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22 results for “BassCan”
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Regiunea autonomă pro-rusă Găgăuzia își va alege bașcanul pe 15 #Noiembrie.
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Regiunea autonomă pro-rusă Găgăuzia își va alege bașcanul pe 15 #Noiembrie.
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Regiunea autonomă pro-rusă Găgăuzia își va alege bașcanul pe 15 #Noiembrie.
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Regiunea autonomă pro-rusă Găgăuzia își va alege bașcanul pe 15 #Noiembrie.
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Regiunea autonomă pro-rusă Găgăuzia își va alege bașcanul pe 15 #Noiembrie.
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#Arachtober 26: a very flat crab spider, maybe a bark crab spider (_Bassaniana_) or the like. Note the ⟨ ° • • ° ⟩ eye arrangement and long front legs.
#DailySpiderPic #spiders #CrabSpiders #Araneae #Thomisidae #macro
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Carte de l’Amérique du Nord (1847)
Publiée aujourd’hui sur Gallica / BnF
https://gallica.bnf.fr/ark:/12148/btv1b10063110b
#carte #cartographie #maps #cartography #AmériqueDuNord #géographie #histoire #patrimoine #BasCanada #USA #Mexique #Gallica #BnF #Amérique #Antilles -
After more than two years in production, NGHTMRE unveils MINDFULL, a 14-track statement on how weighty bass can carry weightier meaning.
https://retroworldnews.com/nghtmre-drops-mindfull-a-14-track-bass-heavy-exploration-of-presence/#NGHTMRE #MINDFULL #BassHeavy #MusicExploration #14TrackAlbum #ElectronicMusic #BassMusic #MindfulnessInMusic #MusicProduction #EDMCommunity #SoundJourney #PresenceInMusic #NewMusicRelease #MusicInnovation #BassLovers #MusicalExperience #ArtistSpotlight #MusicTherapy #VibeWithMusic #ListenToThis #music #musicvideo
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#SpiderSunday: several of the spiders I met on that one warm day last week! A running crab spider (_Philodromus_), a bold jumping spider (_Phidippus audax_), some kind of crab spider in tribe Coriarachnini (_Bassaniana_?), and a good old zebra jumping spider (_Salticus scenicus_) with what looks like most of a mesh-web weaver (family Dictynidae).
#ArthroBeauty #DailySpiderPic #SpidersOfMastodon #spiders #JumpingSpiders #Araneae #Salticidae #Philodromidae #Thomisidae #Dictynidae
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Arise from Worms – A Bleeding Tree Hanging Self Destruction Review By Grin ReaperIf unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?
Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.
Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.
Unfortunately, despite the wizardry dripping off Arise from Worms’ A Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allowing each other plenty of room within the mix.
As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.
Rating: Mixed
#25 #2026 #ABleedingTreeHangingSelfDestruction #AmericanMetal #Annihilator #AriseFromWorms #ChurchRoadRecords #Cryptopsy #DragonForce #DreamTheater #FrenchMetal #Incantation #InternationalMetal #Jul26 #MorbidAngel #Necrophagist #Review #Reviews #TechnicalDeathMetal #YngwieMalmsteen
DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
Label: Church Road Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 10th, 2026 -
Arise from Worms – A Bleeding Tree Hanging Self Destruction Review By Grin ReaperIf unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?
Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.
Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.
Unfortunately, despite the wizardry dripping off Arise from Worms’ A Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allowing each other plenty of room within the mix.
As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.
Rating: Mixed
#25 #2026 #ABleedingTreeHangingSelfDestruction #AmericanMetal #Annihilator #AriseFromWorms #ChurchRoadRecords #Cryptopsy #DragonForce #DreamTheater #FrenchMetal #Incantation #InternationalMetal #Jul26 #MorbidAngel #Necrophagist #Review #Reviews #TechnicalDeathMetal #YngwieMalmsteen
DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
Label: Church Road Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 10th, 2026 -
Arise from Worms – A Bleeding Tree Hanging Self Destruction Review By Grin ReaperIf unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?
Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.
Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.
Unfortunately, despite the wizardry dripping off Arise from Worms’ A Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allowing each other plenty of room within the mix.
As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.
Rating: Mixed
#25 #2026 #ABleedingTreeHangingSelfDestruction #AmericanMetal #Annihilator #AriseFromWorms #ChurchRoadRecords #Cryptopsy #DragonForce #DreamTheater #FrenchMetal #Incantation #InternationalMetal #Jul26 #MorbidAngel #Necrophagist #Review #Reviews #TechnicalDeathMetal #YngwieMalmsteen
DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
Label: Church Road Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 10th, 2026 -
Arise from Worms – A Bleeding Tree Hanging Self Destruction Review By Grin ReaperIf unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?
Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.
Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.
Unfortunately, despite the wizardry dripping off Arise from Worms’ A Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allowing each other plenty of room within the mix.
As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.
