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1000 results for “electron_wizard”
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My photos page has been neglected for too long. Now finally some photos are shown off and has some fancy features behind it (Flickr's Layout and PhotoSwipe).
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With the #xteink X4 in my hands, I've written up a very quick first impression. It's a cool little device!
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Just finished "Cairn", probably one of the best games about climbing! Going to the bouldering gym definitely helped playing the game, as you could apply climbing moves to your advantage. Such a cool game!
#gaming #cairn #notthepnpsystem -
Just finished "Cairn", probably one of the best games about climbing! Going to the bouldering gym definitely helped playing the game, as you could apply climbing moves to your advantage. Such a cool game!
#gaming #cairn #notthepnpsystem -
Just finished "Cairn", probably one of the best games about climbing! Going to the bouldering gym definitely helped playing the game, as you could apply climbing moves to your advantage. Such a cool game!
#gaming #cairn #notthepnpsystem -
Just finished "Cairn", probably one of the best games about climbing! Going to the bouldering gym definitely helped playing the game, as you could apply climbing moves to your advantage. Such a cool game!
#gaming #cairn #notthepnpsystem -
Just finished "Cairn", probably one of the best games about climbing! Going to the bouldering gym definitely helped playing the game, as you could apply climbing moves to your advantage. Such a cool game!
#gaming #cairn #notthepnpsystem -
“There are things done today in electrical science which would have been deemed unholy by the very men who discovered electricity, who would themselves not so long before have been burned as wizards”*…
Climate change continues. There is broad evidence (and consensus) that our environment, thus our ways of life, our livelihoods— indeed, our lives— are threatened. On the heels of a call from Trump to world leaders to abandon the climate fight, followed by a disappointing COP30 conference, it’s easy to be discouraged. But that, of course, is no answer.
Rather, we have to find ways to mitigate the damage that we’ve already locked in, even as we acclerate a transition to clean energy… which begins by (re-)framing and (re-)focusing the challenge. Ember, a clean energy think tank, suggests a candidate that, while it speaks to the moral obligations addressed by one of the models it means to augment/replace, has a more positive orientation…
Humanity is graduating from burning fossil commodities to harnessing manufactured technologies—from hunting scarce fossils to farming the inexhaustible sun, from consuming Earth’s resources to
merely borrowing them.This isn’t a marginal climate substitution. It’s an energy revolution.
The magnetic centre is the electron: we are revolutionising how we generate, use, and connect
electrons. Solar and wind are conquering electricity supply. EVs, heat pumps, and AI are electrifying major new uses. Batteries and digitalisation are connecting supply and demand.Three reinforcing shifts. One energy revolution. The electrotech revolution.
At its core, this revolution is driven by physics, economics, and geopolitics. After all, the arc of energy
history bends towards solutions that are leaner, cheaper and more secure.Short-terms setbacks matter, but fundamentals matter more. And the fundamentals are stacked in electrotech’s favour.
Physics. Electrotech makes a mockery of setting fossils on fire and losing two-thirds of the energy to heat. Electrotech is three times as efficient.
Economics. Technologies get cheaper with scale. Commodities get more expensive the deeper you dig.
Geopolitics. Three quarters of the world is dependent on fossil imports. 92% of countries have renewables potential over 10x their current demand.
Electrotech has grown exponentially for decades. The difference today is that it’s too cheap to contain and too big to ignore. If current exponentials hold for five more years, global fossil demand will fall off its plateau.
Welcome to the Age of Electrotech…
A long and meaty presentation: “The Electrotech Revolution- the shape of things to come,” from @ember-energy.org.
One notes that the electrification that Ember pushes has other advocates, many of whom have been vocal for years; c.f., e.g., Saul Griffin. Still, another voice in the chorus is welcome.
* Bram Stoker
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As we plug in, we might send charged birthday greetings to Franz Aepinus; he was born on this date in 1724. A mathematician, scientist, and natural philosopher, he is best known for his research, both theoretical and experimental, into electricity and magnetism. Aepinus’ Tentamen theoriae electricitatis et magnetismi (1759; “An Attempt at a Theory of Electricity and Magnetism”) was the first work to apply mathematics to the theory of electricity and magnetism. And his experiments led to the design of the parallel-plate capacitor, a device used to store energy in an electric field.
#Aepinus #capacitor #climate #climateChange #culture #development #electricity #electrification #electrotech #Ember #energy #FranzAepinus #history #magnetism #Mathematics #politics #Science #Technology
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The Roman Cup That Acts Like a Mood Ring (and Predates Nanotech by 1,700 Years)
The Lycurgus Cup changes color under different lighting due to nanoscale metal particles embedded in the glass (Credit: British Museum collection / Wikimedia Commons-style museum photography).Dear Cherubs, a Roman drinking cup has entered the chat from the 4th century and it is behaving suspiciously like it has opinions about lighting. Depending on how you shine it, it flips from green to glowing red like it’s trying out mood-ring cosplay long before mood rings were even a bad idea.
A CUP THAT CAN’T PICK A SIDE
Meet the famous Lycurgus Cup, a late Roman glass vessel usually dated to around the 4th century AD. In reflected light it appears greenish, but when light passes through it, it turns a deep ruby red. It’s not magic, not wizardry, and definitely not a Roman prank—though it does feel like something they would have done for fun.According to analyses carried out in the late 20th century, including work reported by the British Museum, this optical trick comes from microscopic particles embedded in the glass. And by “microscopic,” we’re talking on the scale of tens of nanometers. Yes, nanometers. In ancient Rome. The vibes are honestly a bit disrespectful to modern tech timelines.
The cup depicts the myth of King Lycurgus tangled in vines—very dramatic, very extra—and yet the real drama is happening in the material itself.
NANOTECH BEFORE IT WAS COOL
Here’s where things get spicy. In studies conducted in the 1990s using electron microscopy, researchers found tiny particles of gold and silver dispersed in the glass, roughly around 50–100 nanometers in size. That’s the sweet spot where metals start messing with light in very specific ways, scattering wavelengths differently depending on whether light is reflected or transmitted.As noted in historical materials science discussions referenced by thisclaimer.com, this isn’t “nanotechnology” in the modern engineered sense—but it absolutely is nanostructure behavior. In other words, Romans weren’t calculating particle distributions on a whiteboard, but they did accidentally stumble into physics that engineers today still try to control deliberately.
So how did they do it? Likely through impurities in metal dust used during glassmaking. Gold and silver particles, when suspended in glass, create what scientists call a dichroic effect. Fancy term, simple outcome: the cup is basically a tiny optical illusion generator.
The key twist? They didn’t know why it worked. They just knew it looked expensive. Which, to be fair, is also how a lot of modern luxury tech is designed.
Today, materials scientists study objects like the Lycurgus Cup to understand early accidental nanotechnology. It sits in the awkward historical category of “they absolutely didn’t mean to do this, but they did it anyway and now we’re impressed.”
It also quietly challenges the idea that advanced material science is strictly modern. Humans have been experimenting with matter for millennia—we just got better at naming it later.
So yes, this is a 1,600-year-old cup that changes color based on light. No, it is not a wizard artifact. But it does make you wonder what else ancient artisans stumbled into while just trying to make something look fancy for a banquet.
