home.social

#supernatural — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #supernatural, aggregated by home.social.

  1. ‘Vampire’ so feared she was locked in booby-trapped grave was teen girl who met horror movie fate: experts

    The “real-life vampire” who was so feared that she was buried in a padlocked, booby-trapped grave was actually…
    #NewsBeep #News #Headlines #Biology #Poland #supernatural #vampires #World #Worldnews
    newsbeep.com/721434/

  2. And talking of #Vikings (as I was, below), here is a ghostly one, accompanied by a procession of apparitions of many different peoples, in an illustration by Stanley Wood for Guy Boothby's novel 'The Marriage Of Esther'.
    #SpookySunday #Viking #ghosts #supernatural

  3. City streets, vampires, and werewolves. Ashai hunts down the arsonist to her blood bar, willing to do whatever it takes, until a local gang brings the city into an all-out war.

    books2read.com/ug
    azaleaforrest.itch.io/the-unde
    💙📚 #books #supernatural #urbanfantasy #writing

  4. City streets, vampires, and werewolves. Ashai hunts down the arsonist to her blood bar, willing to do whatever it takes, until a local gang brings the city into an all-out war.

    books2read.com/ug
    azaleaforrest.itch.io/the-unde
    💙📚 #books #supernatural #urbanfantasy #writing

  5. City streets, vampires, and werewolves. Ashai hunts down the arsonist to her blood bar, willing to do whatever it takes, until a local gang brings the city into an all-out war.

    books2read.com/ug
    azaleaforrest.itch.io/the-unde
    💙📚 #books #supernatural #urbanfantasy #writing

  6. City streets, vampires, and werewolves. Ashai hunts down the arsonist to her blood bar, willing to do whatever it takes, until a local gang brings the city into an all-out war.

    books2read.com/ug
    azaleaforrest.itch.io/the-unde
    💙📚 #books #supernatural #urbanfantasy #writing

  7. City streets, vampires, and werewolves. Ashai hunts down the arsonist to her blood bar, willing to do whatever it takes, until a local gang brings the city into an all-out war.

    books2read.com/ug
    azaleaforrest.itch.io/the-unde
    💙📚 #books #supernatural #urbanfantasy #writing

  8. Moeka Hoshi in Japanese Ghost Story Thriller ‘Never After Dark’ Trailer

    Moeka Hoshi in Japanese Ghost Story Thriller ‘Never After Dark’ Trailer by Alex Billington August 20, 2026Source: YouTube…
    #EuropeSays #Japan #JP #DaveBoyle #foreignfilms #ghoststory #ghosts #Horror #horrorthriller #Japanese #japanesefilm #moekahoshi #neonrated #NeverAfterDark #spiritworld #supernatural #towatch #trailer
    europesays.com/japan/77567/

  9. "Smooth" is a song performed by American #rock band #Santana and #RobThomas of #MatchboxTwenty, who sings the lead vocals. It was released to radio on June 15, 1999, as the #leadSingle from Santana's 1999 studio album, #Supernatural, and was physically released as a single in August. It was written by #ItaalShur and Thomas, who re-wrote Shur's original melody and lyrics, and produced by #MattSerletic. The song was an international success.
    youtube.com/watch?v=6Whgn_iE5uc

  10. Podcast Episode: ROCK DEDICATION: He Never Died (Dedicated to JEFFREY

    Now I know the mysteries of the sea, Tranquil emerald hues, emerald blues, enrapture me, Forever embraced with the mermaid queen, Now I know why the mariner nervously glances, Why no one on Grand Isle will ever say he died. For I too, will never die. They say he never died! In the night his spirit glides, Through the cold the sea roars, Pierre lives on forevermore.

    dwellerofthedark.com/2026/08/0

  11. ROCK DEDICATION: He Never Died (Dedicated to JEFFREY JAMES LEBLANC, SR.)

    Tranquil emerald hues, emerald blues, enrapture me, Forever embraced with the mermaid queen, Now I know why the mariner nervously glances, Why no one on Grand Isle will ever say he died. For I too, will never die. They say he never died! In the night his spirit glides, Through the cold the sea roars, Pierre lives on forevermore. ---HE NEVER DIED

    dwellerofthedark.com/2026/08/0

  12. DEADMAN REFUSES TO GIVE UP THE GHOST AS DC EXTENDS THE SUPERNATURAL SERIES TO 12 ISSUES
    W. Maxwell Prince and Martín Morazzo’s twisted journey through life,...
    comiccrusaders.com/comics/comi
    #The Deadman #Deadman #Boston Brand #DC Comics #DC Next Level #W. Maxwell Prince #Martín Morazzo #Chris O’Halloran #Good Ol’ Neon #Comic Book News #Horror Comics #Supernatural Comics #DC All In

  13. KARMA-FREE TRUMP 💎

    Donald Trump does not need to be hated in order to be seen clearly.

