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#etching — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #etching, aggregated by home.social.

  1. The Wheelwright's, 1912-1957

    etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1841

    #ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums

  2. The Wheelwright's, 1912-1957

    etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1841

    #ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums

  3. The Wheelwright's, 1912-1957

    etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1841

    #ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums

  4. The Wheelwright's, 1912-1957

    etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1841

    #ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums

  5. The Wheelwright's, 1912-1957

    etching 148 x 177 mm - Signed "E. HESKETH HUBBARD" pencil L.R. Title in pencil left centre The Wheelwright's (l.c.)No. 13 2nd state (l.l.) Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1841

    #ExteriorViews #Workshops #Wheelwrights #TreeTrunks #PlankConstruction #PitchedRoofs #Figures #CastShadows #Print #Etching #Museum #Museums

  6. Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.

    What does the weight of that suspended sky press into the earth below?
    #ClevelandMuseumofArt #Etching #19thCenturyArt
    clevelandart.org/art/1920.565

  7. Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.

    What does the weight of that suspended sky press into the earth below?
    #ClevelandMuseumofArt #Etching #19thCenturyArt
    clevelandart.org/art/1920.565

  8. Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.

    What does the weight of that suspended sky press into the earth below?
    #ClevelandMuseumofArt #Etching #19thCenturyArt
    clevelandart.org/art/1920.565

  9. Rain blurs the edges of an abbey farm, its stone walls dissolving into the damp air. Legros’s needle traces every furrow in the field and crease in the laborers’ clothes, grounding quiet industry in ink.

    What does the weight of that suspended sky press into the earth below?
    #ClevelandMuseumofArt #Etching #19thCenturyArt
    clevelandart.org/art/1920.565

  10. + LA DENSITÉ DES IMAGES +

    A découvrir à l'école d'art de Mortagne-du-Nord (59)
    Jusqu'au 12 juin.
    Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.

    #mortagnedunord
    #artcontemporain
    #gravure
    #etching
    #woodcut
    #dessincobtemporain
    #installationcontemporaine

  11. + LA DENSITÉ DES IMAGES +

    A découvrir à l'école d'art de Mortagne-du-Nord (59)
    Jusqu'au 12 juin.
    Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.

    #mortagnedunord
    #artcontemporain
    #gravure
    #etching
    #woodcut
    #dessincobtemporain
    #installationcontemporaine

  12. + LA DENSITÉ DES IMAGES +

    A découvrir à l'école d'art de Mortagne-du-Nord (59)
    Jusqu'au 12 juin.
    Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.

    #mortagnedunord
    #artcontemporain
    #gravure
    #etching
    #woodcut
    #dessincobtemporain
    #installationcontemporaine

  13. + LA DENSITÉ DES IMAGES +

    A découvrir à l'école d'art de Mortagne-du-Nord (59)
    Jusqu'au 12 juin.
    Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.

    #mortagnedunord
    #artcontemporain
    #gravure
    #etching
    #woodcut
    #dessincobtemporain
    #installationcontemporaine

  14. + LA DENSITÉ DES IMAGES +

    A découvrir à l'école d'art de Mortagne-du-Nord (59)
    Jusqu'au 12 juin.
    Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.

    #mortagnedunord
    #artcontemporain
    #gravure
    #etching
    #woodcut
    #dessincobtemporain
    #installationcontemporaine

  15. Saint Hilaire, eveque, 1630s

    etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1839

    #Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums

  16. Saint Hilaire, eveque, 1630s

    etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1839

    #Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums

  17. Saint Hilaire, eveque, 1630s

    etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1839

    #Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums

  18. + LA DENSITÉ DES IMAGES +

    Très heureuse d'avoir été invitée à l'école d'art de Mortagne-du-Nord (59) dans le cadre de Manifestampe.
    Un immense merci à Cédric Verlynde et Sébastien Hildebrand pour cette très belle proposition.
    Vernissage vendredi 8 mai à 18h30
    Exposition visible jusqu'au 12 juin

    #estampecontemporaine
    #pointeseche
    #etching
    #engraving
    #akuaink
    #charbonnel
    #dessincontemporain
    #hybridationart
    #artcontemporain
    #xylogravure

  19. The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?

    #BillViola #Etching #ClevelandMuseumofArt
    clevelandart.org/art/1920.708

  20. The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?

    #BillViola #Etching #ClevelandMuseumofArt
    clevelandart.org/art/1920.708

  21. The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?

    #BillViola #Etching #ClevelandMuseumofArt
    clevelandart.org/art/1920.708

  22. The dense web of stairs and railings in *The Crossing* fractures the scene into cramped, overlapping chambers. Each figure moves with purpose—yet the handwritten labels below suggest a system, not chaos. What unspoken rule governs their paths?