Sources:
The Thisclaimer logo blends a classic warning symbol with a brain icon to represent critical thinking, curiosity, and thoughtful disclaimers. #ancientRome #ancientTechnology #archaeology #beauty #Europe #historicalArtifacts #lifestyle #lycurgusCup #materialsScience #Nanotechnology #news #opticalEffects #romanGlass #scienceHistory #travel #viral
British Museum Collection – Lycurgus Cup https://www.britishmuseum.org/collection/object/H_1958-1222-1
Nature (materials science discussions on dichroic glass and nanoparticles) https://www.nature.com/
Encyclopaedia Britannica – Lycurgus Cup https://www.britannica.com/topic/Lycurgus-Cup -
The Roman Cup That Acts Like a Mood Ring (and Predates Nanotech by 1,700 Years)
The Lycurgus Cup changes color under different lighting due to nanoscale metal particles embedded in the glass (Credit: British Museum collection / Wikimedia Commons-style museum photography).Dear Cherubs, a Roman drinking cup has entered the chat from the 4th century and it is behaving suspiciously like it has opinions about lighting. Depending on how you shine it, it flips from green to glowing red like it’s trying out mood-ring cosplay long before mood rings were even a bad idea.
A CUP THAT CAN’T PICK A SIDE
Meet the famous Lycurgus Cup, a late Roman glass vessel usually dated to around the 4th century AD. In reflected light it appears greenish, but when light passes through it, it turns a deep ruby red. It’s not magic, not wizardry, and definitely not a Roman prank—though it does feel like something they would have done for fun.According to analyses carried out in the late 20th century, including work reported by the British Museum, this optical trick comes from microscopic particles embedded in the glass. And by “microscopic,” we’re talking on the scale of tens of nanometers. Yes, nanometers. In ancient Rome. The vibes are honestly a bit disrespectful to modern tech timelines.
The cup depicts the myth of King Lycurgus tangled in vines—very dramatic, very extra—and yet the real drama is happening in the material itself.
NANOTECH BEFORE IT WAS COOL
Here’s where things get spicy. In studies conducted in the 1990s using electron microscopy, researchers found tiny particles of gold and silver dispersed in the glass, roughly around 50–100 nanometers in size. That’s the sweet spot where metals start messing with light in very specific ways, scattering wavelengths differently depending on whether light is reflected or transmitted.As noted in historical materials science discussions referenced by thisclaimer.com, this isn’t “nanotechnology” in the modern engineered sense—but it absolutely is nanostructure behavior. In other words, Romans weren’t calculating particle distributions on a whiteboard, but they did accidentally stumble into physics that engineers today still try to control deliberately.
So how did they do it? Likely through impurities in metal dust used during glassmaking. Gold and silver particles, when suspended in glass, create what scientists call a dichroic effect. Fancy term, simple outcome: the cup is basically a tiny optical illusion generator.
The key twist? They didn’t know why it worked. They just knew it looked expensive. Which, to be fair, is also how a lot of modern luxury tech is designed.
Today, materials scientists study objects like the Lycurgus Cup to understand early accidental nanotechnology. It sits in the awkward historical category of “they absolutely didn’t mean to do this, but they did it anyway and now we’re impressed.”
It also quietly challenges the idea that advanced material science is strictly modern. Humans have been experimenting with matter for millennia—we just got better at naming it later.
So yes, this is a 1,600-year-old cup that changes color based on light. No, it is not a wizard artifact. But it does make you wonder what else ancient artisans stumbled into while just trying to make something look fancy for a banquet.
Sources:
The Thisclaimer logo blends a classic warning symbol with a brain icon to represent critical thinking, curiosity, and thoughtful disclaimers. #ancientRome #ancientTechnology #archaeology #beauty #Europe #historicalArtifacts #lifestyle #lycurgusCup #materialsScience #Nanotechnology #news #opticalEffects #romanGlass #scienceHistory #travel #viral
British Museum Collection – Lycurgus Cup https://www.britishmuseum.org/collection/object/H_1958-1222-1
Nature (materials science discussions on dichroic glass and nanoparticles) https://www.nature.com/
Encyclopaedia Britannica – Lycurgus Cup https://www.britannica.com/topic/Lycurgus-Cup -
The Roman Cup That Acts Like a Mood Ring (and Predates Nanotech by 1,700 Years)
The Lycurgus Cup changes color under different lighting due to nanoscale metal particles embedded in the glass (Credit: British Museum collection / Wikimedia Commons-style museum photography).Dear Cherubs, a Roman drinking cup has entered the chat from the 4th century and it is behaving suspiciously like it has opinions about lighting. Depending on how you shine it, it flips from green to glowing red like it’s trying out mood-ring cosplay long before mood rings were even a bad idea.
A CUP THAT CAN’T PICK A SIDE
Meet the famous Lycurgus Cup, a late Roman glass vessel usually dated to around the 4th century AD. In reflected light it appears greenish, but when light passes through it, it turns a deep ruby red. It’s not magic, not wizardry, and definitely not a Roman prank—though it does feel like something they would have done for fun.According to analyses carried out in the late 20th century, including work reported by the British Museum, this optical trick comes from microscopic particles embedded in the glass. And by “microscopic,” we’re talking on the scale of tens of nanometers. Yes, nanometers. In ancient Rome. The vibes are honestly a bit disrespectful to modern tech timelines.
The cup depicts the myth of King Lycurgus tangled in vines—very dramatic, very extra—and yet the real drama is happening in the material itself.
NANOTECH BEFORE IT WAS COOL
Here’s where things get spicy. In studies conducted in the 1990s using electron microscopy, researchers found tiny particles of gold and silver dispersed in the glass, roughly around 50–100 nanometers in size. That’s the sweet spot where metals start messing with light in very specific ways, scattering wavelengths differently depending on whether light is reflected or transmitted.As noted in historical materials science discussions referenced by thisclaimer.com, this isn’t “nanotechnology” in the modern engineered sense—but it absolutely is nanostructure behavior. In other words, Romans weren’t calculating particle distributions on a whiteboard, but they did accidentally stumble into physics that engineers today still try to control deliberately.
So how did they do it? Likely through impurities in metal dust used during glassmaking. Gold and silver particles, when suspended in glass, create what scientists call a dichroic effect. Fancy term, simple outcome: the cup is basically a tiny optical illusion generator.
The key twist? They didn’t know why it worked. They just knew it looked expensive. Which, to be fair, is also how a lot of modern luxury tech is designed.
Today, materials scientists study objects like the Lycurgus Cup to understand early accidental nanotechnology. It sits in the awkward historical category of “they absolutely didn’t mean to do this, but they did it anyway and now we’re impressed.”
It also quietly challenges the idea that advanced material science is strictly modern. Humans have been experimenting with matter for millennia—we just got better at naming it later.
So yes, this is a 1,600-year-old cup that changes color based on light. No, it is not a wizard artifact. But it does make you wonder what else ancient artisans stumbled into while just trying to make something look fancy for a banquet.
Sources:
The Thisclaimer logo blends a classic warning symbol with a brain icon to represent critical thinking, curiosity, and thoughtful disclaimers. #ancientRome #ancientTechnology #archaeology #beauty #Europe #historicalArtifacts #lifestyle #lycurgusCup #materialsScience #Nanotechnology #news #opticalEffects #romanGlass #scienceHistory #travel #viral
British Museum Collection – Lycurgus Cup https://www.britishmuseum.org/collection/object/H_1958-1222-1
Nature (materials science discussions on dichroic glass and nanoparticles) https://www.nature.com/
Encyclopaedia Britannica – Lycurgus Cup https://www.britannica.com/topic/Lycurgus-Cup -
The Roman Cup That Acts Like a Mood Ring (and Predates Nanotech by 1,700 Years)
The Lycurgus Cup changes color under different lighting due to nanoscale metal particles embedded in the glass (Credit: British Museum collection / Wikimedia Commons-style museum photography).Dear Cherubs, a Roman drinking cup has entered the chat from the 4th century and it is behaving suspiciously like it has opinions about lighting. Depending on how you shine it, it flips from green to glowing red like it’s trying out mood-ring cosplay long before mood rings were even a bad idea.