Rating: Mixed
#25 #2026 #ABleedingTreeHangingSelfDestruction #AmericanMetal #Annihilator #AriseFromWorms #ChurchRoadRecords #Cryptopsy #DragonForce #DreamTheater #FrenchMetal #Incantation #InternationalMetal #Jul26 #MorbidAngel #Necrophagist #Review #Reviews #TechnicalDeathMetal #YngwieMalmsteen
DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
Label: Church Road Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 10th, 2026 -
Arise from Worms – A Bleeding Tree Hanging Self Destruction Review By Grin ReaperIf unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?
Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.
Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.
Unfortunately, despite the wizardry dripping off Arise from Worms’ A Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allowing each other plenty of room within the mix.
As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.
Rating: Mixed
#25 #2026 #ABleedingTreeHangingSelfDestruction #AmericanMetal #Annihilator #AriseFromWorms #ChurchRoadRecords #Cryptopsy #DragonForce #DreamTheater #FrenchMetal #Incantation #InternationalMetal #Jul26 #MorbidAngel #Necrophagist #Review #Reviews #TechnicalDeathMetal #YngwieMalmsteen
DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
Label: Church Road Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 10th, 2026 -
The Edinburgh Radium Bomb: the thread about the Beechmount Institute
A couple of things happened recently. A fire at the former Corstorphine Hospital prompted me to read up and write about the history of that establishment and it was also the annual Christian Aid bumper booksale in Edinburgh, at which I picked up an excellent history of the Royal Infirmary of Edinburgh1 (amongst many other things.) These circumstances converged to pique my interest in Beechmount, a grand mansion house which was, for a short time at least, the exotic and atomic sounding National Radium Centre and a pioneer in the field of radiotherapy.
Beechmount, estate agent’s photo. © 2025 Scarlett Land & DevelopmentBeechmount, set amongst 8 acres of woodland, was built in 1900 in an Italianate style to designs by Messrs McArthy & Watson as the private residence of Sir George and Lady Mary Anne Anderson. The land was feud from the Beechwood Mains estate at Murrayfield and its name was a simple amalgam of the neighbouring properties of Beechwood and Belmont.
1905 Ordnance Survey 1:25 inch map of Edinburghshire, centred on Beechmount (left), Beechwood (centre) and Belmont (right). Reproduced with the permission of the National Library of ScotlandSir George was treasurer of the Bank of Scotland from 1898 to 1917, which explains how the coat of arms of that institution came to be found above the house’s main door and grand fireplace. He was the first Scottish “banker knight“, his title conferred for services to his industry. After his retirement in 1917, the Andersons spent their retirement at Beechmount as respected members of Edinburgh society. Sir George died there on December 1st 1923, aged 78. Lady Anne survived him before she too passed away in the house on 26th May 1926, aged 80. Her husband had intended that the house be left to his bank as an official residence for its treasurer but Lady Anne instead bequeathed it to the Royal Infirmary of Edinburgh. She recommended it be used as a convalescent home for servicemen injured during World War I but gave the hospital managers final discretion as to its use. In addition, £5,000 was left to them to help adapt the property to its new purpose.
Sir George Anderson, 1911 photographic portrait by Bassano & Vandyk. © National Portrait Gallery, LondonAnd that may have been that for the Beechmount story had it not been for the rapid development of a new field of medicine. In 1926, the Infirmary had been able to purchase 500mg of the radioactive element Radium – a substantial proportion of the entire global supply of it at that time – as the result of a donation of £5,000. It began to experiment in its use for the treatment of “malignant disease“; cancer. Prior to this, the only known treatment was surgical removal of tumours and the new branch is what we now call Radiotherapy. To begin with, Radium treatments were undertaken in the main buildings of the Infirmary at Lauriston Place by introducing tiny amounts of the element directly into tumours using needles, different coloured threads attached to them indicating the radioactive strength. However it soon became clear that a specialised unit dedicated to the therapy would be desirable and in 1928 it was decided that Lady Anderson’s bequest should be fitted out as such; the Beechmount Radium Institute.
The medical promise of Radium was great but so too were the costs, dangers and difficulties associated with its use. As a result, in 1929 the government established the Radium Trust to source and hold supplies of the wonder material for the nation and the National Radium Commission to oversee its regulation and distribution. The Commission did not want to deal purely with hospitals and so in 1930 a joint partnership between the Royal Infirmary and the Faculty of Medicine of the University of Edinburgh was set up to combine their teaching and research in the field in order that they could mutually benefit from the national supply. In the meantime £11,000 was spent on the Beechmount project and the new facility, with 36 in-patient beds, was opened in October 1932. To begin with patients continued to be treated at the Infirmary and were sent to the new annexe for their pre- and post-treatment convalescent care, however the entire process was soon centralised at the Institute.
The Beechmount Radium Institute, photograph in the Nursing Times, March 1937The facility was overseen by the respected surgeon John James McIntosh (J.J.M.) Shaw, a military doctor, pioneer in re-constructive plastic surgery and member of both the Radium Trust and Commission. Its first matron was Margaret Colville Marshall, later “Lady Superintendent” of the Infirmary and awarded the OBE for this service. From his base at Beechmount, J.J.M. oversaw the establishment of the Cancer Control Organisation for Edinburgh and Southeast Scotland in 1934, a group of influential (and wealthy) members of society to help organising towards the running costs of the Institute. That same year the Radium Commission approved the Infirmary’s proposal that Beechmount become the National Radium Centre for southeast Scotland, the first of five such centres proposed for the country.
