing, Ascending in Synergy holds a well-deserved placement on my list. I simply haven’t been able to stop jamming it all year. Ascending in Synergy is everything I loved about metal when I first got into it, and it embodies much of what I love about metal today. It never hurts that the first eight songs are all megaton bangers. This record would have placed nearer the top if it weren’t for the monologue in the penultimate epic. Nonetheless, I love Ascending in Synergy.

#10. Madder Mortem // Old Eyes, New Heart – Ever since Marrow, Madder Mortem successfully won me over where every other album in their back catalog failed to resonate. I can’t explain what exactly it was that captured my adoration all of a sudden, but Old Eyes, New Heart has my heart just as Marrow did before it. Smart compositions, earnest delivery, crystalline lyrics, lush sound, this record has it all. I’d be a fool not to award it placement on this list.

#9. Oceans of Slumber // Where Gods Fear to Speak – Oceans of Slumber carved out an ever-evolving, fearlessly creative, and unique sound for themselves since their inception, but always seemed somewhat inconsistent with the quality of their songwriting. Not so on their magnum opus Where Gods Fear to Speak. Immense, cohesive, and richly layered with detail and compelling songwriting, Where Gods Fear to Speak feels like the culmination of their entire career, fully matured and refined to peak form.

#8. Sunburst // Manifesto – There was a point in time that I was confident Manifesto would top this list. That was largely due to sheer excitement that a new Sunburst album, which I never thought I would see in the first place, actually turned out to be great. Rich compositions, sharp hooks, and a masterful performance from everyone involved, Manifesto solidifies Sunburst as one of the best bands out of the Greek power metal scene. I just hope that I don’t have to wait another eight years for the next one!

#7. Scumbag // Homicide Cult – This record is simply unfair. I had my Top 10 all sorted out, and then some bottle-nosed bastard with a dorsal fin and a propensity for beating up smaller mammals on the wrong side of the sea had me check this out, with the promise of killer riffs by the main Noxis guitarist. That bastard was right, this record absolutely rips. There are so many unbelievably filthy, stank-face inducing riffs on Homicide Cult that I had to get plastic surgery to look like myself again. Otherwise, I’d look more like my rotted-out friend on the cover.

#6. Noxis // Violence Inherent in the System – Death metal this good hits me in a special place. While embodying all of the skullcrushing ways of olde, Violence Inherent in the System represents one of the most creative, smart, and well-produced records in modern death metal currently. And while my review helped spike the hype, it still feels a bit like Noxis are running further under the radar than they deserve. Coming out of absolute nowhere and dropping the best straight-up death metal of the year? Unreal.

#5. Feind // Ambulante Hirnamputation – Grind, and all of its hybrids, never once made it on my proper Top 10. I’ve written here for six years. That’s how powerful Feind’s Ambulante Hirnamputation truly is. Immense fun, more quality riffs stuffed into less than twenty minutes than some of the best records can fit into an hour, and cheeky to boot, Ambulante Hirnamputation proves that Feind mastered the grindset. Let’s hope this isn’t the last I get to hear of Feind.

#4. Brodequin // Harbinger of Woe – In contrast to grind, I almost always have a brutal death metal record on my Top 10. It’s a style that resonates with me very easily, and there’s never a shortage of it for my personal enjoyment. Brodequin won the day in a year chock full of great options, with the immensely accessible Harbinger of Woe. The sheer level of groove brimming from this torture chamber sends my booty into overdrive, and the thick, nasty production only serves to enhance the entire experience. There’s very little else I could ask for to sate my brutal death cravings.

#3. Iotunn // Kinship – It’s been a banner year for our friend Jon Aldará. Where Iotunn’s Access All Worlds interested, but did not woo, me, follow-up Kinship absolutely rocked my socks. Every single track is a celebration of epic, melodic, and deeply immersive extreme metal. Gorgeous compositions, ascendant guitar work, ridiculous replay value, and stellar vocals propelled Kinship way up on my list of favorite records at a blistering pace, leaving me revelling in an idyllic honeymoon period. Even after investing more time marinating in its wondrous environs, I’ve only fallen deeper and deeper in love with it. I just can’t imagine how Iotunn are going to top this.