A CUP THAT CAN’T PICK A SIDE
Meet the famous Lycurgus Cup, a late Roman glass vessel usually dated to around the 4th century AD. In reflected light it appears greenish, but when light passes through it, it turns a deep ruby red. It’s not magic, not wizardry, and definitely not a Roman prank—though it does feel like something they would have done for fun.According to analyses carried out in the late 20th century, including work reported by the British Museum, this optical trick comes from microscopic particles embedded in the glass. And by “microscopic,” we’re talking on the scale of tens of nanometers. Yes, nanometers. In ancient Rome. The vibes are honestly a bit disrespectful to modern tech timelines.
The cup depicts the myth of King Lycurgus tangled in vines—very dramatic, very extra—and yet the real drama is happening in the material itself.
NANOTECH BEFORE IT WAS COOL
Here’s where things get spicy. In studies conducted in the 1990s using electron microscopy, researchers found tiny particles of gold and silver dispersed in the glass, roughly around 50–100 nanometers in size. That’s the sweet spot where metals start messing with light in very specific ways, scattering wavelengths differently depending on whether light is reflected or transmitted.As noted in historical materials science discussions referenced by thisclaimer.com, this isn’t “nanotechnology” in the modern engineered sense—but it absolutely is nanostructure behavior. In other words, Romans weren’t calculating particle distributions on a whiteboard, but they did accidentally stumble into physics that engineers today still try to control deliberately.
So how did they do it? Likely through impurities in metal dust used during glassmaking. Gold and silver particles, when suspended in glass, create what scientists call a dichroic effect. Fancy term, simple outcome: the cup is basically a tiny optical illusion generator.
The key twist? They didn’t know why it worked. They just knew it looked expensive. Which, to be fair, is also how a lot of modern luxury tech is designed.
Today, materials scientists study objects like the Lycurgus Cup to understand early accidental nanotechnology. It sits in the awkward historical category of “they absolutely didn’t mean to do this, but they did it anyway and now we’re impressed.”
It also quietly challenges the idea that advanced material science is strictly modern. Humans have been experimenting with matter for millennia—we just got better at naming it later.
So yes, this is a 1,600-year-old cup that changes color based on light. No, it is not a wizard artifact. But it does make you wonder what else ancient artisans stumbled into while just trying to make something look fancy for a banquet.
Sources:
The Thisclaimer logo blends a classic warning symbol with a brain icon to represent critical thinking, curiosity, and thoughtful disclaimers. #ancientRome #ancientTechnology #archaeology #beauty #Europe #historicalArtifacts #lifestyle #lycurgusCup #materialsScience #Nanotechnology #news #opticalEffects #romanGlass #scienceHistory #travel #viral
British Museum Collection – Lycurgus Cup https://www.britishmuseum.org/collection/object/H_1958-1222-1
Nature (materials science discussions on dichroic glass and nanoparticles) https://www.nature.com/
Encyclopaedia Britannica – Lycurgus Cup https://www.britannica.com/topic/Lycurgus-Cup -
The Roman Cup That Acts Like a Mood Ring (and Predates Nanotech by 1,700 Years)
The Lycurgus Cup changes color under different lighting due to nanoscale metal particles embedded in the glass (Credit: British Museum collection / Wikimedia Commons-style museum photography).Dear Cherubs, a Roman drinking cup has entered the chat from the 4th century and it is behaving suspiciously like it has opinions about lighting. Depending on how you shine it, it flips from green to glowing red like it’s trying out mood-ring cosplay long before mood rings were even a bad idea.
A CUP THAT CAN’T PICK A SIDE
Meet the famous Lycurgus Cup, a late Roman glass vessel usually dated to around the 4th century AD. In reflected light it appears greenish, but when light passes through it, it turns a deep ruby red. It’s not magic, not wizardry, and definitely not a Roman prank—though it does feel like something they would have done for fun.According to analyses carried out in the late 20th century, including work reported by the British Museum, this optical trick comes from microscopic particles embedded in the glass. And by “microscopic,” we’re talking on the scale of tens of nanometers. Yes, nanometers. In ancient Rome. The vibes are honestly a bit disrespectful to modern tech timelines.
The cup depicts the myth of King Lycurgus tangled in vines—very dramatic, very extra—and yet the real drama is happening in the material itself.
NANOTECH BEFORE IT WAS COOL
Here’s where things get spicy. In studies conducted in the 1990s using electron microscopy, researchers found tiny particles of gold and silver dispersed in the glass, roughly around 50–100 nanometers in size. That’s the sweet spot where metals start messing with light in very specific ways, scattering wavelengths differently depending on whether light is reflected or transmitted.As noted in historical materials science discussions referenced by thisclaimer.com, this isn’t “nanotechnology” in the modern engineered sense—but it absolutely is nanostructure behavior. In other words, Romans weren’t calculating particle distributions on a whiteboard, but they did accidentally stumble into physics that engineers today still try to control deliberately.
So how did they do it? Likely through impurities in metal dust used during glassmaking. Gold and silver particles, when suspended in glass, create what scientists call a dichroic effect. Fancy term, simple outcome: the cup is basically a tiny optical illusion generator.
The key twist? They didn’t know why it worked. They just knew it looked expensive. Which, to be fair, is also how a lot of modern luxury tech is designed.
Today, materials scientists study objects like the Lycurgus Cup to understand early accidental nanotechnology. It sits in the awkward historical category of “they absolutely didn’t mean to do this, but they did it anyway and now we’re impressed.”
It also quietly challenges the idea that advanced material science is strictly modern. Humans have been experimenting with matter for millennia—we just got better at naming it later.
So yes, this is a 1,600-year-old cup that changes color based on light. No, it is not a wizard artifact. But it does make you wonder what else ancient artisans stumbled into while just trying to make something look fancy for a banquet.
Sources:
The Thisclaimer logo blends a classic warning symbol with a brain icon to represent critical thinking, curiosity, and thoughtful disclaimers. #ancientRome #ancientTechnology #archaeology #beauty #Europe #historicalArtifacts #lifestyle #lycurgusCup #materialsScience #Nanotechnology #news #opticalEffects #romanGlass #scienceHistory #travel #viral
British Museum Collection – Lycurgus Cup https://www.britishmuseum.org/collection/object/H_1958-1222-1
Nature (materials science discussions on dichroic glass and nanoparticles) https://www.nature.com/
Encyclopaedia Britannica – Lycurgus Cup https://www.britannica.com/topic/Lycurgus-Cup -
CW: Albums the Fediverse Loved in 2025 (CW'd because it's a looooooong post)
Albums the Fediverse Loved in 2025
And here we have it: a list of 151 albums (plus a few artists/labels in general) that kept 64 of us going in 2025, nearly 75% of those 2025 releases and the rest earlier gems! Given our collective eclectic tastes, voting/ranking was not attempted, but bolded titles and post tags indicate albums that were submitted by multiple Fedizens. Genre tags are included as tasting notes (apologies if I got any wrong), each title is linked to its Bandcamp/Songlink when possible, and footnotes list who submitted each album along with extra comments they included (warning: comments may include MOAR ALBUMS; also note: footnotes look way better on the blog). So, click and listen away – perhaps you’ll find a new-to-you album that gets you through 2026!
