#alanmoore — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #alanmoore, aggregated by home.social.
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Newest Edition Of Alan Moore’s Batman: The Killing Joke Costs Over $17,000
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Mit die schönsten Szenen von #PennyDreadful: wenn Vanessa Ives (Eva Green) und die Kreatur (Rory Kinnear) sich gegenseitig mit Lyrik trösten. Hier z.B. #JohnClare, der ›verrückte‹ Provinz-Poet, der auch in »Jerusalem« von #AlanMoore eine wichtige Nebenrolle spielt.
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Mit die schönsten Szenen von #PennyDreadful: wenn Vanessa Ives (Eva Green) und die Kreatur (Rory Kinnear) sich gegenseitig mit Lyrik trösten. Hier z.B. #JohnClare, der ›verrückte‹ Provinz-Poet, der auch in »Jerusalem« von #AlanMoore eine wichtige Nebenrolle spielt.
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Mit die schönsten Szenen von #PennyDreadful: wenn Vanessa Ives (Eva Green) und die Kreatur (Rory Kinnear) sich gegenseitig mit Lyrik trösten. Hier z.B. #JohnClare, der ›verrückte‹ Provinz-Poet, der auch in »Jerusalem« von #AlanMoore eine wichtige Nebenrolle spielt.
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With #TheBoys returning for its final season, I've been checking out some other #GarthEnnis stuff, which led me to this story by #AlanMoore based on Ennis's "Crossed" series.
It's nothing new for Moore to take someone else's story and expand upon it in wonderful and unexpected ways. Apparently, this project was the result of a long conversation between Ennis and Moore about the series. Get yourself a friend like that!
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Alan Moore dice che i fumetti oggi sono troppo costosi e meno accessibili
https://web.brid.gy/r/https://fumettologica.it/2026/04/alan-moore-fumetti-oggi-troppo-costosi/
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Went to one of my favourite second hand bookshops today, because sometimes you need some escapist fun.
Love that Johnny Alpha. He's my dude.
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Went to one of my favourite second hand bookshops today, because sometimes you need some escapist fun.
Love that Johnny Alpha. He's my dude.
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Went to one of my favourite second hand bookshops today, because sometimes you need some escapist fun.
Love that Johnny Alpha. He's my dude.
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Went to one of my favourite second hand bookshops today, because sometimes you need some escapist fun.
Love that Johnny Alpha. He's my dude.
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Went to one of my favourite second hand bookshops today, because sometimes you need some escapist fun.
Love that Johnny Alpha. He's my dude.
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Seica no instituto da minha filha andam a botar-lhes "V de Vendetta", a película, na aula de "Valores". Espero que aproveite o professor para lhes explicar a sangrante traiçom que supóm con respeito à obra original, algo que tentei há 20 anos denunciar com a criaçom deste site, agora arquivado e com moitas links rachadas: http://legadoweb.com/vdevendetta/
Algún dos artigos referidos: https://rebelion.org/v-de-vendetta-a-de-anarquia/
#VdeVendetta #VforVendetta #AforAnarchy #anarquismo #AlanMoore
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Seica no instituto da minha filha andam a botar-lhes "V de Vendetta", a película, na aula de "Valores". Espero que aproveite o professor para lhes explicar a sangrante traiçom que supóm con respeito à obra original, algo que tentei há 20 anos denunciar com a criaçom deste site, agora arquivado e com moitas links rachadas: http://legadoweb.com/vdevendetta/
Algún dos artigos referidos: https://rebelion.org/v-de-vendetta-a-de-anarquia/
#VdeVendetta #VforVendetta #AforAnarchy #anarquismo #AlanMoore
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Seica no instituto da minha filha andam a botar-lhes "V de Vendetta", a película, na aula de "Valores". Espero que aproveite o professor para lhes explicar a sangrante traiçom que supóm con respeito à obra original, algo que tentei há 20 anos denunciar com a criaçom deste site, agora arquivado e com moitas links rachadas: http://legadoweb.com/vdevendetta/
Algún dos artigos referidos: https://rebelion.org/v-de-vendetta-a-de-anarquia/
#VdeVendetta #VforVendetta #AforAnarchy #anarquismo #AlanMoore
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Seica no instituto da minha filha andam a botar-lhes "V de Vendetta", a película, na aula de "Valores". Espero que aproveite o professor para lhes explicar a sangrante traiçom que supóm con respeito à obra original, algo que tentei há 20 anos denunciar com a criaçom deste site, agora arquivado e com moitas links rachadas: http://legadoweb.com/vdevendetta/
Algún dos artigos referidos: https://rebelion.org/v-de-vendetta-a-de-anarquia/
#VdeVendetta #VforVendetta #AforAnarchy #anarquismo #AlanMoore
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Seica no instituto da minha filha andam a botar-lhes "V de Vendetta", a película, na aula de "Valores". Espero que aproveite o professor para lhes explicar a sangrante traiçom que supóm con respeito à obra original, algo que tentei há 20 anos denunciar com a criaçom deste site, agora arquivado e com moitas links rachadas: http://legadoweb.com/vdevendetta/
Algún dos artigos referidos: https://rebelion.org/v-de-vendetta-a-de-anarquia/
#VdeVendetta #VforVendetta #AforAnarchy #anarquismo #AlanMoore
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Movie TV Tech Geeks #Movie #VForVendetta #AlanMoore #Watchmen Collider Rewind: Ranking Every Alan Moore Movie http://dlvr.it/TRYgp1
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The first version of V for Vendetta was a comic serial published by DC between 1992-95. In his 2003 retrospective film The Mindscape of Alan Moore, Moore said he wrote it to issue a literary warning to the people of Britain about the dangers of mass surveillance. Instead, he said, successive governments practically used it as a reference guide for how to ramp up authoritarian practices, and especially passive spying on their citizens.
