#comicbooks — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #comicbooks, aggregated by home.social.
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Comicsburgh forges a new home for original, creator-owned stories #comics #comicbooks
https://graphicpolicy.com/2026/09/11/comicsburgh-forges-a-new-home-for-original-creator-owned-stories/ -
art from Batman and Daredevil by Scott McDaniel (1997)
#comicbooks #comicbook #art #arts #comicbookart #geek #nerd #daredevil #batman #dccomics #marvelcomics #marvel #illustration #superhero #superheroes #artist #artists #artwork #90s #1990s
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art from Batman and Daredevil by Scott McDaniel (1997)
#comicbooks #comicbook #art #arts #comicbookart #geek #nerd #daredevil #batman #dccomics #marvelcomics #marvel #illustration #superhero #superheroes #artist #artists #artwork #90s #1990s
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art from Batman and Daredevil by Scott McDaniel (1997)
#comicbooks #comicbook #art #arts #comicbookart #geek #nerd #daredevil #batman #dccomics #marvelcomics #marvel #illustration #superhero #superheroes #artist #artists #artwork #90s #1990s
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art from Batman and Daredevil by Scott McDaniel (1997)
#comicbooks #comicbook #art #arts #comicbookart #geek #nerd #daredevil #batman #dccomics #marvelcomics #marvel #illustration #superhero #superheroes #artist #artists #artwork #90s #1990s
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art from Batman and Daredevil by Scott McDaniel (1997)
#comicbooks #comicbook #art #arts #comicbookart #geek #nerd #daredevil #batman #dccomics #marvelcomics #marvel #illustration #superhero #superheroes #artist #artists #artwork #90s #1990s
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Marvel's Greatest Heroes and Villains are Reimagined in Art Style Variant Covers #comics #comicbooks
https://graphicpolicy.com/2026/09/11/marvels-greatest-heroes-and-villains-are-reimagined-in-art-style-variant-covers/ -
Witchblade #25 preview. Sara has more responsibilities than most New York detectives, and bearing the Witchblade means serving as a magnet for supernatural powers... most of which are far from nice.
#comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-witchblade-25/ -
Regicide #2 preview. Something is following our travelers. A shadow hangs over them... takes the shape of a woman... and strikes! #comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-regicide-2/ -
Redcoat #20 preview. Lots of it. Two immortals — Simon and Benedict Arnold battle to end each other. And we’ll learn first-hand if an immortal can truly die! #comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-redcoat-20/ -
Ofiusa #1 preview. A love triangle in which everyone is hiding something, while a dark secret from the past awaits to be revealed. #comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-ofiusa-1/ -
Monstress #64 preview. As Maika untangles the complicated dynamics of her family tree, she finds herself weighing blood against loyalty and sentimentality against ruthless practicality. #comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-monstress-64/ -
Hornsby & Halo #16 preview. The monster-rock band Deadtones hit Warwick, as Rose and Zach investigate whether they are friends or foes. #comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-hornsby-halo-16/ -
Exquisite Corpses: Fox Mask Killer #1 preview. Among killers-for-hire, there are a select few feared even among other assassins. The enigmatic Fox Mask Killer is at the top of that list. #comics #comicbooks
https://graphicpolicy.com/2026/09/11/preview-exquisite-corpses-fox-mask-killer-1/ -
Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
#ReaderCommunity #ReadingCommunity #BookCommunity #Reading #Books #BookReview #Review #GraphicNovels #Mermaids #ComicBooks
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Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
#ReaderCommunity #ReadingCommunity #BookCommunity #Reading #Books #BookReview #Review #GraphicNovels #Mermaids #ComicBooks
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Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
#ReaderCommunity #ReadingCommunity #BookCommunity #Reading #Books #BookReview #Review #GraphicNovels #Mermaids #ComicBooks
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Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
#ReaderCommunity #ReadingCommunity #BookCommunity #Reading #Books #BookReview #Review #GraphicNovels #Mermaids #ComicBooks
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Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
#ReaderCommunity #ReadingCommunity #BookCommunity #Reading #Books #BookReview #Review #GraphicNovels #Mermaids #ComicBooks
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Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.