Beechmount on a 1939 Post Office map of Edinburgh, incorrectly labelled as the “East of Scotland Radium Research Institute”. Reproduced with the permission of the National Library of ScotlandWith the support of the Commission an additional 80omg of Radium was acquired and combined with the existing supply to form a mass unit of the material that was called a “Radium Bomb“. This made history as the first such Bomb outside of London and meant that treatments could be made indirectly, focussing the emitted radiation towards the tumour from a few inches away, rather than introducing it directly on needles. This new method was far more efficient and effective and was far safer for both the patient and the medical staff. The Commission also provided funding to pay for the running costs of the Bomb and to safely maintain and house it.
Radium Bomb from Westminster Hospital, London, in the early 1930s, built by E. Rock Carling. The gram of Radium is housed in the egg-shaped, lead-shielded container on the left. It is controlled from a distance by the operator on the right, who can position the head and then open a shutter in the “Bomb” housing to expose the tumour to radiation for a precise amount of time. CC-by-SA 4.0, from the Science Museum’s Wellcome Trust Collection.In 1936, J.J.M. reported that “treatment of malignant disease in certain situations such as the throat by means of the radium mass unit or ‘bomb’ has surpassed anything previously known“. He was joined at this time by Dr Margaret (Peggy) Tod as Honorary Associate Assistant Surgeon. Tod stayed for only a year before moving on to become the Deputy Director of the Holt Radium Institute in Manchester, but made “an outstanding contribution to the pioneering work at Beechmount“. The Infirmary’s capacity to administer radiotherapy increased exponentially as a result of dedicating Beechmount to it; in 1939 it reported over 15,000 treatments had been administered, up from only 907 just five years previously.
Margaret Colville Marshall, 1895-1995, obituary photograph.From 1937, the matron was Jean Ritchie and she served in this post until 1939 when the Institute was closed “for the duration” and re-purposed as a convalescent Auxiliary Hospital; this scheme was directly funded by central government and allowed patients to be removed from the main Infirmary thus freeing up capacity there for dedicated military use or for civilians injured as a result of air raids. The Radium Bomb was removed to the Infirmary and buried at the bottom of a 40 foot deep well shaft to avoid it resulting in a “dirty bomb” in the event it was hit by an air raid. Sadly, Dr Shaw died on wartime active service with the Royal Army Medical Corps in Cairo in September 1940, aged 54, having contracted dysentery while serving as the Consultant Surgeon to the Army GHQ.
Colonel J. J. M. Shaw in his Royal Army Medical Corps uniform. Picture uploaded to Ancestry by Martin Bainbridge.After the war, Radiotherapy in Edinburgh was concentrated at the Western General Hospital and Beechmount was not returned to that use. Instead it remained as a 46 bed convalescent home, operated in tandem with the Corstorphine Home and attached to the Royal Infirmary. In 1974, reorganisation of the medical bureaucracy saw Beechmount detached from the Infirmary and grouped in with other small district hospitals in the Lothians to provide specialist geriatric convalescent care.
One long-standing problem of Beechmount was that the building was accessible from the main road only by a very steep set of stairs or a driveway with multiple hairpin bends. In 1969 an ambulance driver did not correctly apply the brakes of his vehicle resulting in it careering 50 yards down the embankment before progress was arrested by a mature tree. Fortunately the occupants, Mrs Ella Hamersley and Mr Charles Baker, suffered only minor injuries. For the benefit of less mobile visitors to the hospital, members of the Corstorphine Rotary Club used their own cars to provide a shuttle service of rides up and down the gradient during visiting hours.
Beechmount House, estate agent’s photo. The modern wing at the back was that built for staff accommodation when it was converted for medical use © 2025 Scarlett Land & DevelopmentIn 1987 the Lothian Health Board denied that it had plans to either close Beechmount Hospital or convert it into a unit for the specialised treatment of patients with HIV/AIDS. However the following year it proposed the closure and sale of the hospital amid a widespread rationalisation and cost cutting plan. The Board cited the fact that the facility was costing £360,000 a year to run, its opponents countered that the running costs of convalescent hospital beds was only a third of that at major hospitals like the Royal Infirmary or the Western General. But the site was potentially very valuable to developers and with the support of the Secretary of State for Scotland, in what the Daily Record dubbed the “Sick Sale of the Century“, Scotland’s health boards were backed from the top to dispose of a swathe of surplus property on the open market to raise money for their capital budgets. Beechmount was closed in 1989 and the house and grounds were to be sold the following year for £1.8 million. The sale fell through however, as did a scheme to convert it into a Hotel. In 1993 the Health Board intended to build a new dental hospital at Beechmount but found it could not afford the renovation costs of £6 million. The premises were in the interim leased to the Scottish Wildlife Trust who used it for offices and returned to the market and finally sold by the Health Board in 1996, the former staff accommodation being converted into apartments and returned to residential use. It was on the market again in 2018 for offers over £4.5 million and eventually sold. It is currently (2025) being used as emergency accommodation for those experiencing homelessness.
