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Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
https://social.emucafe.org/naferrell/christmas-eve-colon-memories-12-24-25/Today is Christmas Eve. This brings back a special memory for me. Seven years to the day, I had surgery to remove 8 inches of my colon on this festive day (I was discharged on the Friday the 28th of 2018). While all was well in the end, I do appreciate spending Christmas Eve at home instead of at NYU Langone in Manhattan (although I will note my room had a 75-inch TV so that was cool). I did get some good gaming done while I was recovering. See my references to playing Pokémon Trading Card Game and Mario Party (the original) in that period.
#anecdotes #christmas #christmasEve #marioParty #pokémonTcg #videoGames -
How many kittens is enough? How about infinite kittens? In today's video we look at the latest build of KSA and discover some cool new stuff.
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Sometimes I also get do some fanarts and this time around the customers really nailed my vibe i think 😆
The Celestia x Chihiro shipper even showed me all their other commissioned art! So cool! Rare Pair shippers have it rough sometimes 😂 love when they get their content
#Fanart #TraditionalArt #Commision #HazbinHotel #Alastor #Splatoon #Frye #Danganronpa #chihirofujisaki #celestialudenberg
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Some of the #ruins that are believed to be the former house of the #Suquash #CoalMining boss. Cool old #masonry work.
#VanIsle #AbandonedPlaces #ruins #Quatsino #PacificNorthwest #RoadTrips #PNW #ExploreMore #Backroads #OutdoorAdventures #BCMiningHistory #SilentSunday #InterestingPlaces #historical #AbandonedMines #abandoned #PortMcNeill #ExploreMore #chimneys #stonework #brickwork
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#Suquash was the site of the first #CoalMine on #VancouverIsland. It still has lots of cool ruins & abandoned #mining #industrial machinery in the middle of the forest & on the beach below. It's very isolated & you'll likely see no one else around, if you go. It's just slightly north of #PortMcNeill town centre.
I often take friends here, when visiting North Island because the site has many different elements. The forest has a section where multiple trees were split down the middle by lightening strikes. New trees, plants & fungi are growing out of the burned out trees. The beach is full of prehistoric fossils of ancient marine animals. It is well worth a day visit. Follow flags to avoid getting lost there - it's easy to lose yourself in dense forest, if the site is unfamiliar to you. Carry a big stick & poke the ground before walking ahead - to avoid falling into hidden sinkholes.
The site still needs environmental clean up. There's still lots of black, greasy, toxic water that bubbles up from underground. The government only put up danger signs but they've otherwise abandoned this site.
More info on the #history of this site:
https://www.whattherock.ca/post/suquash-beach-vancouver-islands-first-coal-mineMy photos are from 2022 visit.
#VanIsle #AbandonedPlaces #ruins #Quatsino #PacificNorthwest #RoadTrips #PNW #ExploreMore #Backroads #OutdoorAdventures #BCMiningHistory #SilentSunday #InterestingPlaces #historical #AbandonedMines #abandoned
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Checking out Quest Master for the first time and I'm super excited about it!! ⚔️ Maybe I'll even play your level if you're cool about it.
But before that—@Sharksided has sent me a box of Canadian food and she's here with me as I crack it open!! 🍁
>> http://blawnk.com <<
#blawnk #VTuber #ENVTuber #Streamer #LowPoly #Twitch #QuestMaster #IndieGames #Canada #CanadianFood
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Interesting skies on this cool Spring morning here near the Bay.
#Chesapeake #morning #Clouds #Rain #Cool #Dogs #Birds #GundogMorning -
The only negative #experience so far is that my #mount speed is so slow and can’t fly anymore! Got a cool black #chocobo mount though and the #aether quests and exploration is a nice touch! Back to evening schoolwork, so might be a bit of a break between #gaming posts.
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Lot of #GameDev / #IndieGameDev thought process here along with a good amount of technical stuff. All accompanied by a lot of animations. We now have full 3d proper clean spline based belts and a cool new factory planning mode. I go over the why and how of moving from #Factorio style belts of #Satisfactory style.
https://exofactory.net/blog/2026-05-03/ #bevy #rust -
Tonight, we will have music at Hood Famous Cafe and Bar, and Sokha from Mam's Books (aka DJ Sokha!) with selections from his music collection. As the sun transits into Aries, we wish you all a happy solar New Year, with good tidings for the future. Sokha is a long time buddy and excited to have him celebrate with us. We'll be playing at 7:00pm! #seattle #cid #filipinotown
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Vengeance of the Vampire Women. I shouldn't like this one as much as I do but, maybe because of its cheapness, it has this dark, languid dreaminess that I think is very cool. Not why most people watch Santo movies, I know.