Thanks so much to the Fedizens who joined in, it’s so nice to see familiar faces from the 1001 Other Albums project as well as some new ones! And, as always, it’s lovely to get a glimpse of how diverse our tastes in music are, and to see people trying something new solely based on a random Fedi recommendation. The Fedi music community truly is a bright spot, and I personally am immensely grateful for it. 🙏🏻
Band – Title (year released, place of origin; genre)footnote
Action/Adventure – Ever After (2025, US; pop-punk)1
AFI – Silver Bleeds the Black Sun… (2025, US; post-punk, gothic rock)2
Against Me! – White Crosses (2010, US; punk rock)3
Alkaline Trio – Blood, Hair, and Eyeballs (2024, US; punk rock)4
Am I in Trouble? – Spectrum (2025, US; avant-garde black metal)5
Ami Taf Ra – The Prophet and the Madman (2025, US/Morocco; Moroccan gnawa, gospel, jazz)6
An Abstract Illusion – Woe (2022, Sweden; atmospheric black/death/prog metal)7
Analog Africa (label, in general) (1960s-80s, Africa; reissues)8
Anna Tivel – Animal Poem (2025, US; indie folk)9
Archon Satani – The Righteous Way to Completion (1997, Sweden; death ambient/black industrial)10
Ashbreather – La Grande Bouffe (2025, Canada; progressive sludge/death metal)11
Au4 – …And Down Goes The Sky (2013, Canada; prog rock)12
aya – hexed! (2025, UK; electronic, noise)13
Bad Cop/Bad Cop – Lighten Up (2025, US; punk rock)14
Baghed – Smear Campaign (2025, US; punk rock)15
Bank Myna – Eimuria (2025, France; post-rock/metal, doom gaze, slow core)16
Belle and Sebastian – Push Barman to Open Old Wounds (2005, Scotland; indie pop)17
Benedicte Maurseth – Mirra (2025, Norway; folk, jazz)18
Bill Frisell – Harmony (2019, US; folk-jazz)19
Black Flower – Kinetic (2025, Belgium; Ethio-jazz, Afrobeat, dub)20
Bon Iver – SABLE, fABLE (2025, US; indie folk/pop)21
Brittany Davis – Black Thunder (2025, US; cosmic jazz, r&b/soul, singer-songwriter)22
CA7RIEL & Paco Amoroso – Papota (2025, Argentina; experimental trap, hip-hop, EDM, jazz, Latin pop)23
Caroline Shaw / Attacca Quartet – Orange (2019, US; classical, ambient, folk)24
Castle Rat – The Bestiary (2025, US; fantasy heavy metal)25
Causa Sui – Pewt’r Sessions 1 (2011, Denmark; psych/stoner rock)26
Celeste – Woman of Faces (2025, UK; neo-soul, jazz, singer-songwriter)27
Charlie Hunter, Carter McLean featuring Silvana Estrada – s/t (2018, US/Mexico; jazz)28
Circuit des Yeux – Halo on the Inside (2025, US; singer-songwriter, experimental)29
Civic – Chrome Dipped (2025, Australia; punk)30
clipping – Dead Channel Sky (2025, US; hip-hop)31
Dan Mangan – Natural Light (2025, Canada; indie rock/folk)32
Daniela Pas – Spira (2023, Italy; singer-songwriter, electronic, experimental)33
Data Rebel – Single Cell (2025, UK; electronic, IDM, ambient)34
Dax Riggs – 7 Songs for Spiders (2025, US; blues metal/shoegaze blues)35
Deafheaven – Lonely People With Power (2025, US; blackgaze, metal)36
Degraved – Spectral Realm of Ruin (2025, US; death metal)37
Delobos – Cabal (2025, Spain; post-alt rock, post-rock, psychedelia)38
Devil ANTHEM. – Profound Rebuild (2025, Japan; J-pop)39
Die Spitz – Something to Consume (2025, US; punk, alt rock)40
Divide and Dissolve – Insatiable (2025, Australia; doom, drone, neo classical)41
Dödsrit – Mortal Coil (2021, Sweden; atmospheric/melodic black metal, blackened crust)42
Dool – The Shape of Fluidity (2024, Netherlands; rock, alternative)43
downy – 8th Album/Untitled (2025, Japan; math rock/post-rock)44
Drab Majesty – Completely Careless (2012-2015) (2016, US; darkwave, shoegaze, dream pop)45
Dropkick Murphy – For The People (2025, US; Celtic punk)46
Eikichi Yazawa – I believe (2025, Japan; rock)47
El Pino & The Volunteers – The Long-lost Art of Becoming Invisible (2009, Netherlands; alt country/folk)48
Elli De Mon – Raìse (2025, Italy; blues, dialect, garage, psychedelic)49
Eric Church – Evangeline vs. The Machine (2025, US; country)50
Ethmebb – Allo Babar et les Caramboleurs (2025, France; progressive melodic blackened death power metal)51
Ex-Vöid – In Love Again (2025, UK; indie pop/rock)52
EYES – Spinner(2025, Denmark; hardcore, noise rock)53
FACS – Wish Defense (2025, US; noise rock, neo-post-punk)54
Faetooth – Labrynthine (2025, US; fairy doom/stoner metal)55
False Aralia (label) – ALL the new 12-inch singles (2025, US; abstract electronic)56
Fever Ray – The Year of the Radical Romantics (2025, Sweden; experimental, electronic, pop)57
FOKALITE – Fokas, Lite & Four Shooting Riddles (2025, Japan; J-pop)58
Françoise Hardy – La question (1971, France; French pop, Brazilian saudade/bossa nova)59
Fust – Big Ugly (2025, US; rock)60
Geese – Getting Killed (2025, US; art/experimental rock)61
Gnome – King (2022, Belgium; stoner/prog/hard rock)62
Habak – Mil orquídeas en medio del desierto (2025, Mexico; melodic crust)63
Hallelujah the Hills – DECK (2025, US; indie rock)64
HANABIE – Bucchigiri Tokyo (2024, Japan; metalcore)65
Hatchie – Liquorice (2025, Australia; indie/dream pop)66
Hole – Live Through This (1994, US; alt rock)67
IAN – Come On Everybody, Let’s Do Nothing! (2025, UK; experimental, post-rock/metal)68
Igorrr – Amen (2025, France; experimental/avant-garde metal)69
Imperial Triumphant – Goldstar (2025, US; experimental metal)70
In the Womb of the Universe – Searching for Sunrise (2024, US; electronic, synthpop)71
In the Woods… – Otra (2025, Norway; avant-garde metal)72
Insomnium – Shadows of the Dying Sun (2014, Finland; melodic death metal)73
Jade Bird – Who Wants to Talk About Love (2025, UK; folk rock, singer-songwriter)74
JER – Death of the Heart (2025, US; ska punk)75
Jethro Tull – Thick as a Brick (1972, UK; prog rock)76
Judas Priest – Invincible Shield (2024, UK; heavy metal)77
Just Mustard – We Were Just Here (2025, Ireland; post-punk, noise, shoegaze, trip hop)78
Kaku P-Model – unZIP (2025, Japan; experimental, electronic)79
Kieran Hebden and William Tyler – 41 Longfield Street Late ‘80s (2025, UK; electronic)80
King Gizzard & The Lizard Wizard – Float Along – Fill Your Lungs (2013, Australia; psychedelic pop)81
Kostnatění – Přílišnost (2025, US; avant-garde black metal)82
Küenring – In Search of Paradise (2025, Austria; heavy metal/hard rock)83
L.A. Salami (artist, in general) (UK; folk, post-modern blues, acoustic, rock)84
Labyrinthus Stellarum – Rift in Reality (2025, Ukraine; atmospheric/cosmic black metal)85