    #BillViola #Etching #ClevelandMuseumofArt
    clevelandart.org/art/1920.708

  23. The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.

    Why does the sheep on the right turn its head as if listening?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705

  24. The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.

    Why does the sheep on the right turn its head as if listening?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705

  25. The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.

    Why does the sheep on the right turn its head as if listening?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705

  26. The umbrella’s ribs cast sharp, radial shadows across the figure’s coat, while sheep huddle beneath its shelter. Rain blurs the street into a textured gray field, suggesting movement without sound.

    Why does the sheep on the right turn its head as if listening?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705

  27. a little etching i made in college.
    based on a quote from a bot that lived on an irc channel i hung out on

    #mastoArt #printmaking #etching

  28. a little etching i made in college.
    based on a quote from a bot that lived on an irc channel i hung out on

    #mastoArt #printmaking #etching

  29. a little etching i made in college.
    based on a quote from a bot that lived on an irc channel i hung out on

    #mastoArt #printmaking #etching

  30. - PRÉPARATION DE L'EXPOSITION -

    Dessins, gravures et installations sont en préparation pour ma prochaine exposition.
    Je vous en dis plus bientôt.

    #gravurecontemporaine
    #etching
    #printmaking
    #reig
    #woodcut
    #delfrom
    #espacedudessin

  31. Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.

    How does the contrast between light and shadow shape the emotional weight of the scene?
    #Rembrandt #Etching #ClevelandMuseumofArt
    clevelandart.org/art/2002.10

  32. Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.

    How does the contrast between light and shadow shape the emotional weight of the scene?
    #Rembrandt #Etching #ClevelandMuseumofArt
    clevelandart.org/art/2002.10

  33. Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.

    How does the contrast between light and shadow shape the emotional weight of the scene?
    #Rembrandt #Etching #ClevelandMuseumofArt
    clevelandart.org/art/2002.10

  34. Rembrandt’s dense cross-hatching swallows Tobit’s robe, leaving only his luminous beard untouched by ink. The firelit shadow stretching toward an empty doorway suggests a man reaching for what he cannot see.

    How does the contrast between light and shadow shape the emotional weight of the scene?
    #Rembrandt #Etching #ClevelandMuseumofArt
    clevelandart.org/art/2002.10

  35. Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
    #botanicalprint #etching #RobertThornton #ThomasMedland #art

  36. Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
    #botanicalprint #etching #RobertThornton #ThomasMedland #art

  37. Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
    #botanicalprint #etching #RobertThornton #ThomasMedland #art

  38. Quadrangular Passion-flower, image plate from The Temple of Flora, published, 1807 by Robert Thornton, aquating etchings by Thomas Medland inspired by paintings by Philip Reinagle (probably)
    #botanicalprint #etching #RobertThornton #ThomasMedland #art

  39. Rain slicks the cobblestones, pooling around the hooves of sheep huddled beneath an umbrella’s uneven arc. The etched lines deepen where water collects, suggesting weight and movement rather than stillness.

    Why does the umbrella’s shadow fall not beneath it, but toward the viewer?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705

  40. Rain slicks the cobblestones, pooling around the hooves of sheep huddled beneath an umbrella’s uneven arc. The etched lines deepen where water collects, suggesting weight and movement rather than stillness.

    Why does the umbrella’s shadow fall not beneath it, but toward the viewer?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705

  41. Rain slicks the cobblestones, pooling around the hooves of sheep huddled beneath an umbrella’s uneven arc. The etched lines deepen where water collects, suggesting weight and movement rather than stillness.

    Why does the umbrella’s shadow fall not beneath it, but toward the viewer?

    #ClevelandMuseumofArt #Etching #UrbanPastoral
    clevelandart.org/art/1920.705