Another one from that peak period, 66 - 70.
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Sehr cool: 70 Jahre #IKEA-Kataloge aus dem Archiv. Also wohl auch für dein Geburtsjahr:
https://ikeamuseum.com/de/erkunden/der-ikea-katalog/?utm_source=sfmc&utm_medium=email&utm_campaign=TRIG_IF_DE_de_Birthday_Email_1_A_V3&sfmc_id=35623176&utm_term=B_SplitText_BTN_1_2_ContentA_2031688
#IKEAkatalog -
My #arthritis makes it so difficult to grind and roll when it flares up, so my wonderful wife got me the Mamba automatic system ♥️
I'll post a video of it in action later, it's super cool!
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🏩🏩🏩🏩🏩🏩🏩💁♀️*Successful Homeless Village in Scotland Offers Residents Independence but Asks Responsibility👉
#Cool #looking #Good #idea #Tiny #Home
Successful Homeless Village in Scotland Offers Residents Independence but Asks Responsibility
https://www.goodnewsnetwork.org/successful-homeless-village-model-in-scotland-offers-residents-independence-but-asks-responsibility/ -
🏩🏩🏩🏩🏩🏩🏩💁♀️*Successful Homeless Village in Scotland Offers Residents Independence but Asks Responsibility👉
#Cool #looking #Good #idea #Tiny #Home
Successful Homeless Village in Scotland Offers Residents Independence but Asks Responsibility
https://www.goodnewsnetwork.org/successful-homeless-village-model-in-scotland-offers-residents-independence-but-asks-responsibility/ -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Her's - Cool with You▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
This is from 2017 but its new to me!
"#JoanNathan never ceases to amaze us with her expansive #food knowledge, expert #cooking tips and stunning #cookbooks. Now add to her list of skills: how to add #marijuana to classic #Jewish dishes like #matzahball #soup. Joan – your cool factor just ratcheted up a few notches.
I don’t know about your family, but I know know mine would really enjoy this addition to our #Passover #seder this year. And maybe every year. (Also, can’t wait to try her suggestion of adding some #chickenstock to #matzahballs!)
Watch below to see the Viceland video featuring Joan Nathan and these uniquely adapted matzah balls."
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This is from 2017 but its new to me!
"#JoanNathan never ceases to amaze us with her expansive #food knowledge, expert #cooking tips and stunning #cookbooks. Now add to her list of skills: how to add #marijuana to classic #Jewish dishes like #matzahball #soup. Joan – your cool factor just ratcheted up a few notches.
I don’t know about your family, but I know know mine would really enjoy this addition to our #Passover #seder this year. And maybe every year. (Also, can’t wait to try her suggestion of adding some #chickenstock to #matzahballs!)
Watch below to see the Viceland video featuring Joan Nathan and these uniquely adapted matzah balls."
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This is from 2017 but its new to me!
"#JoanNathan never ceases to amaze us with her expansive #food knowledge, expert #cooking tips and stunning #cookbooks. Now add to her list of skills: how to add #marijuana to classic #Jewish dishes like #matzahball #soup. Joan – your cool factor just ratcheted up a few notches.
I don’t know about your family, but I know know mine would really enjoy this addition to our #Passover #seder this year. And maybe every year. (Also, can’t wait to try her suggestion of adding some #chickenstock to #matzahballs!)
Watch below to see the Viceland video featuring Joan Nathan and these uniquely adapted matzah balls."
-
This is from 2017 but its new to me!
"#JoanNathan never ceases to amaze us with her expansive #food knowledge, expert #cooking tips and stunning #cookbooks. Now add to her list of skills: how to add #marijuana to classic #Jewish dishes like #matzahball #soup. Joan – your cool factor just ratcheted up a few notches.
I don’t know about your family, but I know know mine would really enjoy this addition to our #Passover #seder this year. And maybe every year. (Also, can’t wait to try her suggestion of adding some #chickenstock to #matzahballs!)
Watch below to see the Viceland video featuring Joan Nathan and these uniquely adapted matzah balls."