Lorien Testard – Clair Obscur: Expedition 33 (Original Soundtrack) (2025, France; soundtrack)86
Lorna Shore – I Feel The Everblack Festering Within Me (2025, US; death metal/deathcore)87
Lucy Dacus – Forever is a Feeling (2025, US; indie rock, folk-pop, singer-songwriter)88
Maeror Tri – Multiple Personality Disorder (1993, Germany; ambient, noise, drone)89
Mark Ernestus’ Ndagga Rhythm Force – Khadim (2025, Germany/Senegal; mbalax, experimental, dub techno)90
Marshall Allen – New Dawn (2025, US; avant-garde jazz)91
Max Cooper – On Being (2025, UK; electronic, ambient, avant-garde)92
Messa – The Spin (2025, Italy; doom metal)93
Michel Legrand – The Essential Michel Legrand Film Music Collection (2005, France; soundtrack, compilation)94
MIKE – Showbiz! (2025, US; hip-hop/rap)95
Miynt – Rain Money Dogs (2025, Sweden; indie/bedroom rock)96
Modern English – Mesh & Lace (1981, UK; post-punk)97
Momma – Welcome to My Blue Sky (2025, US; alt/indie rock)98
more eaze & claire rousay – no floor (2025, US; experimental, ambient, avant-pop, sound collage)99
Moron Police – Pachinko (2025, Norway; concept album)100
Morris Kolontyrsky – Origination (2025, US; ambient, drone, experimental)101
Nærværet – Når Man Ser Inn I En Annens Hjerte (2024, Sweden/Norway; experimental, field recording, tape manipulation/loops)102
Nailed to Obscurity – Generation of The Void (2025, Germany; melodic/prog death/doom metal)103
Nicolas Gombert & James Weeks / Apartment House – G O M B E R T (2025, Flanders/UK; contemporary classical)104
Nora Brown and Stephanie Coleman – Lady of the Lake (2023, US; folk)105
Nout – Live Album (2024, France; alternative, punk, rock, jazz, noise)106
Olga Anna Markowska – Iskra (2025, Poland; modern classical, ambient)107
Ozzy Osbourne – Ozzmosis (1995, UK; heavy metal)108
Pino Palladino & Blake Mills – That Wasn’t a Dream (2025, Wales/US; experimental jazz)109
Point Mort – Le Point de Non-retour (2025, France; blackened crust postcore)110
Plague of Carcosa – In The Dreamless Deep (2025, US; doomnoise, experimental metal)111
Population II – Maintenant Jamais (2025, Canada; art/prog/psychedelic rock)112
Primal Scream – XTRMNTR (2000, Scotland; experimental electro-rock)113
Priscilla Block – Things You Didn’t See (2025, US; country, singer-songwriter)114
Psychonaut – World Maker (2025, Belgium; post-metal)115
Queens of the Stone Age – Alive in the Catacombs (2025, US; rock)116
Radiopuhelimet – Kosminen Tiedottomuus (2020, Finland; alt rock)117
Rebecca Foon & Aliayta Foon-Dancoes – Reverie (2025, Canada; modern classical)118
Rivers of Nihil – s/t (2025, US; death/prog metal)119
Rogue Jones – Dos Bebés (2023, Wales; folk, indie pop)120
Shayfer James – Summoning (2025, US; noir-pop, dark cabaret)121
Shedfromthebody – Whisper and Wane (2025, Finland; doomgaze, [post-]metal)122
Shepherds of Cassini – In Thrall to Heresy (2025, New Zealand; prog metal)123
Silvana Estrada – Vendrán Suaves Lluvias (2025, Mexico; singer-songwriter)124
Silvana Estrada (with Charlie Hunter) – Lo Sagrado (2017, Mexico/US; singer-songwriter)125
Širom – In the Wind of Night, Hard-Fallen Incantations Whisper (2025, Slovenia; instrumental avant-garde imaginary folk)126
SKC & The Poem – s/t (2025, Belgium; alt/folk rock)127
SKLOSS – The Pattern Speaks (2025, US/Scotland; space gaze, post-metal)128
Soulwax – All Systems Are Lying (2025, Belgium; electronic alt rock)129
Spiritbox – Tsunami Sea (2025, Canada; metalcore)130
State Azure – The Light That Remains (2025, UK; electronica, ambient, downtempo)131
Stereolab – Switched On Volumes 1-5 (2024, UK/France; avant-pop)132
Steve Tibbetts – Close (2025, US; jazz fusion)133
Stick To Your Guns – Keep Planting Flowers (2025, US; hardcore)134
Suede – Antidepressants (2025, UK; post-punk, gothic rock)135
Summer Walker – Finally Over It (2025, US; R&B, singer-songwriter)136
Susan Bear – Algorithmic Mood Music (2024, Scotland; electronic, alt-pop)137
Swansea Sound – Twentieth Century (2023, Wales; indie pop)138
TDJ (artist, in general) (Canada; electronic)139
Terveet Kädet – Lapin Helvetti (2015, Finland; hardcore punk)140
Tool – Lateralus (2001, US; prog rock/metal, art rock)141
The Bug Club – “Have U Ever Been 2 Wales” (2025, Wales; indie rock)142
The New Eves – The New Eve Is Rising (2025, UK; avant-garde/art rock)143
Trio del Mango – Cómelo (2025, US/Puerto Rico; experimental, noise)144
Turnstile – Never Enough (2025, US; alt rock)145
UNIVERSITY – McCartney, It’ll Be OK (2025, UK; punk, noise rock)146
Water Damage – Instruments (2025, US; experimental psych/drone-rock)147
Weakened Friends – Feels Like Hell (2025, US; indie rock)148
Weirs – Diamond Grove (2025, US; trad folk, experimental noise)149
Wet Leg – moisturizer (2025, UK; indie rock)150
White Lies – Five V2 (2019, UK; post-punk)151
X-Cetra – Summer 2000 (Y2K 25th Anniversary Edition) (2025, US; sleepover core, dance-pop)152
Yara Asmar – everyone I love is sleeping and I love them so so much (2025, Lebanon; modern classical/ambient)153
Yugen Blakrok – Anima Mysterium (2019, South Africa; hip-hop)154
Yws Gwynedd – Codi/ \Cysgu (2014, Wales; indie rock)155
Footnote Number. Fediverse username(s): Comments
- poisonous ↩︎
- buffyleigh: My emotional support album of the year. I’ve been a fan of AFI since 2000 but haven’t liked an album since 2006. The second I heard the first single “Behind The Clock”, my expectations for this album skyrocketed, and they were absolutely exceeded. It sounds nothing like anything they’ve ever done, and yet it feels like this was the album they’ve always been moving towards. Song of the year goes to the entirety of side A, and Davey Havok’s unexpectedly different sound on this album is my overall favourite vocal performance of year. ↩︎
- Braininabowl ↩︎
- umrk: top album requested by my kids in the car this year ↩︎
- brh ↩︎
- RolloTreadway: The most gloriously unhinged album I’ve heard this year. Twists together ideas from everywhere without the slightest consideration of whether doing so might be normal or accepted. The kind of album where a classic French chanson or some deep filthy funk just appears out of nowhere and then is never referred to again. It shouldn’t work but it absolutely does. ↩︎
- gavin57: That last one is an all-timer. It’s astonishing. ↩︎
- platenworm ↩︎
- rachelcholst ↩︎
- 3rik: This has been a year for nighttime music and music for trying to sleep. ↩︎