    There is no need to imagine that #karma will #punish him.

    No need to turn him into the #supernatural embodiment of #evil
    No need to diagnose his soul.

    His vanity, grievance, cruelty, #fear ,appetite, and enormous need for #attention are serious enough.

    #Hatred does not improve our #perception.

    It distorts it.

    It makes the hated person larger, darker, and more #powerful in the #mind than they already are.

    It also gives them permanent residence in the #nervous #system.

    Trump should be opposed when he lies, harms, corrupts, intimidates, degrades institutions, or participates in or encourages cruelty.

    That opposition can be #firm.

    It should be relentless.

    It can name exactly what is happening.

    But hatred is not required.

    Nor is #spiritual #fantasy.

    No one knows what happens to Donald Trump after #death.

    No one knows whether the #universe keeps a #punishment #ledger.

    What is known, though, is that actions have consequences here.

    People are harmed.

    Truth is weakened.

    Fear spreads.

    #Cowardice becomes #contagious.

    But cruelty does not have to set the terms.

    #Kindness as strength can be encouraged in the face of cruelty.

    #Courage in the face of intimidation.

    #Truth in the face of deception.

    #Decency in the face of degradation.

    Restraint in the face of vengeance.

    #Clarity in the face of confusion.

    The task is not to hate the man.

    The task is to see clearly, speak plainly, protect those being harmed, and refuse to let cruelty decide who we become.

    #DonaldTrump #Trump #USPolitics #PoliticalClarity #Cruelty #Kindness #Courage #Truth #Decency #Restraint #Clarity #Nonviolence #NoHatred #MoralClarity #Humanity

  14. MYTHOS MAYHEM: ‘Nyarlathotep’ by H.P. Lovecraft (Featuring ‘Nyarlathotep the Yellow King’)

    Nyarlathotep... the crawling chaos... I am the last... I will tell the audient void...' --H. P. Lovecraft (NYARLATHOTEP)

    dwellerofthedark.com/2026/07/1

  15. VAMPIRE HORROR: ‘The Strigae’ by Marcel Schwob

    'While one watches over the dead, one can hear the strigae: they sing airs that carry one away and which, despite oneself, one obeys.' --MARCEL SCHWOB (The Strigae)

    dwellerofthedark.com/2026/07/1

  16. ALIEN SCIENCE FICTION HORROR: ‘Nasty Thing Inside’ by DAVE SMITH

    Venom kissed, alien caressed, the time of humanity’s rule on Earth was no more. Human bones became the ageless dust of brilliant, shimmering stars. --EPOCH OF SATURNALIA

    dwellerofthedark.com/2026/07/1

  17. HORROR MASTER INTERVIEW: Alex Grass (Author of A BOY’S HAMMER, INFERNAL TRAMPS and Many More!)

    Our interview with horror master ALEX GRASS!!!

    dwellerofthedark.com/2026/07/1

  18. It's been 2 years since released! It's still 5-star!

    It's available to order in most bookstores globally! I have had sales in 12 countries on 5 continents!

    The story is based in the Canadian Rockies, near where I live.

    story.adamwebster.ca

    #Bookstodon #WritingCommunity #IndieAuthor #IndieBooks #ContemporaryFantasy #ParanormalFantasy #Supernatural #FantasyBooks #Werewolf #CanadianAuthor #CanLit #CanadianFiction #RockyMountains

  19. Can't Ride Around It (Deadwood Undertaker Series Book 3) "Some things you just can't ride around ..." Sale: $15.24 to $0.99 by Ann Charles, Sam Lucky Rating: 4.8/5 (503 Reviews) #western #horror #kindle #books #booksky #fiction #supernatural #mystery #adventure #deadwood #oldwest #romance

    Amazon

  20. The Trows of #Orkney and #Shetland

    What is a #Trow?