Click the image to find the book!Copenhagen was published in 2024 by Dargaud and is 295 pages long.
The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.
Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.
Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.
Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.I’m giving Copenhagen an 8/10.
Have you read Copenhagen? What did you think?
As ever, thanks for stopping by and reading my review!
Until next time,
George
© 2026 GLT
#bookReview #ComicBooks #graphicNovel #mermaid #mermaids #review -
Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.
Click the image to find the book!Copenhagen was published in 2024 by Dargaud and is 295 pages long.
The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.
Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.
Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.
Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.I’m giving Copenhagen an 8/10.
Have you read Copenhagen? What did you think?
As ever, thanks for stopping by and reading my review!
Until next time,
George
© 2026 GLT
#bookReview #ComicBooks #graphicNovel #mermaid #mermaids #review -
Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.
Click the image to find the book!Copenhagen was published in 2024 by Dargaud and is 295 pages long.
The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.
Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.
Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.
Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.I’m giving Copenhagen an 8/10.
Have you read Copenhagen? What did you think?
As ever, thanks for stopping by and reading my review!
Until next time,
George
© 2026 GLT
#bookReview #ComicBooks #graphicNovel #mermaid #mermaids #review -
Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.
Click the image to find the book!Copenhagen was published in 2024 by Dargaud and is 295 pages long.
The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.
Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.
Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.
Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.I’m giving Copenhagen an 8/10.
Have you read Copenhagen? What did you think?
As ever, thanks for stopping by and reading my review!
Until next time,
George
© 2026 GLT
#bookReview #ComicBooks #graphicNovel #mermaid #mermaids #review -
Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg
Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.
Click the image to find the book!Copenhagen was published in 2024 by Dargaud and is 295 pages long.
The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.
Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.
Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.
Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.I’m giving Copenhagen an 8/10.
Have you read Copenhagen? What did you think?
As ever, thanks for stopping by and reading my review!
Until next time,
George
© 2026 GLT
#bookReview #ComicBooks #graphicNovel #mermaid #mermaids #review -
Here’s page 4 of #BlueOrchid #Chapter4 all coloured up.
You can pick up any #comics or Blue Orchid merch at https://www.bewarethecheese.com/blueorchid/.
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Six of Us #1 is a solid start to the murder mystery story #comics #comicbooks
https://graphicpolicy.com/2026/09/10/six-of-us-1-is-a-solid-start-to-the-murder-mystery-story/ -
Paul Chadwick's Concrete gets the Omnibus treatment starting in June 2027 #comics #comicbooks
https://graphicpolicy.com/2026/09/10/paul-chadwicks-concrete-gets-the-omnibus-treatment-starting-in-june-2027/ -
Batman & Robin: Year One - Dynamic Duos #2 is another great issue of the series #comics #comicbooks
https://graphicpolicy.com/2026/09/10/batman-robin-year-one-dynamic-duos-2-is-another-great-issue-of-the-series/ -
With Amazing Spider-Man #1000 fast approaching, let’s take a look at the comic's previous milestone issues. https://www.howtolovecomics.com/2026/09/10/looking-back-at-amazing-spider-mans-previous-milestone-issues/
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Konami and 2000 AD announce Silent Hill: Townfall - The Dock House #comics #comicbooks
https://graphicpolicy.com/2026/09/10/konami-and-2000-ad-announce-silent-hill-townfall-the-dock-house/ -
Marc Spector: Moon Knight #8 exclusive preview. With the lives of his closest friends and some newly forged allies on the line, Marc Spector makes one hell of a gambit! #comics #comicbooks @jedmackay.bsky.social @thewarblazer.bsky.social
