#etching — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #etching, aggregated by home.social.
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The Wheelwright's, 1912-1957
etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1841213/source
#ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums
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The Wheelwright's, 1912-1957
etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1841213/source
#ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums
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The Wheelwright's, 1912-1957
etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1841213/source
#ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums
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The Wheelwright's, 1912-1957
etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1841213/source
#ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums
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The Wheelwright's, 1912-1957
etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1841213/source
#ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums
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Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.
What does the weight of that suspended sky press into the earth below?
#ClevelandMuseumofArt #Etching #19thCenturyArt
https://clevelandart.org/art/1920.565 -
Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.
What does the weight of that suspended sky press into the earth below?
#ClevelandMuseumofArt #Etching #19thCenturyArt
https://clevelandart.org/art/1920.565 -
Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.
What does the weight of that suspended sky press into the earth below?
#ClevelandMuseumofArt #Etching #19thCenturyArt
https://clevelandart.org/art/1920.565 -
Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.
What does the weight of that suspended sky press into the earth below?
#ClevelandMuseumofArt #Etching #19thCenturyArt
https://clevelandart.org/art/1920.565 -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
Saint Hilaire, eveque, 1630s
etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1839982/source
#Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums
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Saint Hilaire, eveque, 1630s
etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1839982/source
#Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums
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Saint Hilaire, eveque, 1630s
etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Auckland Art Gallery Toi o Tāmaki via DigitalNZhttp://api.digitalnz.org/records/1839982/source
#Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums
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+ LA DENSITÉ DES IMAGES +
Très heureuse d'avoir été invitée à l'école d'art de Mortagne-du-Nord (59) dans le cadre de Manifestampe.
Un immense merci à Cédric Verlynde et Sébastien Hildebrand pour cette très belle proposition.
Vernissage vendredi 8 mai à 18h30
Exposition visible jusqu'au 12 juin#estampecontemporaine
#pointeseche
#etching
#engraving
#akuaink
#charbonnel
#dessincontemporain
#hybridationart
#artcontemporain
#xylogravure -
The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?
#BillViola #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/1920.708 -
The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?
#BillViola #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/1920.708 -
The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?
#BillViola #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/1920.708 -
The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?
#BillViola #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/1920.708 -
Ecce Homo No. 3 by Oldřich Kulhánek, 1994 (lithograph print)
#oldrichkulhanek #lithography #etching #art -
Ecce Homo No. 3 by Oldřich Kulhánek, 1994 (lithograph print)
#oldrichkulhanek #lithography #etching #art -
Ecce Homo No. 3 by Oldřich Kulhánek, 1994 (lithograph print)
#oldrichkulhanek #lithography #etching #art -
Ecce Homo No. 3 by Oldřich Kulhánek, 1994 (lithograph print)
#oldrichkulhanek #lithography #etching #art -
The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.
Why does the sheep on the right turn its head as if listening?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705 -
The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.
Why does the sheep on the right turn its head as if listening?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705 -
The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.
Why does the sheep on the right turn its head as if listening?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705 -
The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.
Why does the sheep on the right turn its head as if listening?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705 -
a little etching i made in college.
based on a quote from a bot that lived on an irc channel i hung out on -
a little etching i made in college.
based on a quote from a bot that lived on an irc channel i hung out on -
a little etching i made in college.
based on a quote from a bot that lived on an irc channel i hung out on -
- PRÉPARATION DE L'EXPOSITION -
Dessins, gravures et installations sont en préparation pour ma prochaine exposition.
Je vous en dis plus bientôt.#gravurecontemporaine
#etching
#printmaking
#reig
#woodcut
#delfrom
#espacedudessin -
Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.
How does the contrast between light and shadow shape the emotional weight of the scene?
#Rembrandt #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/2002.10 -
Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.
How does the contrast between light and shadow shape the emotional weight of the scene?
#Rembrandt #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/2002.10 -
Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.
How does the contrast between light and shadow shape the emotional weight of the scene?
#Rembrandt #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/2002.10 -
Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.
How does the contrast between light and shadow shape the emotional weight of the scene?
#Rembrandt #Etching #ClevelandMuseumofArt
https://clevelandart.org/art/2002.10 -
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Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
#botanicalprint #etching #RobertThornton #ThomasMedland #art -
Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
#botanicalprint #etching #RobertThornton #ThomasMedland #art -
Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
#botanicalprint #etching #RobertThornton #ThomasMedland #art -
Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
#botanicalprint #etching #RobertThornton #ThomasMedland #art -
Rain slicks the cobblestones, pooling around the hooves of sheep huddled beneath an umbrella’s uneven arc. The etched lines deepen where water collects, suggesting weight and movement rather than stillness.
Why does the umbrella’s shadow fall not beneath it, but toward the viewer?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705 -
Rain slicks the cobblestones, pooling around the hooves of sheep huddled beneath an umbrella’s uneven arc. The etched lines deepen where water collects, suggesting weight and movement rather than stillness.
Why does the umbrella’s shadow fall not beneath it, but toward the viewer?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705 -
Rain slicks the cobblestones, pooling around the hooves of sheep huddled beneath an umbrella’s uneven arc. The etched lines deepen where water collects, suggesting weight and movement rather than stillness.
Why does the umbrella’s shadow fall not beneath it, but toward the viewer?
#ClevelandMuseumofArt #Etching #UrbanPastoral
https://clevelandart.org/art/1920.705