    According to Saxby and Edmondston’s 'Home of a #Naturalist’ (1888):

    “This interesting race of #supernatural beings is closely allied to the #Scandinavian #Trolls, but has some very distinctive characteristics of its own. The Trow is not such a mischief-making #sprite as the Troll, is more #human-like in some respects, and his #nature seems cast in a #morbid, #melancholy mould.”

    faeryfolklorist.blogspot.com/2

    #Folklore

  21. The Trows of #Orkney and #Shetland

    What is a #Trow?

    According to Saxby and Edmondston’s 'Home of a #Naturalist’ (1888):

    “This interesting race of #supernatural beings is closely allied to the #Scandinavian #Trolls, but has some very distinctive characteristics of its own. The Trow is not such a mischief-making #sprite as the Troll, is more #human-like in some respects, and his #nature seems cast in a #morbid, #melancholy mould.”

    faeryfolklorist.blogspot.com/2

    #Folklore

  22. The Trows of #Orkney and #Shetland

    What is a #Trow?

    According to Saxby and Edmondston’s 'Home of a #Naturalist’ (1888):

    “This interesting race of #supernatural beings is closely allied to the #Scandinavian #Trolls, but has some very distinctive characteristics of its own. The Trow is not such a mischief-making #sprite as the Troll, is more #human-like in some respects, and his #nature seems cast in a #morbid, #melancholy mould.”

    faeryfolklorist.blogspot.com/2

    #Folklore

  23. The Trows of #Orkney and #Shetland

    What is a #Trow?

    According to Saxby and Edmondston’s 'Home of a #Naturalist’ (1888):

    “This interesting race of #supernatural beings is closely allied to the #Scandinavian #Trolls, but has some very distinctive characteristics of its own. The Trow is not such a mischief-making #sprite as the Troll, is more #human-like in some respects, and his #nature seems cast in a #morbid, #melancholy mould.”

    faeryfolklorist.blogspot.com/2

    #Folklore

  24. The Trows of #Orkney and #Shetland

    What is a #Trow?

    According to Saxby and Edmondston’s 'Home of a #Naturalist’ (1888):

    “This interesting race of #supernatural beings is closely allied to the #Scandinavian #Trolls, but has some very distinctive characteristics of its own. The Trow is not such a mischief-making #sprite as the Troll, is more #human-like in some respects, and his #nature seems cast in a #morbid, #melancholy mould.”

    faeryfolklorist.blogspot.com/2

    #Folklore

  25. Reihe “Horror Shorts“ 😱
    Ein Horror-Kurzfilmabend, ausgesucht und präsentiert von thegreatkleinfilms. Dieses Mal zum Thema „Supernatural“!
    **********************************************
    – Wann: Donnerstag, 27.11., 20 Uhr
    – Wo: Filmgalerie Phase IV, ⁨⁨#DresdenNeustadt⁩⁩
    – Der Eintritt ist frei!
    – Fassungen: (englisches) Original, ohne UT
    **********************************************
    “Welcome to the supernatural horror short.
    Nein, nicht die Serie. Ein curators finest of HORROR SHORTS THEME: SUPERNATURAL.
    Irgendwas stimmt nicht? stimmen? farben? visionen? Räume verschwinden? aliens? […]“ (1/2)

    ⁨⁨⁨#Supernatural#BodyHorror⁩ ⁨#SlowBurn#Slasher #Aliens #JumpScare ⁨⁨⁨⁨⁨⁨⁨⁨#horrorshortfilm⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#horrorshorts⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#kurzfilm⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#shortfilm⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#shortmovie⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨#FilmBubble⁩⁩ ⁨⁨⁨⁨⁨⁨#DresdenBubble⁩⁩

  26. CW: Furry, Bodily fluids, nude

    Kinktober 2025 - Day 29 - Cum Bath

    In another room, one of the sisters bathes in a tub filled with cum, each passer by adding a their own load to the pool. Whether a ritual sacrifice to her, or baptismal welcoming, she welcomes each in turn.

    #Kinktober #furry #greyscale #Kink #Digital #limitedcolor #Kinktober2025 #deer #possession #cum #excessivecum #cumbath #doe #hoof #hooves #cumonfeet #supernatural

  27. Stone surface background

    (Re)découvrez un épisode culte de la JDR Academy !