- Story of a Great Hospital. The Royal Infirmary of Edinburgh 1729-1929, by A. Logan Turner. ↩︎
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AmigaOS 4 Monthly Roundup – April 2025
Hi,
Welcome to a new edition of the AmigaOS 4 Monthly Roundup! 🙂
The month of May has arrived. Spring is in the air! It is time to look at what has been happening in the community during April.
Thanks for reading and for visiting my blog. Hope you’ll enjoy the news!
Software News
First up is some gaming news! Hold on to your horses!
Warcraft-2-Engine: Stratagus 3.3.3 for AmigaOS 4
Press release from amiga-news.de
Picture from the webshop of Alinea ComputerAlinea Computer is pleased to be able to offer another port by Steffen Häuser. Steffen has taken care of the porting of the latest version 3.3.3 and the installation routines for easy installation under AmigaOS 4. Stratagus is the port of the engine in version 3.3.3, which makes it possible to play the game Warcraft 2 from Blizzard Entertainment natively on the Amiga under AmigaOS 4.
The archive contains an installer with which it is possible to install the game directly from the PC CD without pre-installing it on the PC. At least for the Warcraft 2 Classic PC CD, for the Battle.Net CD or the Gog version it is necessary to unpack a file with a Windows tool, but with the Classic CD you can install directly on the Amiga.
Picture from the webshop of Alinea ComputerWarcraft 2 is one of the most famous strategy games of all time, practically the prequel to the famous MMO “World of Warcraft”. In addition to the base game “Warcraft 2: Tides of Darkness”, the add-on CD “Warcraft 2: Beyond the Dark Portal” (already included in the Battle.Net CD and Gog version) is also supported.
Stratagus is based on the current “latest Git” version of the Stratagus project (version 3.3.3). In contrast to an earlier implementation, 3.3.3 offers the following features:
- Iconic game music and not just sound effects (the music files are only installed with the Warcraft 2 Classic CD and the Battle.net CD, but can be copied manually afterwards when using the Gog version).
- The game’s video sequences (video sequences not available on AmigaOne A1222)
- A functional level editor
- Numerous bug fixes
Of course, the localisation of Warcraft 2 into different languages is also supported.
Stratagus is under GPL licence, the source code of the Amiga version will be integrated into the github of the PC version in the foreseeable future, but is also available as a request by e-mail (see readme for details).
Picture from the webshop of Alinea ComputerThe minimum requirements for Stratagus are:
A computer with AmigaOS 4.1 FE Update 2 or higher
Special executables optimised for the respective platforms (x1000, x5000, Sam 440, Sam 460, G3 and A1222) can be selected during installation.https://www.amiga-shop.net/en/Amiga-Software/Amiga-Games/Stratagus-3-3-3-for-AmigaOS-4::1412.html
Juan Carlos Herrán Martín is an active software developer for platforms like AmigaOS 4, MorphOS, and AROS. We’ve seen many releases from him in the earlier monthly roundups. Now he is back with a new version of the game Los Malditos. It is a free adaption of the mythical books from Timun Mas from the 1980s and 1990s. These books are related to Dungeons & Dragons. The author is a fan of these works. It is now available for download at OS4Depot.
Improvements since the previous version:
- Improved on-screen text
- Improvement of the game speed, removing the delay refresh in the game window
- Bugs fixed
- Removed the option to exit the game when you are in a fight and you are in places preventing you from running away from the enemy
- New cover
- The game has been made free, but donations are welcome
He also released version Final2 of High-Low-Equal Poker. This is a special version to promote the game Los Malditos del Valle del Cerro and a way to show the possibilities of his games to promote magazines, books, movies, and other games and programs, even hardware.
Screenshot by Puni from an earlier version- The game has the exclusive Baphomet deck with the Heroes from the game “Los Malditos’ del Valle del Cerro”
- Bug fixed with card engine
- Two game modes: A=1 Ace equals 1 and Poker A>K Ace as in poker is the highest card
- Now the game cans open and play with Baphomet decks
- New screen to exit the game instead of the window requester
- Small improvements
If that was not enough, he updated his utility Cards Making Kit to version 2.20. With this program, you can make your decks for the following games:
- HLE Poker Card (High-Low-Equal Poker Card)
- BlackJuan
- Siete y Media
- Baccarat
- BlackIvan Card
You can make your decks using pictures from your family, pets, hobbies, etc.
Screenshot by Puni from an earlier versionHere is another one from the same author. Version 2.05 of a game called Baccarat has been released. This is a tribute to the mythical card game, popularized by the James Bond movie Dr. No with Sean Connery. The author has added a new exit cover (more James Bond style), and fixed a bug with the Baphomet decks and the overload in the game screen that slowed down the game.
