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467 results for “BassCan”

  1. Woohoooo!🚀👍🙏🤩🤩🤩 Tröööt!

    Ich hoffe man hört die Korken knallen bis ins weiße Haus!🍾😋

    @FLOMB und ich und @fred , der bescheidene Bassmann von @dearwolf haben den internationalen @lemmyvision SC haushoch gewonnen. ❤

    Der Song soll die Aktion #unplugtrump von @kuketzblog unterstützen.

    @bsfilms
    Das Video muss raus!!!!

    pekrieger.de/unplugtrump/
    #punk #krefeld #musik #buyeurope #fedivision #fcktrump #fckelon #tesla #alexa #fckTesla #bigtech #oligarch #fckbigtech #bigtechmussweg #europe #Punkrock

  2. CW: astronomical hyper, cum inflation

    Stuck between a rock-hard Rioluff and a, uh, pretty soft, squishy, burgeoning, boundlessly stretching cosmic displacement.

    For twitter.com/dusk_rioluff and furaffinity.net/user/bassman97

    #mink_art #furry #furryart #hyper #astronomical_hyper #cum_inflation #cum #riolu #rockruff #rioluff

  3. Insomniac – Om Moksha Ritam Review

    By Samguineous Maximus

    The terms “psychedelic” and “post-metal” are usually enough for me to approach any new release with caution—not because those genres lack excellent music, but because they’re so often associated with overlong, unfocused songs. For every Cult of Luna or Oranssi Pazuzu, there are fifty bands peddling overlong, riffless dirges that mistake “atmosphere” for actual songwriting. Atlanta supergroup Insomniac has arrived with their debut record Om Moksha Ritam, with the ominous self-designation of “post-doom.” The title, loosely translated from Sanskrit as “Liberation through merging with the Universal Rhythm,”1 foregrounds its ambitions as a concept album designed to “guide listeners through an aural and spiritual journey across multiple extreme environments.” Have Insomniac crafted a narrative listening experience that successfully conveys its metaphysical aspirations? Or is their debut the “post-doom” equivalent of a bad trip?

    On Om Moksha Ritam, Insomniac manages to craft a sound that is immediately recognizable yet distinctly their own. They merge the progressive psychedelia of Elder with the layered, textural approach of REZN, all filtered through the Southern-gothic tinge of fellow Georgians Baroness. The result is a body of songs that draw equally from the contemplative exploration of ’70s prog, Americana-dipped blues rock, and the anthemic heft of post-metal’s sludgier, power-chord-driven moments. What makes this combination work is not just the intuitive chemistry of the instrumentalists, but the commanding presence of vocalist Van Bassman. Each track is surprisingly vocal-driven, and Bassman conjures a sound somewhere between a bluesier Dax Riggs and a John Baizley who’s actually capable of singing. His baritone sits front and center for much of Om Moksha Ritam, often accompanied by vocal layers and effects, creating a kaleidoscopic swirl that amplifies the ebb and flow of the music as it moves between peaks and valleys.

    It helps that Om Moksha Ritam’s tracklist is dynamic and well-paced, with each of its 7 songs offering subtle differentiation on Insomniac’s core formula. Much of this can be attributed to the interplay between guitarists Alex Avedissian and Mike Morris,2 whose willingness to balance acoustic and effects-laden electric timbres gives the record a versatile and interesting palette. The guitars ferry the songs between quiet reflection and crushing grandeur. Whether it’s weaving intricate folky arpeggios together with tripped-out leads (“Desert”), harmonizing across doomy atmospheres (“Mountain”) or using post-rock tremolos to punctuate a well-earned climax (“Meditation), the guitar work on Om Moksha Ritam is consistently engaging and varied. Of course, this would be for naught without a strong rhythm section, but Insomniac has that as well. Drummer Amos Rifkin brings a loose, delicate touch to softer tracks like “Sea” and “Forest,” but escalates with thunderous weight when the music demands greater intensity. Meanwhile, bassist Juan Garcia provides a warm, full-bodied tone that both supports and embellishes the melodic core, keeping the songs anchored amid the dense layering of guitars and vocals, which is important on a track like the expansive and sprawling “Snow and Ice.”