    De temps en temps, nous rediffuserons des anciens épisodes, perdus au fin fond de notre flux podcast !

    Deuxième partie de notre chasse au monstre parisienne avec en vedette un seul chasseur !
    Nous jouons à Monster of The Week, un jeu de Michael Sands et édité en France par Studio Deadcrows et Raise Dead Editions. Le système est « propulsé par l’apocalypse » et le scénario est maison.Nous jouons à Monster of The Week, un jeu de Michael Sands et édité en France par Studio Deadcrows et Raise Dead Editions. Le système est « propulsé par l’apocalypse » et le scénario est maison.

    Plus d’info sur le jeu : http://www.legrog.org/jeux/monster-of-the-week

    Dans cet épisode , nous vous proposons de redécouvrir notre Paris mystérieux : Luc Lacroix mène l’enquête pour en savoir plus sur les Écorchés de Fragonard, sans doute à l’origine du chaos…  De la proche banlieue aux Grands Voisins, en passant par les Catacombes et ses habitants, notre magicien découvre la vie mystique de la capitale… Un épisode de transition qui annonce un final dantesque !

    Pour rappel, vous pouvez suivre en parallèle les aventures d’une autre équipe de chasseurs qui parcourent les routes de France, par ici 

    Une enquête menée par Riley avec Valkann
    Montage : Riley

    Soutenez la JDR Academy sur Patreon : https://www.patreon.com/JDRAcademy?l=fr
    Tous les épisodes sont disponibles sur notre site : www.jdracademy.com

    https://youtu.be/S-7V6-aNOtI?feature=shared

    OST

    Blue Oyster Cult – (Don’t Fear) The Reaper

    LOST OST

    Christopher Lennertz – SUPERNATURAL OST

    Jay Gruska – SUPERNATURAL OST

    Tabletopaudio

    Angel OST

    Erik Satie – Gymnopédie No. 1

    Jack Reacher OST

    Jerry Goldsmith – Basic Instinct OST

    jdracademy.fr/rediff-monster-o

    #actualplay #angel #Buffy #creature #Demon #dieu #ecorchés #édition #fragonnard #jdr #jeu #jeuDeRôle #liveplay #maisonsAlfort #MonsterOfTheWeek #monstre #paris #partie #pereLachaise #podcast #police #raiseDead #rediffusion #rpg #sarthe #Supernatural

  28. (Re)découvrez un épisode culte de la JDR Academy !

    De temps en temps, nous rediffuserons des anciens épisodes, perdus au fin fond de notre flux podcast !

    Nous jouons à Monster of The Week, un jeu de Michael Sands et édité en France par Studio Deadcrows et Raise Dead Editions. Le système est « propulsé par l’apocalypse » et le scénario est maison.

    Plus d’info sur le jeu : http://www.legrog.org/jeux/monster-of-the-week

    Dans cet épisode , nous vous proposons de redécouvrir notre Paris mystérieux avec la première affaire d’un Magicien installé sur Paris, enquêtant sur les nombreux mystères de la capitale. Seul, il découvrira l’ampleur de la tâche qui l’attend…
    Dans ce podcast : une visite au cimetière, une course-poursuite dans les ruelles et une enquête qui part à 100 à l’heure !

    La FACE A de cette, ayant pour cadre la Sarthe , et suivant les aventures d’un groupe de chasseurs, est à découvrir par ici :  FACE A – MONSTER OF THE WEEK : EN « FAMILLE »

    Une enquête menée par Riley avec Valkann
    Montage : Riley

    Soutenez la JDR Academy sur Patreon : https://www.patreon.com/JDRAcademy?l=fr
    Tous les épisodes sont disponibles sur notre site : www.jdracademy.com

    https://youtu.be/yXIYSKOI-ns?feature=shared

    OST

    Blue Oyster Cult – (Don’t Fear) The Reaper

    LOST OST

    Christopher Lennertz – SUPERNATURAL OST

    Jay Gruska – SUPERNATURAL OST

    Tabletopaudio

    Angel OST

    Erik Satie – Gymnopédie No. 1

    Jack Reacher OST

    Jerry Goldsmith – Basic Instinct OST

    jdracademy.fr/rediff-monster-o

    #actualplay #angel #Buffy #creature #Demon #dieu #ecorchés #édition #fragonnard #jdr #jeu #jeuDeRôle #liveplay #maisonsAlfort #MonsterOfTheWeek #monstre #paris #partie #pereLachaise #podcast #police #raiseDead #rediffusion #rpg #sarthe #Supernatural