- swampgas: definitely my most played this year. A sludgy, deathdoom concept album about greed and gluttony and corruption thats riffy and groovy af. These are driving rhythms that chug hard! ↩︎
- MichaelMcWilliams: The one album that tops my list this year also appears in the 1001 Other Albums list. Band website offering free download of the album: https://au4.ca ↩︎
- brh ↩︎
- poisonous ↩︎
- jake4480 ↩︎
- mbr ↩︎
- riff: Most “Wait why did i never listen to this band before ?” of the year. ↩︎
- keefeglise ↩︎
- eamonn ↩︎
- _slotek_ ↩︎
- onuryasar: My kind of, very balanced Indie Pop: just the right amount of Indie but not too much and just the right amount of Pop but not too much 🙂 ↩︎
- icastico ↩︎
- santialone ↩︎
- eamonn ↩︎
- burnitdown || MetalheadDana ↩︎
- cloudtripper: https://www.youtube.com/watch?v=8_e5kKzlFqU&list=RD8_e5kKzlFqU&start_radio=1 ↩︎
- nevar23 ↩︎
- debonaire: Recency bias is pushing me to three Silvana Estrada albums. I love her voice, I love the music, I love her with Charlie Hunter. ↩︎
- otherdog ↩︎
- fistfulofdave: Aussie punk in the vein of The Saints and Radio Birdman. ↩︎
- rothko ↩︎
- Chigaze: what happens when four guys to go a cottage in Ontario, find a flow state, and record an album over a few days. I got to see them play the album through at the Winspear in Edmonton and it’s way up there on my concert experience list. ↩︎
- evilchili: The Italian singer and composer’s debut is a hypnotic journey of loops, bloops, and dramatic and impassioned vocalizations. ↩︎
- nellie_m ↩︎
- fistfulofdave: Blues metal? Shoegaze blues? I don’t know or care, I like it. ↩︎
- tym || niels ↩︎
- jake4480 ↩︎
- santialone ↩︎
- Kingu ↩︎
- tym || demon6 ↩︎
- otherdog ↩︎
- MetalheadDana: I listened to this album when it first came out in 2021 but for some reason it didn’t click with me. But apparently 2021 Dana had horrible taste in music, because in early 2025 I randomly tried Dodsrit – Mortal Coil again and fell in love and have been obsessed with it all year, it’s the perfect blend of crust punk and black metal and I love it. ↩︎
- TG_Esq ↩︎
- rustynail ↩︎
- alicemcalicepants ↩︎
- Chigaze: nails it just as a solid Dropkick’s album but goes farther with songs made for the times. “Who’ll Stand With Us” and “School Days Over” are amazing workers songs while “Chesterfields and Aftershave” takes me back to my own grandfather. ↩︎
- thesinkingbelle ↩︎
- Braininabowl ↩︎
- riff: Most listened this year. ↩︎
- Mark52 ↩︎
- Moss ↩︎
- e (eva) ↩︎
- steveroyle: Leaving out Never Enough by Turnstile as I’m sure that’ll get plenty of votes. ↩︎
- fistfulofdave: Angular, noise rock, neo-post punk. Unsettling, laid-back, yet aggressive. And yes it was the last album Steve Albini recorded. ↩︎
- MetalheadDana || demon6 ↩︎
- soundclamp: Runner-ups – https://lineimprint.bandcamp.com/album/muzak-for-the-encouragement-of-unproductivity; https://myheartaninvertedflame.bandcamp.com/album/my-heart-an-inverted-flame-apparitions-split; https://timbarnes.bandcamp.com/album/lost-words-1 ↩︎
- buffyleigh: I’ve known of Fever Ray since first seeing the TV show Vikings, but I for some reason didn’t check them out further until this year, when their s/t album came up for a blog post. I was floored. As it happens, their kinda sorta live album was set to come out soon after my first listen of the s/t, so I got caught up on the full Karin Dreijer discography, got super duper obsessed with their spectacular ARTE concert (which is essentially the same versions performed on the new album), and proceeded to be immensely inspired – nay, awakened – by this artist. ↩︎
- Kingu ↩︎
- onuryasar: I’ve first discovered the song Apocalypse by Cigarettes After Sex (I know, late comer), which brought me to Greg Gonzalez’s Wikipedia page, that says “Gonzalez was heavily inspired by French singer Françoise Hardy and her album La question”. I remember this album being mentioned in my Fedi timeline recently, so I gave it a spin and it turned on and on for the remainder of the year. [Editor’s note: Also see the 1001 OA spotlight on this album from earlier this year!] ↩︎
- rachelcholst ↩︎
- mynameistillian ↩︎
- burnitdown ↩︎
- demon6 ↩︎
- donutage: I was a bit skeptical of this, and sure, in a 52-song project there’s some unevenness, but between the sheer audacity of the attempt & the frequent successes it scores, definitely one of the more remarkable records of the year. ↩︎
- Tak ↩︎
- e (eva) ↩︎
- Lizahadiz ↩︎
- mbr ↩︎
- brh ↩︎
- umrk: my fav album released in 2025 ↩︎
- superflippy ↩︎
- raisedfist ↩︎
- gavin57 ↩︎
- Mark52: Jade Bird has been by far my most listened to album this year. ↩︎
- poisonous ↩︎
- derthomas: I kept coming back to this album because it just fits every mood. It’s peak Jethro Tull if you ask me, it’s perfect in any way. Also the Steven Wilson Remaster sounds incredible. ↩︎
- burnitdown ↩︎
- jebeyer: a longer list is here – https://www.buymusic.club/list/whistlingkitty-some-of-my-favorite-2025-releases ↩︎
- thesinkingbelle: honorable mentions – Scare – In The End, Was It Worth It; Creatvre – Toujours Humain ; Guck – Gucked Up ; AVTT/PTTN – AVTT/PTTN; Saor – Amidst the Ruins ; Jessica93 – 666 tours de periph’ ; Deadguy – Near-Death Travel Services; LS Dunes – Violet; Aesop Rock – I Heard It’s A Mess There Too ; Fishbone – Stockholm Syndrome ; Dead Pioneers – Po$t American ; Ethereal Wound – Defile | Demise; Sci Fi Industries – Initial States ↩︎
- soundclamp ↩︎
- cloudtripper ↩︎
- rustynail ↩︎
- derthomas: My AOTY from a very underground Heavy Metal band from Austria. ↩︎
- platenworm ↩︎
- raisedfist ↩︎
- thesinkingbelle ↩︎
- t4s: Honorable mentions – The Halo Effect, Machine Head, Heaven Shall Burn, Spiritbox, Jinjer, Allegaeon ↩︎
- rachelcholst ↩︎
- 3rik ↩︎
- Wintergr33n: Percussion-driven music from Senegal on a self-released album: https://ra.co/news/82509. ↩︎
- platenworm: 5 things that ruled my world musically this year:
– The Analog Africa Label
– The Artist L.A. Salami
– The knowledge that you can have too much music
– The knowledge that you can make your solo debut album when you are 100 years old……Hail Hail Marshall Allen
– And that everybody loved Ozzy ↩︎ - nellie_m: The music project that somehow touched me most deeply was the result of two years of work by Max Cooper. „Powerful works of art have traditionally sprung from some source deep within an artist and, if they strike the right tone, resonate with an audience to leave a lasting mark. But what if that equation were reversed: what if an artist were to draw their inspiration from deep within their audience, and use that to reflect those ideas, emotions, hopes, fears, pains and aspirations back to us?…“ ↩︎