Screenshot by Puni from an earlier versionBlackjuan Poker Card has been updated to version 2.00. This is another card game from the author above. The development of the game started back in 2012. This release includes new graphics and bug fixes. The game now supports Baphomet decks.
Screenshot by Puni from an earlier versionLast, but not least, he has updated the game Siete y Media to version 2.00. This is a Spanish Blackjack version with a Spanish deck of 40 cards. The aim of the game is not to get 21 which is common in Blackjack, but the sum of 7.5. You can read more about this in the readme. An SDK is included for those interested in making their decks of cards.
https://www.youtube.com/watch?v=J67WwNSgq3A
Amifish is a chess program made to play chess with Amiga-like systems. It exploits the power of one of the most powerful chess engines in the world: Stockfish. This engine was developed by Tord Romstad, Marco Costalba, Joona Kiiski, and Gary Linscott. A chess engine is a console program that plays chess, receiving strings as commands and producing strings in output as a result of computation. Stockfish and many other engines are compatible with a standard named UCI (Universal Chess Interface). The name Amifish is obtained by joining the words ‘Amiga’ and ‘Stockfish’. However, the project is open to all engines compliant with the UCI standard. It is a light program for amateurs. It is made to have fun with chess. Only the most important options are implemented. Version 2.1 is out for AmigaOS 4 and can be downloaded from OS4Depot.
Version R19 of iMage, a fast image viewer by Lazi has been released. According to the author, it handles JPG files very fast.
MCE, Multi-game Character Editor, is a user-friendly open-source editor of character files, saved games, high score tables, levels, and graphics for 122 games. James Jacobs, the author, has now released version 15.31, which provides miscellaneous improvements, as well as an enhanced Goal! Team editor.
Lorence Lombardo released version 1.0 of chklib. It is currently used in the “amiaudcomp” lib project. He also released version 1.0 of flushmem, which in theory flushes all flushable items from memory.
AmiSSL received an update to version 5.20. As mentioned in earlier editions of the AmigaOS 4 Monthly Roundup, the AmiSSL project is a collaborative effort to develop a port of OpenSSL in a shared library for Amiga-based systems. The download is available here. If you are interested in the SDK, it can be found here. It is a must-have if you use AmigaOS 4 to browse the web!
An updated version, 3.4, of the YouTube URL Extractor Script by Michael Trebilcock was released on April 16th. YT.rexx is a script for providing direct video and audio links from YouTube URLs. Changes from the previous version include:
3.4 – 16th Apr 2025:
- Compatibility fixes.
- Removed MEDIACONNECT client as it was no longer supported.
- Added ANDROIDVR client. This is the default in a new YT.cfg. Please note that
YouTube Kids videos are incompatible with this client. - DualTagVid / DualTagAud settings in the .cfg can now have multiple tag
numbers in order of priority, for use with the dualplay option.
More history within the archive.
PolarPaint is an experimental paint program made in Hollywood by Anbjørn Myren. Version 1.055 was uploaded to OS4Depot and became available on April 18th. If you are interested in checking it out, please click here. Another version called PolarPaint Small can be downloaded via this link.
Deark is an application that can extract data from a wide range of file formats. Developed by Jason Summers, this tool can help you get data from everything from AMOS ABK files to Doom WADs. You can read more about supported formats, as well as download the utility from OS4Depot. Version 1.7.0 became available on OS4Depot on April 18th.
George Sokianos a.k.a. Walkero has released a new version of aiostreams. “All In One streams” (aiostreams) is a pack of scripts, written in Python, that can be used to stream and watch videos from different online networks, like Twitch.tv, YouTube, and Vimeo.com. Please click here to download it or to read the changelog.
Version 3.451 of IMP3, a utility created by Juen a.k.a Pawl Nowak, has been released! The program was originally meant for 68K but does run OK on AmigaOS 4. With IMP3, you can listen to over 168.000 music files through the Internet. These are ProTracker modules, SID tunes, and so forth. Besides this, it has cloud storage and Online gaming with high scores.
The source code for AmiCraftNova has been released to the public domain by Caras Ghant.
Frank Wille has released an updated version of vasm m68k std, vasm PPC std, and vasm 68k mot. vasm is a portable and re-targetable assembler to create linkable objects in various formats and absolute code. Multiple CPU-, syntax, and output-modules can be selected.
AmigaGPT is a versatile ChatGPT client for AmigaOS 3.x, 4.1 and MorphOS. It is being developed by Cameron Armstrong a.k.a. Nightfox. This powerful tool brings the capabilities of OpenAI’s GPT to your Amiga system, enabling text generation, question-answering, and creative exploration. AmigaGPT can also generate stunning images using DALL-E and includes support for speech output, making it easier than ever to interact with AI on your Amiga. Designed to integrate seamlessly with your system, AmigaGPT delivers modern AI technology while embracing the timeless Amiga experience. Version 2.5.0 is now available for download from OS4Depot.