  29. How #Prophecy #Scams Work

    youtube.com/watch?v=ut7MTNQzCsk

    Why do #prophecies from completely contradictory #religions all seem to come true? How can #biblical #prophets, #Nostradamus, and modern #televangelists all claim #divine accuracy when their predictions should logically cancel each other out? What if every "miraculous" prophecy in history succeeded through the same #psychological #tricks rather than #supernatural #insight?

  30. Review: Bokurano

    Bokurano (Bokura No: Ours, ぼくらの), 2003-2009, Kitoh, Mohiro, Ikki STORY: 4 Meet not one, but fifteen school kids! They are fated to protect the earth using giant robots! We get a short good start and, very quickly, you realize you will never get any in-depth explanation about some cosmic-scale tragedy. You can feel that the mangaka has pitched the beginning of the story to the editor without having a solid vision on how to pursue or conclude. We are treated to one arc per kid but all […]

    mangaispolitical.noblogs.org/p

  31. Pop Goes the Cryptid: Explained

    Here is an introduction to the world of Pop Cryptids, showing how cryptozoology, which was intended as a scientific discipline, has now lost that status and is instead a popular culture scene about any weird sentient thing of dubious existence. The scope of the definition of “cryptid” expanded very widely and people are using cryptid representations in all new social ways.

    https://www.youtube.com/watch?v=Sa7daq1cxSM

    Transcript with images

    This is Pop Goes the Cryptid
    I’m Sharon A. Hill

    In this presentation, I’ll argue that there has been an inevitable change in the cryptid landscape from its original intent as a scientific discipline to a modern general topic about any sentient thing of dubious existence. With that shift, we see the scope of the definition of “cryptid” expand very widely to include supernatural, fantastical, mythical or digitally generated creatures.

    This shift in viewing cryptids is due to two main developments:
    1. The collapse of the professional efforts of cryptozoology and
    2. The impact of media of all kinds to bring about an explosion of content and commercialism related to mysterious creatures.

    Together, these factors resulted in a proliferation of ideas about cryptids that strayed far from the original goal of identifying unknown creatures in a zoological framework. Instead we see the rapid diffusion and amplification of unnatural cryptids with fantastical characteristics as well as classic and new cryptids portrayed as supernatural, cute, social, or romantic, a very cultural framework.

    Let’s start with an example of a modern media representation of popular cryptids. For Halloween 2023, the News media organization Axios conducted a tiered voting poll. It’s not clear how the authors chose the creatures to consider but the choices seemed… interesting.

    There were obvious entries – Chupacabra, Jersey Devil, Mothman, Bigfoot, and Champ.
    and then we have two admittedly spirit creatures – LaLlorona (a ghost legend) and the Wendigo. Two werewolf type creatures – the Rougarou and the Michigan Dogman. And the rest are a motley crew of legendary or pop cultural creatures. This voting poll by a general news site can be taken as a snapshot of what the general population thinks of as “cryptids” with only about a half of the 16 entries that might represent an arguably scientific zoological mystery, or a misinterpretation of a typical animal. The rest have decidedly non-zoological origins or characteristics.

    The results were a bit of a confusing mix: Interestingly, traditional cryptids Champ and the Jersey Devil didn’t make it out of the first round! The final four were Bigfoot, Chupacabra, Mothman and (a bit of an outsider.. The Jackalope). In the finals, Chupacabra edged out Bigfoot 51 to 49%. Unfortunately, the poll wasn’t run again the following year. But all these entities are growing in cultural popularity.

    To understand the evolution of cryptids and cryptozoology, we have to consider its original intent.
    Solidified in the 1950s and 60s, the aim of cryptozoology was to be a sub-discipline of zoology where those specializing in cryptozoological methods could be the ones to bring to light some of the many large animals that remained to be discovered using the clues from local people. A key figure in the founding of this field, Bernard Heuvelmans, criticized established scientific institutions for not devoting attention to the stories of unidentified animals that may represent important new species.
He and others, intended it to be a serious endeavor led by zoologists and scholarly professionals. 