    Only a few minor inconsistencies keep Om Moksha Ritam from reaching the apex of Insomniac’s sound. The B-side leans away from emphatic “Hell yes” moments in favor of slower, navel-gazing jams. These tracks reward repeat listens but aren’t as immediately gripping. Closer “Awakening” falls just shy of the monumental highs of the opening salvo, with a climactic chorus that doesn’t land as powerfully as it could. For the most part, the record sounds fantastic and balances its many intricate layers, though there are moments (the refrains of “Mountain” and “Sea”) where Bassman’s voice overpowers the rest of the band in a psychedelic spiral. These issues don’t detract too heavily from the record’s overall impact, but they are worth noting.

    Om Moksha Ritam takes you on a hallucinogenic trek across the desert, riffs shimmering like heat mirages, the atmosphere thick enough to choke a camel. Insomniac has delivered an album that takes listeners on a true musical journey, drenched in smoke-filled vibes, yet immediately rewarding. Their unique, psychedelic strain of “post-doom” metal blends familiar elements from beloved bands into something greater than the sum of its parts. If Insomniac invite me on another spiritual vision quest through the wastelands of sound, I’ll happily lace up my sandals, pack my water skin, and follow them straight into the void.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: PCM
    Label: Blues Funeral Recording
    Websites: insomniacvibes.bandcamp.com | facebook.com/insomniacatl
    Releases Worldwide: September 1st, 2025

    #2025 #35 #AmeircanMetal #Baroness #BluesFuneralRecording #BluesRock #CultOfLuna #DoomMetal #Elder #Insomniac #OmMokshaRitam #OranssiPazuzu #PostRock #PostMetal #ProgressiveMetal #PsychedelicMetal #PsychedelicRock #Review #Reviews #REZN #Sep25

  4. AUDIOPHILE MAN - HiFi NEWS
    Stack Audio’s AUVA SW is here: particle damping, silicone LF absorber, solid-aluminium shell — all purpose-built to tame sub-bass vibration. Serious isolation for serious subs.
    £324/4.
    🔗 theaudiophileman.com/auva-sw-f
    #audio #hifi #audiophile #Subwoofer #BassControl #VibrationIsolation #StackAudio #AUVA #HomeAudio #HiFiGear #HiFiUpgrade #AudioEngineering #Loudspeakers #HiFiCommunity #SoundQuality

  5. "Surf Music is just the Sound of the Waves played on a Guitar, that Wet, Splashy Sound." — Dick Dale

    🌊🎸 #DickDale / #SurfMusic / #Fender / #Bassman / #music / #RockMusic <youtube.com/watch?v=zjpL8sqCpFM>

  6. @bassman578 Keen Aneren wollt sech deem Medien Zirkus aussetzen (; a wann et erëm schif geet ass just de #LUC verbrannt ^^ An den Heilsbringer LUC kennt gutt bei de +60 un.

  7. Art’s Birthday:

    Es wurde im letzten Newsletter schon angekündigt, jetzt ist es offiziell. Der Sendeschluss hat in 1040 Wien eine neue Heimstatt gefunden und am 17. Jänner, zum Art’s Birthday gibt es ein Soft-Opening mit Live-Stream ins Netz. Hier aus der Pressemitteilung:

    INFO Art’s Birthday
    Jan 17th 2024 – 22:10 – 23:00  Palais Rössl
    Kunstradio Ö1 & Radio Helsinki | Vienna/Graz (Live)
     
    TITLE
    The Mycorrizha Mix
     
    VENUE
    Palais Rössl, Vienna
     
    RADIO STATION
    Kunstradio Ö1 & Radio Helsinki (Vienna | Graz)
    post-listening: ORANGE 94.0 (Vienna), RADIA on Jan 18th 2024 from 15:00 till 16:00 GTM+1
     