Privoxy is a web proxy with advanced filtering capabilities for protecting privacy, modifying web page data, managing cookies, controlling access, and removing ads, banners, pop-ups, and other obnoxious Internet junk. It is being developed by Mark Mansnerus. Privoxy has a very flexible configuration and can be customized to suit individual needs and tastes. Privoxy has applications for both stand-alone systems and multi-user networks. Version 3.0.6 is now out and available for download.
WormHole allows you to transfer files to another computer within the same LAN without having to make any adjustments. It is being developed by Lazi. The main advantage of using WormHole between Amiga systems is that it can handle icons and all AmigaOS file attributes in one step.
Main features:
- Transfers all Amiga file attributes
- Transfers icons automatically
- Zero configuration
- Transfers files bi-directional at the same time
- Transfer multiple files parallel at the same time
- Multiplatform
Version 0.5 has been released. Please click here to download it.
AStone is a picture viewer created in Hollywood by Sandro Barbagelata. Version 1.0 was released on April 26th. It is heavily inspired by the utility Fastone on Windows.
The AmigaOS 4 port of Open Medal of Honor is now available on OS4Depot. The porting has been done by Ryan Dixon a.k.a. rjd324. The main goal of OpenMoHAA is to ensure the future and continuity of Medal of Honor: Allied Assault (including Spearhead and Breakthrough expansions) on all platforms/architectures by providing new patches/features.
The source code for the AmigaOS4 port can be found at:
https://github.com/3246251196/openmohaa
The download is available here.
https://www.youtube.com/watch?v=fQhvT-h2jk0
An update to Report+, a ReAction-based utility with nine functions, has been released by James Jacobs. It was made available on OS4Depot on April 27th. This tool can help you with generating Aminet- and OS4Depot-style readme files, performing batch processing on icons, and much more. Recent changes since 8.64 include miscellaneous improvements and bug fixes. More detailed information can be found on OS4Depot.
Screenshot by Puni from an older versionVersion 34.3 of AmiArcadia for AmigaOS 4, a Signetics-based machines emulator, has been released by James Jacobs.
According to the documentation, AmiArcadia supports the following systems:
- Emerson Arcadia 2001 console family (Bandai, Emerson, Grandstand, Intervision, Leisure-Vision, Leonardo, MPT-03, Ormatu, Palladium, Poppy, Robdajet, Tele-Fever, Tempest, Tryom, Tunix, etc.) (c. 1982);
- Interton VC 4000 console family (Acetronic, Cabel, Fountain, Hanimex, Interton, Prinztronic, Radofin, Rowtron, Soundic, Voltmace, Waddingtons, etc.) (c. 1978);
- Elektor TV Games Computer (1979);
- PIPBUG- and BINBUG-based machines (EA 77up2, EA 78up5, Signetics Adaptable Board Computer, Eurocard 2650, etc.) (1977-1978);
- Signetics Instructor 50 trainer (1978);
- Signetics TWIN minicomputer (1976);
- Central Data 2650 computer (1977);
- PHUNSY computer (c. 1980);
- Ravensburger Selbstbaucomputer aka 2650 Minimal Computer trainer (1984);
- Hofacker MIKIT 2650 trainer (1978);
- Astro Wars, Galaxia, Laser Battle and Lazarian coin-ops by Zaccaria (1979-1981);
- Malzak 1 and 2 coin-ops by Kitronix (c. 1981);
- AY-3-8500/8550/8600-based Pong systems (Coleco Telstar Galaxy, Sheen TVG-201, etc.) (1976-1977);
- VTech Type-right machine (1985)
It is packed with features, far too many to list here. Examples include ReAction GUI, load/save snapshots, and windowed and fullscreen modes. Other features are CPU tracing, trainer, and drag and drop support. Additionally, it offers graphics scaling, PAL/NTSC modes, and frame skipping, among many other features!
Here is a summary of the changes since the last version:
- TWIN: added emulation of high-speed papertape reader.
- CD2650, PHUNSY: added “Tools|Sprite/character editor/viewer…”
command. - Miscellaneous improvements and bug fixes.
Please click here to be taken to the download page.
Xiangqi is a chess program made to play Xiangqi (Chinese chess), by making use of chess engines UCI compatible with the moves played by computers. A chess engine is a console program that play chess, receiving strings as commands and producing strings in output as a result of computation. The program is developed by Domenico Lattanzi. More information is available on OS4Depot.
That was the software news for this time. Now let us move over to hardware! 🙂
Hardware
I first heard about the new PPC hardware on Discord and was very surprised, to say the least! amiga-news.de has an extensive article about the subject. It will explain the project much better than I would be able to do. 🙂 I recommend you pop over to them and have a look at what this new PPC hardware is about.
https://www.amiga-news.de/en/news/AN-2025-04-00129-EN.html
The Sam460. Photo lent from the official website of ACube SystemsHere are two announcements from ACube Systems about UBoot updates! 🙂
UBoot 2015.d for Sam460EX / Sam460CR / Sam460LE boards available
Bassano del Grappa, Italy – 08 April 2025ACube Systems is pleased to announce a new release of the UBoot firmware for its Sam460 line of motherboards.