    In the 1980s, cryptozoology reached the height of its scientific reputation, with participation of many prominent scientists in a professional society – the International Society of Cryptozoology – with its own journal.

    From its inception, cultural stories of unusual creatures, some of which would become classic cryptids, had been imbued with unnatural or supernatural elements. A primary problem of scientific cryptozoology was how to manage those aspects.

    The fantasy and fictional aspects inherent in many cryptid stories made them difficult for academic study. Selective filtering out of “weird” characteristics was encouraged. The scientific proponents deliberately diminished magical features of popular cryptids – depicting them instead as flesh, blood, pelts and paws. If the cryptid in question was associated with spirits, shamanistic magic, or witchcraft, or if it had supernatural abilities inherent in the local legends, these attributes were brushed aside in an effort to scientifically legitimize the being. This process was aptly termed “Weird washing” – a term coined by modern author Tim Renner. If the stories were from indigenous lore, podcasters Trey the Explainer and Miles Greb called the process “whitrofitting” to note the removal of important native meaning. Particularly unfortunate was that the critical social aspects and uses of folklore tales and legends were disregarded in order to try to legitimize the idea of a new zoological creature.

    While the weird washing was intended to elevate the discourse on mysterious animals, it could not be effectively suppressed entirely and, coming up, we’ll see why.

    By the early 1990s, cryptozoology as a scientific field was already in trouble. The scientific endeavors encouraged by the International Society of Cryptozoology hadn’t panned out. Several attempts to document Bigfoot the Yeti and Nessie, had not been successful.  Expeditions to seek out the Mokele-mbembe (which was suspected to be a living dinosaur in Central Africa, found nothing to support the legend but was a great example of the whitrofitting habit previously mentioned.

    Hoaxes were also rampant. What was successful, however, were the media products that emphasized mystery and exaggerated features of cryptids.

    In 1999, Fortean writers Coleman and Clark said in their Cryptozoology A to Z that cryptozoology was an “integral part of our culture”. In terms of Bigfoot, the Loch Ness Monster and the Yeti, this was undeniably true.

    It’s around the turn of the 21st century that we see the word “cryptid” begin to gain popular usage. First, just in the cryptozoology scene. But, with the growth of cable television and the realistic docu-drama genre, internet forums, and social media, cryptids leave the sphere of scientific speculation and grow in contemporary culture and lore in a huge way. One prominent example is Monster Quest in 2007 – a tv series that explored current thinking about cryptids. This program was influential in showcasing cryptids and that people were actively looking for them. Monster Quest inspired many to dive into the subject themselves.

    Yet, such programming again tended to weird wash the history. According to Palaeozoological scientist Darren Naish, descriptions of cryptids always reflected the cultural (and scientific) beliefs of the era, changing over time. This was an aspect that was not explored in short tv episodes, but the ever-changing descriptions of cryptids with the times were a strong argument against that cryptid being a real biological animal. 

    An argument for the decay of cryptozoology as a scientific term is supported by two examples that compare the usage of the words cryptozoology and cryptids. The concept of cryptozoology existed in the 1950s, but the term cryptid didn’t appear until 1983 as a suggestion in the Society’s newsletter.

    Using the Google Books Ngram Viewer, the data shows how often the words cryptozoology and cryptid appear in a corpus of books over the selected years from 1960 to 2018. First, we notice the rise of cryptozoology in the 1980s, when the professional society and its standing rises. The concept of scientific study of unknown animals is becoming more culturally known. Around 2000, we see the start of the popularization of the word cryptid published. Note that the internet was well on its way to connecting the world by this time. The media boom lifted both terms. But in 2014, there was a sea change. The term cryptozoology stagnated as the term cryptid took off. This can be attributed to social media influence that encourage and spread content about strange creatures. Monster stories trended. People clicked on them and there was a proliferation of local monster tales and publications.

    This trend was also evident in internet search habits.

    This is a graph of Google queries for “Cryptozoology” and “Cryptid” in the US. Again, we see something about 2014 that signaled a shift in the popularity of cryptid that, unexpectedly seemed to reinforce the decline of cryptozoology search term, It was as if the “zoology” part was not longer deemed useful or interesting. Beginning around 2007, as with the Ngram data, we see cryptid start to rise.