- niels || TG_Esq || sentynel || otherdog || umrk ↩︎
- eamonn ↩︎
- jake4480 ↩︎
- steveroyle ↩︎
- alicemcalicepants ↩︎
- BramMeehan ↩︎
- avi_miller: All three fall into the more ambient realm, and they all are absolutely phenomenal. I love music that is based more around textures and creating a mood than creating a melody, and this year had some really good ones. ↩︎
- niels ↩︎
- TG_Esq ↩︎
- 3rik ↩︎
- raisedfist ↩︎
- keefeglise: Compositions by Nicholas Gombert and James Weeks. Performed by Apartment House. Flanders/UK. Contemporary Classical (Debatable! Gombert died in 1560.) ↩︎
- evilchili: Two hipster kids from Brooklyn play 100 year old Appalachian folk tunes and make them come alive. Honest, reverential, and true. ↩︎
- riff: “Instantly burned in my brain” this year (well, it was actually their KEXP session from april that blew my mind, but since i have to submit an album, it’ll do nicely 🙂 ). ↩︎
- avi_miller ↩︎
- derthomas: I discovered this album this year on a metal journey (yeah, late to the party) and I loved it. It’s my favourite Ozzy album. ↩︎
- _slotek_ ↩︎
- mbr ↩︎
- tym: Oh and not a brand new release, but the remaster and new tracks for the 20th anniversary reissue of ‘Takk…’ by Sigur Rós are pretty great. That and ( ) are still what I listen to the most, this year and apparently every year. ↩︎
- Kingu ↩︎
- epu: I had all but forgotten party drug enthusiasm tracks like ‘higher than the sun’ from 1991, and it turns out they made so many albums since I last tuned in. This one really resonates with my reaction to USpol this year. It rekindled my love for this band; I bought Evil Heat import on CD, my first physical purchase since last year. ↩︎
- Mark52 ↩︎
- sentynel ↩︎
- Braininabowl ↩︎
- jiiruu ↩︎
- avi_miller ↩︎
- jiiruu || t4s || gavin57 ↩︎
- Steffi ↩︎
- superflippy ↩︎
- rustynail: most played ↩︎
- sentynel ↩︎
- debonaire ↩︎
- debonaire ↩︎
- TwoClownsEating: I discovered this band in 2025. Absolutely incredible, I’ve bought their entire catalogue and had the privilege to see them live a few months ago. Unbelievably good musicians. Magical music. ↩︎
- jomel: 2025 was a great year for Belgian music. Stef Kamil Carlens, co-founder of dEUS has released a gem with his new band The Poem. I have seen SKC twice this year, once in a solo gig, and the second time (in less then 2 weeks) for the “worst Case scenario” rewind from (and so with) dEUS, those two concerts were fabulous, and at the time, I wasn’t expecting this release.
Bonus Albums: The live album from Depeche Mode – Memento Mori: Mexico City; Arvo Pârt – Credo (released Alpha Classics label) which includes his “hits” – Credo , Fratres , Cantus in memory of Benjamin Britten (my favourite one) https://outhere-music.com/en/albums/arvo-part-credo; 2025 Bryan Ferry release, with Amelia Barrat as female lead singer/speaker. Some of his material came from the 70’s and were updated, it’s a timeless album, and elegant as always https://soundcloud.com/bryanferry/sets/loose-talk-4 ↩︎ - jebeyer ↩︎
- jomel: (AKA 2manydj’s) Yep, those guys will make you dance, and rock, I guess they’ve listened to Kraftwerk & Front242. ↩︎
- Tak ↩︎
- nellie_m ↩︎
- cloudtripper ↩︎
- _slotek_ ↩︎
- t4s ↩︎
- Lizahadiz ↩︎
- slamma ↩︎
- e (eva): algorithmic mood music was my fav last year! but i’m still listening to it and i didn’t submit anything then. ↩︎
- Steffi ↩︎
- BramMeehan: I’ve listened to so much TDJ, though no one release in particular. ↩︎
- jiiruu ↩︎
- buffyleigh: There’s so many other albums I’d love to list here for exposure, but it feels more honest to list this masterpiece, my first obsession of the year, courtesy of catching their amazing set at the big Black Sabbath/Ozzy send-off concert. I mean, I even titled my AOTY list “Forty Six & 2”, since that was the first song Tool played there and got my attention. Said list is here. ↩︎
- epu: Ok, this one’s kind of a cheat, it’s an EP.
2024, my friend turned me on to Bug Club for its lo-fi production aesthetic, humor and infectious fun/dark undertones. Marriage from 2023 album ‘Rare Birds: Hour of Song’ was the hook.
You can get this band straight into your heart and mind with this EP. And it takes me back to that one time I did go to Wales. ↩︎ - jomel: This newcomer British female band has written the ultimate feminist anthem as opening track. || RolloTreadway: I don’t tend to be very much of a rock person, so for a big brash rock record to have such an impact on me must say something. It’s noisy and it’s loud and it has guitars and drums and punkiness. And, er, flutes. Harmonicas. Cellos. Weird interpretations of bible stories. All chaos and absurdity and celebration and being absolutely done with the patriarchy and above all else fun. So much fun. ↩︎
- soundclamp ↩︎
- santialone ↩︎
- steveroyle ↩︎
- jebeyer ↩︎
- donutage: far & away my number 1; an angry & desperate neo-grunge banger. Sonia Sturino is a force of nature. ↩︎
- RolloTreadway: In parts weird and experimental, in others traditional. Here there’s strange droney noise, and then there’s some light, old-fashioned fiddle playing. Electronic distortion, a choir recorded live outdoors singing a simple hymn. It’s an astonishingly creative and unique folk record. ↩︎
- donutage: not as jaw-dropping as their debut (my runaway 2022 fave), but with a lot of the same qualities. It’s dancy, smart, & sexy, without ever once being submissive. || slamma ↩︎
- alicemcalicepants ↩︎
- slamma ↩︎
- keefeglise ↩︎
- evilchili: Afro-futurist South African Hip-Hop Mysticism. Blakrok instantly became my favourite female MC. ↩︎
- Steffi ↩︎
#AOTY #AOTY2025 #CastleRat #Deafheaven #DieSpitz #Faetooth #ListenToThis #Messa #music #musicDiscovery #RiversOfNihil #TheNewEves #WetLeg
-
I just realized that the native macOS app, whose sole purpose is to batch-rename files with optionally saved templates, has over the years become an Electron app. The old Intel macOS version that I still use is 5 MiB in size, the current Electron one 555 MiB, 110 times more.
Yeah, it gained Windows support, which I’m totally not interested in. I’m interested in nimble but capable native apps.
Kthxbai, I guess.