For the first time in Amiga history, it is now possible to boot from an NVMe SSD.
This groundbreaking achievement marks a significant milestone in the evolution of the Amiga platform. Thanks to recent advancements, users can now experience dramatically improved boot speeds and data access times by utilizing modern NVMe solid-state drives—bringing the Amiga into a new era of performance and reliability.
This development not only enhances the capabilities of current NG systems but also demonstrates the ongoing innovation and dedication within the Amiga community. Booting from an NVMe SSD was once considered impossible—today, it is a reality.
This update is completely free for all users.
We are excited to announce a new version packed with important features and improvements—available as a free download.
New in this release:
- NVMe SSD driver – For the first time ever, you can boot from an NVMe drive using a standard NVMe-to PCIe adapter.
- PCIe SATA2 support – Added driver for the Silicon Image 3132 controller, allowing booting from both SATA SSDs and DVD drives.
- DDR2 timing adjustments – Fine-tune DDR2 RAM timings for faster memory access.
- Customizable USB stack – Choose between EHCI (faster for mass storage) or OHCI (greater compatibility with keyboards).
- Enhanced “sata” command – Now displays more detailed information about drivers and connected devices.
- Improved serial console navigation – Navigate menu items using W and S keys.
- General bug fixes and improvements.
- Unified source code – Now streamlined for both 460ex and 440ep platforms.
- An updated installation guide is included, covering the standard ISO image method as well as alternative installation methods via TFTP and USB.
- Updater tool can be downloaded from:
https://acube-systems.biz/download/Sam460_updater_2015d.zip
If you are not comfortable installing UBoot yourself, we also offer fully updated UBoot chips through our online store.
Additional information:
Please note: UBoot and UBoot updater make use of GPL code and thus are both published under GPL.Sources can be downloaded from:
UBoot & UBoot updater
https://acube-systems.biz/download/u-boot-2015.d_prod.tar.gzParthenope
The Sam440EP Flex – Photo by Puni
https://acube-systems.biz/download/ub2lb_0.94.tar.gzUBoot 2015.d for Sam440ep mini-itx and Sam440ep flex boards available
Bassano del Grappa, Italy – 14 April 2025ACube Systems is pleased to announce a new release of the U-Boot firmware for its Sam440 line of motherboards.
Following the recent update for the Sam460, the Sam440 now also benefits from enhanced support, including compatibility with NVMe SSDs. Additionally, this update introduces support for Radeon RX and Radeon HD graphics cards.
This release represents a significant investment of time and resources. Nevertheless, we have chosen to offer it at the symbolic price of €3.99.
Highlights of this release include:
- Support for Radeon RX graphics cards () Improved support for Radeon HD graphics cards ()
NVMe SSD driver: boot directly from NVMe devices using a PCIe adapter () Driver for the PCIe SATA2 Silicon Image 3132 controller, with support for booting from SSDs and DVDs () - Enhanced RAM access speed on Sam440ep-flex boards
- New graphical interface style
- Revised ‘sata’ command, now displaying more detailed information about drivers and connected devices
- Serial console improvements: menu navigation via the W (up) and S (down) keys
- General bug fixes and overall improvements
- Unified source code for the 460ex and 440ep platforms
Note:
Features marked with an asterisk (*) require a PCI-to-PCIe bridge.
Radeon RX and Radeon HD graphics cards also require a specific driver (to be sold separately by A-EON Technology once available) for use with AmigaOS 4.Purchase the update:
The update is available through our online store.
For those not comfortable performing the update themselves, we also offer pre-programmed, fully updated U-Boot chips.Additional Information:
UBoot makes use of GPL-licensed code and is therefore released under the terms of the GPL.
Source code downloads:
U-Boot:
https://acube-systems.biz/download/u-boot-2015.d_prod.tar.gz
Parthenope:
https://acube-systems.biz/download/ub2lb_0.94.tar.gzYouTube
Marek Glogowski has published a new video showing Super Star Blast running on AmigaOS 4 through QEMU 10 and GPU Passthrough:
https://www.youtube.com/watch?v=Kd_a9kpbXtQ
HunoPPC shows DOSBox Enhanced running on AmigaOS 4 with 3dfx support and shader effects:
https://www.youtube.com/watch?v=kSCPkfZ-pVo
Here is a video of Baldur’s Gate running on AmigaOS 4. The video was created by anouk33.
https://www.youtube.com/watch?v=4UT8a-33z2o
Here is another video, but this time of WarCraft II:
https://www.youtube.com/watch?v=rY5ktfyiK7o
And one of Quake II:
https://www.youtube.com/watch?v=ewALudVmDRc
Amiga Wave has made a long video. It lasts for more than 2 hours and covers his experience with AmigaOS 4 on the Sam460LE. The video is in Spanish.
https://www.youtube.com/watch?v=3nVsxjDwqHM
Mr. Byte shows Stratagus 3.3.3 running on his A1222+:
https://www.youtube.com/watch?v=bCJhZh_f_qY
The Lost C is back with a new video. This time he does a test of the A1222 with a Radeon HD7750. The vide is in Italian.
https://www.youtube.com/watch?v=yLYq27YKxls
He also created a video with the A1222 and AmiCygnix:
https://www.youtube.com/watch?v=xCDn4hMeabY
TJ Ferreira is back once again. This time, he takes us on a journey through his experience with playing Glubble on his AmigaOne X5000. 🙂
https://www.youtube.com/watch?v=72WX8T2Lsd4
Until next time
You’ve now reached the end of the AmigaOS 4 Monthly Roundup for April 2025. I had not expected it to be this extensive. There is a clearly a lot happening in the world of AmigaOS 4 and Amiga in general these days!