    What’s with that spike 2014? As far as I can tell, this was the mainly the result of the premier of the history channel show called Cryptid – The Swamp Beast. This was a fictional horror mockumentary dramatizing alleged encounters with mythical swamp creatures in the southern US. Perhaps we might argue that the title and premise of that show really cemented the idea of cryptids as exaggerated monsters in pop mainstream.

    Starting around 2005, a wave of imaginative depictions of cryptids appeared. The term and the concept appeared on television, in fictional literature, games, all over the Internet and eventually in community festivals, on social media and as a part of personal identity. The mysterious and paranormal elements were emphasized because that proved to be enticing to audiences. So, the result was a fun but exaggerated depiction of cryptids in popular culture. Here are some examples of the early 21st century cryptid boom – from 2005 to 2013.

    Roland Smith’s Cryptid Hunters young adult adventure series, the hugely popular Messin’ with sasquatch promotion for Jack Links jerky, the cryptid hunting cartoon family in the Secret Saturdays show, the discovery of and explosion of interest in the Montauk monster – a raccoon carcass discovered in New York, the 2009 fictional series Lost Tapes on Animal planet – which was at the time viewed as an educational channel, and the stunning childrens book on the Legend of the Jersey Devil in 2013 – one of many books that commercialized cryptids for young children. And in the center, symbolizing the importance of local cryptids tales to small communities, is the mothman statue of Point Pleasant west virginia.

    The foundational characteristic of cryptids, their secretiveness, remained a key feature. But the answer to the mystery of what they really were became less important than the situations and tales that could be spun from them. The possibilities expanded far beyond the concept of an unknown animal. Now a cryptid could be any kind of entity, real or fantastical. The more important aspect was belief and the utility of that belief. Cryptid belief manifested in consumerism, tourism, personal and regional identity and even influenced people’s overall worldview.

    There were few scientific voices now advocating for the zoological reality of cryptids.. Without a scientific society or official cryptid gatekeeper anymore, creation and manipulation of cryptids was an open process made easy by worldwide platforms for self-expression. The internet made existing ideas freshly available to a new generation. The options for sharing ideas was greatly expanded. New ideas sprung up, evolved and hybridized.

    With no scientific documentation, cryptids are untethered to reality, existing outside the rules of biological evolution, and zoology. They can freely evolve culturally. And so they did. Popular culture rewarded the expansion and remixing of these ideas, the creation of new cryptids, and the repopularizing of past cryptids for present purposes.

    Even though Cryptozoology failed as a scientific endeavor, There will always be a portion of cryptozoology proponents that consider it to be strictly zoological, who insist that unknown animals once called cryptids will still be found, and that occult and paranormal aspects should be excluded and disparaged. However, today, the zoological cryptid idea had left the barn, so to speak…

    The fun in believing in the folklore aspects of cryptids, and as mysterious and magical creatures, is clearly winning out as shown in our modern popular culture. No more weird washing!

    In the social media age, the word cryptid expanded to now incorporate all types of weird entities. This trend is often denigrated by those old school self-styled cryptozoologists who insist a cryptid is a potentially classifiable zoological animal. But the zoological aspect of cryptid is too narrow for today’s definition. Here are some modern examples of cryptid expanded.

    Your cat can be a cryptid if he’s mysterious and rarely seen. LOAB, is a haunting creature in the form of a frightening woman said to have been created unexpectedly by an image algorithm, and called the first AI generated cryptid. The term cryptid is used to describe any weird sentient thing like an unexpected and surprising human form or, possibly in the oddest example, a machine that has unusual and bizarre features as well as a mysterious origin.

    New in the 21st century are efforts people make to publicly construct a personal identity, sharing it with the world via social media. Known as “aesthetics”, these are a collection of core elements that form an overall theme and mood adopted by a person as part of their social identity. The Cryptidcore aesthetic focuses on interest in creatures from legends and folklore. Note how it does not strongly identify with scientific zoology. Cryptidcore is not highly focused on the biological reality of the animal, but the on the paranormal, mysterious, and quirky aspects of cryptids. Other core elements are interest in unexplained phenomena, conspiracy ideas, and attraction to mysterious or haunted places.

    The origin of cryptidcore can be traced to 2014 on Tumblr, where it emerged from the fanbases of televisions shows of the 2010s. Once again, we see a clear outcome of how media content has been an indisputable heavy influence on the modern view of cryptids. Cryptidcore embraces the cute, funny, magical, romantic and spiritual characteristics of cryptids. And the merchandise flows from these favored themes.