(6/?)
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The first version of V for Vendetta was a comic serial published by DC between 1992-95. In his 2003 retrospective film The Mindscape of Alan Moore, Moore said he wrote it to issue a literary warning to the people of Britain about the dangers of mass surveillance. Instead, he said, successive governments practically used it as a reference guide for how to ramp up authoritarian practices, and especially passive spying on their citizens.
(6/?)
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The first version of V for Vendetta was a comic serial published by DC between 1992-95. In his 2003 retrospective film The Mindscape of Alan Moore, Moore said he wrote it to issue a literary warning to the people of Britain about the dangers of mass surveillance. Instead, he said, successive governments practically used it as a reference guide for how to ramp up authoritarian practices, and especially passive spying on their citizens.
(6/?)
-
The first version of V for Vendetta was a comic serial published by DC between 1992-95. In his 2003 retrospective film The Mindscape of Alan Moore, Moore said he wrote it to issue a literary warning to the people of Britain about the dangers of mass surveillance. Instead, he said, successive governments practically used it as a reference guide for how to ramp up authoritarian practices, and especially passive spying on their citizens.
(6/?)
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Finished - The Great When, Alan Moore
A big fan of Moore’s comic work, I was a little disappointed with this. It’s not terrible, Moore’s imagination is there in spades. But I’m not convinced his strengths are in long form writing. Or he needs a stronger editor. Too much exposition, and a baggy plot. But fun.
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Finished - The Great When, Alan Moore
A big fan of Moore’s comic work, I was a little disappointed with this. It’s not terrible, Moore’s imagination is there in spades. But I’m not convinced his strengths are in long form writing. Or he needs a stronger editor. Too much exposition, and a baggy plot. But fun.
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Finished - The Great When, Alan Moore
A big fan of Moore’s comic work, I was a little disappointed with this. It’s not terrible, Moore’s imagination is there in spades. But I’m not convinced his strengths are in long form writing. Or he needs a stronger editor. Too much exposition, and a baggy plot. But fun.
-
Finished - The Great When, Alan Moore
A big fan of Moore’s comic work, I was a little disappointed with this. It’s not terrible, Moore’s imagination is there in spades. But I’m not convinced his strengths are in long form writing. Or he needs a stronger editor. Too much exposition, and a baggy plot. But fun.
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Finished - The Great When, Alan Moore
A big fan of Moore’s comic work, I was a little disappointed with this. It’s not terrible, Moore’s imagination is there in spades. But I’m not convinced his strengths are in long form writing. Or he needs a stronger editor. Too much exposition, and a baggy plot. But fun.
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"Brought to Light" on the Internet Archive
From Wikipedia:
Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.
As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]
The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.
#BillSienkiewicz #AlanMoore #BroughtToLight
https://archive.org/details/BroughtToLightShadowplayTheSecretTeam/mode/2up
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"Brought to Light" on the Internet Archive
From Wikipedia:
Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.
As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]
The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.
#BillSienkiewicz #AlanMoore #BroughtToLight
https://archive.org/details/BroughtToLightShadowplayTheSecretTeam/mode/2up
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"Brought to Light" on the Internet Archive
From Wikipedia:
Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.
As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]
The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.
#BillSienkiewicz #AlanMoore #BroughtToLight
https://archive.org/details/BroughtToLightShadowplayTheSecretTeam/mode/2up
-
"Brought to Light" on the Internet Archive
From Wikipedia:
Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.
As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]
The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.
#BillSienkiewicz #AlanMoore #BroughtToLight
https://archive.org/details/BroughtToLightShadowplayTheSecretTeam/mode/2up
-
"Brought to Light" on the Internet Archive
From Wikipedia:
Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.
As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]
The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.
#BillSienkiewicz #AlanMoore #BroughtToLight
https://archive.org/details/BroughtToLightShadowplayTheSecretTeam/mode/2up
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#bookstodon #alanmoore #writing
Book - The Great When
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#bookstodon #alanmoore #writing
Book - The Great When
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#bookstodon #alanmoore #writing
Book - The Great When
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#bookstodon #alanmoore #writing
Book - The Great When
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#bookstodon #alanmoore #writing
Book - The Great When
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Good News für Freundinnen und Freunde des Schaffens und Babbelns von #AlanMoore. Die achtteilige Gesprächs-Doku »Beim Barte des Propheten« (»Dans la tête d’Alan Moore«, 2017) von #Arte gibt es nun wieder mal im Netz (leider bei Arte nicht mehr im Arcghiv). Diesmal am Stück.
https://youtu.be/_azy2JF8Lfw -
Good News für Freundinnen und Freunde des Schaffens und Babbelns von #AlanMoore. Die achtteilige Gesprächs-Doku »Beim Barte des Propheten« (»Dans la tête d’Alan Moore«, 2017) von #Arte gibt es nun wieder mal im Netz (leider bei Arte nicht mehr im Arcghiv). Diesmal am Stück.
https://youtu.be/_azy2JF8Lfw -
Good News für Freundinnen und Freunde des Schaffens und Babbelns von #AlanMoore. Die achtteilige Gesprächs-Doku »Beim Barte des Propheten« (»Dans la tête d’Alan Moore«, 2017) von #Arte gibt es nun wieder mal im Netz (leider bei Arte nicht mehr im Arcghiv). Diesmal am Stück.
https://youtu.be/_azy2JF8Lfw -
Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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So, what do you think UK politics is really like?