Thanks as always to all readers and supporters out there. Thanks for visiting my blog and see you in the next roundup! 🙂
Best regards,
Puni
Rate this:
#A1222 #Amiga #AmigaNews #AmigaOne #AmigaOS4 #AmigaOS4MonthlyRoundup #AmigaOS41
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CW: Scientists in the Natural Applied Sciences - Long List to Scroll!
Scientists in the Natural Sciences - Applied Sciences
• Published (not necessarily in field)
Please Message for Additions, Deletions or Edits
Agricultural Science
Birge, Traci @TraciInFinland
Bommarco, Riccardo @bommarco
Cardinael, Rémi @remicardinael
Ehlers, Melf-Hinrich @Melf
ETH Zürich @crop_science_eth
Finger, Robert @robertfinger
Hepworth, Craig @floridafruitgeek
Kniss, Andrew R @AK
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Davison, Angus @snailman
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Nordquist, Rebecca @renordquist
van Vlie, Arnoud @dutchscientist
Voss, Sarah J @Sarah_J_Voss
Wakeham, David @wakehamAMRMore extensive lists on Mastodon can be found exploring the following
Fedi.Directory - Science & Humanities
find.sciences.social - Find Academics on Mastodon
GitHub - Academics on Mastodon Lists
TrueSciPhi - Curated science, philosophy, and mathematics lists covering podcasts, Mastodon, and Bluesky
Trunk - allows you to mass-follow a bunch of people(Click to access Formal, Natural (Life & Physical) & Social Sciences)
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The Third Casket: How Shakespeare Taught Us to Choose the Thing We Cannot Refuse
A man walks into a room and finds three boxes waiting for him. One is gold, one is silver, one is lead. He has been told that his whole life turns on which one he opens, and that the rules forbid him to open more than one. The woman he wants stands beside the boxes, unable to help him, bound by a dead father's will. This is the casket scene from The Merchant of Venice, and it is one of the strangest moments in Shakespeare, because the test is rigged twice over. It is rigged inside the play, where Portia's dead father designed the riddle so that only a man who can see past surface will win her. It is rigged outside the play, in the deeper sense Freud uncovered in 1913, where the choice was never free at all, and the man was always going to reach for the box that means his death. […] -
The Third Casket: How Shakespeare Taught Us to Choose the Thing We Cannot Refuse
A man walks into a room and finds three boxes waiting for him. One is gold, one is silver, one is lead. He has been told that his whole life turns on which one he opens, and that the rules forbid him to open more than one. The woman he wants stands beside the boxes, unable to help him, bound by a dead father's will. This is the casket scene from The Merchant of Venice, and it is one of the strangest moments in Shakespeare, because the test is rigged twice over. It is rigged inside the play, where Portia's dead father designed the riddle so that only a man who can see past surface will win her. It is rigged outside the play, in the deeper sense Freud uncovered in 1913, where the choice was never free at all, and the man was always going to reach for the box that means his death. […] -
The Third Casket: How Shakespeare Taught Us to Choose the Thing We Cannot Refuse
A man walks into a room and finds three boxes waiting for him. One is gold, one is silver, one is lead. He has been told that his whole life turns on which one he opens, and that the rules forbid him to open more than one. The woman he wants stands beside the boxes, unable to help him, bound by a dead father's will. This is the casket scene from The Merchant of Venice, and it is one of the strangest moments in Shakespeare, because the test is rigged twice over. It is rigged inside the play, where Portia's dead father designed the riddle so that only a man who can see past surface will win her. It is rigged outside the play, in the deeper sense Freud uncovered in 1913, where the choice was never free at all, and the man was always going to reach for the box that means his death. […] -
The Third Casket: How Shakespeare Taught Us to Choose the Thing We Cannot Refuse
A man walks into a room and finds three boxes waiting for him. One is gold, one is silver, one is lead. He has been told that his whole life turns on which one he opens, and that the rules forbid him to open more than one. The woman he wants stands beside the boxes, unable to help him, bound by a dead father's will. This is the casket scene from The Merchant of Venice, and it is one of the strangest moments in Shakespeare, because the test is rigged twice over. It is rigged inside the play, where Portia's dead father designed the riddle so that only a man who can see past surface will win her. It is rigged outside the play, in the deeper sense Freud uncovered in 1913, where the choice was never free at all, and the man was always going to reach for the box that means his death. […]