    Modern online efforts made in seeking and studying a cryptid are frequently less about solving a mystery and more about fashionably performing one’s values, beliefs, and identity. Today’s cryptid enthusiast readily admits to enjoying and enhancing the spooky, off-beat, and mysterious aspects of the subject. They embrace the unusual or paranormal aspects because it’s more popular than assuming the creature is just a regular animal.

    This is the opposite of what I previously referred to as weird washing or whitetrofitting – instead of demythifying a cryptid with a purpose to catalogue it to fit into the biological tree of life, the unusual or supernatural aspects are EMPHASIZED. The cryptid enthusiast wants to take the legend trips, and cosplay, and enjoy the spooky tales. The cryptid scene is far more open to diversity and being the “other” or the outsider is a celebrated.

    To wrap up this introduction to Pop Cryptids, we have to return to the initial intent of cryptozoology.

    Can scientific cryptozoology return? And should it? The strict zoological approach was not successful; and there are many reasons why it failed. The modern world is simply not the same as that of 19th century colonialist explorers the influenced the ideas of the original International Society of Cryptozoology..

    Considering the lack of any progress made in finding Bigfoot and other cryptids, there is no justification for a special scientific field of cryptozoology. But that does not mean that the field of study dies, just that it evolves to make sense in the present.

    Modern cryptozoology still includes scientifical performing. That is, talking and acting like one imagines a scientist would in order to sound credible and convincing about cryptid. Interestingly, now the supernatural aspects are included right alongside the representation of authority.

    We also have a resurgence in local folklore and town-specific cryptid festivals that are open to everyone.

    We have ample evidence for the development of “paranormal” beliefs as a folk religion. A prime example of various ideas about the paranormal including cryptids all coming together is Skinwalker Ranch where it’s suggested that all the events occurring in one place possibly have a single hypothetical supernatural cause.

    Will the paranormal trend collapse and the scientific view reemerge on top again? The current superstar of cryptids, the biologically impossible dogmen, would suggest not. It’s hard to predict what will trend in the coming decade. But, without the body of a genuine high profile cryptid being discovered and exposed for the world, we are in the age of post-cryptozoology cryptids.

    Thanks for listening.
    Find out more and follow the news about pop cryptids on my website sharonahill.com

    #Bigfoot #cryptidcore #Cryptozoology #MonsterQuest #Mothman #Nessie #Paranormal #popCryptids #popCulture #PopGoesTheCryptid #popularCulture #Scientifical #supernatural #weirdWashing #whitrofitting

    sharonahill.com/?p=9108

  32. moezine.com/1378520/ 【ホラー】突如エイム案件になり、ノーコン世界代表ゴー☆ジャス氏パニックに陥り衝撃の結果を披露する!!【Supernatural #3(完)】 【ホラー】突如エイム案件になり、ノーコン世界代表ゴー☆ジャス氏パニックに陥り衝撃の結果を披露する!!【Supernatural #3(完)】 マイクで叫べば叫ぶほど怖くなる?… ##ネタバレ #actress #ending #HorrorGames #ScaryGames #supernatural #TEAMSHACHI #えりにゃん #エンディング #おすすめホラーゲーム #クリア #ゲーム #ゲーム実況 #ゴー☆ジャス #ゴー☆ジャス動画 #ゴージャス #ごーじゃすどうが #ゴージャス動画 #チームしゃちほこ #にゃんえり #ホラーゲーム #ホラゲ #ホラゲー #マイク #上矢えり奈 #人気 #人気ホラーゲーム #仮面女子 #叫べば叫ぶほど怖くなる #女優 #実況 #怖い #新作 #最新作 #秋本帆華 #結末 #絶叫 #英会話 #英語

  33. The #Fic_Facers charity auction is near and from this year on, we go Mulitifandom!

    What we do: Artists, Writers, Craftspeople, Cosplayers a. more offer lots that you can bid on and when you win, you give that money straight to Random Acts and the creative contacts you for details on your personal piece that is made just for you!

    Curious? More info on our Website: juliahouston.com/fic-facers/

    ⚠️ We are still searching for more creatives!

    #Ofmd #GoodOmens #Supernatural #FanArt #Lucifer

    pls Share