https://graphicpolicy.com/2026/09/10/exclusive-preview-marc-spector-moon-knight-8/ -
Uncanny X-Men #37 exclusive preview. Who or WHAT is REPENT. and why are they the LAST HOPE of a beloved mutant? #comics #comicbooks #xmen @gailsimone.bsky.social @lucianovecchio.bsky.social
https://graphicpolicy.com/2026/09/10/exclusive-preview-uncanny-x-men-37/ -
Uncanny X-Men #37 exclusive preview. Who or WHAT is REPENT. and why are they the LAST HOPE of a beloved mutant? #comics #comicbooks #xmen @gailsimone.bsky.social @lucianovecchio.bsky.social
https://graphicpolicy.com/2026/09/10/exclusive-preview-uncanny-x-men-37/ -
Steve Skroce’s New Hit Superhero Series of the Year Continues in October with Tales of Wonder #2. Get a First Look #comics #comicbooks
https://graphicpolicy.com/2026/09/10/steve-skroces-new-hit-superhero-series-of-the-year-continues-in-october-with-tales-of-wonder-2-get-a-first-look/ -
Gallery: Mythbústers’ comics exhibition opens at Estonian Academy of Arts | News
The Estonian Academy of Arts (EKA) in Tallinn has opened “Mythbústers,” a Nordic‑Baltic comics exhibition featuring works by…
#NewsBeep #News #Artsanddesign #ArtExhibition #Arts #ArtsAndDesign #AU #Australia #ComicBooks #Design #eka #Entertainment #Exhibition #graphicnovels #studentartists
https://www.newsbeep.com/au/887034/ -
Gallery: Mythbústers’ comics exhibition opens at Estonian Academy of Arts | News
The Estonian Academy of Arts (EKA) in Tallinn has opened “Mythbústers,” a Nordic‑Baltic comics exhibition featuring works by…
#NewsBeep #News #Artsanddesign #ArtExhibition #Arts #ArtsAndDesign #AU #Australia #ComicBooks #Design #eka #Entertainment #Exhibition #graphicnovels #studentartists
https://www.newsbeep.com/au/887034/ -
What’s new to streaming this week? (Sept. 11, 2026) https://www.byteseu.com/2353696/ #authenticity #character #ComicBooks #Entertainment #Gender #Hero #humility #kind #lobo #morality #nice #Supergirl #superhero
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Here’s page 3 of #BlueOrchid #Chapter4 all coloured up.
You can pick up any #comics or Blue Orchid merch at https://www.bewarethecheese.com/blueorchid/.
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You can probably tell from this panel that the protagonist is #Canadian (From Chachu no. 2 by writer Iman Vellani and artist Marianna Ignazzi). #comicbooks
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Event Horizon: Inferno #5 delivers an action focused finale #comics #comicbooks
https://graphicpolicy.com/2026/09/09/event-horizon-inferno-5-delivers-an-action-focused-finale/ -
The Star Trek 60th Anniversary Special has some fun little stories. There’s a wedding romance for the TNG story. #comicbooks #startrek
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The Star Trek 60th Anniversary Special has some fun little stories. There’s a wedding romance for the TNG story. #comicbooks #startrek
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The Star Trek 60th Anniversary Special has some fun little stories. There’s a wedding romance for the TNG story. #comicbooks #startrek
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The Star Trek 60th Anniversary Special has some fun little stories. There’s a wedding romance for the TNG story. #comicbooks #startrek
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The Star Trek 60th Anniversary Special has some fun little stories. There’s a wedding romance for the TNG story. #comicbooks #startrek
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Vampire Survivors #1 has potential but an overall boring start #comics #comicbooks
https://graphicpolicy.com/2026/09/09/vampire-survivors-1-has-potential-but-an-overall-boring-start/ -
Marvel Mangaverse: Iron Knight #1 feels rushed and too short #comics #comicbooks #manga
https://graphicpolicy.com/2026/09/09/marvel-mangaverse-iron-knight-1-feels-rushed-and-too-short/ -
The Karman Blade #1 feels like an average fantasy adventure #comics #comicbooks
https://graphicpolicy.com/2026/09/09/the-karman-blade-1-feels-like-an-average-fantasy-adventure/ -
Fixation #1 is an interesting look at toxic fandom #comics #comicbooks
https://graphicpolicy.com/2026/09/09/fixation-1-is-an-interesting-look-at-toxic-fandom/ -
Batman: Bad Seeds - Gotham Central #1 has us wanting an ongoing GCPD series #comics #comicbooks
https://graphicpolicy.com/2026/09/09/batman-bad-seeds-gotham-central-1-has-us-wanting-an-ongoing-gcpd-series/