-
الإصدار 2.0.0 — الثوري
🆕 الميزات الجديدة كلياً
📡 ضابط الشبكة (Network Controller)
حجب الإنترنت عن أي جهاز على الشبكة المحلية
حجب دائم
حجب بمؤقت زمني (بالدقائق) مع عداد تنازلي حي
تحديد عرض النطاق الترددي: 128Kbit | 512Kbit | 1Mbit | 5Mbit | 10Mbit
كشف القيود السابقة تلقائياً عند فتح القسم مع خيار الاعتماد أو التنظيف
حماية ذاتية: لا يمكن حجب جهازك الحالي أبداً
تنظيف تلقائي عند إغلاق التطبيق (استعادة جداول ARP، تنظيف iptables)
التقنية: arpspoof (ARP Spoofing) + iptables + tc (Traffic Control)
🔒 قفل البرنامج (App Lock)
كلمة مرور خاصة مستقلة عن كلمة مرور الجذر
تشفير SHA-256
شاشة قفل عند فتح البرنامج
حماية الإغلاق (مطلوب كلمة المرور للخروج)
⚡ وضع صلاحيات الجذر
لكل عملية: يطلب كلمة المرور عند كل أمر محمي (الافتراضي)
مرة واحدة للجلسة: أدخل كلمة مرور الجذر مرة واحدة وتُعتمد طوال الجلسة (sudo -S)
📌 ميزات الواجهة المتقدمة
أيقونة شريط النظام (Tray): البرنامج يعيش في الخلفية
حوار تأكيد الإغلاق: خيارات "تصغير" أو "إغلاق"
كشف MAC العشوائي: يكشف تلقائياً عناوين MAC العشوائية التي تستخدمها الهواتف الحديثة (iOS 14+ و Android 10+)
اكتشاف الشبكات المجاورة: زر "+شبكات" يستكشف الموجهات المتشابكة
Deep Identify: نتائج nmap حقيقية لكل جهاز
📋 تحسينات على الإصدار السابق
المنافذ: أسماء البرامج و PID، تبويبان (اتصالات / استماع)
السرعة: مقياسان SVG دائريان متحركان بقيم حية
التقارير: سجلات أخطاء في تبويب منفصل
https://salehgnutux.github.io/GT-IpNet/
#GNUTUX #GT_IPNET #شبكات #لينكس #مصدر_مفتوح #NetworkTools #Linux #OpenSource #Electron #React #شبكات_الحاسوب -
🚀 GMD v26.05 — منزّل وسائط غنو
النسخة الحديثة بواجهة React عصرية أصبحت متاحة الآن!
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✂️ قص وسائط مع معاينة تفاعلية
🌐 دعم كامل للعربية والإنجليزية
📦 حزم AppImage | DEB | RPM جاهزة للتحميل
حر · مفتوح المصدر · لنظام غنو/لينكس
🔗 https://salehgnutux.github.io/GMD/
#GNUTUX #GMD #برمجيات_حرة #غنو_لينكس #GNU #Linux #OpenSource #yt_dlp #React #Electron #تحميل_فيديو #MediaDownloader #FOSS #GPLv3
-
🚀 GT-IpNet v1.0.0 - متحكم الشبكة المتقدم لنظام GNU/Linux
أطلقنا الإصدار الجديد كلياً بواجهة رسومية عصرية! ✨
🖥️ أبرز مزايا النسخة الجديدة:
• واجهة Electron + React حديثة
• اكتشاف ذكي للأجهزة (iPhone, Android, Router...)
• قياس سرعة الإنترنت مباشر
• فحص منافذ متقدم (ss/nmap)
• تشخيص DNS و Traceroute
• دعم كامل للعربية 🇲🇦 والإنجليزية 🇺🇸
• نظام صلاحيات آمن (pkexec)
📥 حمّلها الآن:
🔗 https://salehgnutux.github.io/GT-IpNet/
💻 النسخة الطرفية متاحة أيضاً لمحبي سطر الأوامر!
🆓 مفتوح المصدر تحت رخصة GPLv2
#GNUTUX #GT_IPNET #شبكات #لينكس #مصدر_مفتوح #NetworkTools #Linux #OpenSource #Electron #React #شبكات_الحاسوب -
لا تحبذ سكربتات الطرفية المعقدة!🚀
أطلق SalehGNUTUX مشروع GT-SALAT، الجيل الجديد والمطور بالكامل من GT-salat-dikr.
🕌 تطبيق سطح مكتب متكامل لمواقيت الصلاة والأذكار على غنو/لينكس.
✨ واجهة رسومية عصرية بتقنيات Electron + React.
🕋 22 طريقة حسابية للمواقيت، إشعارات، أذان مخصص، وأذكار.
💻 تكامل ذكي مع الطرفية، يدعم bash و zsh و fish.
📦 تحميل مباشر بصيغ AppImage و DEB و RPM.
للتحميل والتفاصيل: https://salehgnutux.github.io/GT-SALAT/
#gt_salat #مواقيت_الصلاة #تطبيق_إسلامي #غنو_لينكس #برمجيات_حرة #electron #react #typescript #gnutux
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Electron launches Japanese cubesats
https://fed.brid.gy/r/https://spacenews.com/electron-launches-japanese-cubesats/
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🚀 Après un vol suborbital Haste mercredi, Rocket Lab a effectué avec succès ce jeudi un vol orbital d' #Electron. La mission "Kakushin Rising" emportait 8 satellites d'universités et d'instituts de recherche japonais, d'un programme de démonstration technologique de la JAXA
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#Electron
يعطي تفاصيل دعمو ل
#Wayland
https://www.electronjs.org/blog/tech-talk-wayland
#Mozilla #Firefox 149
فيه تحسينات كبيرة
https://linuxiac.com/firefox-149-now-available-for-download-brings-split-view/
#Canonical
تخدم على
#GRUB
في
Ubuntu
لتحسين الحماية
https://discourse.ubuntu.com/t/streamlining-secure-boot-for-26-10/79069
https://www.omgubuntu.co.uk/2026/03/ubuntu-security-center-ubuntu-pro
خروج
Ubuntu 26.04 #beta
https://documentation.ubuntu.com/release-notes/26.04/changes-since-previous-interim/
#Plasma 6.6
يغلب
#GNOME 50
في ال
#Graphical #Performance
https://www.phoronix.com/review/ubuntu-2604-gnome-kde/4 -
Electron microscopy shows 'mouse bite' defects in semiconductors
https://news.cornell.edu/stories/2026/03/electron-microscopy-shows-mouse-bite-defects-semiconductors
#HackerNews #ElectronMicroscopy #mouseBite #Defects #Semiconductors #TechNews #ResearchInnovation
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Building desktop apps with Electron? Think of the App Module as your control tower, coordinating everything from one place instead of scattered hooks ✈️
Read More: https://zalt.me/blog/2025/12/electron-app-control-tower
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Un nuevo estudio demuestra que el #transporte de #protones en las #células está controlado por #propiedades #cuánticas como el spin del #electrón, revelando una conexión inesperada entre #biología y #física #cuántica que podría revolucionar la #medicina y la #bioenergía.
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Time to update textbooks on #electron_transport_chain in #mitochondria, researchers say.
#sodium #respiration #membrane_potential
https://phys.org/news/2025-02-textbooks-electron-chain-mitochondria.html
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@.RocketLab #Electron gets all the attention, but every now and then the Kick Stage likes to slip into frame and remind us who delivers our customers' satellites to their precise, final orbits 🫡 👋
https://x.com/rocketlab/status/1782989815149125635?s=46#KiwiPower 💪🇳🇿
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@.RocketLab #Electron gets all the attention, but every now and then the Kick Stage likes to slip into frame and remind us who delivers our customers' satellites to their precise, final orbits 🫡 👋
https://x.com/rocketlab/status/1782989815149125635?s=46#KiwiPower 💪🇳🇿
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Electron Microscopist
CLF Octopus
Join us at #CLFOctopus to help build our new #CryoCLEM pipeline. If you're a #FIB-SEM expert and you like multidisciplinary science, this is for you!
See the full job description on jobRxiv: https://jobrxiv.org/job/clf-octopus-27778-electron-microscopist/?feed_id=63211
#ScienceJobs #hiring #research
Didcot #UnitedKingdomUK #PostdoctoralFellow
https://jobrxiv.org/job/clf-octopus-27778-electron-microscopist/?feed_id=63211