    DESCRIPTION
    Just like mycorrhiza, Palais Rössl is a transgenerational and polydisciplinary growing symbiotic liaison of artists, designers and cultural workers in the physical heart of Vienna, Austria, as well as a time- and space-transcending hybrid creature open to entanglements of all kinds.
    We share a love for communal spaces and poeto-political co-creation with sound being a strong connective tissue.
    As a birthday gift to Art itself Rössl residents will build an improvised soundscape around the necessity of independent spaces in the privatized city.
    You can expect a royal mix of sonic expressions, be it spoken word, electro-acoustic or environmental sounds.

    BIO
    Palais Rössl was conceived in the summer of 2023, moved into in November and will have its big opening party on 31/05/2024.

    Current residents:
    Bilal Alame, Sheri Avraham, Bassano Bonelli Bassano, Margit Busch, Jorge Sanchez-Chiong, Faris Cuchi Gezahegn, Natalia Gurova, Maria Herold, Lisa Hinterreithner, Maria Hruschka, Göknur Isci, Fabian Lanzmaier, Anna Lerchbaumer, Anto Manhartsberger, Mzamo Nondlwana, Peter Oroszlany, Lale Rodgarkia-Dara, Alejandro Quiñones Roa, Nicole Sabella, Daniel Sea, Lucas Henao Serna, Karl H. Schönswetter, Georgios Tsampounaris, Elisabeth Vlasaty, Brigitte Wilfing, Joanna Zabielska, Julia Zastava

    CONTACT
    Nicole Sabella
    [email protected]

    Hier gibt es weitere Informationen zum Internationalen Art’s Birthday.

    Permalink: https://karlender.net/3712/

    #artSBirthday #eigenart #kunst #live #Ö1Kunstradio #RadioHelsinki #radioOrange940 #wien

  8. Bass Guitar Amplifier Adjustment

    Adjusting a bass guitar amplifier involves setting the EQ (equalization) and other controls to get the best tone for your style, venue, and preferences. Here’s a step-by-step guide to dialing in your bass amp settings:

    1. Set Initial Controls
    Gain: Start with the gain at a low level. Increase it gradually until you hear distortion, then back off until the sound is clean. If you prefer a grittier tone, leave the gain slightly higher.
    Volume: Set the volume to a comfortable level. Adjust it based on your playing environment, such as practicing alone or playing with a band.
    2. Adjust EQ (Bass, Mid, Treble)
    Bass: Controls the low-end frequencies. Increasing the bass can add warmth and depth. For a more defined sound, avoid cranking the bass too high, as it can make the sound muddy.
    Mids: Mids are essential for a clear and punchy tone, especially in a mix. Higher mids add clarity and presence; reducing them can create a scooped sound often used in slap bass.
    Treble: Controls the high-end frequencies. Increase it for more clarity and definition, or roll it back for a warmer sound.
    3. Use Shape/Contour Controls (if available)
    Many bass amps have a "shape" or "contour" control that adjusts the mids for different tones. Experiment to see how these affect your sound, especially if you want a quick, scooped tone.
    4. Experiment with Extra Features
    Compression: Some amps have a built-in compressor, which smooths out your dynamics and adds sustain. Start low, increasing only until it’s just noticeable.
    Drive or Overdrive: If you like a more aggressive, gritty tone, use the drive/overdrive knob to add subtle distortion.
    5. Room Acoustics
    Adjusting your EQ based on the room’s acoustics is important, especially for live gigs. Rooms with a lot of bass resonance may require turning down the low-end or cutting certain frequencies.
    6. Test and Fine-Tune
    Play different styles and techniques, like slap, fingerstyle, and pick, to see how your tone holds up.

    #Music #Audio #Bass #ShortScale #Behringer #Guitar #SoundEngineering #Joyo #Pedal