#2. Replicant // Infinite Mortality – This is the year for records that floored me where their predecessors didn’t. Replicant’s Malignant Reality was enjoyable, but couldn’t touch my Top 10 in its year. Infinite Mortality, on the other hand, made a valiant bid for Album o’ the Year from the very first riff kicking “Acid Mirror” into the stratosphere. Hardcore-tinged technical death metal for fans of the discordant and the unorthodox, Infinite Mortality is supremely memorable not just for its sound, but for its infallible, hook-laden construction. Infinite Mortality may not be the only record of its kind released this year, but it’s without a doubt the greatest.

#1. Myrath // Karma – Hurricane Helene took my home. It changed the ecology, geology, and pedology of the entire Asheville region, likely for all time. But one thing it couldn’t take from me is my spirit, my drive to survive, and my determination to thrive. Even during a long period where access to music was a rare luxury, Karma remained at the forefront of my mind. It held me from giving up and reminded me of the strength that burgeoned not just in myself, but also in my friends, family, and greater community as we rebuilt our lives together. If there was ever a record released this year that embodies that spirit of triumph over adversity, it’s Myrath’s incredible Karma. It was always going to be high on this list, thanks to its insanely memorable songwriting and passionate performances of univerally great songs. However, it wasn’t until I personally resonated with its empowering message in the context of a devastating natural disaster that I knew this would be, unquestionably, my Album o’ the Year.

Honorable Mentions

• Amiensus // Reclamation Pt. II – Thoughtful, dynamic, and immersive, Reclamation Pt. II represents the pinnacle of what I like in progressive black metal.
• The Flaying // Ni dieu ni maître – Unsung melodic death metal heroes The Flaying offer up nonstop hooks and a crazy bass performance delivered at a feral pace.
• Hamferð // Men Guds hond er sterk – Empotionally compelling and monstrously heavy, Men Guds hond er sterk is death doom at its peak form.
• Khirki // Κ​υ​κ​ε​ώ​ν​α​ς – Massively dynamic hard rock that comes from the heart and the head, not the butt.
• Saidan // Visual Kill: The Blossoming of Psychotic Depravity – Fun, fast, ferocious, Visual Kill is an unqualified blast of killer hyper-melodic black metal.
• Unhallowed Deliverance // Of Spectres and Strife – Deathcore rarely offers this level of dynamics and quality in songwriting, and it hits like a runaway train full of unstable nuclear warheads.

Non-Metal Album o’ the Year

• Kali Uchis // Orquídeas – Simply put, this album is pure sex. Period.

EP o’ the Year

• Glassbone // Deaf to Suffering – Far and away the slimiest, crustiest, and bestest slam of the year. Absolute filth.

Song o’ the Year

• Elvellon – “A Vagabond’s Heart” – Easily my most listened to song of the year, “A Vagabond’s Heart” strikes a special chord in my spirit that embodies everything I used to love and everything I love today. Furthermore, it leaves me hopeful and excited for what the future holds. As a delightful bonus, it’s catchy as all get-out. I couldn’t ask for a better song to fit this slot.

Surprise o’ the Year:

• Nightwish // Yesterwynde – My original intent was to place this somewhere on my list proper, but the storm foiled that aspiration, as I rarely got to listen to any new music that came out in late September and pretty much all of October until it was way too late. But when I did get to spend time with Yesterwynde, it continually impressed me. Songs that felt novel and exciting, performances that brimmed with new life, and wonderful pacing from start to finish, Nightwish’s latest record feels like a return to form. I’m excited to follow them on this latest arc in their career.5

Disappointment o’ the Year:

• Vredehammer // God Slayer – The riffs are there, that’s for sure. But the album just doesn’t come together in a way that scratches my brain at all. Therefore, I had the most difficult time sitting through God Slayer. Shame, especially considering how much of a banger each of the previous two records were…

#2024 #Amiensus #Brodequin #Elvellon #Feind #Glassbone #Hamferð #Iotunn #KaliUchis #KenstrositySTopTenIshOf2024 #Khirki #MadderMortem #Myrath #Nightwish #Noxis #OceansOfSlumber #Replicant #Saidan #Scumbag #Sunburst #TheFlaying #UnhallowedDeliverance #Vredehammerð